RPGs

The Other OSR: Miseries & Misfortunes I

Reviews from R'lyeh -

The year is 1648. The War of the Counter-Reformation never seems to end as what was at first a civil between the Germanic states of the Holy Roman Empire over the rights and dominance of the Lutheran and Catholic churches that drew other nations of Europe and escalated into a contest for European dominance between Habsburg-ruled Spain and Austria, and the French House of Bourbon. Surrounded by Spanish Hapsburgs to the south, east, and north, France not only faces enemies from without, but also within, for the kingdom is divided by many loyalties. Louis XIV is only ten, but has already been king for five years. His mother, Queen Anne, a former Habsburg princess and the most hated woman in France, governs as regent with aid of her able prime minister, Cardinal Mazarin, the most hated man in France. Together they have kept France safe, but the continued need for more funds to maintain the war effort requires more taxes to be raised and more offices to be sold, arousing the anger of Parlement. Worse, the burden of the taxes will fall upon the bourgeois and the peasantry, those of the third estate or menu peuple, and the poor, or les maginaux, whilst the nobility of the second estate pay little and the clergy of the first estate pay none. All of which is collected in a manner which is inefficient and prone to corruption. Thus, there is a divide between all levels of society, between those who can afford to pay taxes and pay little and those who cannot afford to pay taxes and pay more. There are divisions of religion between the Catholics, Lutherans, Huguenots, and Jews. There are divisions of loyalty and politics between the Royalists who support Queen Anne and Cardinal Mazarin; the Frondeurs who oppose both them and the heavy tax burden; the Noblists who oppose Queen Anne and Cardinal Mazarin in order to maintain the independence of France’s great families; the Hapsburg faction which would ally with the biggest power in Europe as it would be best to be on the winning side and the right side of God; and the Cardinalists, who recognise Mazarin as the real power in France and believe his efforts have kept France safe to date. This is France in 1648 and the background to Miseries & Misfortunes.

Miseries & Misfortunes is a roleplaying game set in seventeenth century France designed and published following a successful Kickstarter campaign by Luke Crane, best known for the fantasy roleplaying game, Burning Wheel. Notably, it is based on the mechanics of Basic Dungeons & Dragons. Originally, Miseries & Misfortunes appeared as a fanzine in 2015, but its second edition has since been developed to add new systems for skills, combat, magic, and more. However, the underlying philosophy of Miseries & Misfortunes still leans back into the play style of Basic Dungeons & Dragons. For example, the differing mechanics of rolling low for skill checks, but high for combat rolls and saving throws. Plus, the Player Characters exist in an uncaring world where bad luck, misfortune, and even death will befall them and there will be no one left to commiserate or mourn except the other characters and their players. Further, Miseries & Misfortunes is not a cinematic swashbuckling game of musketeers versus the Cardinal’s guards. It is grimmer and grimier than that, and the Player Characters can come from all walks of life. That said, it is set in the similar period as Alexandre Dumas’ Three Musketeers and Twenty Years After, so will be familiar to many players. The other major inspiration for Miseries & Misfortunes is Les Misères et les Malheurs de la Guerre, a set of eighteen etchings by French artist Jacques Callot that grimly depict the nature of the conflict in the early years of the Thirty Years War.

Miseries & Misfortunes – Book 1: Roleplaying in 1648 France is the first of the roleplaying game’s two core rulebooks. It presents the core rules and background, as well as explaining elements of the Player Character, whilst Miseries & Misfortunes – Book 2: Les Fruits Malheureux provides the means to actually create Player Characters. Further rulebooks and supplements add expanded rules, magic, science, and divinity, provide a detailed scenario and setting, and describe Paris in this period. A Player Character in Miseries & Misfortunes has six governing abilities—Strength, Intelligence, Wisdom, Dexterity, Constitution, and Charisma. These range in value between three and eighteen, but can go lower. Each provides a bonus to the roleplaying game’s eight skills, but for situations where pure Strength or Intelligence is required, a roll equal to, or less than the value will succeed. The eight core skills are Break, Improvise, Listen, Parley, Sang Froid, Search, Sneak, and Traverse. Of these Sang Froid, or ‘cold blood’, is the strong will and steeliness needed to commit acts of violence. Each skill is represented by a die type and rating, for example, ‘3/6’, meaning that the Player Character must roll three or less on a six-sided die to succeed. If a skill is raised to ‘5/6’ and then raised again, its die type increases to ‘7/8’, meaning that the Player Character must roll seven or less on an eight-sided die to succeed. The maximum a Player Character can have in a skill is ‘19/20’. The rating of a skill can be raised during character generation, following the Life Paths presented in Miseries & Misfortunes – Book 2: Les Fruits Malheureux, and temporarily during play with bonuses for situation and the Player Character’s actions. A skill rating reduced to zero is ‘Unmoored’ and rolled on ‘1/10’.

A Player Character has four saves—Artillery, Chance, Poison & Plague, and Terror. These are set at sixteen. They can be lowered as a result of events in a Player Character’s Life Path. Similarly, his values for Defence—based on Strength, and Dodge—based on Dexterity, are also modified by a Player Character’s Life Path. Hit Points and Will—lost either in a duel of wits, from losing a fight, from encountering the supernatural, or being attacked in the press—are also determined by a Player Character’s Life Path. A Player Character has three Mentalités, Nationality, Politics, and Religion, which are also treated like skills. In the core rules for Miseries & Misfortunes, Nationality will be French, but Politics can be Royalist, Froundeur, Noblist, Hapsburg, or Cardinalist, whilst Religion can be Catholic, Lutheran, Huguenot, or Jewish. All of which will set up rivalries and influence interaction as play progresses. Lastly, a Player Character will have Precedence, which will depend upon which of the three estates he belongs to and his station within that estate. This is the equivalent of his social status and will play a role in interactions with NPCs and in duels of wit.
In addition to Precedence, a Player Character’s wealth or Fortune, will play an important role in his life. A Player Character can own property and have an income, and ideally it will support his lifestyle. It may also need to support the lifestyle of dependents, which can be some of the obligations that the Player Character must fulfil, at least financially. A Player Character will need to manage his assets and there are guidelines for living beyond your means, gifts, loans, charity, debt, and bankruptcy. All of which, along with Precedence can influence a Player Character’s Reputation. This is measured by quality of birth, station, military rank, wealth, deeds—acknowledged and unacknowledged, and can see the Player Character gain Entrée into high society and more. However, Reputation needs to be maintained, and again that requires wealth and income.
Combat in Miseries & Misfortunes takes two forms. ‘Duel of Wits’ covers pointed social interaction—insults, threats, accusations, bribes, seductions, and more. Much like physical combat, it takes account of range, which can be an intimate space, at speaking distance, shouting distance, and the press. Types of social interaction are treated as weapons in a ‘Duel of Wits’, for example, Accuse, Beg pardon, Poison, Implore, Shame, and more. The difficulty of each varies according to target distance, so that, for example, Confession is more likely to succeed at intimate and speaking distances, and less so when shouting in in the press. A successful social attack both inflicts damage to the target’s Will and if the target’s Will is reduced to zero, triggers a victory condition. In the case of Confession, the target believes the confession and will either consider the confessor brave for revealing the truth or scandalised by its content! Otherwise, social manoeuvres will be exchanged until the Will of one side is reduced to zero and the victory condition triggered.

The other form of combat in Miseries & Misfortunes is physical. It covers skirmishes, ambushes, morale, barricades, and more. The scale here is not just the personal, but all the way up to small scale battles, including artillery barrages and musket fusillades. One of the omissions here is dedicated rules for duelling, doing what the ‘Duel of Wits’ did for social interaction, but for sword and pistol exchanges. This is problematic if the potential player comes to Miseries & Misfortunes for the swashbuckling, musketeering, cinematic action that its genre and setting suggest. He will be disappointed, but Miseries & Misfortunes is not that style of roleplaying game and there are plenty of other options if that is what he wants.

One of the most interesting mechanics in Miseries & Misfortunes is ‘Mortal Coil’. This is its equivalent of a luck mechanic, but it is a decidedly grim and brutal one. In play, a Player Character can exert himself to reroll skills, combat rolls, saves, ability tests, and even force an opposing Player Character’s player to reroll. However, this literally reduces his ‘Mortal Coil’. Every Player Character in Miseries & Misfortunes has a base allotment of years, determined by the quality of his birth. It is rolled for by the Game Master and kept secret. This is the number of years which the Player Character will live barring unfortunate circumstances such as adventuring and seeking a fortune. The number of points a Player Character has with which to exert himself is equal to his maximum age minus his current age. Thus, every time he exerts himself, he reduces his lifespan by one year, and because the player does not know how long his character will live, this is incredibly harsh. It does not mean that the Player Character simply drops dead on the spot, but that he more likely to suffer ill effects from his efforts as he grows weary. This might be to fall down dead, but it might also see the Player Character addled in the brain and suffer a loss of Intelligence and need to spend two seasons resting or driven to drown his sorrows in drink for a season, potentially suffering a Constitution loss. These are rolled for on the Mortal Coil table, which is also rolled on should a Player Character be reduced to zero Hit Points. The roll on the Mortal Table is modified by the number of times a Player Character has exerted himself, by the Player Characters’ Virtues and Flaws, and by the group motif—that which serves as a bond between them. It is also possible to increase a Player Character’s Mortal Coil by completing life paths.

Old School Renaissance roleplaying games in general do not have a luck or fortune mechanic. The fact that Miseries & Misfortunes does, moves it away from being a straightforward Old School Renaissance retroclone. Yet the harsh nature of the Mortal Coil mechanic ameliorates that to some extent, giving the player a choice between the consequences of a failed roll versus giving up a year of his life each time. It is a nasty little Hobson’s Choice of a mechanic that gives a player something that the average Old School Renaissance retroclone does not—a decision as to the consequences suffered.

Physically, Miseries & Misfortunes – Book 1: Roleplaying in 1648 France is well presented and written. It is illustrated with a period artwork and etchings which helps impart its historical setting. If it is missing anything, it is an index, but at just over a hundred pages, this is not too much of an issue.

Miseries & Misfortunes – Book 1: Roleplaying in 1648 France has its origins in an Old School Renaissance-style supplement, the original Miseries & Misfortunes fanzine, but its combination of skill system, use of life paths and detailed characters and backgrounds, a luck mechanic, and mechanics for social interaction are modern design choices—no surprise given that the designer also created Burning Wheel—rather than those necessarily of the Old School Renaissance. However, its tone and sensibilities in terms of the fragility of the Player Characters and their place in a harsh, uncaring world do lean back into the Old School Renaissance. The resulting combination is brutal and grim, all played out against an interesting historical setting that is supported by the detailed mechanics presented in Miseries & Misfortunes – Book 1: Roleplaying in 1648 France.

Character Creation Challenge: Nigel Blade for Wasted Lands

The Other Side -

 Back in the mid-80s, I discovered psychology. I thought it was a great topic and it really fascinated me. I started, of course, with the classics where most people start, Freud and Jung. Well, really, Jung and then Freud , I wanted to read Jung and, in particular, Synchronicity in the original German. It was not easy let me tell you. While both Freud and Jung are psychoanalysts, but Jung always more like philosophy to me.  One of his concepts was that of the Anima and the Animus side of your personality. Like a Ying and Yang. Similarly, Freud had his view of the Id, Ego, and Super-ego (das Es, Ich, and Über-Ich), which I think a lot of people at least have a passing knowledge of. 

You might be asking, great, but what does this arm-chair psychology have to do with characters? Well for this weekend, a lot. 

Psychology Character Sheets

My exploration of psychology (which also led to my eventual career as a Psychologist) was going on at the same time as some of my most prolific character creations.  It is no shock, then, that I have characters that represent these psychoanalytic concepts. 

On the Jungian side (because I am still Jung at heart! Yes, I use that joke often) we have my obvious Anima in Larina. In fact, I may have identified her as an anima before she was a character. My Animus is Phygora. I have not explored him much because what is there to say? He is an academic, he has magic. Swap magic for science, and you have me.     

On the Freudian side, Johan I is very much my Super-ego. So, who are my Id and Ego characters?  

Ego represents you, who you are to the outside world. My Ego character is "Retsam Elddir" (yeah, I will explain that later).

Id represents all your unchecked desires and dark impulses. My Id is Nigel "Death Blade" Delamort.

Nigel "Death Blade" Delamort sheets

Who is Nigel "Death Blade" Delamort?

Nigel was a 1st Ed AD&D character and I had a lot of fun with him. He is/was a Neutral Evil assassin that used to adventure in the same party as Johan II. I fudged it and said that both heard a prophecy that they would both be needed in a great war and they could not harm each other.  All BS of course, I wanted to have a LG Paladin and a NE Assassin at the same time. 

Nigel began life through a dirt-poor second son in Specularum, he tried to steal a dagger from a local blacksmith. Instead of turning the boy in the blacksmith trained him, until the blacksmith was killed by assassins.  I won't get into the details here, but suffice to say that he was a fun character who allowed me to live out a lot of violence (it is what my Id would do).  

He mellowed out over the years. Which is good because he was a bit of an asshole.

Through a series of events that are too long and complicated to get into here, Nigel was transported to the future so I could use him Star Frontiers. He would come back to help Johan in my big war at the end of High School with his spaceship, the Lucifer.  Along the way, he became immortal, or at least very long-lived, and he has been a galactic bounty hunter for hire. 

