The Other Side

WitchCraft Wednesday: The Hand Mirror of the Silver Witch

//www.pexels.com/photo/old-fashioned-mirror-20208211/Photo by Esra Korkmaz  I have a couple of threads of things I am developing at the moment. One has been my ongoing "Occult D&D" idea, which in itself grew out of my "War of the Witch Queens" campaign. The other is an idea based on my rereading of a lot of things I have written over the decades. Some of which I "re-discovered" recently, something I have been calling "The One Who Remains." 

This is the product of the intersection of many of these ideas and threads.

The Hand Mirror of the Silver Witch

This ancient handmirror is the final relic of the Silver Witch, who gave her life to halt the unraveling caused by The One Who Remains. In her last stand, the Silver Witch allowed herself to be unmade. Her memories, power, and will were drawn into the mirror she carried, preserving a single thread of her identity.

The glass is now cool and pale, like winter water. When the light strikes it just right it glimmers with a faint silver glow, as if the moon reflects upon it even indoors.

Only witches and warlocks may safely handle the mirror. Those who seek knowledge for selfish or destructive ends invite peril.

Description

The Hand Mirror is a finely wrought hand mirror of cold iron and silver alloy. Its back bears the mark of the Triple Moon. The mirror never tarnishes and cannot be cracked by mundane force. Looking upon the glass produces a reflection that appears slightly delayed, as if the viewer’s image moves a moment behind.

When held during a ritual, witches report a soft whisper like wind through winter leaves.

Primary Powers

The mirror grants the following abilities when properly attuned. Attunement requires one hour of meditation, incense, and a whispered invitation to the Silver Witch. These powers can be used by any spellcaster.

Second Sight: Three times per day the bearer may gaze into the mirror to cast detect invisibility, detect charm, or detect spirit (witch version). Each use requires one round of concentration.

Moonlit Guidance: Once per night the mirror casts a soft argent glow. While this glow persists, the bearer gains a +2 bonus on saving throws against magical fear, illusions, and enchantment effects. Duration: 1 turn.

Veil of the Silver Witch: Once per day the bearer may cloak herself in silver mist, as blur cast by a 10th-level magic-user. Duration: 5 rounds.

There is a cumulative 5% chance per non-witch use that the mirror becomes inactive in the hands of the user. Worse, echoes of The One Who Remains begin to seek out those who hold the mirror. (Treat as spectres).  

Greater Powers

The mirror holds deeper abilities tied to the Silver Witch’s sacrifice. These powers can only be used by a witch or warlock.

Memory of the Fallen Star: Once per week the bearer may commune with an echo of the Silver Witch. This functions as a limited form of contact other plane. The entity contacted is not a deity but the preserved remnant of Larina’s future self.

Answers are clear but tinged with sorrow. Each use risks emotional fatigue: after communion the bearer must save vs spells or be drained of 1 hp per level for 24 hours due to mental strain.

The Last Reflection: Twice per week the mirror allows the bearer to read a single moment from her own future. This functions as an augury, with a 75% accuracy rate. The glass reveals images of silver fire and shadow intertwined.

Mirror-Walk: Once per month the bearer may step through a reflective surface and emerge from another mirror within five miles. This requires full concentration and a quiet chant. The bearer becomes insubstantial for one round upon exit.

The Doom of the Silver Witch

The Mirror of the Silver Witch is powerful but dangerous. Within the artifact lies the remaining fragment of the Silver Witch’s mind. That remnant strives to protect others from the fate she endured, yet her presence is fading.

Each time a Greater Power is used, there is a cumulative 5% chance the mirror’s “echo” attempts to guide the bearer toward events tied to The One Who Remains. This influence is subtle. The bearer may feel prophetic dread, be drawn to gates of power, or suffer moonlit dreams.

If the chance ever reaches 25%,  the DM should require a saving throw versus spells whenever the mirror is used. A failed save means the bearer glimpses the Silver Witch’s unmaking and must roll a system shock check or fall unconscious for 1d6 turns.

If the chance reaches 50% the mirror loses one Greater Power of the DM’s choice, symbolizing the last of the Silver Witch’s memories fading away.

Texts, including the near-mythical Adnerg Codices (an artifact in it's own right), speak of even greater powers the Mirror once had. 

Destruction

The Mirror cannot be shattered, melted, or banished by mundane or magical means. It may only be destroyed if:

  • It is placed at the center of a Witch Gate during a total eclipse,
  • Seven witches of different traditions willingly break their coven-bonds for one night,
  • And the bearer renounces her name while holding the mirror.

This ritual unravels the last thread of the Silver Witch. The mirror dissolves into silver dust. All memory of the Silver Witch fades from history unless preserved in text.

Larina Nix, the Silver WitchLarina Nix, The Silver WitchWho Was the Silver Witch?

This is not something players would know, and it is certainly not in the histories of the mirror. But the Silver Witch is a future version of my witch, Larina. 

Back in January, I did TardisCaptain's New Year, New Character challenge where I took a lot of Grenda's characters and revised them for Wasted Lands. I mentioned before that in his stack of characters were a bunch of his versions of my characters. 

One of them was Larina

I didn't use her then because I was saving her for something special. But in my writings about The One Who Remains, I figured it out. Those versions of my characters? They are all gone. Unmade. Well, maybe one or two survived, but Larina, that Larina, did not. 

Why would I kill off one of my beloved characters? It was because of love that I did it. Or rather, that Larina's sacrifice. She loved her world enough to warn others via her Mirror. Since here she was an NPC her fate was entirely of my own design. Her world, a reflection of my own game world, was unraveled by The One Who Remains, or at least a part of him. Funny, I can hear Grenda in my head now saying, "You destroyed my version of your world, all because I am dead? What a dick!" 

That is the REAL power of the Mirror. Not the magics in it, those are just side effects. The real power is that it will fall into the hands of those who could do something about The One Who Remains and maybe, just maybe, prevent it from happening to their own world.

Who, or What, it The One Who Remains? Well. That is going to be a much longer post.

New Release Tuesday: Labyrinth Lord, Revised & Expanded

 Not mine, but I am excited for it. Labyrinth Lord: Revised & Expanded, aka Labyrinth Lord 2nd Edition, is now out from Daniel Proctor and Pauli Kidd.

 Revised & Expanded

Labyrinth Lord didn't start the OSR, but it certainly propelled forward. 

I have gone into this edition in detail yet, but there are some fun additions.

What does the book have?

For starters, this is Labyrinth Lord. Not Advanced. This is a good take, I think, with the recent announcement of Old-School Essentials favoring their "Advanced" variant. So this is for people who want a true B/X experience. Proctor mentions that the design goal of is really now an extension of the B/X rules, with First Edition material, "while making those rules closer to how we all played anyway." This has always been the appeal for me since the start. 

There is no OGL here. This is released using the Creative Commons Attribution 4.0 License. 

Classes are the classic B/X race/species as class. There are some new ones and revised ones. Brownies and Cyclops are new classes. Burglers, Hobfolk, and Wizards are revised. Clerics, Elves, Dwarves, and Fighters are closest to their B/X forbearers. 

No new spells as far as I can tell. Some druid spells are added to the cleric lists.

There are some fun new monsters. Among them are: Baboon (Higher), Banther (love this guy!), Booglin, Cyclopean and Cyclops become two distinct but related types, Glastig, Goadt (love these guys too), Goat of Calamity, Hawkbear, and more. I won't list them all here, save the surprises.

The monster stats are presented in tables while their corresponding write-ups are separate.  It reminds me a little of how OD&D did things. It saves space on the page for certain.

There are still plenty of wandering monster tables and treasure. 

The biggest addition is the adventure from Pauli Kidd, "The Heart of Traviya" a min-campaign for 1st level characters. Not to give too many spoilers, but the idea the village has been split into three separate but connected worlds is a really fun one. 

We also have our map of the Known Lands from LL1 and a good index.

The layout is clean and sharp. It evokes B/X more than say OSE or ShadowDark does, and at least in terms of esthetics, it works as a successor to the B/X line. Not 100% a fan of the monster layout, but I can also see how it would work well in game play. 

I think Proctor's insight is spot on. A new retro-clone is a step backwards. To move forward the "clones" must evolve and provide something new. This new Labyrinth Lord is the platform for Proctor (and hopefully more Kidd) to do just that. 

Looking forward to seeing what is next.

Monstrous Mondays: Return of the Demogorgon (Stranger Things)

 We have been rewatching Stranger Things in anticipation of the new, and final, season coming on Wednesday. I thought it might be fun to revisit their classic monster for the system that influenced the show so much.

Demogorgon (The Creature)Demogorgon (The Creature)
Interdimensional Predator

FREQUENCY: Very rare
NO. APPEARING: 1 (rarely 1–2)
ARMOR CLASS: 4
MOVE: 15"
HIT DICE: 8+8
% IN LAIR: Nil
TREASURE TYPE: Nil
NO. OF ATTACKS: 2 claws
DAMAGE/ATTACK: 4–9 / 4–9 (1d6+3) plus special (bite 1-8)
SPECIAL ATTACKS: Bite latch, dimensional scent, drag
SPECIAL DEFENSES: Regeneration, surprise, fire vulnerability
MAGIC RESISTANCE: Standard
INTELLIGENCE: Animal to Low (1–6)* high cunning
ALIGNMENT: Chaotic Evil
SIZE: M (7 feet tall, thin, humanoid)
PSIONIC ABILITY: Nil
LEVEL/XP VALUE: VIII / 1,650 + 12 per hp

A tall, gaunt humanoid creature with elongated limbs and a head that opens like a five-petaled flower. The interior of its "face" is ringed with rows of needle-like teeth. Its flesh is pale, hairless, and amphibian-like. Movement is unnaturally fluid and silent.

Demogorgons exist between worlds. They slip into Prime Material spaces only when the veils thin or when drawn through by psychic resonance or magical disruption.

Demogorgons fight with terrifying speed and ferocity. They prefer to stalk prey for several minutes, using their ability to sense blood, fear, or psychic emanations.

Claw Attacks: Each claw deals 1–6+3 damage. A natural 19 or 20 indicates the Demogorgon has seized the target, granting it a +2 to hit with its bite.

Bite Latch: Once latched, the creature bites for 1–8 damage per round automatically until the victim is freed. Strength checks or magical force are required to break free.

Dimensional Scent: Demogorgons can sense living creatures across thin planar boundaries. They detect invisible, ethereal, or phase-shifted beings within 6", ignoring illusions involving scent or blood.

This ability also allows them to track wounded prey with near-perfect accuracy.

Drag Into Shadow: If the Demogorgon is adjacent to a dimensional weak spot (DM’s discretion: portals, rifts, magical failures, etc.), it may drag a victim through with a successful hit roll followed by a Strength contest. The victim is taken into a dark parallel space similar to the Upside Down.

Regeneration: Demogorgons regenerate 1 hp per round unless damaged by fire or holy/radiant magical effects.

Surprise: Due to absolute silence and unnatural motion, Demogorgons surprise on a 1–3 in 6.

Fire Vulnerability: Demogorgons fear fire. Fire causes it to go last in the initiative round and causes +2 damage per successful hit. 

Demogorgons are apex predators of a hostile parallel ecology. They do not communicate in a conventional sense. They react aggressively to psychic disturbance, emotional trauma, and bloodshed. Some appear to be specifically drawn to magical or psionic children. 

They do not gather treasure, nor construct lairs, but they linger near dimensional bleed sites that link their realm to others. They live only to hunt.

--

Just under 60 hours to go!




This Old Dragon #100

Dragon Magazine #100 Today I have another Dragon from Eric Harshbarger , and honestly, it is one of my favorites. Dragon #100 was a special issue all around. Dragon had already celebrated 10 years and now this issue came with a thicker cover and an embossed "paper cut" dragon on the cover. While there was drama behind the scenes at TSR, many of us remained blissfully unaware and this issue celebrated Dragon, D&D, and all things TSR. It was a snapshot of the end of what many call the Golden Age of  Dungeons & Dragons.

In August 1985, I was getting ready to start my Junior Year in High School. I had just gotten my driver's license (late; I needed new glasses), and I had been playing AD&D all summer long. I had seen the movie "Back to the Future" at least a dozen times that summer, and "The Power of Love" by Huey Lewis and the News from the movie dominated the airwaves. And on tables everywhere was Issue #100 of This Old Dragon.

