The Other Side

Dracula, The Hunters' Journals: 25 August Lucy Westenra's Diary

Lucy continues in her diary.

Dracula - The Hunters' Journals

25 August.—Another bad night. Mother did not seem to take to my proposal. She seems not too well herself, and doubtless she fears to worry me. I tried to keep awake, and succeeded for a while; but when the clock struck twelve it waked me from a doze, so I must have been falling asleep. There was a sort of scratching or flapping at the window, but I did not mind it, and as I remember no more, I suppose I must then have fallen asleep. More bad dreams. I wish I could remember them. This morning I am horribly weak. My face is ghastly pale, and my throat pains me. It must be something wrong with my lungs, for I don’t seem ever to get air enough. I shall try to cheer up when Arthur comes, or else I know he will be miserable to see me so.


Notes: Moon Phase: Waxing Crescent

Lucy's mother is not doing well.

The symptoms Lucy is describing here are very accurate for someone with significant blood loss. 

#RPGaDay2024 Desirable Dice

 I have eBay alerts out for various dice sets, but mostly I am looking for original Dragon Dice. You know, like the kind that use to cost about $4 or so at Waldenbooks?

Here is mine, kept in the package. 

Dragon Dice

The markup on them now is about x100 what they were in the 1980s.

Thankfully I also found some new ones from Threshold Diceworks. They are new, resin cast dice, but they look very much like the old ones for a fraction of the markup.


Threshold Diceworks retro Dice
Threshold Diceworks retro Dice

These retro dice were made by Threshold Diceworks. Which you can find on Facebook and their Etsy store. He was taking pre-orders a while back and mine finally came in yesterday and I am very pleased with them!

They compare very favorably to the sets I had with my Expert set, the Dragon Dice polyhedrals, and the sets that came with the Mentzer Basic boxes.

Threshold Diceworks Dice compared to classic dice.
Threshold Diceworks Dice compared to classic dice.
Threshold Diceworks Dice compared to classic dice.

Yes. Those are my Mentzer dice still in a bag and unopened and unmarked.

Threshold Diceworks Dice and Armory dice markers

Now I just need to score an Orange d8.


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I am participating in Dave Chapman's #RPGaDAY2024 for August. 

#RPGaDay2024



Dracula, The Hunters' Journals: 24 August Mina Harker's and Lucy Westenra's Letters & Diary

Mina writes to Lucy to give her an update on Jonathan.

Dracula - The Hunters' Journals


Letter, Mina Harker to Lucy Westenra.

Buda-Pesth, 24 August.

“My dearest Lucy,—

“I know you will be anxious to hear all that has happened since we parted at the railway station at Whitby. Well, my dear, I got to Hull all right, and caught the boat to Hamburg, and then the train on here. I feel that I can hardly recall anything of the journey, except that I knew I was coming to Jonathan, and, that as I should have to do some nursing, I had better get all the sleep I could.... I found my dear one, oh, so thin and pale and weak-looking. All the resolution has gone out of his dear eyes, and that quiet dignity which I told you was in his face has vanished. He is only a wreck of himself, and he does not remember anything that has happened to him for a long time past. At least, he wants me to believe so, and I shall never ask. He has had some terrible shock, and I fear it might tax his poor brain if he were to try to recall it. Sister Agatha, who is a good creature and a born nurse, tells me that he raved of dreadful things whilst he was off his head. I wanted her to tell me what they were; but she would only cross herself, and say she would never tell; that the ravings of the sick were the secrets of God, and that if a nurse through her vocation should hear them, she should respect her trust. She is a sweet, good soul, and the next day, when she saw I was troubled, she opened up the subject again, and after saying that she could never mention what my poor dear raved about, added: ‘I can tell you this much, my dear: that it was not about anything which he has done wrong himself; and you, as his wife to be, have no cause to be concerned. He has not forgotten you or what he owes to you. His fear was of great and terrible things, which no mortal can treat of.’ I do believe the dear soul thought I might be jealous lest my poor dear should have fallen in love with any other girl. The idea of my being jealous about Jonathan! And yet, my dear, let me whisper, I felt a thrill of joy through me when I knew that no other woman was a cause of trouble. I am now sitting by his bedside, where I can see his face while he sleeps. He is waking!...

“When he woke he asked me for his coat, as he wanted to get something from the pocket; I asked Sister Agatha, and she brought all his things. I saw that amongst them was his note-book, and was going to ask him to let me look at it—for I knew then that I might find some clue to his trouble—but I suppose he must have seen my wish in my eyes, for he sent me over to the window, saying he wanted to be quite alone for a moment. Then he called me back, and when I came he had his hand over the note-book, and he said to me very solemnly:—

“‘Wilhelmina’—I knew then that he was in deadly earnest, for he has never called me by that name since he asked me to marry him—‘you know, dear, my ideas of the trust between husband and wife: there should be no secret, no concealment. I have had a great shock, and when I try to think of what it is I feel my head spin round, and I do not know if it was all real or the dreaming of a madman. You know I have had brain fever, and that is to be mad. The secret is here, and I do not want to know it. I want to take up my life here, with our marriage.’ For, my dear, we had decided to be married as soon as the formalities are complete. ‘Are you willing, Wilhelmina, to share my ignorance? Here is the book. Take it and keep it, read it if you will, but never let me know; unless, indeed, some solemn duty should come upon me to go back to the bitter hours, asleep or awake, sane or mad, recorded here.’ He fell back exhausted, and I put the book under his pillow, and kissed him. I have asked Sister Agatha to beg the Superior to let our wedding be this afternoon, and am waiting her reply....