Nigel "Death Blade" DelamortNigel "Death Blade" Delamort

Class: Renegade
Level: 20
Species: Human
Alignment: Twilight Evil
Background: Craft (Blacksmith)

Abilities
Strength: 18 (+3) N
Agility: 20 (+4) A
Toughness: 17 (+2) N
Intelligence: 13 (+1) 
Wits: 12 (+1) 
Persona: 8 (-1) 

Fate Points: 1d12
Defense Value: 2
Vitality: 119
Degeneracy: 1
Corruption: 0

Check Bonus (A/N/D): +8/+6/+4
Melee Bonus: +6 (base) +3 +2 (touchstones) 
Ranged Bonus: +6 (base) +4 +1 (touchstone)
Spell Attack: NA
Saves: +7 vs Death effects (Renegade), +2 to Toughness-based saves related to stamina and endurance (Craft). +1 to all (touchstone)

Renegade Abilities
Improved Defence, Ranged Combat, Stealth Skills, Climbing, Danger Sense (1-7 d8), Perception, Vital Strike x7, Read Languages, Stealth Skills

Warrior Abilities
Combat Expertise, Improved Defence, Melee Combat, Master of Battle, Supernatural Attacks, Spell Resistance, Tracking, Masters of Weapons, Extra Attacks (x2), Extra Damage

Stealth Skills
Open Locks: 95%
Bypass Traps: 95%
Sleight of Hand: 95%
Sneak: 95%
Climbing: 95%
Perception: 95%

Heroic/Divine Touchstones 
1st Level:  +1 to melee attacks
2nd Level: Favored Weapon: Sword (+1 to hit, +2 Damage)
3rd Level: Level 1 of Warrior
4th Level: Level 2 of Warrior
5th Level: +1 to all checks, attacks, and saves
6th Level: Level 3 of Warrior
7th Level: Character ceases to age
8th Level: Level 4 of Warrior
9th Level: Down but not Out
10th Level: Level 5 of Warrior

Heroic (Divine) Archetype: War

Gear
Sword, Leather Armor, thieves tools, (later plasma rifle).

Nigel in the Wasted Lands

This is the starting point for Nigel, my D&D stand-in. When I had him move between systems I always had to restat him. Here he can move between the epochs with ease.

Nigel in NIGHT SHIFT

In modern times Nigel is something of a supernatural hunter. From his personal timeline this occurred after he spent his time in literal Hell. After coming back from the future he went back to Glantri. Here he followed his daughter's (Raven) killer into hell. Again like said above it is long and complicated. But after Hell, Nigel was a WitchCraft/Armageddon character.

Nigel in Thirteen Parsecs

This was right after "D&D" and here I used Star Frontiers for his stats. It was an interesting translation.  Then we tried a little Gamma World, then a little (tiny little) bit of Traveller. Each translation I felt something in the character was lost even if my knowledge of the games increased. Thirteen Parsecs hopefully will fix that for me. Nigel will be one of my first 13P characters.

ALL allow me to use the same character across different times, different places and right on up to the Solar Frontier.

You can get the Wasted Lands RPG and the NIGHT SHIFT RPG at Elf Lair Games. Thirteen Parsecs is coming soon.

Character Creation Challenge

Quick-Start Saturday: Dracula’s Empire

Reviews from R'lyeh -

Quick-starts are means of trying out a roleplaying game before you buy. Each should provide a Game Master with sufficient background to introduce and explain the setting to her players, the rules to run the scenario included, and a set of ready-to-play, pre-generated characters that the players can pick up and understand almost as soon as they have sat down to play. The scenario itself should provide an introduction to the setting for the players as well as to the type of adventures that their characters will have and just an idea of some of the things their characters will be doing on said adventures. All of which should be packaged up in an easy-to-understand booklet whose contents, with a minimum of preparation upon the part of the Game Master, can be brought to the table and run for her gaming group in a single evening’s session—or perhaps too. And at the end of it, Game Master and players alike should ideally know whether they want to play the game again, perhaps purchasing another adventure or even the full rules for the roleplaying game.

Alternatively, if the Game Master already has the full rules for the roleplaying game for the quick-start is for, then what it provides is a sample scenario that she still run as an introduction or even as part of her campaign for the roleplaying game. The ideal quick-start should entice and intrigue a playing group, but above all effectively introduce and teach the roleplaying game, as well as showcase both rules and setting.

—oOo—

What is it?
Dracula’s Empire: StokerVerse Roleplaying Game Quick Start is the quick-start for StokerVerse Roleplaying Game, the roleplaying game of dark and twisted Gothic horror during the late Victorian era, in which the adventurers and investigators confront Vampire courts, Werewolf clans, Jekyll and Hyde, and even Frankenstein’s Monster whilst Jack the Ripper stalks the fog swathed streets of London.

It is a sequel to Bram Stoker’s Dracula.

It is designed to be played by five to seven players, plus the Author (as the Game Master is known).

It is a seventy page, full colour book.

The quick-start is very lightly illustrated, but the artwork is excellent and foreboding. The rules are a slightly stripped down version from the core rulebook, but do include examples of the rules which speed the learning of the game.

The themes and nature of StokerVerse Roleplaying Game and thus the Dracula’s Empire: StokerVerse Roleplaying Game Quick Start, specifically the horror and its bloody nature, the seductive nature of vampires, and the subversion of good society, means that it is best suited to a mature audience.

How long will it take to play?
Dracula’s Empire: StokerVerse Roleplaying Game Quick Start and its adventure, ‘Dracula’s Empire’, is designed to be played through in two or three sessions.

What else do you need to play?
Dracula’s Empire: StokerVerse Roleplaying Game Quick Start requires six ten-sided dice per player. One of these dice should be a different colour to the rest, ideally, black.

Who do you play?
The seven Player Characters in Dracula’s Empire: StokerVerse Roleplaying Game Quick Start consist of Lord Godalming Arthur ‘Art’ Holmwood, Mister Johnathan Harker, Dr John Seward, Police Sergeant Albert Enshaw, Miss Primrose Hampden, Madame Lisa De Villiers, and Mister Daniel Seagrove. Of these, Lord Godalming Arthur ‘Art’ Holmwood, Mister Johnathan Harker, and Dr John Seward will be familiar from the novel, Dracula, whilst Police Sergeant Albert Enshaw is a London police officer, Miss Primrose Hampden is a sketch artist who has the power of second sight, Madame Lisa De Villiers is a veiled medium, and Mister Daniel Seagrove is a research assistant for Van Helsing. Together, they are all members of, or connected to, The Brotherhood. All seven Player Characters have a full character sheet and

How is a Player Character defined?
A Player Character has six stats—Strength, Dexterity, Knowledge, Concentration, Charisma, and Cool. Stats are rated between zero and six, whilst the skills are rated between one and four. A Player Character can have Traits, such as Club Tie (Polite Society), Natural Aptitude (Profession: Solicitor), Contact (Dr Phillips - Director Purfleet Asylum), Legal Authority, Unconscious talent (Shadow Sight: First Impressions), Occult Secret (Shadow Sight), and Occult Studies (Shadow sight). There is a preponderance of Contact Traits amongst the Player Characters.

How do the mechanics work?
Mechanically, Dracula’s Empire: StokerVerse Roleplaying Game Quick Start uses the ‘S5S’ System first seen in SLA Industries, Second Edition. This is a dice pool system which uses ten-sided dice. The dice pool consists of one ten-sided die, called the Success Die, and Skill Dice equal to the skill being used, plus one. The Success Die should be of a different colour from the Skill Dice. The results of the dice roll are not added, but counted separately. Thus, to each roll is added the value of the Skill being rolled, plus its associated stat. If the result on the Success Die is equal to or greater than the Target Number, ranging from eight and Challenging to sixteen and Insane, then the Operative has succeeded, but it is a ‘Close Call’ or a ‘Yes, but...’ result. A ‘Solid Success’ is a result of exactly two successes, whilst three or more success is an ‘Extraordinary Success’.

Luck can be spent to Stat by one for a single test, substitute the values of a skill dice for the value of the success die, transfer the damage of a successful attack to themselves, and to gain the initiative.

How does combat work?
Combat in Dracula’s Empire: StokerVerse Roleplaying Game Quick Start is designed to be desperate and dangerous. Damage is rolled on five-sided dice, modified by successes rolled.

How does the Occult work?
In Dracula’s Empire: StokerVerse Roleplaying Game Quick Start, two of the pre-generated Player Characters have Occult abilities. Miss Primrose Hampden has ‘Unconscious talent (Shadow Sight: First Impressions)’ and Madame Lisa De Villiers has both ‘Occult Secret (Shadow Sight)’ and ‘Occult Secret (Wards)’. Both require the use of the Occultism skill. Shadow Sight provides the user with intuitive feeling about someone upon first meeting them, whilst ‘Wards’ are used to contain and restrain the forces of evil. This requires the use of a spiritualist’s kit, expending a point of its Ammo, and a two-step process. First, a preliminary barrier is created and if successful, the number of successes determines the Protection Value and Integrity of the barrier. It can be continued to be shored up, but this is emotionally exhausting.

What do you play?
In Dracula’s Empire: StokerVerse Roleplaying Game Quick Start, the scenario is ‘Dracula’s Empire’. This is a detailed investigation set in London after the events of Dracula. Mina Harker has gone missing , after her return to London; there has been a rash of disappearances of children and the morgues are filling up with bodies drained of blood—and there has been a cover up of both; and a mysterious dark-haired woman has been seen traversing the streets of London and attending high society balls. Are they connected? Could the mysterious woman be Mina? Or worse… Lucy returned from the dead? The scenario has multiple avenues of investigation, including tracking down the mysterious woman, attending one of the society balls—held on Mornington Crescent, no less!, digging into the missing children, bloodless bodies, and so on. Each of these is handled in scenes of their own, which are nicely detailed.

Is there anything missing?
Dracula’s Empire: StokerVerse Roleplaying Game Quick Start is complete and it even comes with advice for the Author on running the game. A map or two in places would have been helpful.

Is it easy to prepare?
The core rules presented in Dracula’s Empire: StokerVerse Roleplaying Game Quick Start are relatively easy to prepare. The Author will need to pay closer attention to the plot of ‘Dracula’s Empire’, in part because there is no clear explanation of what the plot is and how its strands tie together. In addition, the backgrounds for the Player Characters and their character sheets are separate, so the Author will need to ensure that they are together for each player.
Is it worth it?
Yes. It needs close preparation to bring the multiple strands of the investigation together, but Dracula’s Empire: StokerVerse Roleplaying Game Quick Start is a meaty, bloody investigation against the background of London’s fogbound streets, official obfuscation, and the heights and lows of society.
Where can you get it?
Dracula’s Empire: StokerVerse Roleplaying Game Quick Start is available to download here.

Kickstart Your Weekend: The Week of Valiant Heroes!

The Other Side -

 Ok I have three semi-related Kickstarters for you this week. None of them need my encouragement as they were all funded pretty quickly, but they are still fun.

Tarot, Witch of the Black Rose: LAST STAND

 LAST STAND
https://www.kickstarter.com/projects/jimbalent/tarot-witch-of-the-black-rose-last-stand?ref=theotherside

Jim Balent and Holly Golightly are back with another huge issue of Tarot Witch of the Black Rose. I am a massive fan of Jim and Holly. They are great people and put a lot of love into everything they do. Tarot is no different. I am woefully behind on my reading of these, but that's fine, I'll get caught up. 

Tarot and her allies (from the pic above, her sister Raven, her lover Jon "Skeleton Man" Webb, and more) are fighting a massive battle against the undead.  Sounds fantastic really.

I have supported many of their Kickstarters in the past, and they are always really fast in getting their material out. My general advice for these? Come to see what Jim is doing with Tarot, but also check out all the fun stuff Holly does in the stretch goals, add ons!

Moving on to other Supers.

Valiant Adventures Roleplaying Game

Valiant Adventures Roleplaying Game
https://www.kickstarter.com/projects/greenroninpub/valiant-adventures-roleplaying-game?ref=theotherside

Green Ronin, a company I adore, is up with a new set of Supers using their iconic Mutants & Masterminds system. 

I have been dying for some new superhero RPG rules, which should be fantastic. I know very, very little about the Valiant Universe, but I know it will be great. 

There are many options here, and there should be some level for everyone. They even have a free Quickstart that looks great, by the way. If this is how the full books look, then this will be a great-looking game. I also can't help but think I could use this with their own M&M 3 universe and the DC Adventures game they had out years ago. 

Tales of the Valiant Game Master's Guide 5E

Tales of the Valiant Game Master's Guide 5E

Another Valiant, this time Kobold Press' 5e alternative. The look is something of a cross between 5e and Pathfinder 2r. Still compatible with 5th edition.

There looks like there is a lot of good stuff in this book and more coming. I am just not sure if it is for me. I bet my oldest would love it though.