By this point, I had been buying Dragon magazine regularly for over a year. I couldn't rely on the other players in my group, so my DM and I split the duties; I'd buy one month, and he the next. But we both bought this one. 

Dennis Kauth is our cover artist for this issue, and it is a memorable one. It is a paper sculpture laid flat and photographed. The purple color of the faerie dragon was then added later. Why purple? Because they are the oldest and most powerful faerie dragons. This was his only Dragon Magazine cover, but he was also a key contributor to the BATTLESYSTEM game, building many of the 3D paper minis and cartography. 

Kim Mohan's Editorial is, as expected, reflective. Focusing on the his shared history with Dragon. 

Letters takes a different turn this month to answer some questions they often get. It is more of a Frequently Asked Questions feature. Questions like "why haven't you answered my letter?" to "how do you handle manuscript or art submissions?"

Score one for Sabratact, which covers the sport of the same name. Forest Baker is reporting on this form of sport combat, a bit like sparing but less LARPing than, say, SCA. Gary Gygax gives us an introduction. Essentially you wear armor and use blunt fencing like swords or other weapons. Your armor is affixed with discs with a paper surface. The goal is to take out your opponent's paper discs. Each disk has a different set of points and the first to score 10 points on their opponent wins. It is still being played and the official website even has pictures from this issue of Dragon.

Frank Mentzer is up with All About the Druid-Ranger. This article has some clarifications on the multiclass Druid-Ranger Gygax talked about in Issue #96. The controversy, of course, from the time Rangers could only be Good and Druids had to be true neutral. The solution is the obvious Neutral Good alignment, and the rest of the article is the rationale. We took this article as gospel. It was from the mind and hands of Gygax and Mentzer; how much more official could it be? 

Speaking of which, The Forum has discussions on the "legality" of altering the official AD&D system in game play. 

Ed Greenwood is next (wow, we are getting all the heavy hitters in this one) with Pages from the Mages V. There is less background fiction here, Elminster sitting in a canoe enjoying the summer night in Wisconsin, but the spells are just as fun. Many of these spells made their way into our big world-ending campaign of 1986. 

At Moonset Blackcat Comes is a tale about Gord the Rogue, the Cat Lord and Dragonchess from Gary Gygax. This is a bit of fiction to show the place of Dragonchess in Gary's world. While I thought the story was ok, it ignited my DM. There were two immediate impacts of this. The first was the increasing inclusion of the Catlord in our games. The second, well that is coming up.

Nice full-page ad for the Unearthed Arcana is next.

If Dungeons & Dragons is Gary's greatest feats as a game designer, then our next article should go down as one of his most overlooked feats. Dragonchess by Gary Gygax is an ambitious chess variant played on a 12 x 8 x 3 board. Yes, it is a 3D chess, with three levels. I won't go into detail here about how to play, there is a Wikipedia article for it, but I will get into how we played it.  I came over to Grenda's for our regular D&D session and he had built a Dragonchess set. Using plexiglass and long bolts he built the boards and marked out the grids with painter's tape. He used chess pieces from different sets and made the other pieces of random bits.  We played it...well. We tried to play it. We quickly saw that we kept forgetting about the other boards above and below. But, it was fun. 

I know there was some software out there that allowed you to play dragon chess. I am not sure if it still around. I have seen other people build their own boards and sets, and with 3D printing, making the pieces would be a lot easier (in fact, here they are). While I never played a full game of it, many half-attempts, I have very fond memories of this game. 

Our centerpiece, as if the Dragonchess wasn't enough, is one of my all time favorite Dragon Magazine adventures, The City Beyond the Gate by Robert Schroeck. This adventure takes your AD&D characters of at least 9th level and sends them through a gate to London of the 1980s!  I was already a huge Anglophile at this point. My favorite bands were Pink Floyd, The Police, The Who, Led Zeppelin, and still The Beatles. Doctor Who was my favorite television show. AND the adventure was about finding the Mace of St. Cuthbert. So this was custom-made for me, really. The adventure is a long one, 21 pages, and has maps and "tech item" flow charts as seen in Expedition to the Barrier Peaks. 

The adventure was a lot of fun, and I am thinking of getting my Dragon DC-ROM and printing it out for my kids to use. I think they would find it great. If I were to re-run today, I think I might set it in Victorian London of the 1890s. Though...there is a lot of fun to be had in London of the 1980s. 

Map of London

And I do love any map of London.

Wow, we are already into the Ares section of this Dragon. The "cover" has the then Guardians of the Galaxy on it. 

Creative Conjuring from Eric Walker is a variant magic system for Marvel Superheroes. Dr. Strange is featured throughout and he was always one of my favorite Marvel characters. I remember trying to figure out if I could use any of this with AD&D, but I never got it to work how I wanted. BUT given the time period, I am sure some of those notes went into one of the drafts of my witch class or characters. 

Champions gets some love for our first non-TSR RPG covered in CHAMPIONS Plus! by Steven Maurer. This has new powers for CHAMPIONS heroes. Again, I am not 100% certain, but I think some ideas here went into my witches. The "Domination" and "Vertigo" powers feel too familiar to me. 

Nice big ad for Mentzer's Masters Set rules. I think at the time I saw the Master's rules and the Unearthed Arcana as being similar products, one for D&D and the other for AD&D. That is not really the case, but it did solidify my decision to keep with AD&D and drop D&D. It would have been interesting if I had gone the other route, but I don't regret my choices. 

Unearthed ArcanaD&D Masters Set

Charisma Counts! by S.D. Anderson gives us a charisma stat for Villains & Vigilantes. 

Defenders of the Future by William Tracy gives us the 1985 version of the Guardians of the Galaxy. The only one recognizable by today's audiences would be Yondu, and even then his comic version is different than his film version. 

The proper Marvel-Phile by good friend Jeff Grubb covers the Defenders; Gargoyle, Cloud, and Valkyrie. I always kinda liked Gargoyle and Valkyrie in the comics. 

Doug Niles talks about the BATTLESYSTEM project in The Chance of a Lifetime. He reflects on it's design and how he sees it fitting into the AD&D rules. 

We get another ad from Ramal LaMarr! Keep it funky Ramal!

Ramal LaMarr

From First Draft to Last Gasp by Michael Dobson covers the initial idea and creation of the BATTLESYSTEM game to it's final post editor form. Dobson was the editor of this massive project and he shares his own insight to how it was created back when it was called "Bloodstone Pass."

COMPRESSOR by Michael D. Selinker is a crossword puzzle.

Convention Calendar covers the cons of late summer to early winter of 1985. Sadly, nothing local to me then.

Gamers' Guide has our small ads.

Wormy, Dragonmirth, and Snarf Quest follow. 

Ok. So that was a crazy good issue. 

There is a lot here, and what I consider a collectible issue. 

It would be great for Dragonchess or adventure alone. And you know an issue is good if Ed Greenwood's contribution doesn't even crack the top three articles! There are many good issues coming up as well. 

Old-School Essentials DEMON Month May!

 Gavin Norman of Necrotic Gnome and Old-School Essentials is releasing his long-awaited Demonic Grimoire for Old-School Essentials. And he is not alone.

OSE Demon Month

https://www.backerkit.com/call_to_action/909d4351-ca9d-4206-834b-24d2b64a1249/landing?ref=home-page

From the promotional page:

What is the Demonic Grimoire?

A hotly anticipated major rules supplement for Old-School Essentials, expanding the game with demons, cults, and dark magic. Contained within this 176-page tome:

  • 8 demon lords, detailed with their cults, minions, spells, and hellish domains.
  • 60 new monsters, from lowly tormented souls to mighty lords of hell.
  • 4 new classes: chaos knight, cultist, demon hunter, tiefling.
  • 70+ new magic items of fiendish power.
  • Demonology: magic circles, summoning, demonic pacts, familiars.
  • Referee advice for building demonic campaigns.
  • 120+ black & white illustrations, including a fully illustrated bestiary. Art by Lucas Korte, Kennon James, Tony Hough, Matt Stikker, and other leading old-school artists.
  • Pristine control-panel layout to maximise ease of reference and minimise page flipping.

I mean that is cool enough right?

Well, like the man on the TV says, "but wait, there is more!"

Gavin is being joined by six more (at present) projects to expand on his demons book.

OSE Month


Sign up for them all!

If you like that last one, then I have some good news for you. That is my own contribution to OSE Demons Month.

The Codex Qliphothica will cover an entire new race of demons for OSE, the Qliphoth.

What Are the Qliphoth?

The Qliphoth are not merely demons; they are the discarded refuse of the first gods. When the Luminous Ones sought to transcend their flaws and ascend to perfection, they shed their wrath, envy, lust, and despair like snakes sloughing off dead skin. These husks did not dissolve into nothingness. They congealed in the dark cracks beneath creation, howling with the memory of rejection, and slowly grew into self-willed horrors. Where demons embody chaos and appetite, the Qliphoth are anti-creation, seeking to unmake what is whole, defile what is pure, and drag all things back to the Other Side from which they emerged.

The Qliphoth are encountered rarely, for they dwell far below even the demon lords' dominions, in a bleak plane called The Other Side. A nightmare realm of dead forests, cracked moons, and oceans of ash. When they do appear, reality itself seems to warp: sound dulls, color drains, and dreams turn to fevered visions.

My plan (and I am on track for this) is to have everything done to be delivered soon after the crowdfunding ends. Both the PDFs and physical print copies will be handled by DriveThruRPG. 


Codex Qliphothica

Cover subject to change, but I rather like this one. And Dean Spencer is really fantastic.

Most of the writing is done, and I am paying for the art upfront. I even have my writing play list ready!

See you on the Other Side!


Stranger Things ... Can We Just Play D&D

Stranger Things Season 5 Stranger Things and Dungeons & Dragons have been feeding each other energy since episode one. It is one of those rare cases where a piece of pop culture borrows heavily from D&D, makes it part of its DNA, and then ends up shaping the game right back. It is a magical feedback loop, the kind of thing El and Will would draw on a notebook with ominous red pencil.

The Duffer Brothers grew up with D&D, and the show wears that devotion on its sleeve. The opening scenes of the young party around their basement table tell you everything you need to know: D&D isn’t just a hobby, it is the lens through which these kids understand the world. Every monster gets its name from the Monster Manual. Every mystery gets filtered through initiative, hit points, “fireball it,” and the shared imagination they have learned from the game. Vecna, Mind Flayer, Demogorgon, Shadowfell style vibes… none of these are literally the D&D versions, but the kids use D&D terminology as their mythology. The game becomes the metaphor that allows them to survive.

Over time, things get… stranger. The influence starts running the other direction. Stranger Things becomes one of the biggest pop-culture engines driving new players toward Dungeons & Dragons. Stores started stocking Starter Sets with Stranger Things branding. Wizards of the Coast released an official Stranger Things campaign box that lets you play Mike Wheeler’s “lost adventure.” Actual-play groups and D&D livestreams saw traffic increase thanks to the show. Even the big Vecna resurgence in 5e owes some of its spotlight to season four. Vecna was always a major villain, but now he is a household name. Well, thanks to Stranger Things and Critical Role. 

The aesthetics of the Upside Down have quietly shaped D&D as well. 5e adventures started leaning a bit harder into that mix of psychic horror, body horror, and suburban uncanny. A lot of folks writing D&D (and OSR adjacent projects) cite Stranger Things when describing a certain “kids on bikes meets cosmic dread” vibe. Campaigns like Wild Beyond the Witchlight and Vecna: Eve of Ruin are steeped in nostalgia and dark fairy tale logic, the same tonal cocktail you see on screen.

I have been rewatching the series for the first time in preparation for the final season. There is a lot more going on in these episodes than I remembered. There are also more than a few things that made their way into Baldur's Gate 3. The Mind Flayer nautaloid looks an awful lot like the "Mind Flayer" of Stranger Things. The inside of the Nautaloid looks a lot like the Upside Down.

So at this point, the relationship between Stranger Things and Dungeons & Dragons is less a straight line and more a circle, or a peculiar zig-zag thing. The show borrows D&D language to explain the impossible, D&D borrows the show’s style to explore new corners of fantasy horror, and the rest of the hobby branches outward with games inspired by the whole vibe. Dark Places & Demogorgons, Kids on Bikes, Stranger Stuff, Tales From the Loop, the whole retro-weird youth adventure genre owes some of its momentum to Hawkins, Indiana. And Hawkins, in turn, owes a lot to Dungeons & Dragons.