Friday Fantasy: A Dozen Lankhmar Locations

Reviews from R'lyeh -

Dungeon Crawl Classics Lankhmar #7: A Dozen Lankhmar Locations is a bit different. Unlike the majority of the releases for Goodman Games’ Dungeon Crawl Classics Role Playing Game and the releases for the Dungeon Crawl Classics Lankhmar Boxed Set, it is not a scenario. Instead, it is a supplement designed to help the Judge bring the darker, grimmer, and even pulpier world of the City of the Black Toga, Lankhmar, the home to the adventures of Fafhrd and the Gray Mouser, the creation of author Fritz Leiber, to life. The city is described as an urban jungle, rife with cutpurses and corruption, guilds and graft, temples and trouble, whores and wonders, and more. Under the cover the frequent fogs and smogs, the streets of the city are home to thieves, pickpockets, burglars, cutpurses, muggers, and anyone else who would skulk in the night! Which includes the Player Characters. Since the Dungeon Crawl Classics Lankhmar Boxed Set presents a city setting, what a campaign set there needs more than anything is locations. Places that the Player Characters will visit, whether that is somewhere to fraternise and carouse, worship, case and then burglarise, buy goods and fence their stolen booty, or simply to sleep. Together, such locations and the NPCs found there are places around which a campaign can be built as the Player Characters visit them again and again and they become part of their lives. Scenarios for the Dungeon Crawl Classics Lankhmar Boxed Set provide their own locations, starting with Dungeon Crawl Classics Lankhmar #1: Gang Lords of Lankhmar, which provides a gang of fellow thieves and desperate men and women to lead as well as a hideout to use as a base of operations. Subsequent scenarios have provided further locations, such as the theatre in Dungeon Crawl Classics Lankhmar #3: Acting Up In Lankhmar. Each of these scenarios provides just a handful—at the very most—of such locations, whereas, Dungeon Crawl Classics Lankhmar #7: A Dozen Lankhmar Locations goes much, much further.
Dungeon Crawl Classics Lankhmar #7: A Dozen Lankhmar Locations does exactly what its title suggests. Describe and detail a dozen locations in the City of the Black Toga. None of the locations are generic. All of them are specific locations, some part of the city as detailed in the Dungeon Crawl Classics Lankhmar Boxed Set, whilst others are directly inspired by the stories of Fafhrd and the Gray Mouser. That said, names and details can be changed increasing the versatility of the locations and in some cases, there is some variation included. The majority of the important NPCs are named and given some details so that the Judge can portray them in play. The selection opens with the ‘Crafts Street Watch House’, a better manned and equipped watch house, complete with barracks, armoury, constables’ office, bedrooms for the sergeants, and so on. The interesting rooms for the Player Characters are going to be the vault which holds several chests’ worth of potential loot and evidence and downstairs the interrogation room and the cells where they might end up! Of course, the Watch House need not be on Crafts Street, but could be relocated to wherever the Judge desires. The ‘Fence’s Business’ is a nice combination of secret business, ordinary business, and board rooms.
More expansive and detailed is the ‘Pleasure House’ between the Carousing and the Pleasure Quarters. One of four larger locations in Dungeon Crawl Classics Lankhmar #7: A Dozen Lankhmar Locations, this is a high-end house of ill repute, its proprietor, Lady Minx, taking great care of her staff and their children, catering to certain clientele in secret, yet of course, keeping their secrets just in case something goes wrong. There is a little nudity to the artwork here, in keeping with the swords & sorcery genre, but otherwise there is nothing prurient here and it feels like a working establishment. The idea of the ‘Rented Temple’, placed on the Street of the Gods, is particular to Lankhmar and the example is dedicated to Miska, Lord of Cats, a parochial and quirky choice, and there are alternative suggestions as possible uses for its inner rooms. Similarly, the ‘Second-Rate Sorcerer’s House’ is also quirky and particular to Lankhmar, filled with magical knick-knacks and gewgaws—mostly for shore—which is home to a competent, if middling wizard. The ‘Shop with Attached Living Quarters’ expands upon the alternative use with for options for what is upstairs above the shop. One is a family home, the other a pair of rented rooms, and an open loft area which could be put to various use, including storage, sparring room, dovecote, and others. Thus, this building could have two or three storeys.
The Cuttlefish is given as an example ‘Sailing Ship’. This is a cramped caravel of a type popular amongst Inner Sea traders and similar to the Seahawk, the vessel that the Gray Mouser commands later in his career. Presented as more of a cutaway, the inclusion of the Cuttlefish has lots of gaming potential. The Player Characters might need to sneak aboard or prevent another gang from doing so and the ship will enable them to travel abroad from the city of Lankhmar and explore the wider world. Depending upon their wealth and influence, they might even take command of the vessel and engage in trade, and even a little smuggling. The ship has a smuggling hold—just a small one—which could be used to smuggle goods or passengers or even the Player Characters themselves in secret. Like a lot of lot of the entries in this supplement, the ‘Sailing Ship’ entry is flexible and utilitarian.
Several locations are tied to the stories of Fafhrd and the Gray Mouser. These include ‘The Silver Eel’, the tavern on Dim Lane where the two adventurers are known to be regulars and the ‘Thieves’ House’, home to Lankhmar’s most notorious and one of its most powerful guilds. It is so powerful that it publicly occupies a whole block in the city and it is rumoured that the surrounding buildings and the cellars and sewers blow are part of it too. Arguably, a whole supplement could have been dedicated to the city’s Thieves’ Guild, but there is room in Dungeon Crawl Classics Lankhmar #7: A Dozen Lankhmar Locations for just two floors to be detailed. This is still the largest entry in the supplement and it portrays the Thieves’ House during the tenure of Korvas as guild master when the warlock, Hristomilo, was in residence. His laboratory is described in some detail and there are suggestions as what his laboratory might be used for following the events of the novella, Ill Met in Lankhmar. Likewise, the ‘Wealthy Villa’ describes the ‘House of Muulsh the Moneylender’—as previously detailed in Dungeon Crawl Classics Lankhmar Boxed Set—home to Muulsh and his wife, Atya, although it also includes the slight differences to the richly appointed, three-storey villa, after Atya disappears. The location, of course, is just demanding to be burglarised by the Player Characters.

Other locations in Dungeon Crawl Classics Lankhmar #7: A Dozen Lankhmar Locations include ‘Street Market’ and ‘Warehouses and Rooming House’. The ‘Street Market’ details the ‘Five Knife-Points Market’ with numerous vendors and NPCs that the Player Characters can interact with, selling and buying goods, menacing the vendors for protection money, rob, picking pockets, and so on. ‘Warehouses and Rooming House’ present a rooming house, ‘The Weary Sailor’, and its adjacent buildings. These include several warehouses, including one abandoned, one being run profitably, and one turned into a pit-fighting venue. This small neighbourhood has a delightfully seedy feel to it and certainly worth adding to the Judge’s campaign should her Player Characters want to check out the monies to be made down by the docks in the River Quarter.
Physically, Dungeon Crawl Classics Lankhmar #7: A Dozen Lankhmar Locations is as decently presented as you would expect from Goodman Games. It is well written, but the cartography really stands out, clearly depicting its numerous buildings in all of their opulence and seediness.

Dungeon Crawl Classics Lankhmar #7: A Dozen Lankhmar Locations is a very useful supplement for the Judge running a campaign set in Lankhmar. It presents her with ready-to-play locations that instantly add to the city and bring it life, whether iconic places such as ‘The Silver Eel’ or the ‘Thieves’ House’, or more generic and easily adjusted places such as the ‘Shop with Attached Living Quarters’. In the process, the contents of Dungeon Crawl Classics Lankhmar #7: A Dozen Lankhmar Locations will make both the city of Lankhmar and the activities of the Player Characters all the more believable and memorable.

Character Creation Challenge: Morelia the Wood Witch for Wasted Lands

The Other Side -

 It is pretty late, and I thought I had a character lined up to go, but I guess I didn't. So, going through this big old folder of characters I have worked up over the years, I ran into an "oldish" friend.  

Content creator GinnyDi released three elf characters that anyone could adopt a couple of years back. I took an immediate liking to one, Morelia the Wood Witch. So much so that she makes a guest appearance in my War of the Witch Queen campaign. 

Morelia the Wood Witch sheets

Morelia is such a fun character she was so much fun when I ran A Witch's Desire. She and her familiar Crimini showed up in place of the Witch of the Wild. Since then I have been dying to use her somewhere else again. I just wish I could pull off her adorable high-pitched voice!

So once again, with her (implied) permission, here is Morelia the Wood Witch. 


Ginny Di as Morelia the Wood WitchMorelia the Wood Witch

Class: Witch (Wits)
Level: 8
Species: Wood Elf
Alignment: Light Good
Background: Craft

Abilities
Strength: 18 (+3)
Agility: 18 (+3)
Toughness: 18 (+3) 
Intelligence: 15 (+1) N
Wits: 14 (+1) N
Persona: 22 (+5) A

Fate Points: 1d8
Defense Value: 8
Vitality: 45
Degeneracy: 0
Corruption: 0

Check Bonus (A/N/D): +4/+3/+1
Melee Bonus: +1 (base) 
Ranged Bonus: +1 (base) 
Spell Attack: +4 (witch) 
Saves: +4 to Spells and Magical effects (Sorcerer), +1 to Persona, Agility, and mind-affecting spells  (Wood Elf), +1 to Toughness (touchstone)

Elf Abilities
Nightsighted, surprised, saves, bonus spell*

Witch Abilities
Arcana, Arcane Powers (3): Polymath (Alchemy), Beguile, Subtle Influence

Sorceress Spells
First Level: Beast Speech*, Armor of Earth, Glamour, Read Languages, Mystical Senses
Second Level: Create Water, Invisibility, Locator Spell: Plants
Third Level: Cure Disease, Remove Curse, Slow
Fourth Level: Metamorph Other, Plant Speech

Heroic/Divine Touchstones 
1st Level: +1 bonus to Toughness saves
2nd Level: Luck Benefit
3rd Level: Spirit Guide: Cat "Crimini"
4th Level: Magical Recovery

Heroic (Divine) Archetype: Crafting, Alchemy

Gear
Dagger, cauldron, very spoiled cat

Wasted Lands and Morelia

The spell selection here is bit less than what I would want with Morelia. I think this is largely due to the fact that I really liked her Basic-era/BX/OSE version a lot. But in truth there is nothing stopping me from gabbing a spell or two from one of my witch books and use them here. This is even more true if I am using Wasted Lands as D&D.

For the Divine/Heroic archetypes, I might swap out that 2nd level Luck benefit for an herbal healing one. Makes much more sense for her, really, but like the spells, I want to do it by the book first. 

Still, though, this character is a delight. I have decided that the next time my players encounter her she is going to be having a long and animated conversation with her herb garden. 

Morelia Links

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Don't forget to stop by the Tardi Captian's Blog to see all his character posts, and all the other participants.

You can get the Wasted Lands RPG and the NIGHT SHIFT RPG at Elf Lair Games.

Character Creation Challenge


Friday Filler: E.T. The Extra-Terrestrial

Reviews from R'lyeh -

One of the amazing aspects of modern games is that we can have great board games based on intellectual properties, but not just intellectual properties from this year or next year, even from a decade ago, but intellectual properties from decades ago. Go back even two or so decades and the board games based on intellectual properties would be nothing more than simple, tried and tested designs with the imagery of the intellectual properties slapped on them. Simple, tried and tested designs means unsatisfying, means dull, means feeling nothing like the intellectual properties such board games are based upon. Not so in the twenty-first century, when designers are expected to match the themes of an intellectual property with the mechanics of game play. The result has been some very playable board games, all based on well-known intellectual properties and all feeling like they are based on those intellectual properties. For example, Jaws: A Boardgame of Strategy and Suspense is a genuinely tense experience, as is Horrified. All of which have tended to be co-operative in their play style and have tended to appeal to a family audience rather than a dedicated board game player audience. E.T. The Extra-Terrestrial: Light Years From Home Game is a similar game, a co-operative board game based on a decades old intellectual property, designed to be played by a family audience.
E.T. The Extra-Terrestrial: Light Years From Home Game is published by Funko Games and designed to be played by two to four players, aged ten and up, in just thirty minutes. The players take the roles of Elliot, Gertie, Mike, and Greg in their search for parts that E.T. needs to build a communication device to contact his home world. This takes time and effort as the four of them race around the neighbourhood, but their efforts will be hampered by the police in their cruisers and Federal Agents who are searching for E.T. Fortunately, Elliot, Gertie, Mike, and Greg know the neighbourhood though, and can make use of ramps and shortcuts to avoid the Federal Agents and the Cop Cars. To win, the Kids need to build the Device which will summon the Mothership to the Forest Clearing and then get E.T. there to be picked up. The Kids will lose if all three Cop Cars reach the Forest Clearing and block access to it or if E.T. becomes too weak because his Heartlight is reduced to zero.

Open up E.T. The Extra-Terrestrial: Light Years From Home Game and what you see first is the bowl of chrysanthemums—the one that E.T. restores to life in the film and then takes it with him when he leaves—on the back of the board. Turn the oddly squished board over and it depicts the neighbourhood in the San Fernando Valley where the film and thus this game are set. In one corner is the home of Elliot, Gertie, and Mike, whilst in the opposite is the Forest Clearing. Below that in the box, there are lots of striking components. Elliot, Gertie, Mike, and Greg have playing pieces which depicts each of them on bicycles that not only click together so that they can move together, but also have a basket into which E.T. can sit. The Mothership is pleasingly detailed plastic depiction of the starship from the film which sits on a stand. Although the board game does not use any photographs taken from E.T. The Extra-Terrestrial, the artwork it uses in their stead to depict scenes and characters from the film is excellent. Make no mistake, E.T. The Extra-Terrestrial: Light Years From Home Game is a good-looking board game.

The board itself is crisscrossed with roads which breaks up the lots and houses—known as zones—of the neighbourhood. Some have diagonal red routes across them which are shortcuts that the Kids can take, but the Cop Cars and the Federal Agents cannot. They, instead, must stick to the roads, which the Kids can also use. Three routes run from one corner of the board, from Elliot’s house to the Forest Clearing, and it is these that the three Cop Cars will follow over the course of the game. Three zones are marked with a coloured square—yellow, green, and blue. At the start of the game, the various zones are seeded with a single item represented by an item piece. These are also colour-coded yellow, green, and blue. During the game, the Kids will find and transport item pieces (or a wild token) to the zone of the corresponding colour. Once there are four in the zone, the Kids must transport E.T. to that zone who will then build a device, represented by a Device Die. The Device Die must then be transported to the Forest Clearing. There they can be rolled to generate the ‘telephone handset’ symbols that indicate that the Mothership has been contacted and is moving closer to the Earth and landing to rescue E.T. There are three colours of Device Items and three Device Dice. So, the more Devices that E.T. can build, the more Device Dice the Kids will have to roll. Another item that the Kids can find is a ramp. This can placed to leap over spaces, even over the Cop Cars and the Federal Agents, just as happened in the film.

Each of the four Kids, has their own card and their own special ability, which can used once per turn. Elliott can discard Candy to move E.T. extra spaces; Michael can move along a Shortcut for free; Greg can take a Dangerous Move without rolling the Danger Die; and Gertie can take a Dangerous Pick Up without rolling the Danger Die. Sixteen E.T. Power Cards give a range of different abilities that a Kid can use if he or she is carrying E.T. in the basket on their bicycle. For example, ‘Flying Kids’ lets a Kid move three spaces without the need to roll the Danger Die is enemies are encountered, ‘Trick or Treat’ lets the Kids skip the Move Enemies Phase that turn, and with ‘Hiding’, Special Agent Keys moves during the Move Enemies Phase, it is away from E.T. rather towards it. There are always three E.T. Power Cards on display and when one is used, it is discarded, and a new one drawn. There is a reference card and an E.T. counter with dial on it for tracking his Heartlight.

Once the game is set up, each Kid’s turn consists of three steps—‘Take Actions’, ‘Phone Home’, and ‘Move Enemies’. During the ‘Take Actions’ step, a Kid can take three Basic Actions and as many Free Actions as he wants. The Basic Actions are ‘Move’, ‘Take A Candy’, and ‘Pick Up An Item or Device’. ‘Take A Candy’ means taking a piece of Candy—or Reece’s Pieces in the film—from the general supply and adding it to the Kids’ Candy Pool. Candy is spent to move E.T., one space per Candy. If during a ‘Move’ or ‘Pick Up An Item or Device’, a Kid runs into or near an enemy, then his player must roll the red Danger Die. Depending on the result, this can move a Cop Car closer to the Forest Clearing, Special Agent Keys closer to E.T., the Federal Agent assigned to the Kid closer to him or her, or all assigned Federal Agents closer to their Kids. If a Cop Car or Federal Agent lands on the same space as a Kid, he is caught and must drop any Items or Devices carried. If E.T. is caught, Special Agent Keys takes charge of it and the Kids will have to rescue him! In both cases, E.T.’s Heartlight is reduced by one.

The Free Actions include ‘Drop An Item or Device’, ‘Move E.T. With Candy’, ‘Pick Up or Drop E.T.’, ‘Use One E.T. Power Card’, ‘Team Up’, and ‘Build A Device’. Of these, the most fun is ‘Temp Up’. This is when two Kids are in the same location. It not only enables Kids to swap Items, Devices, and even E.T., but it also enables their bicycles to click together and let them move together and even make use of their abilities together.

In the ‘Phone Home’ step, the player will roll any Device Dice which have been built and delivered to the Forest Clearing. For each ‘telephone handset’ rolled, the Mothership moves one step closer to landing at the Forest Clearing. Lastly, in the ‘Move Enemies’ step, the player rolls the two Enemy Dice (plus the red Danger Die if a Cop Car or Agent is on the location as a Kid or E.T.). Like the Danger Die, the Enemy Dice will move the Cop Cars closer to the Forest Clearing, the Agents closer to their assigned Kid, and Special Agent Keys closer to E.T. Play continues like this until the victory conditions are met by the Mothership picking up E.T., or the game is lost because either E.T.’s Heartlight is reduced to zero or the Cop Cars reach the Forest Clearing.

E.T. The Extra-Terrestrial: Light Years From Home Game is thematically great, but a busy game. What the Kids have to do is collect enough Items to build as many Devices (and their corresponding Device Dice) as they can, get E.T. and the Items to the right zones to build each device, take the Device Dice to the Forest Clearing, roll enough of the right symbols on the Device Dice to bring the Mothership to the Forest Clearing, and then transport E.T. to the Forest Clearing. All the while avoiding both the Cop Cars and the Federal Agents. Which is six steps. Add to this is the number of possible actions that the players can take. Not just the three Basic Actions, but six Free Actions! Now an experienced board game player will grasp the rules and how to play the game with ease, but the number of actions available in play and the number of steps necessary to win mean that the game is not as easy to teach or learn as it could be for less experienced or younger players. Which includes the family audience that E.T. The Extra-Terrestrial: Light Years From Home Game is intended for. Yet for the experienced board game player, the game play itself does not offer anything new or exciting and bar adjusting the number of Items needed to build devices and their corresponding Device Dice up or down to make game play harder or easier, there is very little variation in game play.

Of course, what E.T. The Extra-Terrestrial: Light Years From Home Game is not about is E.T. The Extra-Terrestrial, the film, as a whole. It only focuses upon the climax. Upon the part of the film which is exciting and action-orientated and so gameable. Nevertheless, it is good adaptation of that part of the film and it is clear that a lot of effort has gone into making the game play match that part of the film. Fans of E.T. The Extra-Terrestrial will appreciate E.T. The Extra-Terrestrial: Light Years From Home Game for that reason alone. As a game overall, E.T. The Extra-Terrestrial: Light Years From Home Game is more serviceable than a success. It is not a poor game, but rather straddles a difficult line of being too easy and not offering enough variation for the experienced board game player and slightly too difficult with too many choices for the less experienced or family audience. E.T. The Extra-Terrestrial: Light Years From Home Game is definitely a game that fans of the film will appreciate more than dedicated board game players.

Review: FR2 Moonshae

The Other Side -

FR2 Moonshae Today, I begin my journey into the Forgotten Realm properly. But even a journey as epic as the Realms needs to start out small and, for me, local. I have my guide. Now, grab some guidebooks. But which ones?  Well that part is easy. I will review the Forgotten Realms books I have on hand, literally and figuratively. I will just review the physical books and boxed sets I have here. I might buy more in the future, or I might not. I might seek out some books on purpose, others, well, maybe I found a reasonable price on them.

Up first will be a book I bought years ago (from Castle Perilous!) because I knew if I ever "did the Realms," this is where I would start.

FR2 Moonshae

by Douglas Niles, Print and PDF. 64 pages, full color, dual-sided map. 1987.

For this review, I considering both my original version and the PDF from DriveThruRPG.

Ok, why am I starting with a supplement and one not even from Ed Greenwood himself? Simple, the Moonshae islands were always that one bit of the Forgotten Realms I was really fascinated by. It was also where I knew I would set my native Realms in. It felt close enough to the Irish and Celtic myths I loved while still being "D&D" enough.  I knew enough of the history of this and the Moonshae novels by Douglas Niles to make this worthwhile to get. But I am getting ahead of myself here.

In the AD&D 1st Edition Players Handbook, Gary Gygax had this to say about Druids:

"Druids can be visualized as medieval cousins of what the ancient Celtic sect of Druids would have become had it survived the Roman conquest." - PHB, p. 21

The Moonshae Isles can be viewed as the British Isles if the Celts, the Britons, and all the rest had thrown Rome out in 55 AD.  We know that Douglas Niles was working on a Celtic-themed set of books and a new campaign setting in the mid-80s. He brought over his collection of islands, and Ed Greenwood tossed out what had been his Moonshae (or whatever was there) and used Niles' for the publication version of the Forgotten Realms. This book acts as an overview and a Gazetteer. 

The book is divided into three major sections, plus an Introduction and Appendices. 

Moonshae book and map

Introduction

This covers a bit of fiction that connects it to the Moonshae novels, particularly Darkwalker on Moonshae. I started the novel a couple of times but never got through it.  You don't need to know anything about it, though, to use this book.

Moonshae Overview

This covers the Moonshae Isles and the sorts of characters and Characters, as well as the folk and Fflok, you will meet there. It makes a very good case for this to be the starting point of the adventures. Since, to my very limited knowledge, this is the western most point on the Forgotten Realms maps at this time. You can travel east and see the entire world. 

The races are AD&D standard, but I already feel some differences here from, say, Greyhawk.  There is a good section on common conflicts. This appeals to me since one on my favorite themes to deal with in games is the waning of Paganism and the rise of Monotheism in Western Europe. The Moonshae has this theme baked in with its Druids vs. Clerics and Ffolk vs. the Northmen.

Humans are divided up into the previously mentioned Fflok (think British pagans) and the Northmen (think Norse/Viking raider pagans). There is an uneasy truce here now. I can't wait to see if this boils over or if they take a page from our world and just settle down. One of the reasons you are reading this in English now. This is illustrated with a map of the political borders, which Elminster tells us are constantly in flux in the book. 

We get another map of trade routes within the islands and to the Sword Coast mainland. Some tables on weather (it's a lot like Chicago to be honest) and lots of great random encounter tables.

The Moonshae book effectively makes the "low level" adventuring interesting where a Giant Stag is big opponent, but you could also see goblins or a faerie dragon. The Celts book for AD&D 2nd Edition would do the same thing very well. Honestly that book could be used with the Moonshae with no problem whatsoever. 

Deities of the Moonshaes

I will give Niles and TSR credit, they didn't stick a narrowly defined idea of what a god might be. The main Goddess of the Moonshaes is The Earthmother. We are told she is an aspect of the Goddess Chauntea who the rest of the Realms sees as an agricultural goddess. The Ffolk, though, do not see her like that. To them she is The Goddess. Embracing a bit of the revisionist views of British Paganism but I like it, and more to the point it works well here. If Gygax can say what he did about Druids above, then this logically follows. The Goddess has three children. The Leviathan, a gargantuan whale, Kamerynn, a large unicorn, and the Pack, a pack of wolves. All have been endowed with special qualities by the Earthmother and are her eyes and ears in these lands. There is also evil here in the form of Kazgoroth, the Beast. Who looks a bit like a wingless dragon. 

Specific Locales of the Moonshaes

This covers a dozen or so locations. Parallels can be drawn from many of these to locales in British and Irish myth and legend. And honestly, that is fine. It made figuring out where to start my grand adventure even easier. I mean I could be wrong but Callidyrr is our stand-in for Camelot, Corwell is Cornwall, Moray is like a smaller Ireland or a larger Ilse of Man, and so on. Now there are some interesting additions. What if the Vikings, when raiding, decided to set up in Scotland or Ulster and kicked everyone else out? Well, you might have had something like Norland.  I imagine the AD&D 2nd Ed Vikings Campaign book would be useful here as the Celts one was for the southern islands. 

Other areas are detailed like Myrloch, the large inland lake/sea in Gwynneth in the south and Synnoria, the land of the Llewyrr Elves. There is even Flamsterd, an island of Magic-users. You know I am heading back there sometime. 

Moonshae book

The Appendices

Appendix A covers some campaign themes for the Moonshaes, not that I need any more at this point! But it does include a note on how to bring in the module N4 Treasure Hunt into the Moonshaes, which is great really. 

Appendix B gives us some unique items of the Moonshaes. 

Elminster's Notes

There are a lot of those here. If you were to take them out, there only be about 32 pages. But they set the tone of the book and the land well. We are new here but not new to D&D so Elminster's eyes are a perfect substitute for our own. 

The maps look great and should be compatible with the clear hex grid from the Forgotten Realms set. 

A much more pleasurable work than when I first read it way back in the early 1990s. The whole "Ffolk" thing with the two "f"s bugged me, but I got over it. You could build an entire campaign and never leave these islands. Which is not what I am going to do since there is so much more out there.

Sinéad's Perspective

So, I am going to look at the people and places of this product through the eyes of my bard Sinéad. Much like Greenwood does with Elminster, she will be the eyes and ears in which I see the Realms. But I am not going to give you long-winded journal entries. That's Ed's and Elminster's thing. 

Choosing the Moonshaes as my first product and choosing the Moonshaes as the home of Sinéad makes a lot of sense together. These lands feel familiar to me. I have read hundreds of tales of Celts and Celtic heroes and monsters. Nearly as many tales of the Norse and Vikings. Tons on the Rise, Fall, and Rise again of the very particular British form of British Paganism.  I have never been here, but I know it well. Much like Sinéad, I am leaving this place. Maybe it is too early, but certainly, I will have to come back here. 

Final Thoughts

I am not sure if it was planned or not, but this does feel like a perfect place to start your adventures in the Forgotten Realms. By today's standards, the book is a bit light on the crunchy game stuff. No new spells really or specialized sub-classes. But that is fine; the fluff more than makes up for it all. 

Character Creation Challenge: Sinéad for the Forgotten Realms (1st Edition AD&D)

The Other Side -

Sinéad sheet I am switching gears today since I will get some of my reviews on the Forgotten Realms up. I want to start with the character first, though. When reading or playing games, we often view their world as they see, hear, and experience it. For me, that will be Sinéad. Not Sinéad Moonshadow just yet; that is much later down her road. No. This is 1st Edition AD&D Sinéad as I might have rolled her up back in 1987 when the Forgotten Realms were still new. 

Sinéad in 1357 DR

Sinéad in 1357 DR (the year before the Forgotten Realms Boxed set) is a girl living in the Moonshae Isles. I have always known this, but I never really had the details until now.

She grew up on the Island of Gwynneth in the country of Corwell. Her father was a reputable human blacksmith of modest means, and her mother was a Llewyrr (though now mostly moon elf) seer. Growing up Sinéad heard tales of other lands and places and wanted to visit them, but her parents told her the world beyond was full of evil terrors and the only place safe was here, closest to the Earth Mother's heart.  She grew up loving and fearing the Earth Mother and wondering about other places, other peoples, and other gods. It was around the time of 16th birthday when her latent magic began to flare up. She would spontaneously and randomly set things on fire (Rules: Burning Hands spell). This was kept under control until she had turned 19. The local Lord wanted her to marry his son for the prestige of a marriage with a Llewyrr and as compensation for all the damage she had been causing. One night during the early harvest festival, Sinéad accidentally burns down a barn and grain stores, threatening to leave her small village hungry for the winter. Her mother distracts the crowds who have come after "the witch" while her father gives her enough gold to get to a port and out of the Moonshaes to the Sword Coast.

And that is about all I have for at this point. She will meet up with Nida and others when she gets to the Sword Coast, but that is a bit off. She first has to cross her homeland to get to the port. She will encounter fae, a prophetic witch, and more.

For Sinéad, I am starting out with AD&D 1st Ed, the same as the Forgotten Realms boxed set. To make a stronger line between her starting adventure and her later ones, I used just the Player's Handbook, DMG, and Unearthed Arcana for her. I tweaked her abilities a bit to fit better. Also, since I am seeing her as a bard from the word go, I am using the alternate Bard from Dragon #56. I thought it would be a good fit given how Bards are in the Forgotten Realms and Moonshaes in particular.  Plus, I wanted her to be a bard from 1st level. 