What started as four kids rolling dice in a basement turned into one of the biggest cultural cross-pollinations the hobby has ever seen. Stranger Things reminded mainstream audiences that D&D is about imagination, friendship, and fighting nightmares with the people who know you best. And in return, D&D gave Stranger Things a shared language, a mythic shorthand, and a way for its characters to name the horrors in the dark.  It is kind of perfect, really. D&D taught a generation how to dream, and Stranger Things took those dreams and projected them onto the screen in flickering neon and psychic static. 

I knew D&D had made it mainstream when some 20-something online was super excited to explain who Vecna was to me. 

Season five will probably dial all of this up even more, and I’m honestly looking forward to spotting the threads. Because when a show and a game get this intertwined, the real fun is watching how each new idea ripples out across the other. 

Just one week to go.

Monstrous Mondays: The Five Spirits of the Grimorium Verum

Grimorium VerumI have been on a months-long Occult D&D research project, looking for ways to add more occultism and ritual magic to my OSR/AD&D games. One thing that came up in my research was the Grimorium Verum[1][2], or the True Grimoire. Within were five demons, or spirits, that were associated with malefic witchcraft. There are a lot more of these (18 in total), but these are the five I am focusing on now.

Now, seeing how I have a lot of demons already, I thought it might be interesting to try and make this pentad into something else.

The Five Spirits of the Grimorium Verum

Surgat, Frimost, Silcharde, Bechard, and Guland

In the Grimorium Verum, these spirits are not “princes of Hell” but operational tutelary spirits, meaning they are summoned for specific types of magical work. They have jobs to do. They form a functional unit often referred to by occultists as the Five Servitors. They are not demons or devils, and fall outside of the hierarchies and power struggles of the creatures of the lower planes.  

Each can act as a witch's or warlock's patron, but most often they are used in conjunction with the others. Even witches and warlocks with other patrons can summon these spirits.

Summoning these spirits is not an evil act in itself. However, the knowledge and power gained are often used for evil purposes; aka Maleficia.

Their common traits:

  • All five are primarily invoked in witchcraft rituals, not theological demonology.
  • Their powers correspond to typical maleficia: seduction, storms, deception, disease, and unbinding.
  • They act as tutelary spirits, entities who “teach a witch how to do” the thing they themselves embody.
  • They are not rivals; they form a loose cohort, each governing one sphere of maleficia.
  • In folklore, they sometimes appear as a witch’s familiars in spirit form, each taking animal shapes (goat, wolf, owl, rat, or snake).

Surgat

Title: The Opener of All Locks

Sphere: Unlocking, unbinding, access, paths

Witchcraft Role: Patron of spell-breaking, opening portals, bypassing barriers

Typical Animal Form: Owl

Surgat is invoked when a witch needs to:

  • Open a locked door (physical or magical)
  • Break an enchantment
  • Cross a boundary normally forbidden
  • Find a hidden path or secret entrance

In folklore he is “the spirit who removes obstacles,” but at a price. Symbolically, Surgat represents the act of transgression, and witches petition him when attempting forbidden travel, escape, or the violation of taboo spaces.

Relationship to the others:

He begins the process. Surgat opens the way so the others may act.

Frimost

Title: The Seducer and Subduer

Sphere: Love philtres, lust, domination

Witchcraft Role: Glamours, charms, influence, the bending of hearts

Typical Animal Form: Goat

Frimost is associated with:

  • Causing love, lust, obsession
  • Enthralling a target
  • Empowering erotic magic
  • Creating magical bonds between partners (consensual or not in medieval texts)

Witches call on Frimost when they wish to bend or sway another’s will through desire. He is also linked to glamour magic in some French folk traditions.

Relationship to the others:

He acts within the opening created by Surgat, influencing those who stand in the witch’s path.

Silcharde

Title: The Fraudulent Spirit

Sphere: Trickery, lies, deception, invisibility

Witchcraft Role: Glamours, illusions, shape-altering, persuasive lies

Typical Animal Form: Snake

Silcharde teaches witches:

  • How to deceive others
  • How to lie convincingly
  • How to cloak their activities
  • How to create false images, ghostly lights, or illusions

He is the classic witch-trickster spirit and the likely origin of the folklore that witches could “bewitch sight.”

Relationship to the others:

He ensures the witch’s actions remain concealed, while Frimost affects minds and Surgat opens doors.

Bechard

Title: The Lord of Storms and Tempests

Sphere: Weather magic, thunder, whirlwinds, destructive forces of nature

Witchcraft Role: Storm-raising, blighting crops, harvest magic

Typical Animal Form: Wolf

Bechard rules:

  • Tempests and whirlwinds
  • Thunder and lightning
  • Weather harmful to crops
  • Illness brought by bad winds

He is central to early-modern accusations of witches causing hailstorms and destroying harvests.

Relationship to the others:

Bechard is invoked when the witch wants direct malefic harm done after the others have prepared the way.

Guland

Title: The Bringer of Disease

Sphere: Sickness, fever, wasting illness

Witchcraft Role: Malediction, curses, bodily harm

Typical Animal Form: Rat

Guland is invoked to:

  • Cast wasting diseases
  • Aggravate fevers
  • Harm livestock
  • Create curses that manifest physically

He is the most feared of the five, and his powers are the source for the old belief that witches could “blight by touch.”

Relationship to the others:

Guland is the finishing blow, the result of the process begun by Surgat and supported by the other three.

--

In my notes, I wrote "like the Cult of Skaro" from Doctor Who. Five elite demons/tutelary spirits/cthonic spirits that exsist outside of the hierarchies of demons/devils and yet serve and are served by all. They are evil, I would like to think of them as demonized gods or spirits. 

I thought about doing stats for them, and even began Surgat's, but ultimately I decided not to do them. Why? Well, these are not combat creatures; they are forces. Given their command of magic, I can see each having multiple ways to kill characters instantly and even more ways just to avoid combat altogether. So, combat stats seem rather pointless to be honest. 

If you must, then they should be between 22 and 25 HD at the very least. 

Now to work them into regular rotation in my games.

The OTHER Old School Gaming, Part 2

 Back in 2022 I kitbashed an old TRS-80/Tandy Color Computer 2 into a modern PC using a RaspberryPI 4. I had so much fun doing it, I immediately began my ideas for another Kitbash, this time using a TRS-80 Model 4 and trying to build something that would have been like the proposed Tandy Color Computer 4

I didn't quite do that, but I used the knowledge from my first Kitbash to build something new. But first I needed to figure out what to do. Well, that's not true, I pretty much knew what I wanted, I just had to do it. First I needed the case. Thankfully eBay comes through.

TRS-80 Model III
TRS-80 Model III

I scored a TRS-80 Model III case. Just the case, nothing inside. I wanted a Model 4 since they were a little bigger and white. It seemed fitting that a Model 4 case would be the start of my Color Computer 4 project.  But Model 4s were rarer than Model IIIs, but I could fix that.

TRS-80 Model III paint

Case ready to go I needed remove some internal pieces to fit a new keyboard.

TRS-80 Model III mods

Thankfully, I had gotten a Dremel for Christmas. 

Now came the longer part, finding a monitor and keyboard that would fit. I found some custom scientific equipment monitors that were even in HD and had a touch screen, but in the end I found a cheap ass monitor on Amazon.

monitor

It didn't look bad, and even had built-in sound.

I played around with a few keyboards, including a cheap one my wife and I found at a second-hand store we were dropping off old toys at. 

keyboard

Not really liking that one, and it later died on me anyway, I spent some money to get a really nice keyboard. Nicer than the project dictated, but I could also redo the keys to make it look like the old TRS-80 keyboard.


old TRS-80

I knew heat was going to be an issue, so I installed some fans. 

Fans

They worked out better than expected really!

Now came the time to get everything together. I scored a 5" monitor from my brother and added that to one of the drive bays, my youngest even designed and 3D printed some adapters for it fit in better.

monitor


I picked up a power strip with USB ports to power everything inside (thankful for those fans) and started putting it all together.

Components

Tested everything and spent a few hours planning where to put all these cables and unplugging and plugging back in so I was not creating a fire hazard.

Till today.

Final Computer
Boot up
1.5 Screens
1.5 Screens
FANS!

It looks nice next to my other Kitbash.

Old-school computers

The top bay is still empty, but I have a 3D file to print that will turn it into a 3.5 drivebay. The 3D filament currently loaded is glow-in-the-dark, since I am just going to paint it black, it seems like a waste. 

Well.

That was a blast. Now to load some old DOS games on it. That's the external hard drive in the middle. I have another monitor, I should put it up and use it for my Atari 600 and 2600 emulators. 

What should I do next I wonder.

Plays Well With Others: Witchcraft Wednesday Edition, Part 1 Old-School

So when I was working on The Left Hand Path - The Diabolic & Demonic Witchcraft Traditions there were some other OSR books I thought would be fun to suggest. Not for compatibility, or even "must buys" but for their general coolness and because I often used their material alongside my own when playing my Old-School games. 

In the end, I decided not to put them in the book in Appendix N style because I didn't want customers to think they need to buy these other books (though many should buy them and most of you likely already have). Also, I didn't want a book excluded because of time, space, or my forgetfulness.

So instead, I am going to post them here. The reviews are below, but like I said, I think you all know these. 

Some Old-School Books

This is not an exhaustive list. Nor is it just a list of favorites. I have plenty of favorites. These are a subset of products that work great with my various witch books or ones I like to use with them. The key here is that they work well with my various witch books. None are needed to play with my witches, but all have something about them I really enjoy. Often compatible classes, spells or something else I enjoyed. 

I am not including complete rule sets or adventures in this post. Just extra material I use alongside my witch material in my Old School games. 

These are in no particular order, save how I remembered to add them. 

The Basic IllusionistThe Basic Illusionist

The one thing you can say about the entire OSR Gestalt that despite it all there is still a sense of community and of giving back. Case in point, The Basic Illusionist.

The Basic Illusionist is the brain-child of Nathan Irving and was first seen during the S&W Appreciation Day Blog Hop.

Before I delve into the book itself. Let's take a moment to look at this cover. Seriously. That is a cool cover. I am not sure what made Nathan Irving choose this piece ("Beauty and the Beast" by Edmund Dulac), but I love it. The title works seamlessly, like they were meant for each other. The woman in the foreground is no longer the "beauty" but she is now an Illusionist.

Ok. So the book is overtly for Swords & Wizardry, but there isn't anything here that keeps you from using any Original or Basic-inspired system. I know it works out well in Labyrinth Lord and Basic D&D and it really should work well in ACKS, Spellcraft & Swordplay or any other system. Astonishing Swordsmen & Sorcerers of Hyperborea might be a trick, but they have an Illusionist class already.

Getting into the book now, we have 34 pages (with cover) on the Illusionist class. The book starts off with a helpful FAQ. Personally, I think Nathan should also put that FAQ on his blog as a page so everyone knows why they should get this. The Illusionist class itself is in S&W format, but the only thing keeping you from using this in any other Basic or Advanced Era game is a table of Saving Throws. Copy over whatever the Wizard or Magic-user is using in your game of choice, and give them -1 bonus to saves when it comes to illusions. The Illusionist gets a power or feature every odd level, but nothing that is game-breaking when compared to the wizard. The Illusionist trades flexibility for focus in their magical arsenal. There is even an Illusionist variant class called the Mountebank. Which is more of a con artist. How does it compare to other classes of the same name?

One of the best features of the book is a guideline on illusionist magic and how to play with illusions. Great, even if you never play the class.

What follows next is over 150 Illusionist spells. Many we have seen before and come from the SRD. That is not a bad thing. Having all these spells in one place and edited to work with the class is a major undertaking. I, for one, am glad to see them here. Spells are alphabetical instead of sorted by level. A list of conditions ported over from the SRD is also included. I like that personally. We all love how the older games and the clones play, but in our zeal, we tend to forget that 3.x and later games did, in fact, have some good innovations and ideas; this is one of them.

We end with a couple of monsters and a two-page OGL statement.

Really, this is a fantastic piece of work and really should be the "go to" document if you ever want to play an illusionist.

Since this book was released I have had a chance to try it with various systems. I can say it works great with S&W, Basic D&D, AS&SH (when used with their own illusionist class) and even AD&D.

B/X CompanionB/X Companion

The Game We Never Got.

One of the things I like most about the OSR are the products that don't give me things I already have, but things I have always wanted or never knew I needed. B/X Companion is one of those products.