Sinéad of the MoonshaesSinéad of the Moonshae

Level: 1/1
Class: Magic-user/Bard
Female Half-elf

Abilities
Strength: 13
Intelligence: 17
Wisdom: 13
Dexterity: 16
Constitution: 16
Charisma: 17

Saving Throws
Paralysis Poison: 14
Petrification/Polymorph: 13
Rod, Staff, or Wand: 11
Breath Weapon: 15
Spells: 12

Resistances: 30% to Sleep and Charm
Infravision 60'
Languages: Common, Elvish, Gnome, Goblin, Hobgoblin, Sylvan, and Ffolk (there is no reason why she would know orc or gnoll. Halflings don't or should have their own language, and Goblin and Hobgoblin should really be the same one).

AC: 8
HP: 7
Move: 12"

Charm: 10%
Lore: 0%
Read Language: 0%

Dagger

Magic-user Spells Known (* memorized)
Burning Hands*
Magic Missle

Bard Spells
Speak with Animals

Notes on Sinéad

Originally I saw her more along the lines of a witch, but after playing the character in Baldur's Gate I have come around to thinking that she is actually some sort of Sorcerer with Wild Magic.  No way to really represent that in AD&D 1st, so I have to fudge it a bit. The only spells she has had access to are Burning Hands and Magic Missle, and I am saying she learned them innately. To get more she will need to adventure more. She has Sehanine Moonbow whispering in her ear (a holdover when I briefly wanted to try her as a warlock). 

I wanted the witch she goes and sees to be Larina, just because I can. Larina would have been 34 at the time, so not bad, really; it also corresponds to the time when Larina disappears into the Feywild. 

I did roll to see if she had psionics. She had a 4% chance, I rolled an 8. 

I like the Dragon magazine bard, and it helps make her feel different from my other bards. Looking forward to seeing how it stacks up.

--

Don't forget to stop by the Tardi Captian's Blog to see all his character posts, and all the other participants.

Character Creation Challenge

Character Creation Challenge: Darlessa for Wasted Lands

The Other Side -

I meant to do this character earlier and kinda forgot. Well, today is the day I fix that. When it comes right down to it, no character really represents my shift from D&D to Wasted Lands quite as well as Darlessa the Vampire Queen.

Of course, everyone here knows Darlessa. She has been featured here many times and I already did her witch stats for Swords & Wizardry and her vampire stats for Basic-era D&D. She is also the central antagonist of my Dungeon23 Tomb of the Vampire Queen. She is responsible for the death of my first character, Johan, and ultimately, the cause for him to be elevated to a Saint. She even has (or had) her own Dark Domain, Arevenir.

Darlessa the Vampire Queen character sheets

I am using the Night Companion again for her so I can get the rules for making her a vampire. She has always been a witch, but a good case could be made for her to be a Spirit Rider, too. Maybe I'll give her a level in that later on, but today, I wanted to compare apples to apples: my OSR witches vs a NIGHT SHIFT witch.

Darlessa the Vampire QueenDarlessa, the Vampire Queen

Class: Witch (Persona)
Level: 13
Species: Human Vampire
Alignment: Dark Evil
Background: Sorcerous

Abilities
Strength: 18 (+3) (+2 from Vampire)
Agility: 18 (+3) (+2 from Vampire)
Toughness: 18 (+3) 
Intelligence: 15 (+1) N
Wits: 14 (+1) N
Persona: 22 (+5) A

Fate Points: 1d10
Defense Value: -5
Vitality: 75
Degeneracy: 0
Corruption: 0

Check Bonus (A/N/D): +6/+4/+2
Melee Bonus: +2 (base) +2 (touchstones) 
Ranged Bonus: +2 (base) +1 (touchstones)
Spell Attack: +7 (witch) +1 (touchstones)
Saves: +7 to Spells and Magical effects (Sorcerer & Scholar), +3 to Wits (vampire) +1 to All (touchstones)

Witch Abilities
Arcana, Arcane Powers (5): Succubus (6d6), Shadow Walking, Telekinesis, Beguile, Subtle Influence

Sorceress Spells
First Level: Arcane Darts, Black Flames, Chill Ray, Glamour, Object Reading, Armor of Earth
Second Level: Conjure Flame, ESP, Invoke Fear, See Invisible
Third Level: Clairvoyance, Create Zombies & Skeletons, Curse, Fly
Fourth Level: All-Seeing Invisible Eye, Black Tentacles, Improved Invisibility, Kiss of the Succubus
Fifth Level: Commune with Deeper Dark, Create Undead, Shadow Armor
Sixth Level: Instant Death, Zone of Death
Seventh Level: Wave of Mutilation

Heroic/Divine Touchstones 
1st Level: Additional Spell: Armor of Earth
2nd Level: +1 to Melee attacks
3rd Level: Spirit Guide: Undead Raven, "Lucifer"
4th Level: Favored Enemy: Lawful (Light) Good Clerics
5th Level: +1 to all attack rolls, defense rolls, spells, and saves
6th Level: Glamour at Will

Heroic (Divine) Archetype: Power

Gear
Dagger

Wasted Lands Vampires

Ok! This Darlessa is much more powerful than previous versions. This is due largely to proper rules on how to make a character a vampire and how that adds to the character's power. But also Witches in NIGHT SHIFT and the Wasted Lands are a bit more powerful. Lets not forget those divine/heroic touchstones. Those add a LOT of power to the character. This is a version of Darlessa that should properly terrify a group of characters. 

Vampires in the Wasted Lands are also more akin to Akivasha of Robert E. Howard's tale The Hour of the Dragon than they are of Stoker's Dracula. Indeed, Darlessa is cut from the same cloth as Akivasha. Well same cloth, but dyed in the same dyes as various Hammer Horror vampires. 

But in native Wasted Lands, the world envisioned by Elf Lair Games' Jason Vey, vampires are more dangerous and closely tied to the powers of the Deeper Dark. This works fine for me since I have always seen Darlessa as shedding bits of her soul for power to whatever demon would grant it to her. Now, for a pure Wasted Lands game and for the publication of the Tomb of the Vampire Queen, I might go with a different name and slightly changed background. But it will be Darlessa all the same really. 

You can get the Wasted Lands RPG and the NIGHT SHIFT RPG at Elf Lair Games.

Character Creation Challenge

Mail Call: ¡Anuncio por correo! Spanish BECMI and Pacesetter Adventures

The Other Side -

Or at least the BE part of BECMI.  So many of you know I have been learning Spanish. I mainly use Duolingo, but I also print books and audiobooks from Audible. My progress is quite slow I will admit, but the journey is half the fun really. 

Back in 2023, I got copies of the Spanish Language D&D 5th edition books for my birthday and Father's Day.  But something I have wanted since 2020 are copies of BECMI in another language. I thought I might grab one in German (a language I can still -somewhat- speak) but they are always quite expensive.

So imagine my surprise when, after posting my search for Spanish language ones, actually came through!

Spanish Language Basic and Expert

They look great, even if I can only sort of read them at the moment. But I know what is in these quite well, so that helps.

Spanish Language Basic and Expert
Versions of BECMI Basic

It is also fun to compare them to the Spanish D&D 5e books I got last year.

Spanish Language D&D

I am NO WHERE near ready to run a game in Spanish D&D. But maybe I could play one later this year.

I might just stick with Basic and Expert. I have not seen a Companion edition out for a very long time. If the price of the German one I was looking at is any indication then it is way outside of my price range.

I also got copies of some adventures (in English) from Pacesetter Games.

Adventures from Pacesetter Games

I gave Venger's Final Wish to my oldest. He is working on taking his group through all the editions of D&D.  More on that later.

Of course, I am a sucker for anything about the Vampire Queen. So this is a nice addition to my collection.  Since the Vampire Queen adventure is for B/X then maybe a "Castillo de la Reina Vampiro" is in order. 


Character Creation Challenge: Boudica for Wasted Lands

The Other Side -

 Last week I heard of the passing of James Herbert "Herbie" Brennan, the prolific author of fiction and non-fiction as well as the RPG "Man, Myth & Magic." I don't have a lot to say on the matter. I have not read any of his books and my knowledge of him comes solely through my interaction with MM&M. But I did not want his death to go unremarked here.

While I have done other MM&M characters for myself, I thought for today I might revisit one I did a while back and fit both his game and Wasted Lands: Boudica, Queen of the Icini Celts.

I have a long relationship with Boudica. She was a figure I always found fascinating, especially during my time of reading an absolute ton of Celtic history, myth, and legends. Then I wrote the Ghosts of Albion RPG, and she was a central character of that franchise, though by then, she was a ghost.  So, given Herbie Brennan's fix of history and fantasy of his Man, Myth & Magic game, doing stats for Boudica was a no-brainer.  That is also true today.

Boudica sheets

Boudica for the Wasted Lands could have gone a number of different ways. Obviously, Warrior is a great choice (and what I went with in MM&M), but she didn't start out as one; she was forced into it by the Romans, who murdered her husband and raped her daughters. From NIGHT SHIFT, I could also say Survivor is good, but then again, so is Chosen One. In the end, though, the only real choice for me was to make her a Spirit Rider from the NIGHT SHIFT Night Companion and adapt that to Wasted Lands. Something the O.G.R.E.S. makes very, very easy. Trivial even.

The Spirit Rider is a person charged with the power of a particular place. Our archetype of this is Marie Laveau who is given magic by the "Spirit of New Orleans." Cú Chulainn is the Spirit Rider of mytho-historical Ulster as Fionn Mac Cumhail is the Spirit Rider of Éire. We have debated whether Merlin or King Arthur is the Spirit Rider of ancient Britain. 

Note: As an aside it never dawned on me until this moment that I *could* have Boudica as one of my Witch Queens. I mean she is not really a witch, but her Wasted Lands and Ghosts of Albion versions both have some magic.  Thoughts for another day.

Queen BoudicaQueen Boudica

Class: Spirit Rider (Briton) (from NIGHT SHIFT's Night Companion)
Level: 10
Species: Human
Alignment: Light* (*while she killed people and burned villages to the ground she was doing what she felt was right and correct. Removing an invading force from her home.)
Background: Barbarian

Abilities
Strength: 16 (+2) 
Agility: 13 (+1) 
Toughness: 18 (+3) N 
Intelligence: 12 (+0) 
Wits: 17 (+2) A
Persona: 17 (+2) N 

Fate Points: 1d10
Defense Value: 5
Vitality: 70
Degeneracy: 0
Corruption: 0

Check Bonus (A/N/D): +5/+3/+2
Melee Bonus: +2 (base)  +1 (Heroic Touchstone)
Ranged Bonus: +2 (base) 
Saves: +4 to Wits and Persona saves (class), +2 to Toughness saves (barbarian).

Spirit Rider Abilities
Innate Magic (10), Arcane Powers (5), Commune with Spirit of the Land, Limited Power (outside of Briton), Magic Battery

Barbarian Background Skills
Perception, Danger Sense, Scale surfaces, Nature Lore, Any Weapons

Arcane Powers (used like powers)
Beguile, Shadow Walk, Detect Thoughts, Enhanced Senses, Subtle Influence

Innate Magic (used like spells)
First Level: Armor of Earth, Mystical Senses, Command, Sense Death
Second Level: Animal Summoning (usually large war dogs), Invoke Fear
Third Level: Curse, Impassible Thicket
Fourth Level: Forest Metamorphosis
Fifth Level: Shadow Armor

Heroic/Divine Touchstones 
1st Level: +1 Melee Combat: Spear
2nd Level: Luck Benefit
3rd Level: Powerful Defence
4th Level: Favored Enemy: Rome
5th Level: Divine Smite

Heroic (Divine) Archetype: Vengence

Gear
Spear, armor, sword

Wasted Lands Spirit Riders

Spirit Riders might not fit well thematically with Wasted Lands RAW, but in Wasted Lands as D&D, it works great. I might tweak it a bit working with Boudica here for slightly less magic and more options for combat prowess. Given that I am saying that Cú Chulainn was also one then something like his Ríastrad or Battle Frenzy would be an option. Maybe call it something like "Caomhnóir" or Guardian.

It would be fun to try out that is for sure. 

You can get the Wasted Lands RPG and the NIGHT SHIFT RPG at Elf Lair Games.

Character Creation Challenge

Miskatonic Monday #256: The True Housewives of Arkham

Reviews from R'lyeh -

Between October 2003 and October 2013, Chaosium, Inc. published a series of books for Call of Cthulhu under the Miskatonic University Library Association brand. Whether a sourcebook, scenario, anthology, or campaign, each was a showcase for their authors—amateur rather than professional, but fans of Call of Cthulhu nonetheless—to put forward their ideas and share with others. The programme was notable for having launched the writing careers of several authors, but for every Cthulhu InvictusThe PastoresPrimal StateRipples from Carcosa, and Halloween Horror, there was Five Go Mad in EgyptReturn of the RipperRise of the DeadRise of the Dead II: The Raid, and more...

The Miskatonic University Library Association brand is no more, alas, but what we have in its stead is the Miskatonic Repository, based on the same format as the DM’s Guild for Dungeons & Dragons. It is thus, “...a new way for creators to publish and distribute their own original Call of Cthulhu content including scenarios, settings, spells and more…” To support the endeavours of their creators, Chaosium has provided templates and art packs, both free to use, so that the resulting releases can look and feel as professional as possible. To support the efforts of these contributors, Miskatonic Monday is an occasional series of reviews which will in turn examine an item drawn from the depths of the Miskatonic Repository.

—oOo—
Name: The True Housewives of ArkhamPublisher: Chaosium, Inc.
Author: Keith DEdinburgh

Setting: Modern Day ArkhamProduct: One-Shot Scenario
What You Get: Forty-nine page, 2.37 MB Full Colour PDF
Elevator Pitch: The hell of other housewives is a whole other reality (television pitch).Plot Hook: Fame, fortune, and fabulous frenemies in ArkhamPlot Support: Staging advice, five pre-generated Housewives, three NPCs plus Mister Chow Wow, one  map, and three Mythos monstersProduction Values: Decent
Pros# Reality Television terror # Adds interesting social mechanics for inter-Housewife interaction# Plenty of scope for over-the-top roleplaying # Potential convention scenario# Vestiphophobia# Metathesiophobia# Scopophobia
Cons# The parody can tip over into the camp and vice versa
Conclusion# The horror of Reality Television becomes a reality# Housewife horror sets up plenty of scope for unreal roleplaying before the reality of the horror hits!