The product I think I have been waiting for for close to 30 years. Sure, I have had books that have covered the same ground, and books that made this book obsolete, but somewhere, deep in my psyche, there is still that 12-year-old version of me wishing he could take his cleric to 15th level.

The B/X Companion does not disappoint. If this isn't exactly how it was going to be, then I'd be hard-pressed to know what it would have been. I am reading through it all now, and I am purposefully NOT comparing it to the BECMI version of the Companion rules.

The cover, of course, is very much part of the original scheme. The three principle characters, the fighter and the two wizards (or maybe she is a cleric, that could be a "light" spell, though she has a torch too) stand in front of their followers. They braved the dungeon, the wilderness, and now they are ready for the next adventure. So are we.

For those of us who grew up with the Moldvay/Cook Basic and Expert sets, the Companion book feels very familiar. The layout is similar, the flow is similar, and even the art has a familiar feel. If you own the Basic or Expert books, then finding something in the Companion book is trivial. I turned right to the character rules and took a glance at all the tables. Yes, sir, they run from 15 to 36, just like promised. Clerics still top out at 7th-level spells, but eventually they get 9 of them. Wizards still go to 9th level, and get 9 of those too. Fighters get more attacks per round (as they should), and thieves get more abilities.

There are plenty of new spells here. Many look like they take their inspiration from the products that came after, the Player's Handbook or the D&D Rules Cyclopedia, but nothing is an outright copy. It does have the feel like Becker sat around one day and thought, "What are some good spells, and what level should they be.

There are new monsters and advanced versions of some others. The Greater Vampire nearly made me laugh out loud as I had done the exact same thing after reading and playing the Expert book for so long. My Greater Vampire was a photocopy of Ptah from Deities and Demigods with some fangs drawn in. I never claimed to be an artist. The monsters all are appropriate for the levels, though a few more in the 30 HD range might have been nice, but not really needed.

The BIG additions here, though, are the ones that were most "advertised" back in the day. “Running a High Level Game” is great advice for ANY edition of the game. 

Related is running a domain and running large armies. Battlesystem would later give us these rules for AD&D, but here they are much simpler to use. Again, this is something to consider for porting to other versions of the game.

I loved the new magic items and can never get enough of them. I also liked the part on the planes and how it is totally left up to the design of the DM. How many people out there will re-invent the Gygaxian Great Wheel for their B/X/C games?

Companion to Basic/Expert Rules. Obviously, this is where it works the best. But there is something here that I don't think others have tapped into just yet. Companion makes the Moldvay/Cook rules a complete game. With these three books, you now have a complete D&D game. The only thing really missing is a "C1" module or maybe a BXC one.

Companion to Labyrinth Lord/Basic Fantasy. The new Becker Companion owes a lot to Labyrinth Lord (LL) and Basic Fantasy (BFRPG). While not directly, these two games showed that there is a market for "Basic" styles of play. Both LL and BFRPG take the modern 1-20 level limit for human classes. Companion is 15 to 36. So some adjustments need to be made. There are a few differences in how each of these books calculates XP per level, and how they do spells. But nothing so complicated that a good DM couldn't figure out.

If I were playing a LL/BFRPG game, I'd go to 15th level and then switch over to B/X Companion for the next levels to 36. OR even go to 20 and use B/X Companion as a guide to levels 30 or even 36.

Frankly, the homebrewiness of it all has me very excited for anyone who has decided to throw their lot in with "Basic" D&D.

Final Tally, I like this book. A lot. It makes me want to pull out my ratty Basic and Expert books and play Moldvay/Cook era Basic D&D again. In the mean time, I think I'll just have to satisfy myself with converting some D&D 3.0 or 4e characters over to Companion, just for the fun of it.

One of the best of the OSR ethos; to give us something we never got but really wanted. Likewise, The Complete B/X Adventurer is also great.

Theorems & ThaumaturgyTheorems & Thaumaturgy Revised Edition

Theorems & Thaumaturgy is a Free product. The book itself is 66 pages (standard letter) with text and art that immediately remind you of the old Moldvay Basic books.  If you have The Complete Vivimancer, then you have an idea of how the text and art look.   To me, the art is like psychedelic art-nouveau meets Elric.  In other words, perfect for a magic book in my mind.

There are three large sections (Classes, Variant Classes, and Magical Tomes) and an Appendix with nine sub-sections. Like old-school Basic the new spells are all listed with the classes.  The book is designed for use with Labyrinth Lord Advanced Edition Characters, but really it can be used with any sort of "old-school" game.

The new Classes are the Elementalist, Necromancer, and Vivimancer.  The Vivimancer is, of course, detailed in a later book, but he gets his start here.  The classes do pretty much what you would suspect they would do.  The Elementalist uses elemental forces, the Necromancer deals with the dead and undead and the Vivimancer.  Each class has a good number of new spells (250 in all!) to make using them feel different than your normal "magic-user". Each has spells from 1st to 9th level.  All the classes use the Magic-User XP, to hit and saving throw tables, so whatever system you use, you can just use that to put them on the same footing as the Magic-User.  While I like the simplicity of this and it helps make the "subclasses" feel like a part of the same Magic-user family. I would have liked to have seen some powers or something for each class.  After-all they are sacrificing spell flexibility for what?  Power? More variety of spells in their chosen field?  I think I would have given them a couple of bonuses at least.  But that is fine, these rules are flexible enough to allow all sorts of edits.

For the variant classes there is the new Fey Elf race.  This elf is closer to the faerie origins of the elf.  The class taken by these elves is the Sorcerer.  This class is similar in idea to the D&D 3.0 version; a spontaneous spell caster with magic in their blood.  The sorcerer has a couple of new spells and a modified list of spells they can cast.  There is an alternate version of the Illusionist as well. This version has a few more spells and has 8th and 9th level spells.

The final section is all about magical tomes.  It includes a bunch of unique magical tomes with new spells. The books' histories are also told and which classes are most likely to get use out of it.

The vivimancer gets expanded in its own book, too

Magical Theorems & Dark PactsMagical Theorems & Dark Pacts

Magical Theorems & Dark Pacts (MT&DP) is an Old-school reference for all things Magic-user. The book is designed with what I call "Basic Era" in mind, so the rules from right around 1979-1981, where "elf" is a class, not just a race. Overtly, it is designed for Labyrinth Lord. That being said, it is still compatible in spirit with 99% of all the OSR and books from that time.

The book itself is 6"x9", black and white interior, and 161 pages. So, for a "Class" book, there is a lot here. There are 5 Chapters covering Classes, Spells, Magic Items, Monsters, and a section on using this book with the "Advanced Era" books (and their clones), along with an Introduction and OGL page.

The introduction covers the basics. What this book is, what it is for, and its very, very open OGL declaration.

Chapter 1 is the heart of this book, really. It details 13 magic-using classes. The two core classes, Cleric and Magic-User (Wizard), and 11 new classes.

From the product page: Cleric (warrior-priests) Wizard (classic magic-users with 10 levels of spells) Elven Swordmage (elves from the core rules – arcane warriors) Elven Warder (wilderness elves, guardians of their kin) Enchanter (artists, con-men, and masters of… duh… enchantments) Fleshcrafter (twisted magic-users that work with flesh) Healer (compassionate and tough hearth-healers) Inquisitor (ecclesiastic investigators and master intimidators) Merchant Prince (elite merchants with spellcasting support) Necromancer (you know exactly what these guys do) Pact-Bound (magic-users who sell their souls for power) Theurge (divine casters who learn from liturgical texts) Unseen (thieves with an innate knack for magic)

Clerics are as you know them, but Magic-Users are now Wizards (since everyone here is a magic user) and they get 10 levels of spells. The "Elven" classes replace the "Elf" class in the book. The others are as they are described, but there is more (much more) to them than re-skinned Magic-Users (not that there is anything wrong with wrong that). The classes are re-cast with many new spells, some powers (but nothing out of whack with Basic Era) and often different hit-dice and altered saving throws.

Nearly a third of the book is made up in these new classes.

Chapter 2 covers all the spells. Spells are listed alphabetically with class and level for each spell noted (like newer 3.x Era products). There are a lot of spells here, too. Many have been seen in other products, but some are new. In any cas,e they are a welcome addition. This section makes up more than a third of the book.

The last three chapters take up the last third or so of the book. Chapter 3 covers Magic items. There are 28 new magic items with these spellcasters in mind. Chapter 4 covers some magical creatures. These are monsters listed in many of the new spells for summoning. There aren't many, but they are needed. Chapter 5 is the Advanced Edition conversion materials. It covers HD changes, racial limits, and multi-class options.

So what are my thoughts? Well, you get a lot of material in 160+ pages to be honest. At 10 bucks, it is a good price. For me, it is worth it for the classes. Sure, we have seen variations of these over the years, but it is all here in one place, and they all work well together. The spells are good. At first, I balked at 10th-level spells, but really, they are, for the most part, other people's 9th-level spells, so they work for me.

The magic items are nice, but for me the value is in the classes and the spells.

Who should buy this? If you play old-school games and enjoy playing different sorts of Magic-Users, then this is a must-have book. If you are looking to expand your class offerings or even add a few new spells then this is also a good choice. Personall,y I think it is a great book and I am glad I picked it up.

So many classes and spells here, including another necromancer and a healer. One of the main reasons I have never felt the need to complete my necromancer and healer.

PX1 Basic Psionics HandbookPX1 Basic Psionics Handbook

I love Basic-era gaming. Basic/Expert D&D was the first D&D I ever played. Even when I had moved on to Advanced D&D, it still had a strong Basic feel to it. So I was very, very pleased to hear about +Richard LeBlanc's new psionics book, Basic Psionics Handbook. If you have been reading his blog, Save vs Dragon, a lot of what is in the book won't be a surprise, but it is all great stuff. Even then there are things in the book that are still a treat and a surprise.

The book itself is 58 pages (PDF), with a full-color cover and a black/white interior.

The book covers two basic (and Basic) classes, the Mystic and the Monk. Both use the new psionic system presented in the book. The system bears looking at and really is a treat.

Overview. This covers the basics, including how psionics is not magic and how attributes are used. It's a page of rules that slot in nicely with the normal Basic rules. The basics of psychic power, including Psionic Level and Psionic Strength Points (PSP), are introduced.

Mystics are next. Mystics in this case are more molded on the Eastern philosophy of mystics, not the clerical sub-class-like mystics I have detailed in the past. Though through the lens of Western thought. That's fine this is not a religious analysis, this is a game book. This class helps builds the psionic system used in this book based on the seven chakras. Chakras divide the psionic powers into broad groups; something like the schools of magic for spells. As the mystic progresses in level, they open up more and more chakras. Each chakra has seven Major Sciences and twelve Minor Devotions, similar to the old AD&D rules (but not exactly the same, so read carefully). This gives us 72 devotions and 42 sciences. That's quite a lot really. As the mystic progresses they also earn more PSPs and more attack and defense modes. They are the heavy hitters of the psionic game.

Monks are the next class. Monks really are more of psionic using class in my mind and to have them here next to the mystic is a nice treat for a change. Everything you expect from the monk is here. Unarmed attacks, no need for armor and lots of fun psionic based combat powers. The monk does not have the psionic power the mystic does, but that is fine it is not supposed to. It does have a some neat powers from the mystic's list. One can easily see a monastery where both mystics and monks train together, one more mental and the other more physical. The monk has plenty of customization options in terms of choice of powers. In truth it is a very elegant system that shows it's strength with the mystic and it's flexibility with the example of the monk.

This is very likely my favorite monk class.

Psionic Disciplines detail all the powers of the chakras. It is a good bulk of the book as to be expected. There are not as many psionic powers as you might see spells in other books, but this is a feature, not a bug. Powers can be used many times as long as the psychic still has PSP. Also many do more things as the character goes up in level.

Psionic Combat is next and deals with the five attack modes and five defense modes of psychic combat. The ten powers are detailed, and an attack vs. defense matrix is also provided. The combat is simple and much improved over it's ancestors.

The next large section details all the Psionic Monsters. Some of these are right out of the SRD but others are new. Personally, I am rather happy to see a Psychic Vampire. Though it is not listed, I assume that these creatures are also undead and are turned as if they were vampires.

Appendix A deals with something we abused the hell out of, Wild Psionics. At two pages it is the simplest set of rules I have seen for this sort of thing. Also it looks like something that could be ported into ANY version of D&D including and especially D&D 5.