Character Creation Challenge: Keller the Silent for Wasted Lands

The Other Side -

 Working on moving to my Forgotten Realms characters for my upcoming deep-dive into all editions of the Forgotten Realms. I decided to try a few more of those this week. I have already done Sinéad, who will be my eyes and ears in the Realms, plus others that are likely to appear in my games, like NidaJassic, Kelek, and Skylla

Today, though, is something a little different. I wanted to do a monk character (or mystic if I was using the D&D Rules Cyclopedia), but I don't really have any I want to try! There was Kurtzen, the monk I made for AD&D 1st Ed way back when, but he isn't really all that interesting. Spoiler: I was trying for a Night Crawler (from X-Men)-like character, but I never got it to where I wanted. So instead today I will take on a character I "adopted" rather than rolled up. Keller the Silent.

Keller the Silent

I detailed Keller's story a bit back. She is a wood-elf monk (I said she was a Siswa from the adventure B7 Rahasia), and she joined my party in Baldur's Gate 3.

Now, I could do her sheets for a post-2000 game (3e, 4e, or 5e) where elves can be monks, but for now, I will stick to Wasted Lands and see what I get.

Keller the SilentKeller the Silent

Class: Mystic Martial Artist (from NIGHT SHIFT's Night Companion)
Level: 4
Species: Elf
Alignment: Light
Background: Elf (Wood Elf)

Abilities
Strength: 16 (+2) N
Agility: 18 (+3) A
Toughness: 15 (+1) N 
Intelligence: 10 (+0) 
Wits: 10 (+0) 
Persona: 9 (+0) 

Fate Points: 1d8
Defense Value: 5
Vitality: 30
Degeneracy: 0
Corruption: 0

Check Bonus (A/N/D): +3/+2/+1
Melee Bonus: +2 (base) +3 (Agility) +1 (Heroic Touchstone)
Ranged Bonus: +2 (base) +3 (Agility)
Saves: +1 to magic and spells (elf), +2 to Toughness and Agility saves.

Mystic Martial Artist Abilities
Martial Arts, Agile (+3 to Agility), Melee and Ranged Combat, Lightning Fast (+1 to Initiative), Powers: Danger Sense, Supernatural Attacks

Stealth Skills
Climb, Hide, and Move Silent as 1st level Survivor/Renegade

Heroic/Divine Touchstones 
1st Level: +1 to Defence
2nd Level: +1 to bare-handed melee attacks.

Heroic (Divine) Archetype: Combat

Gear
Staff, Leather Armor, thieves tools

Wasted Lands Mystic Martial Artists

Now, this is a version of Keller I would have fun playing. The Mystic Martial Artist, while having its origin in Wuxa or Wire-fu cinema, makes for a great addition to my Wasted-Lands-as-D&D game. I admit I wish I could run my upcoming Forgotten Realms games using the Wasted Lands rules. It would be easier than moving through the various editions. 

I really had not considered using Keller in this at all, but this makes me want to. I have to figure out where she is from now and when she joins my little party of explorers. Also, I need to figure out how a character who has taken a vow of silence would work in my games.

On another note, I think I have settled on a Heroic/Divine Touchstone on every other level. It feels really powerful, but it also is a great way to customize characters. Maybe every three levels is also good.

You can get the Wasted Lands RPG and the NIGHT SHIFT RPG at Elf Lair Games.

Character Creation Challenge

Miskatonic Monday #255: The Drop

Reviews from R'lyeh -

Between October 2003 and October 2013, Chaosium, Inc. published a series of books for Call of Cthulhu under the Miskatonic University Library Association brand. Whether a sourcebook, scenario, anthology, or campaign, each was a showcase for their authors—amateur rather than professional, but fans of Call of Cthulhu nonetheless—to put forward their ideas and share with others. The programme was notable for having launched the writing careers of several authors, but for every Cthulhu InvictusThe PastoresPrimal StateRipples from Carcosa, and Halloween Horror, there was Five Go Mad in EgyptReturn of the RipperRise of the DeadRise of the Dead II: The Raid, and more...

The Miskatonic University Library Association brand is no more, alas, but what we have in its stead is the Miskatonic Repository, based on the same format as the DM’s Guild for Dungeons & Dragons. It is thus, “...a new way for creators to publish and distribute their own original Call of Cthulhu content including scenarios, settings, spells and more…” To support the endeavours of their creators, Chaosium has provided templates and art packs, both free to use, so that the resulting releases can look and feel as professional as possible. To support the efforts of these contributors, Miskatonic Monday is an occasional series of reviews which will in turn examine an item drawn from the depths of the Miskatonic Repository.

—oOo—
Name: The DropPublisher: Chaosium, Inc.
Author: Sean Liddle

Setting: Eighties Lake OntarioProduct: One-on-One Scenario
What You Get: Six page, 236.94 KB Full Colour PDF
Elevator Pitch: Just because you are a monster does not mean that you do not want your freedom to play
Plot Hook: Freedom from your parents... Just for a dayPlot Support: Staging advice and one mapProduction Values: Plain
Pros# Strange subaquatic scares off the shore# Outline to be developed rather than plot# Easy to adapt to other periods# Ichthyophobia# Thalassophobia# Androphobia
Cons# No pre-generated Investigator# Outline to be developed rather than plot
Conclusion# Hints at the strangeness of the sea off the shore# Mechanical development required

Character Creation Challenge: Liath Luchara for Wasted Lands

The Other Side -

 Yesterday I had the pleasure to introduce you to what I am now considering the Gold Standard version of Bodhmal. Today I want to introduce you to the what I think is the best version of Liath Luchara I have ever done. If I was happy yesterday, then I am ecstatic today. 

Briefly, Liath and Bodhmal are part of the Fenian Cycle of Irish myth and legend. They are foster mothers to a young Fion MacCumhail (Finn MacCool). They were a featured set of characters in my Dark Druid adventure.  

Liath Luchara sheets

Liath is a warrior woman, but she also has a bit of magic about her. Capturing her properly in D&D-like games has been a challenge. I have tried various mixes of warriors, rangers, and barbarians. Nothing has been a great fit. Barbarians have no magic (even the 5e Wild magic one), and Rangers really have too much or not the right kind. So what am I to do? Well, once again, Wasted Lands to the rescue.

Liath starts out simple enough. She is a warrior. That is her calling, and that is how she is always described in the myths and legends, so who am I to argue. But she does have a bit more going on. So I am going with Wasted Land's secret weapons, Backgrounds and the Divine Touchstones.

Again this post is for my late friend Rebecca Joanne Ashling. She would have loved this.

Liath LucharaLiath Luchara

Class: Warrior
Level: 10
Species: Human
Alignment: Light
Background: Barbarian

Abilities
Strength: 16 (+2) A
Agility: 14 (+1) 
Toughness: 14 (+1) 
Intelligence: 10 (+0) 
Wits: 16 (+2) N
Persona: 14 (+1) N

Fate Points: 1d10
Defense Value: 5
Vitality: 72
Degeneracy: 0
Corruption: 0

Check Bonus (A/N/D): +5/+3/+2
Melee Bonus: +4 (base) +2 +1 (divine touchstone)
Ranged Bonus: +4 (base) +1 +1 (divine touchstone)
Spell Attack: +1
Saves: +3 to all saves (Warrior) +2 to toughness (Barbarian)

Warrior Abilities
Combat Expertise, Improved Defence, Melee Combat, Master of Battle, Supernatural Attacks, Spell Resistance, Tracking, Masters of Weapons, Extra Attacks (x3)

Sorceress Spells
First Level: Mystical Senses

Heroic/Divine Touchstones 
1st Level: Arcane Power: Wild Shape (Liath was always becoming a salmon in the myths)
2nd Level: Additional +1 to combat
3rd Level: Sorceress level 1: Arcane Power: Arcane Bond (Liath)
4th Level: Divine Smite
5th Level: Great Smite

Barbarian Abilities
+2 to toughness saves, 

Heroic (Divine) Archetype: Protection

Gear
Gáe Assail (great spear), Dagger

Wasted Lands Liath & Bodhmal

Ok. This is rather perfect. Again, Ranger had too much magic, and Barbarians too little. But this gives me a nice balance really. She has a barbarian background, but her divine touchstones have given her a bit more magical ability and ones she "earned" on her own. Game-wise, this feels like she was discovering more and more secrets. I have considered trying out an Archer or Divine Warrior, but those concepts, while great, were not a great fit for her.  She is not a "Chosen One" by any stretch even if there are some cool things going on in that class. Save that one for Fionn himself I think.

Getting Liath and Bodhmal together, they are far more than the sum of their parts. Their Arcane Bond is focused on each other, allowing them to boost each other's magic when needed and replacing the Anamchara quality as it is supposed to.  

It is one thing to design this all in mind, it is another to see it working and working far better than you imagined. Seriously, with Wasted Lands, I might never need "D&D" again.  Putting them in Wasted Lands also just feel right.

You can get the Wasted Lands RPG and the NIGHT SHIFT RPG at Elf Lair Games.

Character Creation Challenge

If you want to read more tales of Bodhmal and especially Liath then I highly and enthusiastically recommend Irish Imbas Books.

Psionic Potential

Reviews from R'lyeh -

The year is 2123. The first Leviathan Jumpships have been launched and contact has been made with the extrasolar colonies founded in the previous century using Aberrant technologies and then lost contact with in the subsequent Aberrant War. Some have survived, some have been lost, and some find themselves under attack by Aberrants and alien species. Aberrants remain a constant threat. They attacked Sydney, Australia in 2105 and in 2120, they dropped the Esperanza, the ailing European Union’s space station which it hoped would revitalise its future, on France, leaving both France and Belgium as devastated and corrupted landscapes. The mark of Aberrants can be seen in the Blight, the explosion of an Aberrant in Nebraska, which corrupted everything within 200 KM and spoiled soil fertility within 1,000 KM, ravaging the USA’s agricultural belt and in the resulting chaos, saw a military coup, the establishment of the Federated States of America, and the occupation of both Canada and Mexico. In the bombed-out city of Bahrain, the headquarters of the Aberrants until they were driven from Earth and the Solar System by the Earth Strike Ultimatum. This was issued in 2067 by the Chinese government and forced every Aberrant to leave lest it launch every nuclear missile from the satellite missile platforms under its control. This ended the Aberrant War and the Nova Age. For the Aberrants had not always been monsters. From the 2020s until the 2050s, they were Novas, powerful superhumans who transformed societies, technologies, and the planet, enabling exploration and settlement throughout the Solar System and beyond. Then they turned on Humanity, resulting in the Aberrant War. In the wake of the war, the worldwide aid and development organisation known as Æon Trinity has worked alongside the United Nations to help rebuild Earth and a force of individuals with the powers to control their own body and its form, to see into past, present, and future, manipulate technology and the electromagnetic spectrum, alter energy and mass, control kinetic energy, heal, contact and read the minds of others, and even teleportation. They are Psions.

Each Psion possesses a primary Aptitude. There are eight Aptitudes, each one associated with a psi order or organisation. When this latent Aptitude is detected, he is approached by its associated order and his psionic abilities transformed from latency into full use by being placed in a Prometheus Chamber, a device which will activate his psionic abilities. Each order possesses a single Prometheus Chamber. The eight orders are The Æsculapian Order, Chitra Bhanu, ISRA (the Interplanetary School of Research and Advancement), the Legions, the Ministry of Noetic Affairs, Orgotek, Nova Força Nacional, and Upeo Wa Macho. The Æsculapian Order focuses on Vitakinesis, biological healing and enhancement, and operates primarily as an international emergency response and aid organisation. Chitra Bhanu studied the relationship between energy and matter, Quantakinesis, including noetic and Quantam powers. Quantam powers are what lay behind the abilities of first the Novas and then the Aberrants, whereas the abilities of the Psions are connected at the subquantum level. It was the study of Quantam powers and rumoured connection to Aberrants which led to the eradication of Chitra Bhanu Order. Members of ISRA are Clairsentients whose study of the past, present, and future is put to use helping each other and humanity. The Legions is a military organisation which uses Psychokinesis to help protect humanity from Aberrant and extraterrestrial threats. The Ministry of Noetic Affairs is an Order of telepaths that is also an independent division of the Chinese government, which studies the mind and provides humanitarian aid and research, often in pursuit of utopian ideals. The Sudamerican-based Nova Força Nacional is an environmentalist order whose members employ Biokinesis to control and alter their body and form, often to radical effect. Orgotek is a corporation in the fascist Federated States of America, which specialises in electronics and biotech, but also Electrokinesis, the ability to control technology. Upeo Wa Macho—Swahili for ‘the horizon’ is an Order of teleporters, its members capable to travel vast, even interstellar distances. In the wake of the eradication of Chitra Bhanu, Upeo Wa Macho expected to be targeted next and its members vanished from the Solar System, only having returned in the last six months. They are often distrusted by the other orders.

This is the setting for Trinity Continuum: Æon. Published by Onyx Path Publishing, it is update of the Trinity, originally published by the White Wolf Game Studio in 2000, the first of the three roleplaying games set in the Trinity Universe. The others being Aberrant and Adventure!, both set earlier in its timeline. Trinity Continuum: Æon is not a standalone roleplaying game and requires the rules in the Trinity Continuum Core RulebookTrinity Continuum: Æon takes the cinematic action of the Trinity Continuum Core Rulebook and expands it fully into the realms of Science Fiction and psionic powers. On its own, the Player Characters in the Trinity Continuum Core Rulebook are exceptionally skilled characters known as ‘Talents’. It is entirely possible to play a Talent in the setting of Trinity Continuum: Æon and such a Player Character would have certain advantages, being unexpectedly skilled when everyone’s focus is upon Psions. For the most part though, the Player Characters will be Psions.

A Player Character—or Psion—in Trinity Continuum: Æon has the same stats and the same creation process as in the Trinity Continuum Core Rulebook. For his Society Path, a Psion will typically choose his Order, which will also allow Order specific Edges to be chosen, but there is a new Origin Path: Oceanian (for Player Character originating in subaquatic settlements and societies) and new Role Paths which include Off-Earth Colonist, Spacer, and Space Military. The penultimate step in character creation is the application of the Psion Template, which provides a Psion’s Aptitude, Psi Trait, and Modes. Psi Trait is a Psion’s psychic strength, representing both the dice to be added to the pool for activating the Psion’s abilities, the number of Psi points used to activate and power abilities, and more. The typical beginning Psi trait is two, or three for the Quantakinesis and Teleportation Aptitudes. This can be raised as high as six or seven during long term play, which would be equal to a very powerful Psion or a head of one of the orders, or Proxies as they are known. Each Aptitude has three Modes, the actual powers that the Psion will be using. For example, Translocation, Transmassion, and Transportal for Teleportation and Psychometry, Psychlocation, and Psychocognition for Clairsentience.

Activating a psionic ability requires a roll of a dice equal to the Psion’s Psi Trait and the Mode rating. The default Difficulty is one Success to activate an ability, but this can go up or down depending on the Mode rating. This even enables a Psion to use a higher Mode ability that he does not yet have, but at a greater difficulty, with abilities lower the Psion’s current Mode ability will be easier to activate. The Psi Trait determines the duration, range, and radius of an ability, but can be boosted with Psi points. Favouring one ability or Mode over another can lead to psionic dysfunction and odd quirks of personality. However, it does give an advantage with the favoured Mode whilst levying a penalty upon the use of the other Modes. Other rules cover connections with people and objects and co-operating in the use of psionic powers. The rules in Trinity Continuum: Æon also cover hacking as well as a wide range of technology, including hardtech and biotech, all the way up to spaceships and starships of various sizes.

The Science Fiction of Trinity Continuum: Æon is intended to be positive. It is inspired by Babylon 5 and The Tomorrow People, Childhood’s End by Arthur C. Clarke and Julian May’s Galactic Milieu series, and the Mass Effect series of computer roleplaying games. It provides a wealth of detail in terms of its background, which takes in a hundred years’ worth of history, details of the major powers and nations of the early twenty-second century, the remaining seven Psion Orders, the various extra solar colonies, the threats faced by mankind both within the Solar System and beyond. Not only is the background and setting detail immensely readable, but it is also immensely playable because of the differences between its various locations and organisations. It is in these differences where the brilliance of the background comes to the fore. They provide numerous options in terms of the games and campaigns that can be run within the future of the Trinity Continuum: Æon. The fascist Federated States of America with economic underclass, high crime rate, and a police response based on the economic status is perfect for a campaign of Cyberpunk style espionage. The Lunar colony of Olympus is perfect for future crime stories. The extrasolar colonies are intended for Space Opera, whilst miliary Science Fiction is perfect for the Chinese colony of Khantze Lu Ge, where Aberrants have invaded. The remains of France and Belgium are suitable for post-apocalyptic scenarios. Campaigns involving The Æsculapian Order focus on search and rescue missions, emergency response, and the politics of non-governmental aid, ISRA on secret missions to protect humanity, the Legions on military operations, Ministry of Noetic Affairs on intrigue and politics, Nova Força Nacional on espionage and small-scale operations—criminal, guerilla, or military, Orgotek on engineering projects, conducting counterterrorism missions for the Federated States of America government, investigating Aberrant cults, and Upeo Wa Macho on exploration and travel. It is important to note that the membership of each order does not solely consist of Psions with just the order’s associated Aptitude. Those with other Aptitudes can belong too. It is also possible to have a campaign with freelancers or even with the Player Characters from a variety of Orders, but working for the humanitarian agency, Æon Trinity, and that would lend itself to a variety of different scenarios and campaigns.

For the Storyteller, there is a discussion of the various genres possible with Trinity Continuum: Æon, and how to create optimistic scenarios and evoke the themes of the Trinity Continuum universe. These are Hope, Sacrifice, and Unity—the latter in particular for Trinity Continuum: Æon. There is good advice on handling discipline and rank in military campaigns, for example, if tunning a campaign based around the Legions, either discuss it with players and embrace it, run campaigns based on covert operations, or simply keep it more cinematic in style. There is advice too on how to incorporate Talents into a campaign. The Storyteller is also given stats and details of a wide range of NPCs and threats, including aliens and Aberrants. Lastly, there is a section for her eyes only on the secrets of the Trinity Continuum: Æon. It includes a projected timeline too for the setting, enabling the Game Master to plot out scenarios and events as her campaign progresses. Including this information is both generous and useful, as it really helps the Game Master understand the setting and thus create better scenarios and campaigns.

Physically, Trinity Continuum: Æon is very well written and easy to read. It is decently illustrated throughout, and really the only issue might be that the book’s map could have been better produced.

Trinity Continuum: Æon is a great expansion for the Trinity Continuum Core Rulebook. The Psionic abilities are not too complicated and are easy to use, but it is the background which really shines through. It is engaging and detailed, whilst at the same time offering a wealth of detail to bring into play and almost mini-settings in which to run the different genres of Science Fiction. Overall, Trinity Continuum: Æon is pleasingly optimistic in its outlook and generous in the types of Science Fiction games it can support.

Best of... 2015 Gongfarmer’s Almanac

Reviews from R'lyeh -

Before the advent of the internet, the magazine was the focus of the hobby’s attention, a platform in whose pages could be news, reviews, and content for the roleplaying game of each reader’s choice, as well as a classified section and a letters page where the issues of day—or at least month—could be raised and discussed in chronically lengthy manner. In this way, such magazines as White Dwarf, Imagine, Dragon, and many others since, came to be our community’s focal point and sounding board, especially a magazine that was long running. Yet depending upon when you entered the hobby and picked up your first issue of a roleplaying magazine, you could have missed a mere handful of issues or many. Which would have left you wondering what was in those prior issues. Today, tracking down back issues to find out and complete a magazine’s run is much easier than it was then, but many publishers offered another solution—the ‘Best of…’ magazine. This was a compilation of curated articles and support, containing the best content to have appeared in the magazine’s pages.

1980 got the format off to a good start with both The Best of White Dwarf Scenarios and The Best of White Dwarf Articles from Games Workshop as well as the Best of Dragon from TSR, Inc. Both publishers would release further volumes of all three series, and TSR, Inc. would also reprint its volumes. Other publishers have published similar volumes and in more recent times, creators in the Old School Renaissance have begun to collate and collect content despite the relative youth of that movement. This includes The Gongfarmer’s Almanac which has collected community content for the Dungeon Crawl Classics Roleplaying Game since 2015 and Populated Hexes Monthly Year One which collected the content from the Populated Hexes Monthly fanzine. The ‘Best of…’ series of reviews will look at these and many of the curated and compiled titles from the last four decades of roleplaying.

—oOo—

The 2015 Gongfarmer’s Almanac was published in 2016. It is the first of several annual compilations of the fanzine, the Gongfarmer’s Almanac, created by dedicated fans of Goodman Games’ Dungeon Crawl Classics Roleplaying Game (and later Mutant Crawl Classics Roleplaying Game – Triumph & Technology Won by Mutants & Magic, the spiritual successor to Gamma World) published by Gongfarmer’s Local #282. Both the creation of the individual issues and the compilations of Gongfarmer’s Almanac are volunteer-led and both the individual issues and the compilations are available in different formats. This includes being available for free as PDFs and then as inexpensive softbacks and paperbacks. So, in the case of the 2015 Gongfarmer’s Almanac, which was created and compiled by the members of the Dungeon Crawl Classics Google+ Community, that is over three hundred pages of content that the Judge can pick and choose from for her campaign. This includes new Classes, spells and rituals, monsters, treasure, Patrons, adventures, campaign material, and more. All of it optional, but all of it worth looking at given its obvious value for money.

However, the volunteer-led nature of the 2015 Gongfarmer’s Almanac is not without its consequences. Although the layout of the compilation is decent enough, the organisation is not as straightforward as it could be. The compilation is organised and numbered as individual issues, rather than as a whole, and the individual entries vary in length. The individual issues though, are organised thematically, so the first issue is dedicated to Classes and spells, the second to monsters, treasures, and Patrons, the third to scenarios, and so on. This, plus the repeated inclusion of the table of the contents does help the reader navigate her way around the compilation. It should also be noted that the physical quality of the compilations are not of the highest quality, which in part, is due to the low cost. Lastly, the 2015 Gongfarmer’s Almanac contains not five issues as stated in the initial individual sections, but a total of six.

The ‘PC Classes’ opens with Julian Bernick’s ‘Assassin’, which mixes the Thief’s stealth skills and backstab ability with the ‘Gift of Venom’, which forces the defendant to save versus Poison, but if failed, can have various effects, including being weakened, inflicting extra damage, and even death. In addition, the Assassin can also assassinate a totally surprised opponent! The ‘Dervish’ by Edgar Johnson is a holy warrior, Neutral by alignment, but highly religious, specialises in the use of one weapon, and mixes in a lot of different abilities taken from the Paladin, Ranger, and Thief Classes. This quite a focused and strong Class. ‘Gold and Glory Beyond the Grave Un-dead PC’s in DCC RPG’ by Taylor Frank gives options for playing undead characters such Ghost, Skeleton Warrior, and even a Vampire. These cross over in the Chaotic Alignment, even evil, and so are suited to some campaigns more than others. Reid ‘Reidzilla’ San Filippo’s ‘The Luchador’ is drawn from the author’s Umerica setting, blessed by the Bueno-god El Santo, patron of monster slaying wrestlers, channelling the hope Luchadores channel of their peoples and their indomitable will through outlandish mystical masks to empower their ancient, unarmed fighting techniques. They have Mighty Deeds of Wrestling including for acrobatic strikes, blinding attacks, choke out, demoralising taunts, and more. It is a fun all-action, brawling Class. Lastly, David Baity’s ‘The Sword Monger A DCC Optional Class’ is very clearly inspired by the film, Highlander, presenting sword-wielding warriors who can be killed by decapitation and when they kill one of their own, they gain a portion of his Hit Points and kill enough of them will improve stats. This makes them quite powerful. Overall, this is interesting mix of new Classes, some of which may well be too powerful or radical for some campaigns.
‘Rituals & Spells’ gives several spells such as Blood Splash, a First Level Wizard spell by Reece Carter, in which the caster cuts himself and sprays at opponents to inflict damage, whilst Terry Olson’s Temporary Creation is a First Level Cleric in which the caster draws upon his deity’s power to temporarily create semi-divine, though ordinary items. Vacuity by Chris Fassano is a Third Level Wizard spell which draws all of the air out of the target’s lungs and at its most powerful creates a black hole which leads to a different world. This is an interesting mix and spellcasters can have some fun with them.

The first of the items of treasure is ‘Items to Die For’ by Kyle Turner. These are a trio of interesting magical items, all nice and easy to use, like the Harrow, a bow of gnarled, polished bone that does no damage, but renders a particular body part broken and useless on a hit, but on a critical miss does the same to an ally, whilst Yi’ao, the Flame is a burning iron sword that never goes out, requires a marble scabbard(!), and burns its wielder. Jordan Smith’ ‘Objects of Wonder from the Ruins of Glittergus’ offers a handful of items like the Eye of Occultation and the Crown of the Ape King, whose background in the Swamp Kingdoms of Jersey and the scattered lands of Brokendyn, all suggest a post-apocalyptic origin, but they all still feel magical rather than technologically derived, but all are engaging described, whilst ‘Pelagian Equipment’ by Bruce Clark, describes two items that part of the domain of Pelagia, the Sea Goddess. One is Pelagia’s Holy Vestments, robes that grant faster swimming and an entanglement—in seaweed, of course—power that needs to be rolled for, the other a Portable Jellyfish which can be thrown like a grenade for electricity damage! ‘The Wall of Kovacs’ is a transient wall of various materials which can appear anywhere, again and again. Created by bygrinstow and inspired by the work of Goodman Games regular artist, Doug Kovacs, it causes Chaotic transformations in those who touch it, so the players and their characters are likely to come to fear and curse its presence.
The Patrons are all fully written up with spells patron gifts. Randall D. Bailey Jr.’s ‘Ghrelin’ is “The Demon Lord of Hunger and Starvation…” who “cares about nothing but consuming.”; bygrinstow’s ‘The Great Ebony Hand’ details as inscrutable a Patron as you could imagine, since you can talk to and invoke the Great Ebony Hand, but it never talks back. It can though provide a protective, ghostly hand, spells that allow communication via sign language, poke doom at a target, and so on; and ‘Patron: Hecate’ by Doyle Wayne Ramos-Tavener describes a patron of witches who sends nightmares, can raise the dead, and so on. This is a dark version of Hecate and witch-type characters, and highly suitable for NPCs and grimdark campaigns, but unfortunately feels incomplete with the inclusion of the one spell.
‘Volume 3: Adventures’ contains fives adventures of varying quality. They begin with Clint Bohaty’s First Level adventure, ‘Hemlock Bones Mystery Adventure #1: The Coal Snoot’. Inspired by the works of Sherlock Holmes, the Player Characters are hired by the brilliant and annoying wizard, Hemlock Bones, to help him solve a locked room murder. In other words, they do the work and he takes the credit. It is all set-up—quite detailed set-up—which the Player Characters have to solve. This is very much left open and so will take a fair bit of work for the Judge to run as is. The format, with a Sherlock Holmes-style NPC present, has the potential to overbear the efforts of the Player Characters, but the advice on handling him is decent, mostly keeping him offstage. Peter Mullen’s ‘The Marvelous Myriad Myconid Caverns’ is for Third and Fourth Level Player Characters is actually marvellous, a series of caves and tunnels off the River Yimmer in the Endless Dungeons of Acererak. There are touches of whimsy and strangeness to the encounters with Morse Trolls who tap out messages across the dungeon, gremlin dungeon punks, Sergeant Luggbodduggo, a Nail-head Hobgoblin on a fishing trip, a monstrous troglodyte chief armed with the Gorgosaurus Sword—a dinosaur in weapon form! Accompanying the scenario is a lovely map and this really is a charming dungeon which creates a world of its own, not only the best of the five dungeons in the 2015 Gongfarmer’s Almanac, but amongst the best of the content in the compilation.
‘May Flowers’ is a Zero Level Funnel by Daniel J. Bishop. The uncovering of an icon of the ancient Chaos goddess, Flos Tenebrarum, the Flower of Darkness, unleashes the sudden flowering of strange predatory plants. Essentially, it turns a farmer’s field into a garden-themed dungeon, a deadly one at that, and if it feels somewhat one-note in that theme, much of the joy of the adventure is going to come from Zero Level Player Characters live and die in the course of dealing with the newly grown problem. Just as with other Zero Level Funnels. Jon Hook’s ‘Tomb of the Thrice-Damned War Witch’ is a deadly, tomb-raiding adventure for Fourth Level Player Characters, built to contain the spirit of a powerful war witch in ages past. Relatively short, it is full of puzzles and traps and the sort of adventure in which things are best well left alone. The war witch’s treasures are powerful, especially if a Player Character is a Warrior of Chaotic alignment, but if not, there is a wand capable of creating portals large to transport soldiery and siege engines across vast distances which could be useful. Otherwise, even the author describes entering into the tomb as a fool’s errand.
Lastly, ‘The Worm Cult of Laserskull Mountain’ by Noah Stevens mixes a range of genres—Science Fiction, the post-apocalyptic, and fantasy—to create an adventure site ready to be scaled and adapted to the Player Characters. Laserskull Mountain is where the people of sector bring their dead to be interred by the Embalmers and eulogised by their dirge-singing Crystaloid Computer, but it has been recently invaded by Worm Cultists who are digging down in search of the Humming Egg and then occupied by the Android Enchantress as a forward operating base in her war against the Cyberlich, whose attack is imminent… It will require a fair degree of effort upon the part of the Judge to prepare, since she will need to provide all of the stats. Otherwise, this is nicely detailed and awaits the right spot in the Judge’s campaign to be placed.