Get out your crystals, Appendix B details Psionic Items. Again, short, sweet and to the point.

Appendix C: Psionics and Magic is a must read chapter for anyone wanting to use both in their games.

Appendix D: Phrenic Creatures turns normal creatures into psionic ones.

Appendix E covers Conversions for Monsters from LeBlanc's own CC1: Creature Compendium.

Appendix F details how to convert any monster into a psionic one.

We end with a a couple pages of collected tables and the OGL.

Bottom line here is this is a great book. Everything you need to play psionic characters and add psionics to your game. Personally I am going to use this to beef up The Secret Machines of the Star Spawn which I also picked up today.

I have played around a lot with various forms of Psionics. For now, this is the one I use most often.

Carcass Crawler: Issue Two

I am a fan of anything B/X and OSE in particular. This zine for Old-School Essentials gives me two elves and some new snake-cult monsters.

Carcass Crawler: Issue Three

I have lots of variations on Dragonborn and Tieflings, but these are good. 

Old School Magic

This is an update to The Alchemist also by Vigilance Press. For another buck, you get more classes, another 23 pages, and a better-looking layout. A good deal if you ask me. The alchemist is very much like the one from the previous product. Like the alchemist supplement, I might do a multi-class with this alchemist, either as an alchemist-artificer or an alchemist-sage.

The other classes include the artificer, conjurer, elementalist, hermit, holy man, naturalist, sage and seer. Plus, there are some new spells that I rather like.

Old-School Psionics

Designed to be a new psionics system for OSRIC this book introduces the Mentalist class. Powers are divided out among disciplines going to 7th level. Powers are treated mostly like spells, but that works well for adding into OSRIC. Also some psionic monsters are detailed including my favorite (and worth the price of the book) the Doppleganger as a proper psionic monster. 22 pages including cover and OGL. Very nicely done.

Another great set of psionic rules.

-

I have some other posts with adventures and monster books coming up for the future.

Monstrous Tuesdays: The Chenoo

 Little delay today. Had internet issues off and on AND the first measurable snowfall here in Chicago. I am sure these are not related. 

My wife and I have been watching the AMC series "Dark Winds." It is based on the books by Tony Hillerman about Navajo Tribal police. It is a police procedural, but but set in the 1970s and has unique issues of its own due to the interactions between the various law enforcement entities (tribal police, sheriff, border patrol, FBI) and the Navajo culture. It also features quite a bit of dialogue in Diné, the language of the Diné/Navajo people. It is really good, and maybe just a little depressing at times. 

I have mentioned before that I have always had a fascination with Dickson Mounds and Cahokia Mounds, as well as the Kaskaskia peoples. Many of the indigenous names, or their French or English derivatives, still name many places here that I am familiar with.

When the first snow falls in Chicago, local mainstay WXRT-FM always plays Frank Zappa's "Don't Eat the Yellow Snow."  Well. I wanted to do a snow monster for today AND also do something from Native American lore. I really didn't want to do another Wendigo (as much as I enjoy them), but thankfully I found a monster that fits my needs.

ChenooDrawing of a ChenooChenoo

Undead Spirit of Hunger and Greed

FREQUENCY: Very Rare
NO. APPEARING: 1 (unique) or 1–3
ARMOR CLASS: 2
MOVE: 9"/24" (fly)
HIT DICE: 7+7
% IN LAIR: 30%
TREASURE TYPE: D (in life, hoarded)
NO. OF ATTACKS: 1 (touch or bite)
DAMAGE/ATTACK: 2–8 plus special
SPECIAL ATTACKS: Energy drain, cold aura, wail of hunger
SPECIAL DEFENSES: +1 or better weapon to hit, immune to charm, sleep, hold, and cold
MAGIC RESISTANCE: 25%
INTELLIGENCE: Average (8–10)
ALIGNMENT: Chaotic Evil
SIZE: L (9–10' tall)
PSIONIC ABILITY: Nil
LEVEL/XP VALUE: VII / 1,200 + 10/hp

A Chenoo is the cursed spirit of a mortal who refused charity in life. Greedy, proud, and cold-hearted, they hoarded food and wealth while others starved. When they died, their souls were claimed by the cold hunger they had unleashed upon others. Now they appear as towering, frost-covered corpses with sunken features and teeth of ice, eyes glowing pale. Their presence chills the air, and their howls echo the cries of the starving.

A Chenoo attacks living beings out of an insatiable envy of warmth and sustenance. Its icy touch drains one energy level per hit, and any creature slain by this attack becomes a frozen corpse that will rise as a lesser Chenoo (4+4 HD) within a day unless blessed or burned.

Their aura radiates a 10’ cold zone, dealing 1–4 points of cold damage per round to all within range (save vs. spell for half).

Once per night, the Chenoo may utter a Wail of Hunger, a keening cry that forces all living creatures within 60’ to make a saving throw vs. spells or be overcome with magical hunger and weakness, reducing Strength and Constitution by –2 for 1d4 turns. Those who die under this curse are said to have their souls devoured, leaving behind a husk of snow and bone.

Solitary spirits, chenoo are found in frozen forests, desolate mountains, or abandoned villages where famine once struck. They remember their mortal lives dimly, clutching at phantom possessions and muttering about stolen food or ungrateful neighbors. Some witches claim that a chenoo’s curse can be undone if the spirit is offered a feast and genuine forgiveness, but few have survived to confirm it.

These undead creatures do not eat, yet they hunger eternally. They despise the living, especially those who share food or generosity, as such kindness burns them like holy fire. Their presence can blight the land for miles, causing game to vanish and winter to linger unnaturally long.

Chenoo are turned as Spectres. Lesser chenoo are turned as wraiths.


Witchcraft Wednesday: Witches, Warlocks, and The Wicce

 I have been spending a lot of time going back to my roots and re-evaluating and even re-writing things I have done in the past. Case in point, my first real release, The Complete Netbook of Witches & Warlocks.

The Complete Netbook of Witches & Warlocks

First "published" in 1999, I remember sitting in the hospital room after my first child was born and clicking on the button to "FTP" to my website. That was 26 years ago.

Re-reading through it now, there are a lot of things I would have done differently, but they all made sense to me at the time. But that doesn't mean I can't play a little "What If?"

One of the things I really liked about my AD&D 2nd Edition witch was that it was a Cleric subclass. I always liked clerics and played a lot of them (despite being an atheist in real life and at least one person calling me I am a pagan). AD&D 2nd ed provided me the framework in which to explore my witch ideas as a "Priest of Specific Mythoi."

These days, I am pretty set on witches being a Charisma-based caster, but that doesn't mean I can't still play around with these ideas. 

I have no intention on re-publishing the CNoW&W; it exists as a moment in time both to what I wanted at the time AND what the DIY D&D movements were doing back then. 

I can, however, share new ideas here.

THE WICCE

The wicce is a sub-class of the cleric, devoted not to a singular deity but to the Old Religion: an ancient, earth-centered faith that honors the divine as immanent in nature, the turning of the seasons, and the cycle of life, death, and rebirth. Wicce are priestesses (and priests) of balance, healing, fertility, and mystery.

Rooted in the remnants of ancient cults, the Wicce uphold sacred rites passed down in secret circles and moonlit groves. Their power flows not from divine commandment but from attunement to the cosmic rhythms, the lunar phases, the wheel of the year, and the spiral dance of creation.

Wicce are communal and nurturing, often found tending sacred springs, offering blessings, leading seasonal festivals, or guiding others through spiritual transformation. Though often misjudged as eccentric or harmless, the Wicce are fierce defenders of harmony, life, and the sacred divine aspects of all life.

Like druids, Wicce are nature-connected, but their magic is symbolic, intuitive, and ritualized. Unlike clerics, they serve no formal church but gather in circles, groves, or sky-thatched temples.

//www.pexels.com/photo/woman-in-a-white-dress-sitting-on-the-ground-in-the-forest-18947632/Photo by Marina UtraboRequirements: Wisdom 13+, Charisma 11+

Prime Requisite: Wisdom

Hit Dice: d6

Armor Allowed: Any non-metal (leather, hide, padded, wooden shields)

Weapons Allowed: Staff, dagger, sickle, sling, club, spear, crescent blade

Alignment: Typically any non-evil

Spell Use: Divine and Occult (custom spell list, see below)

Special Abilities

Moon-Blessed Magicks: The Wicce may perform circle magick tied to the lunar calendar. When casting beneath the full moon or during seasonal festivals, any healing or protective spell gains +1 per die of healing or +1 to saving throw modifiers. (Modified per the GM’s world)

Shared Ritual Craft (2nd Level):  Beginning at 2nd level, the Wicce (or Magus) may participate in a ritual casting alongside a witch (of any Tradition) as if they were a witch of the same level. This applies only when performing Occult Rituals that require multiple casters.

The Wicce/Magus must meet all material and ceremonial requirements and must be aligned in intent with the witch leading the ritual. In all such workings, the Wicce or Magus contributes fully to the spell's power, as if they were a witch of equal experience level.

This ability does not grant the ability to lead witch rituals or cast witch-only spells unaided, but reflects the shared cosmology and deep resonance between these occult paths.

Sacred Circle (3rd Level): Once per day per 3 levels (3rd, 6th, 9th…), the Wicce may consecrate a space with herbs, salt, and chant. This functions as a Protection from Evil (10' radius) and grants +2 on saving throws vs. possession and charm for allies within. Takes 1 turn to cast.

Blessed Be: The Wicce may offer a benediction to any creature once per day. This acts as a Bless spell (single target) but also grants +1 to Wisdom checks or saving throws vs. fear and despair for 1 turn.

Coven Bond: Wicce gain +1 to all saving throws when within 30 feet of another Wicce, Druid, Witch, or Cleric of aligned faith. This effect stacks up to +3.


Wicce may use all clerical magic items, unless tied to a particular faith, and some witch (occult) magical items. They do not worship a deity in the traditional sense, but honor the Goddess and God, the Triple Moon Goddess, or Nature Herself. Their spells are granted through alignment with the sacred cycles and the ancestral wisdom of the Old Ways.

Wicce do not build churches, but found groves, stone circles, mystic retreats, or earth temples. These sites often become places of pilgrimage for the disenchanted or spiritually seeking.

Though often dismissed as flower-wearing mystics, the Wicce represent a potent force for healing, guidance, and resistance against spiritual decay. They greet friend and stranger alike with warm smiles, words of blessing, and quiet power.

9th Level

Upon reaching 9th level, a Wicce becomes a High Priestess (or High Priest) and may establish a Circle, Grove, or Sacred Temple of the Old Ways. This site may be a stone circle, secluded glade, hilltop shrine, or ritual sanctuary aligned to lunar phases or natural ley lines. It must be consecrated by sacred rites and protected from profanation.

Once the Circle is founded, the Wicce will attract 2d6 1st-level Wicce initiates within 1d6 months. These are not servants or soldiers, but spiritual students and co-celebrants who come seeking guidance, initiation, and training in the mysteries of the Old Religion. These initiates are loyal, but not blindly obedient; they are part of the Wicce’s extended spiritual family.

In addition to initiates, the Wicce may also draw:

  • Healers, herbalists, and wise folk
  • Fey-blooded or nature-touched seekers
  • Occult scholars, druids, or Witches of compatible Traditions
  • Pilgrims or supplicants in search of spiritual insight, healing, or blessings

The Circle functions as both a spiritual retreat and a center of influence, granting the Wicce status in the hidden pagan networks of the world. It may even attract attention, welcoming or hostile, from organized religions, nobles, or inquisitors.

A Circle may hold sabbats and esbats, sanctify marriages and births, banish malevolent spirits, and maintain harmony with nature spirits or the local fae. The DM may treat the Circle as a minor religious stronghold, but it does not generate income like a clerical temple unless ritual services are offered to the surrounding community.

Wicce XP Progression Table

Level Title Experience Points Hit Dice
(d6) Spell Level Access 1 Initiate of the Circle 0 1 1st 2 Seeker of the Spiral 1,750 2 1st 3 Blessed Sister/Brother 3,750 3 2nd 4 Priest/Priestess of Light 7,500 4 2nd 5 Guardian of the Grove 15,000 5 3rd 6 Weaver of Fates 30,000 6 3rd 7 Voice of the Goddess 60,000 7 4th 8 Spiral Elder 110,000 8 5th 9 High Priest/Priestess 180,000 9 6th 10 High Priest/Priestess 260,000 9+1 6th 11 High Priest/Priestess 380,000 9+2 7th + High Priest/Priestess +120,000 +1

--

1st-Level Spells

  • Bless (PHB)
  • Command (PHB)
  • Cure Light Wounds (PHB)
  • Detect Evil (PHB)
  • Faerie Fire (UA)
  • Invisibility to Undead (UA)
  • Light (PHB)
  • Purify Food & Drink (PHB)
  • Remove Fear (PHB)

2nd-Level Spells

  • Augury (PHB)
  • Chant (PHB)
  • Barkskin (UA) 
  • Cure Moderate Wounds (UA)
  • Resist Fire (PHB)
  • Slow Poison (PHB)
  • Speak with Animals (PHB)
  • Spiritual (Hammer) weapon (PHB) reflavored as moon-blessed weapon

3rd-Level Spells

  • Create Food and Water (PHB) 
  • Cure Disease (PHB) 
  • Dispel Magic (PHB)
  • Locate Object (PHB) 
  • Meld into Stone (PHB) 
  • Prayer (PHB) 
  • Protection from Fire (PHB) 
  • Remove Curse (PHB) 

4th-Level Spells

  • Cure Serious Wounds (PHB) 
  • Divination (PHB) 
  • Lower Water (PHB) 
  • Neutralize Poison (PHB) 
  • Protection from Evil, 10' Radius (PHB) 
  • Speak with Plants (PHB) 
  • Spell Immunity (UA) 

5th-Level Spells

  • Commune with Nature (UA)
  • Cure Critical Wounds (PHB) 
  • Dispel Evil (PHB) 
  • Flame Strike (PHB) 
  • Plane Shift (PHB)
  • Quest (PHB) 
  • Wall of Fire (PHB) 

6th-Level Spells

  • Aerial Servant (PHB) 
  • Forbiddance (UA) 
  • Find the Path (PHB) 
  • Heal (PHB)
  • Speak with Monsters (PHB) 
  • Weather Summoning (PHB) 
  • Word of Recall (PHB) 

7th-Level Spells

  • Astral Spell (PHB) 
  • Earthquake (PHB) 
  • Holy Word (PHB) 
  • Regenerate (PHB) 
  • Reincarnation (PHB) 
  • Symbol (PHB)
  • Wind Walk (PHB)

I'll add more spells, I am sure. 

Behind the Scenes

This is obviously my ode to the nature-loving neo-Pagan style witch. These characters are also closer to how I used to play Druids back in the AD&D days. Less the shape-shifting guardians of nature and more the dancing in circles priests and priestesses honoring what nature provides form them.

How does it differ from the Craft of the Wise? The Craft of the Wise or Pagan Witch is a witch first and a follower of a Goddess or God second. This one is the other way around. 

How does it differ from the Witch-Priestess? They serve similar purposes and even have similar spell lists but the difference is intent. 

Both the Wicce and the Witch-Priestess walk a sacred path, but their focus, source of power, and approach to magic are notably different. Choosing between them depends on the kind of spiritual figure you wish to play.

Wicce: The Gentle Shepherd of the Old Ways

The Wicce is a cleric subclass who serves the Old Religion as its community priestess. She leads sabbats, blesses fields, heals wounds with herbs and chants, and welcomes all who seek comfort, renewal, or wisdom. Her spells are granted through alignment with the rhythms of nature, the moon, and life itself, not a single deity. The Wicce is intuitive, nurturing, and grounded in spiritual service.

  • Role: Community priestess, healer, celebrant
  • Serves: The wider community
  • Power Source: Divine and Occult; seasonal and lunar forces
  • Connection: Tied to place, people, and the turning of the Wheel
  • Ideal For: Players who want a wise village witch, spiritual counselor, or mystical healer

Witch-Priestess: The Devoted Flame Within the Circle

The Witch-Priestess is an Advanced Class for witches who place their Patron or Tradition at the center of their life. She is a witch first, but one whose devotion elevates her to a position of sacred authority. The Witch-Priestess blends occult mastery with religious fervor. She may serve as oracle, cult leader, sacred warrior, or ritualist of deep mysteries. Her path is more arcane, personal, and potent, but also more demanding.

  • Role: Religious leader within the witch’s Tradition
  • Serves: Their Patron/Goddess/God and the Tradition
  • Power Source: Occult (primarily), with divine undertones
  • Connection: Bound to a specific Patron, Rite, or Mystery
  • Ideal For: Players who want a high-stakes mystic, zealous devotee, or visionary prophetess

Also, the Wicce can only be non-evil in alignment. Witch-Priestess as a class have no restrictions.

Both are my attempts at a revision (both in the sense of revise and to look at again) of my AD&D 2nd Ed Witch Class. 

If I were to expand this I would grab some spells from my CNoW&W and some of my other sources. Maybe along the lines of 12 or so spells per spell level. 

As always, let me know what you think.

Halloween Hangover 2025

 Another Halloween for the history books.

Some Candy

I didn't do as much this year, and I took an easier path with my "No Theme" October Horror Movie Challenge, but I still had a great time.

For my October Horror Movie Challenge, I watched 38 movies, with 26 of them as first-time views.  I adjusted this total when one of the movies I thought was a FTV was really a repeat.

I watched all of the Conjuring movies and that was a lot of fun, but the best movie of the Challenge was The Substance with Demi Moore and Margaret Qualley.

You can see the movies I watched on my Pinterest board. Next year, I should hit over 600 movies for the Challenge. The Pinterest board is nice, just scrolling and looking at all the movie posters is fun.

One year I need to stick to the central theme of this blog and do nothing but Witchcraft movies. The biggest issue with that is, can I find 25 witch horror movies I have not seen already?  I'll have to up the number of movies I watch per day, I think. 

Something to mull over these next few months. 

October Movie Challenge: 30 Days of Night (2007) and Dark Days (2010)

Here we are, the last day of the Horror Movie Challenge! I figure I'll work in some vampire movies.  Special note: You lose something when watching movies with night and darkness as major plot points during the daylight hours.

30 Days of Night30 Days of Night Dark Days

30 Days of Night (2007) 

Few horror films capture isolation and predation like 30 Days of Night. Barrow, Alaska, already cut off from the world by a month of darkness, becomes a perfect hunting ground when a pack of feral, ancient vampires descends. These aren’t tragic romantics; they’re apex predators, clicking and shrieking in a dead language, as elegant and pitiless as sharks beneath ice.

The concept alone feels built for NIGHT SHIFT or Occult D&D: a frontier town swallowed by night, a handful of survivors fighting with dwindling light and sanity. It’s brutal, but beautiful too, snow turned red, the silence between screams, the steady unraveling of faith and logic. Josh Hartnett’s Eben becomes the archetypal reluctant hero, giving himself to the darkness just long enough to kill it.

If I ever needed a model for my Valhalla, Alaska, this is it. Swap Barrow for Valhala, add a few protective runestones, a psychic waitress, and maybe a were-bear or two, and you’ve got an entire campaign arc: “The Long Night.”

This one is quite good, and if Danny Huston is in it then I know I am in for some fun. 

30 Days of Night: Dark Days (2010)

Ok. This one is not as good, but it had one thing going for it; Mia Kirshner as Vampire Queen Lilith. I just wish she had more screen time.

The sequel trades arctic survival horror for urban vampire noir. Stella (played by a different actress) still haunted by Barrow becomes a reluctant vampire hunter in Los Angeles, trying to expose the coven that orchestrated the slaughter. It’s grittier, smaller, and not nearly as haunting, but it expands the mythology nicely. The idea that the Barrow massacre was just one act in a long, secret war fits perfectly in a world where monsters stalk the forgotten edges of modern life.

The implied mythology here reminds me of the Blade movies, except that Dracula is replaced by Lilith. Which Lilith? No idea, she could have been any one of a hundred different interpretations, or just a powerful Vampire Queen who took her name as her own.

It is not as bad as the reviews online have led you to believe; it just falls very, very short of the first movie.

NIGHT SHIFT & Occult D&D Ideas

This is another great example for my Valhalla, AK setting for NIGHT SHIFT.

Less for Occult D&D, unless you work in a ritual the vampires are going to perform to blot out the sun. I did that as the main premise behind my "Come Endless Darkness" campaign. 

October Horror Movie Marathon 2025

October Horror Movie Challenge 2025
Viewed: 38
First Time Views: 27

Urban Fantasy Fridays: WitchCraft RPG & Unisystem

C. J. Carella's WitchCraft RPG (Eden Studios)

 It is Halloween! The best day of the year. For that, I want to share one of my all-time favorite Urban Fantasy Horror RPGs.

C. J. Carella's WitchCraft RPG

WitchCraft is, hands down, my favorite game.  Period.  Picking up a copy of this book back in 1999 was just like picking up a copy of the Monster Manual in 1979.  Everything I ever wanted in a game was right there. Everything.

WitchCraft had such a profound effect on my gaming that I can draw a rather clean line between what came before and what came after it.  Granted, a lot was going on in 1999/2000, both gaming-wise and personally, that may have added to this effect; it was an effect all the same.

Back in 1999, I was really burned out on AD&D. I was working on my own Witch netbook and reading various games when someone, I forget where, must have been the old RAVENLOFT-L that TSR/WotC used to run, told me I really needed to check out WitchCraft.  At first, I balked.  I had tried Vampire a couple of years ago and found I didn't like it (and I was very much out of my vampire phase then), but I was coming home from work and my FLGS was on the way, so I popped in and picked up a copy.  This must have been the early spring of 2000.

I can recall sitting in my office reading this book over and over. Everything was so new again, so different.  This was the world I had been trying, in vain, to create for D&D, but never could.  The characters in this book were also all witches, something that pleased me to no end; it was more than just that.  Plus, look at that fantastic cover art by George Vasilakos. That is one of my favorite, if not my most favorite, covers for a game book. I have it hanging in my game room now.

WitchCraft uses what is now called the "Classic" Unisystem system.  So there are 6 basic attributes, some secondary attributes (derived), skills, qualities, and drawbacks.  Skills and attributes can be mixed and matched to suit a particular need.

WitchCraft uses a Point-Buy Metaphysics magic system, unlike Ghosts of Albion's levels of magic and spells system. Think of each magical effect as a skill that must be learned, and you have to learn easier skills before the harder ones first. In D&D, for example, it is possible to learn Fireball without having previously learned Produce Flame.  In WitchCraft, you could not do that.  WitchCraft, though, is not about throwing around "vulgar magics".  WitchCraft is a survival game where the Gifted protect humanity from all sorts of nasty things, from forgotten Pagan gods, to demons, fallen angels, and the Mad Gods; Cthulhoid-like horrors from beyond.  WitchCraft takes nearly everything from horror and puts it all together, and makes it work.

C. J. Carella's WitchCraft RPG (Myrmidon Press)The Eden Studios version was the Second Edition, I was later to find out.  The first one was from Myrmidon Press. I manged to find a copy of that one too and it was like reading the same book, from an alternate universe.  I prefer the Eden Edition far more for a number of reasons, but I am still happy to have both editions.

The first edition (from Myrmidon Press) is like an alternate-universe echo of the later Eden Studios release. I own both, but Eden’s version is definitive. It’s cleaner, more playable, and it feels like the book C. J. Carella meant to write.

The central idea behind WitchCraft is the same as most other Modern Supernatural Horror games.  The world is like ours, but there are dark secrets, magic is real, and monsters are real. You know the drill.  But WitchCraft is different.  There is a Reckoning coming, everyone feels it, but no one knows what it is.  Characters then assume the roles of various magic-using humans, supernatural beings, or even mundane individuals, and they fight against the threats.  Another conceit of the game (and one I use a lot) is that supernatural occurrences are greater now than ever before.  Something's coming...  (dogs and cats living together, mass hysteria).

It is most often compared to World of Darkness, but there are aspects of WitchCraft that I prefer.  Unlike (old) Mage there is no war between the (good) Mages and the (evil) Technocracy.  There is a war certainly, but nothing so cut and dry.  Unlike the new Mage, there are rarely clean divisions between the factions.  Yes, yes Mage players, I am being overly simple, but that is the point, on the simple levels new Mage dives everything into 5 because that is how the designers want it.  There are factions (Associations) and different metaphysics for each, but they also overlap, and sometimes no clear and defined lines are to be found or established.  It feels very organic.