The fourth, fifth, and subsequently, sixth part of the 2015 Gongfarmer’s Almanac all fall under the label of ‘Rules & Campaign Miscellany’. This consists of content that does not fit under any of the other categories given in the earlier volumes, which include setting content, general articles, and more. Roy Snyder’s ‘Black Blood Pass – A Mini-Gazetteer’ describes a nearly impassable pass through mountains, fallen to ruin since the Demi-Lich Rj’nimajneb~Yor’s forces to occupy the Fang, the fortress dominating the pass. The Demi-Lich is fully detailed, including its abilities and magical items, alongside location descriptions and hooks. It is a pity that it is a ‘Mini-Gazetteer’, since there is plenty of scope for expansion and more detailing. A map perhaps would have been useful to help the Judge develop the lengthy location further. ‘Chirumancy’ by James MacGeorge offers an alternative to healing magic of the Cleric, Chirurgeons, who as the masters of the arts of dark surgery, seal wounds with carcinomas, replace lost limbs with those taken from corpses, and worse. There are side effects though, beginning with a persistent cough or chronic incontinence and going all the way to seizures and tumours! Another problem is that the newly attached body parts may not match those lost, due to either Species or gender! This is delightfully grim, a bloody, inconsistent counterpart to the sterility of divine healing magic.
There is a set of tables by Tim Callahan to create non-traditional haunted and doomed locations with ‘Crawling Castle of Grumblethorn and Other Architectural Horrors’; an actual ‘The Gongfarmer’s Almanac’, a calendar by Doyle Wayne Ramos-Tavener to add omens, events, and Wizard and Cleric spell check modifiers day-by-day to a campaign or serve as a model for the Judge’s own; a table of events and encounters by Kane Cathainm ‘Tales of Travels, Trials, & Chance Meetings’, to role on between adventures to make the Player Characters’ lives interesting; and ‘The Virtual Funnel: Making Higher Level DCC RPG Characters with Real Class’, Paul Wolfe’s solution for creating the backstory to Player Characters created at higher Level. This starts with the Zero Level Character Funnel and takes them up Level by Level to the Player Character’s starting point. A very useful set of tables which could easily have found itself in the Dungeon Crawl Classics Companion if there were such a thing for the roleplaying game. There is even another scenario, ‘The Demon’s Conscripts’, a mid-Level affair in which the Player Characters encounter foreign soldiers who have been partially possessed by demons. Again by Paul Wolfe, these are Samurai, and includes stats for various Japanese monsters and martial weapons, alongside an interesting situation.
And then, the ‘Master Zine Index’ lists every adventure, gadget or gear, magical item, monster, NPC, Patron, ritual or spell, rules, rumours, and campaign seeds, and anything else to have appeared in the nine or so fanzines then in print! It was an amazing undertaking in 2015. It would be a daunting task almost a decade on in 2024!
Physically, the 2015 Gongfarmer’s Almanac is rough around the edges and has cheap, pulp quality to it. There is very much the feel of the fanzine to its pages, both in terms of presentation and quality of content. There is though, nothing wrong in this, for there is a wide variety of content and none of it is presented in a less than readable fashion. Rather that anyone expecting something more polished will be disappointed.
The likelihood is that the Judge is never going to use all of the content of the 2015 Gongfarmer’s Almanac, but there is very likely going to be something its pages that she will find useful or she can adapt or incorporate into her campaign. It is a medley of ideas, monsters, adventures, options, treasures, gods, and much more. The 2015 Gongfarmer’s Almanac was an impressive collation in 2016 and if it has been outclassed by the volumes in the series that followed, it was still an incredible, fan-driven undertaking that captured the imaginations of Dungeon Crawl Classics fans at the time.

Character Creation Challenge: Bodhmal for Wasted Lands

The Other Side -

 As Casey Kasem used to say, "The hits keep coming."  Though when I say it, I usually mean something bad. And I do today as well. Lost another friend this past week, Rebecca Joanne Ashling. She had some health problems, but her death is still a bit of a shock.  Rebecca and I had known each other for about 22+ years. We talked a lot online and she was a huge fan of my witches and modern horror stuff. In particular, she loved my takes on Willow and Tara. She often provided me some critiques on various builds and let me know about new games that she thought I would like. It still feels a bit unreal since I still half expect to get a text from her when this post goes live.  So today's and tomorrow's characters are for her.

Today, I want to start with the druidess Bodhmal.

I am choosing her for all the reasons Rebecca would have liked. Bodhmal has a long history in my games, and her character helped drive my vision of NIGHT SHIFT and thus influenced The Wasted Lands. This version is a "conversion" of sorts of D&D 4th Edition, a game we both enjoyed and continue to enjoy. Plus, and maybe most importantly, Bodhmal, while a mythological figure from Irish myth, was also my "Willow" stand-in. Since I did her main antagonist (and grandfather), the Dark Druid, yesterday, she would be good for today. 

Bodhmal character sheets

Bodhmal for the Wasted Lands

Bodhmal is not a goddess. Nor will become one. She is, though, a very important figure of the Fenian Cycle of Irish myth and legend. Because of this she fits rather well with the central conceits of the Wasted Lands.  I also wanted to try out another Druid, but one with a bit more mysticism about them. Or to be blunt, a druid that is becoming something akin to a witch.  She is the "last common ancestor" of Druids and Witches.

Like Fear Dorich, Bodhmal has been worked up for the Buffy the Vampire Slayer RPG, D&D 5e, Castles & Crusades, Blue Rose 2nd Edition, my Pagan Witch class, and today's experiment, D&D 4e.

D&D 4e had some nice quirks that allowed me to get to the version of Bodhmal I liked. I have to admit, Wasted Lands works even better.

The Druidess Bodhmal nic TadghBodhmal nic Tadgh

Class: Sorceress (Druid, Witch or Ban Drui)
Level: 10
Species: Human
Alignment: Light
Background: Scholar

Abilities
Strength: 10 (+0) 
Agility: 10 (+0) 
Toughness: 14 (+1) 
Intelligence: 14 (+1) N
Wits: 18 (+3) A
Persona: 11 (+0) N

Fate Points: 1d10
Defense Value: 8
Vitality: 42
Degeneracy: 0
Corruption: 0

Check Bonus (A/N/D): +5/+3/+2
Melee Bonus: +2 (base) 
Ranged Bonus: +2 (base)
Spell Attack: +5
Saves: +7 to Spells and Magical effects (Sorcerer & Scholar)

Sorceress Abilities
Arcana, Arcane Powers (4): Enhanced Senses, Arcane Bond (Liath), Wild Form, Telepathic Transmission

Sorceress Spells
First Level: Armor of Earth, Glamour, Mystical Senses, Sleep
Second Level: Animal Summoning, Conjure Flame, Invisibility, Subtle Influence
Third Level: Cure Disease, Dark Lightning, Staves to Snakes
Fourth Level: Befuddlement, Forest Walk, Plant Speech
Fifth Level: Miasma of Creeping Death, Telekinesis

Heroic/Divine Touchstones 
1st Level: Psychic Power: Supernatural Senses 
2nd Level: Additional Spell: Bless
3rd Level: Spirit Guide: Cait Sith
4th Level: Magical Recovery
5th Level: Grant Spellcasting

Scholar Abilities
1st Level Spell: Create Light

Heroic (Divine) Archetype: Knowledge

Gear
Staff, Dagger

Wasted Lands Druids & Witches

I like this version of Bodhmal. She has her druid side and can take on a wild shape, but that is not the most important part of her character. She also sees everything. Mystical, Supernatural, and more. She can talk to animals and plants. She even has some offensive spells when she needs them.

More to the point, her connection to Liath is there via the Arcane Bond. 

I can see this Bodhmal as a druid who began a line of pagan witches. Liath is even there as her Cowan or witch guardian. This is perfect in my mind. I wish you all could feel this; how perfect of a fit she is for my concept of her. This is much better than any other system I have done. 

You can get the Wasted Lands RPG and the NIGHT SHIFT RPG at Elf Lair Games.

Character Creation Challenge


A Mining Mystery

Reviews from R'lyeh -

One of the great things about The One Ring: Roleplaying in the World of Lord of the Rings, the second edition of the acclaimed The One Ring: Adventures Over the Edge of the Wild published by Free League Publishing is The One Ring Starter Set. Why do you ask? Well, because it lets us roleplay members of the Hobbit community whom we not normally encounter. Drogo Baggins, Esmeralda Took, Lobelia Bracegirdle, Paladin Took II, Primula Brandybuck, and Rorimac Brandybuck, in many cases the parents or relations of three of the Hobbits who would form part of the Fellowship of the Ring decades later. Under the direction of the scandalous Bilbo Baggins, the quintet went off and had adventures of their own in the Shire, whilst at the same time The One Ring Starter Set presented the Shire for the roleplaying game itself. Sadly, the five adventures had to come to close and with it the chance to play those characters again. Fortunately, s available a number of sequel adventures, including Landmark Adventures, that can be run as part of, or after, the events of The One Ring Starter Set, or simply added to an ongoing campaign for The One Ring: Roleplaying in the World of Lord of the Rings if it is being run in or around The Shire. The Ghost of Needlehole proved to be a sharp little ghost story, whilst the Mines of Brockenbores takes the Player-heroes to the far north of the Shire to inspect a mine!

The Mines of Brockenbores takes place in the northern part of the Shire’s Eastfarthing, in the hilly region of Scary. It is here that much of the ore that the Hobbits of the Shire need for their metal goods and implements is mined. Of course in the future, it is also from here that Fredegar Bolger will lead a band of Hobbit rebels when ‘Sharkey’ takes control of the Shire during the War of the Ring. That though, is in the future and many years before that happens, before even Fredegar Bolger and his friends were born, the mines were the source of a mystery! This is a strange sickness which is besetting the miners, which the owner of the mine, Erling Goldworthy, is keeping quiet until his profits are threatened and he puts out the call for any party of adventurous Hobbits (or outsiders) who are willing to explore the mines and eradicate what he describes as an “Infestation of Rats”.

The bulk of the adventure will see the Player-heroes exploring and skulking through the mine. There is relatively little for them to explore or discover, the main one being the cause of the strange sickness, being tunnels full of bioluminescent mushrooms, but the other being something dark and dangerous lurking in newly uncovered caves. There are plenty of opportunities to gain Shadow Points—if only temporary ones—in confronting the thing, a tough prospect for even a group of standard Player-heroes, let alone a group of Hobbits like those from the The One Ring Starter Set. However, ‘The Nameless Thing’ described in the adventure is not the only threat present in Mines of Brockenbores. This is other threat is slightly connected to Lobelia Bracegirdle and its involvement may have an effect on her outlook on life if she is a Player Character.
The Mines of Brockenbores is neatly presented and is well written and its short length means that it is quite easy to prepare for a session.

New scenarios for The One Ring: Roleplaying in the World of Lord of the Rings and especially for use in conjunction with The One Ring Starter Set, are always going to be welcome. Yet the Mines of Brockenbores is not as good a Landmark adventure as the previous The Ghost of Needlehole. It is too straightforward, not quite enough mystery in comparison. Plus the Mines of Brockenbores is a tough little encounter for The One Ring: Roleplaying in the World of Lord of the Rings. Potentially too tough for an ordinary band of Hobbits, forcing them as it does, to confront a nameless thing long out of Middle-earth’s past. Consequently, letting the Rangers of the North know about it might be the safer course of action, but of course, Hobbits are, famously, brave in pinch, and if they can defeat it, they should be well rewarded.

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