In my opinion, C. J. Carella may be one of the best game designers out there.  WitchCraft is a magnum opus that few achieve.  I took that game and I ran with it.  For 2000 - 2003, it was my game of choice above and beyond anything.  The Buffy RPG, built on the Cinematic Unisystem, took over till I wrote Ghosts of Albion, which also uses the Cinematic Unisystem.  I mix and match the systems as I need, but WitchCraft is still my favorite.

WitchCraftRPG

WitchCraft, in fact, is what got me into professional game design.

Back in the Spring/Summer of 2001, I started up a new game.  I had just purchased the WitchCraft RPG book about 16 months prior, and I was looking for something new.  That something came to me in the guise of Willow and Tara.  I had been watching Buffy for a bit, and I really enjoyed the character of Willow.  When she got together with fellow witch Tara, I thought they were perfect.  I had become very involved in the online Willow/Tara fandom, so I created a game, focusing on just them.

The game would focus on just these two, no one else from the show (which I would soon become an ex-fan of, but that is a different story).  Plus it gave me something to try out in a modern setting, something I have not done since my early days with the Chill RPG.

The trickiest part of developing game stats of any fictional character that belongs to someone else is knowing how to strike a balance between the game's rules and the fictional portrayal. A lot of "artisitc" license needs to be used in order to get a good fit. For example, how do you determine what some one's strength is when there is little to no on screen evidence? What spells would the girls have?

In the end, I decided to play it a little loose, but I love where their stats ended up.  In many ways, this is who Willow and Tara are to me, not the characters on TV or in comics, but the ones who were my characters since that day back in May 2001, when I decided they needed their own chance to shine.

After this, I worked on the Buffy the Vampire Slayer RPG.  It should be no surprise then that the Willow and Tara stats that appear there are not that much different than my own.  I can be pretty vocal in play tests.  That got me the chance to write the Ghosts of Albion RPG. This also allowed me to meet, work with and remain friends with Christopher Golden and Amber Benson.

WitchCraft paved the way for so many other games for me, not just in terms of playing but in writing.  If it were not for WitchCraft, then we would not have had Buffy, Angel, or Army of Darkness. Conspiracy X would have remained in its original system. There would be no Terra Primate or All Flesh Must Be Eaten, and certainly there would be no Ghosts of Albion.  This game means that much to me.

But you don't have to take my word for it, Eden Studios will let you have it, sans some art, for free.

Download it.  If you have never played anything else other than D&D then you OWE it yourself to try this game out.

My thing is I wish it was more popular than it is.  I love the game. If I was told I could only play one game for the rest of my life then WitchCraft would be in my top 3 or 2 choices.

Larina Nichols for WitchCraftRPG

Like Willow and Tara, I consider the WitchCraft version of Larina to be the "main" or even "true" one. Not a shock. I was reading the WitchCraftRPG after completing my first publication, "Complete Netbook of Witches & Warlocks," which featured a six-year-old Larina learning she would become a witch.  

Later on, I played her in an online game where she went to Scotland, got married, got divorced, and moved back. In fact, it was her "return to America" stage of her life that I tried to capture with the Buffy the Vampire Slayer RPG. It was here that her "modern age" counterpart had made contact with her "fantasy age", aka D&D counterpart. 

Larina Nichols for WitchCraftRPGLarina "Nix" Nichols

Wicce Seeker of Knowledge Gifted
Age: 30 (circa 2000/2001), Ht: 5'4", Hair: Red, Eyes: Blue

Attributes: Str 2 Dex 3 Con 3 Int 5 Per 5 Wil 6*

Life Points:  33
Endurance: 29 (27)
Speed: 12/6

Essence Pool: 76
Channeling Level: 10

Survival: 10
Lifting Capacity: 100 lbs

Qualities & Drawbacks

Gifted (+5), Attractive (+2), Essence Channeling (+5),  Hard to Kill (+1), Increased Essence Pool (+8), Nerves of Steel, Old Soul* (+3), Resources (+1), Emotional Dependency: Fear of Rejection (-1), Honorable (-2), Recurring Nightmares (-1), Obsession Magic (-2)

Skills

Cooking (1), Craft, Simple Crafts (2), Driving, Car (2), Humanities, History (2), Humanities, Religion (2), Humanities, Wicce Theology (2), Humanities, Psychology (1), Language, Latin (4), Language, Greek (3), Language Italian (3), Language, Gaelic (2), Magic Bolt (3), Magic Theory (3), Myth and Legend, Celtic (2), Myth and Legend, Greek (2), Folk Magic (4), Occult Knowledge (2), Play Instrument, Clarinet (2), Research (3), Rituals, Wicce (2), Singing (1), Survival, Urban (3), Trance (2)

Metaphysics/Powers

Affect the Psyche (Influence Emotion, 2), Blessing (Good Luck, 2; Protection, 2), Create Ward (2), Flame (2), Insight, One with the Land (1), Perceive True Nature (2), Protection vs. Magic (3), Soul Projection (4), Soul Fire (3), Sending (1)

Weapons

Knife d4x2
Baseball bat d8x2 / d8x3 (two handed)

Possessions: Books on magic, spell components, crystal ball, laptop computer (Mac PowerBook G3 "Lombard"), 1998 Volkswagen Beetle. 

As with Chill, this is not a starting character. I have said it already, but I consider this to be the "Prime" modern Larina, that is, until I wrote NIGHT SHIFT. I use the Old Soul quality not only to have her connect to past lives, but also to her "alternate lives." This would include her D&D and Mage versions. This is what allows her to exceed the human limit of 5 in Willpower. 

Larina modern mini

Larina's Timeline

Since this is the last post in this particular series, I decided to look back on the lifespan development campaign idea. 

There are certainly more games I could use to fill in some more. Even if I never play all these games, using them is a better solution than a huge backstory. It gives you the chance to build that backstory. 

WitchCraft as a D&D Replacement

I have talked about this one as much this month, even if it is a central feature of my Fantasy Fridays. But the WitchCraftRPG can be used as a replacement for D&D. Eden even published a book for it, Dungeons & Zombies. Overtly for the All Flesh Must Be Eaten RPG.

Witches & Dungeons & Zombies

It is no surprise then that Dungeons & Zombies comes from Jason Vey. Vey and I would later take all that we knew from WitchCraft, AFMBE, and Buffy and Ghosts, and design NIGHT SHIFT.

NIGHT SHIFT and WitchCraftRPG

I even ran the Ravenloft I6 adventure using WitchCraft. It was fantastic.

Final Thoughts

Revisiting WitchCraft after Mage: The Ascension 20th Anniversary Edition feels like returning to the root system after tracing the branches. Mage is about transcendence, belief shaping reality. WitchCraft is about endurance, belief surviving reality.

In Mage, Larina questions the structure of the cosmos; in WitchCraft, she defends it. Both games explore the same axis of power and consequence, but WitchCraft speaks to something older and more intimate: the soul’s stubborn refusal to go quietly.

Twenty-five years later, WitchCraft still reads like a love letter to the people who look at the dark and light a candle anyway. It’s hopeful without being naïve, mystical without losing its humanity.

When I flip through those pages now, I can still feel that same spark from 1999. The moment I realized that “urban fantasy” wasn’t just a genre; it was a worldview, and it was where I wanted to spend my gaming days and nights.

And Larina’s still there, at her desk, cup of tea beside a stack of grimoires, scrolling through student papers by day and summoning protective circles by night. The Reckoning may come, or it may not, but she’ll be ready either way.

Links


October Movie Challenge: Godzilla vs. Biollante (1989)

Godzilla vs. Biollante (1989)I also love catching a Godzilla each Challenge. Tonight I picked one of the few I have never seen. 

Godzilla vs. Biollante (1989)

Like many of Godzilla movies of the Heisei era, this one has high-tech government agencies, weapons that we still don't have, and psychic girls who can communicate with the Kaiju. And like many of the movies of this era it starts off with a Godzilla attack, gets really slow in the middle and then picks up for the final battle.

This monster in this one, Biollante, is a hybrid of some sort of plant, bacteria, Godzilla cells, and a human. The message here is the dangers of genetic manipulation. 

The setup begins in the aftermath of The Return of Godzilla (1984). Scientists recover Godzilla’s cells, “G-Cells,” of course, and everyone wants a piece of them. These cells can regenerate, adapt, maybe even save humanity… or destroy it. Likely destroy it. Enter Dr. Shiragami, a geneticist mourning his daughter Erika, who died in a terrorist bombing. In a moment of heartbreak and hubris, he fuses her DNA with that of a rose, and, later, with Godzilla’s. Because in classic mad-scientist logic, that’s the only way to preserve her soul.

What grows from that grief is Biollante, a massive, vine-choked, glowing-pollen monstrosity that’s part plant, part kaiju, and maybe part human spirit. When Godzilla awakens, drawn by psychic resonance and nuclear energy, the two meet, and the result is one of the strangest, most melancholy battles in the franchise.

Biollante isn’t a villain. She’s a tragedy.  Her screams sound like wind through broken reeds, and when she blooms into her second, more monstrous form, it’s both horrifying and gorgeous, a radioactive Triffid/Venus flytrap. This isn’t just a monster fight; it’s Frankenstein by way of environmental horror.

There’s an undercurrent of the occult here, too, whether intentional or not. The merging of human, plant, and kaiju DNA echoes alchemical transmutation, the philosopher’s dream of uniting matter and spirit. Maybe I have been reading too much occult theory lately. Erika’s soul literally becomes immanent in nature. If that isn’t animism bordering on witchcraft, I don’t know what is. In a way, Biollante is Gaia’s vengeance, the blood-rose born of man’s arrogance and nuclear sin.

The psychic subplot, with Miki Saegusa’s debut as a telepathic young woman attuned to both monsters, only deepens the theme. She’s the first true occult scientist of the Heisei era: part medium, part empath, part early warning system for apocalypse. 

Visually, the film is stunning. The Biollante effects still hold up: the massive puppet dripping with sap and smoke, the way her vines coil like serpents, the glowing spores that drift into the night sky at the end. The music swells with mournful choirs and synthetic dread. 

When Biollante dissolves into glittering spores and ascends to the heavens, we glimpse Erika’s face in the light. The effects are not great and maybe a little sappy, but they are par for the course.

NIGHT SHIFT & Occult D&D Ideas

Maybe not for either idea, but I do love Kaiju.

October Horror Movie Marathon 2025

October Horror Movie Challenge 2025
Viewed: 36
First Time Views: 25


Forgotten Realms: Heroes and Adventures in Faerûn

 Went to my Favorite Local Game Store yesterday. They were doing downtown business trick or treating, oh, and I picked up the new D&D 5.5 Forgotten Realms books.

Heroes and Adventures in Faerûn

I have actually been looking forward to getting these.  I'll save a long and detailed review for a later date when they come up in my regular explorations into the Realms. 

The Shadow of Baldur's Gate

If you were new to the Forgotten Realms and this was your first exposure, you would be excused in thinking that Karlach Cliffgate, the tiefling barbarian with a heart of gold (well, really a heart of infernal machinery), was the most important character in the Realms. 

And she is. Full Stop.

But seriously. Karlach is all over these two books. There is one picture of Elminster, maybe one or two of Drizzt, one of The Simbul, a few of the D&D cartoon kids, and a ton of Karlach, with some more of Shadowheart, Astarion, and even Enver Gortash. Even Duke Ravengard gets a couple more than his son Wyl, anyway.

Everybody Loves KarlachEverybody Loves Karlach
Baldur's Gate, circa DR 1501

The Baldur's Gate III video game looms large here.

Honestly, this is a good thing.

The tone of the book is, "this is a big old world and there have been heroes before you, but now is your time to be the epic hero." This is exactly what they should do. Drizzt even is taking a lesser role so his daughter Briennelle can do more. And really, who better than Karlach to lead that charge?

Heroes of Faerûn

The Books and their Contents

The two books, Heroes of Faerûn and Adventures in Faerûn are what you expect. Full color, plenty of art and new rules. Both books have expansive indexes. 

I feel that these two books are the way D&D 5.5 (and this is really a continuation of D&D 5) should move forward with their Campaign settings.

Both books cover the lands and people. The Heroes of Faerûn book for Players is an overview of everything, the Adventures in Faerûn book for Dungeon Masters covers some areas in more detail. 

Again, just very briefly. The lands seem brighter (as one should now expect from D&D 5.5) but that should never mean "safe." There is less emphasis on "this type of monster is a threat" and more on "this faction is a threat." Which is honestly much better. And there are plenty of factions to keep good characters busy fighting and evil characters, well also fighting them or even joining their ranks.

Though there are still monsters. 

Monsters
Monsters

There are changes, and really, I am the *least* qualified person to find these given how "new" my Realms education is, but a couple stick out.

Baldur's Gate, as expected, has eclipsed Waterdeep as the "city of choice" in this era. I think "in game" I'll say the Baldur's Gate has had an in-rush of tourism. Everyone wants to catch a glimpse of "The Hero of the Gate" Karlach. 

The Moonshae Isles have gone from the quasi-Celtic meets quasi-Vikings to a combined people living in an area where the Feywild bleeds through. And I like that.  

The Heroes of Faerûn book has expansions to the subclasses, including a College of the Moon Bard and a Spellfire Sorcerer. I want to try out both. Lots of new backgrounds, lots of new feats. Not as many spells as I would have expected. Adventures in Faerûn has lots of 1-page encounters and mini-adventures. Enough to get anyone going. The first ones can be used anywhere, and then there are location-specific ones. 

Of course, some of this covers the same ground as previous books, and they encourage people to check out these other sources too.

Heroes and Advertures of FaerûnInside cover maps
Heroes and Advertures of FaerûnVenger and Presto still at it all these years later
Heroes and Advertures of Faerûn

Heroes and Advertures of FaerûnEnver Gortash from Baldur's Gate III
Heroes and Advertures of FaerûnHank is now a King
Heroes and Advertures of Faerûn

I'll dig into these books more in the future. I still to finish my 2nd Ed AD&D exploration of the Realms.

The Player's book comes with a nice map. It reminds me of the map that came with the 3rd Edition D&D book.

Map of Faerûn

on the backside is a Calendar of Harptos.

Calendar of Harptos
Magic Items

In my first pass these books fit well with my other Realms books and continue the saga of the Realms.

The Forgotten Realms

Of note. Ed Greenwood is not listed as a contributor in these volumes, but he is given a special thanks. Jeff Grubb is given a special thanks as well.

I am looking forward to delving deeper into these books. 

October Movie Challenge: Jinn (2014)

Jinn (2014)This 2014 indie film from writer-director Ajmal Zaheer Ahmad wants to be an American horror story with Islamic roots, and that alone makes it worth watching. We’ve seen vampires, werewolves, and demons a thousand times, but the Jinn, beings of smokeless fire from pre-Islamic and Qur’anic lore, rarely get their cinematic due. I was hoping for something a little more here. It has Serinda Swan (who I like) and Ray Park (who is also a lot of fun).

Jinn (2014)

The film opens with a bit of apocryphal myth-building: God created three intelligent races, angels from light, humans from clay, and jinn from smokeless fire. Some jinn sided with Iblis when he fell, others remained neutral, and ever since, they’ve lived hidden among us. So far, so mythic. Then we jump to present-day Michigan, where automotive designer Shawn (Dominic Rains) starts experiencing visions and supernatural attacks. Soon, he’s told that his family is cursed by the evil jinn and that he’s the last of a bloodline chosen to end it.

It's not bad, really. It's a neat way to try to square all the Abrahamic religions into a single narrative. 

The acting is earnest but uneven, even Serinda Swan as his wife, the pacing awkward, and the CGI creature effects are… well, let’s just say they’d fit right into a 2000s Syfy Channel movie. But, and this is a big but, there’s a sincerity to it. Ahmad isn’t mocking his subject matter or cashing in on the latest horror trend. He’s telling a story about faith, legacy, and unseen forces that most Western horror simply ignores. You really feel that he has a story he wants to tell, but I am not 100% sure he knows *how* to tell it. 

Ray Park is fun; he is given more of a chance to act here and even show off some of his martial arts moves as "Good Jinn" Gabriel. 

I *like* the concept of the jinn as older than humanity, as beings with free will, capable of love, hate, and religion, gives them a complexity that your average “fallen angel” lacks. They aren’t just demons; they’re the others, the neighbors just beyond the veil. In folklore, a jinn might bless your child or burn down your house, depending on how you treated their territory. That ambiguity is missing in Hollywood, and Jinn at least tries to reclaim it.

This is not a particularily good film, but it was a fun one. The highlight for me? William Atherton as Father Westhoff. First he is a likable character who you feel has a history and not always as a priest. Plus he is playing a good guy you are supposed to like. Very different from the "Asshole" he usually played.  The acting might uneven, but he was great.

The scares are few and predictable, but still not bad. 

NIGHT SHIFT & Occult D&D Ideas

This movie feels like someone's WitchCraftRPG game. It could also be a great NIGHT SHIFT game as well. As I said above, Jinn can be really interesting and something other than just another demon type.

For Occult D&D the potential is even greater. Djinn and their kin are reduced to Elemental "gennie" types and nearly everything that makes them interesting in myth is gone. 

So not a great movie, but certainly one I might have to revisit someday.


October Horror Movie Marathon 2025

October Horror Movie Challenge 2025
Viewed: 35
First Time Views: 26


Witchcraft Wednesdays: The Witch Queen Advanced Class

Larina Witch QueenPhoto edit of "Ginger Queen by Black-Bl00d"For all my talk about witch queens here, I have no real witch queen class. Yes, there is my D&D 3x Prestige class, but nothing really for Old School games. So my oldest and I tried this one out during our AD&D games. Not 100% there yet, and in the tradition of the Arch Druid (Unearthed Arcana), she might get her own level progression above and beyond the witch class. I just have not crunched all the numbers just yet.

This is primarily for AD&D 1st Edition, but it should work in many other games as well.

WITCH QUEEN / WITCH KING

Advanced Class for Witches

When a Witch has reached the height of mortal power, there yet remains one step further upon the Path, the ascension to the mantle of the Witch Queen (or Witch King). This being is the supreme vessel of a Patron’s will, the living nexus of a Tradition’s power, and the spiritual sovereign of all witches within her realm. Like the Grand Druid of the Old Faith, she is both pontiff and prophet, counselor and conduit, a figure whose very presence can bend the ley and alter the seasons' turning.

Whether crowned by fate, prophecy, deed, or divine lineage, this witch has ascended beyond the coven to become a legendary figure. 

Only one Witch Queen (or King) may reign for each Tradition at any given time, making them as rare as they are powerful.

Requirements

To become a Witch Queen (or Witch King), a character must:

  • Be a Witch of at least 14th level
  • Possess Charisma 17 or higher. Additionally, the witch needs to have an Intelligence or Wisdom of 15 or higher.
  • Be a member in good standing of a coven
  • Must know the Supernal Language
  • Have been chosen through omen, divine sign, or a coven-wide rite as the next Queen or King

Restrictions

  • Only one Witch Queen or King may exist per Tradition at a time (GM’s discretion)
  • To become a Witch Queen or King, the previous sovereign must abandon or relinquish their rulership.  This is often upon the death of the previous sovereign, but not required. 
  • Occult Powers are gained differently (see below)

Spellcasting

  • The Witch Queen continues to cast spells as a Witch of her full level
  • May forego the use of Material Components. 

Witch Queen Abilities

Awesome Presence (gained at level 16): Witches perceive the Witch Queen as a radiant beacon of power. Allies within 60 feet receive +1 to morale checks and saving throws vs. fear; enemies must save vs. spells or suffer -1 to morale. All witches instinctively recognize her status and will defer unless magically compelled otherwise.

Occult Eminence (gained at level 18): The Witch Queen gains one choosen Occult Power of her Tradition. This power is gained as if at the appropriate level, but may not exceed the “Grand” tier unless already eligible. She may choose another Occult Power from a different Tradition at level 19 if desired.

A Thousand Faces (gained at level 20): The Witch Queen may alter her appearance at will, as per the disguise self spell, though the effect is real, not illusory. This change does not affect clothing or equipment, and may be maintained indefinitely.

Timeless Body (gained at level 22): The Witch Queen ceases to age. She gains immunity to magical aging and no longer suffers ability penalties due to age. Natural bonuses to Intelligence and Wisdom still accrue. Her lifespan is extended to 120 years, and she will still die of old age unless further extended by other magical means. 

Rulership and Influence

The Witch Queen or King is not merely a title, but a mantle of magical authority. All witches of her Tradition know of her. At the GM’s discretion, she may gain the right to command covens, invoke her Patron’s will across vast distances, or declare magical edicts that affect ley lines or seasonal flows. Along with this power and influence comes the wisdom and responsibility of how to use such power. 

Optional Rule: Mantle of Sovereignty

Once per month, the Witch Queen may perform a rite, calling upon her Tradition’s power. Effects may include summoning a spirit host, causing omens to appear across the land, or sealing a region against extra-planar intrusion for 1d4 days.

Experience Progression and Saving Throws

Continues to use the Witch class tables for all purposes.

Multi-Class and Dual-Class Use

Only single-classed Witches may become Witch Queens (Archwitches and Witch-Priestess are considered single-class witches). The transformation requires undivided devotion to the Patron and Tradition. Other characters may assist or serve such a queen, but may never claim her title.

The Witch Queen is both symbol and sovereign, oracle and enforcer. Her path is not taken lightly, for once crowned, her soul is forever marked by the gaze of the gods.

--

Still have details to work out, but I like it so far. Again, this is designed to mimic the Arch Druid to Hierophant Druid of AD&D 1st Edition. Though I do think the Hierophant is a bit overpowered.  

I briefly considered the more gender neutral title of Witch Sovereign, but that doesn't have the same weight to it. My influences should be rather obvious, but even "Simon King of the Witches" is called a King and not a Sovereign. 

Likely need some more work on this one, so feedback is appreciated. 

October Movie Challenge: The Impossible Planet / The Satan Pit (2006)

The Impossible Planet / The Satan Pit (2006) Every October Challenge I like to do a Doctor Who episode. It has to be at least two full episodes of new Who or a complete series of old Who. And it has to "hide behind the sofa" scary. Since it is my kid's birthday, we let him choose. 

The Impossible Planet / The Satan Pit (2006)

Ok this is one of the all time great Doctor Who stories.

The 10th Doctor and Rose land on a planet (later they learn it's called "Krop Tor" the bitter pill). There is writing that the TARDIS can't translate (bad sign #1), there are odd creatures (the Ood), oh the planet is orbiting a giant black hole (bad sign #2), and the TARDIS is lost in a quake (bad sign #3).

The Ood start acting strange, talking about the Beast Rising from the Pit and people start hearing voices. Interestingly the voice of "The Beast" is Gabriel Woolf, who was also the voice of Sutekh for the 4th Doctor and the 15th Doctor.

The astronauts are drilling into this Impossible Planet to see why is it still here, not falling into the black hole, and sending out a signal. 

Then the really weird stuff really starts. Toby Zed, the archeologist, becomes possessed.  He lures another out on the planet to kill her. The drilling stops and the Doctor goes down. The Ood begin attacking everyone and speaking of the Beast.

On the planet, the Ood are attacking everyone with Toby Zed as their secret master. In the pit the Doctor and scientist Ida find an even deeper pit with a seal. Down in that Pit the Doctor finds The Beast, a giant Devil creature chained to a wall. It reminds you of one of the Daemons.

Not to spoil the ending, but it is nearly 20 years old, The Beast is trapped and he has sent his mind into Toby. Toby is escaping and the body of the Beast is stuck in the Pit with the Doctor. The Doctor springs the trap (on purpose) and the planet, the Beast, his mind, and Toby with Rose the other survivors falling into the black hole.  The Doctor escapes, finds the TARDIS, and rescues Rose. The Beast, along with Toby, gets sucked into the black hole.

I am not doing this episode any sort of justice. It is late and I am still over-stuffed with birthday Indian food. 

NIGHT SHIFT & Occult D&D Ideas

The Devil as a great cosmic monster is just too good to pass up really. Especially if you consider this beast is the source of all of them. Sorta like how "God" was supposed to be the source in Star Trek: The Final Frontier. This Doctor Who answers the question "What does the Devil need with a Starship?"

I have talked about this episode here before as well. So I'll end this here before I fall asleep. 

This obviously is a rewatch and only counts as 1.

October Horror Movie Marathon 2025

October Horror Movie Challenge 2025
Viewed: 34
First Time Views: 25

Mail Call: Aquelarre

 Treated myself to a game I have been wanting for some time now. The Spanish RPG Aquelarre.

Aquelarre

This is the English version, but it is still a great RPG.

Aquelarre
Aquelarre

And it is massive. Can't wait to dig into it.

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