 

“She has come and told me that the chaplain of the English mission church has been sent for. We are to be married in an hour, or as soon after as Jonathan awakes....

 

“Lucy, the time has come and gone. I feel very solemn, but very, very happy. Jonathan woke a little after the hour, and all was ready, and he sat up in bed, propped up with pillows. He answered his ‘I will’ firmly and strongly. I could hardly speak; my heart was so full that even those words seemed to choke me. The dear sisters were so kind. Please God, I shall never, never forget them, nor the grave and sweet responsibilities I have taken upon me. I must tell you of my wedding present. When the chaplain and the sisters had left me alone with my husband—oh, Lucy, it is the first time I have written the words ‘my husband’—left me alone with my husband, I took the book from under his pillow, and wrapped it up in white paper, and tied it with a little bit of pale blue ribbon which was round my neck, and sealed it over the knot with sealing-wax, and for my seal I used my wedding ring. Then I kissed it and showed it to my husband, and told him that I would keep it so, and then it would be an outward and visible sign for us all our lives that we trusted each other; that I would never open it unless it were for his own dear sake or for the sake of some stern duty. Then he took my hand in his, and oh, Lucy, it was the first time he took his wife’s hand, and said that it was the dearest thing in all the wide world, and that he would go through all the past again to win it, if need be. The poor dear meant to have said a part of the past, but he cannot think of time yet, and I shall not wonder if at first he mixes up not only the month, but the year.

“Well, my dear, what could I say? I could only tell him that I was the happiest woman in all the wide world, and that I had nothing to give him except myself, my life, and my trust, and that with these went my love and duty for all the days of my life. And, my dear, when he kissed me, and drew me to him with his poor weak hands, it was like a very solemn pledge between us....

“Lucy dear, do you know why I tell you all this? It is not only because it is all sweet to me, but because you have been, and are, very dear to me. It was my privilege to be your friend and guide when you came from the schoolroom to prepare for the world of life. I want you to see now, and with the eyes of a very happy wife, whither duty has led me; so that in your own married life you too may be all happy as I am. My dear, please Almighty God, your life may be all it promises: a long day of sunshine, with no harsh wind, no forgetting duty, no distrust. I must not wish you no pain, for that can never be; but I do hope you will be always as happy as I am now. Good-bye, my dear. I shall post this at once, and, perhaps, write you very soon again. I must stop, for Jonathan is waking—I must attend to my husband!

“Your ever-loving
“Mina Harker.”


Letter, Lucy Westenra to Mina Harker.

Whitby, 30 August.*

“My dearest Mina,—

“Oceans of love and millions of kisses, and may you soon be in your own home with your husband. I wish you could be coming home soon enough to stay with us here. The strong air would soon restore Jonathan; it has quite restored me. I have an appetite like a cormorant, am full of life, and sleep well. You will be glad to know that I have quite given up walking in my sleep. I think I have not stirred out of my bed for a week, that is when I once got into it at night. Arthur says I am getting fat. By the way, I forgot to tell you that Arthur is here. We have such walks and drives, and rides, and rowing, and tennis, and fishing together; and I love him more than ever. He tells me that he loves me more, but I doubt that, for at first he told me that he couldn’t love me more than he did then. But this is nonsense. There he is, calling to me. So no more just at present from your loving

“Lucy.

“P. S.—Mother sends her love. She seems better, poor dear.

“P. P. S.—We are to be married on 28 September.”


Lucy Westenra’s Diary

Hillingham, 24 August.—I must imitate Mina, and keep writing things down. Then we can have long talks when we do meet. I wonder when it will be. I wish she were with me again, for I feel so unhappy. Last night I seemed to be dreaming again just as I was at Whitby. Perhaps it is the change of air, or getting home again. It is all dark and horrid to me, for I can remember nothing; but I am full of vague fear, and I feel so weak and worn out. When Arthur came to lunch he looked quite grieved when he saw me, and I hadn’t the spirit to try to be cheerful. I wonder if I could sleep in mother’s room to-night. I shall make an excuse and try.


Notes: Moon Phase: Waxing Crescent

Mina is now Mina Harker. She married Jonathan right away in the hospital in Buda-Pesth (Budapest). The wedding was Catholic, though Jonathan and Mina were most likely to have been Anglican. In fact we have seen evidence, especially in the beginning of this tale, that he was not Catholic. 

While we have details about their wedding, the wedding night goes without much of a mention. I can see why people want to paint Mina as the love of Dracula; they certainly have more going on than Mina and Jonathan.

* Lucy's letter to Mina is misdated. We know from future interactions that Lucy will be in very bad shape on August 30. Her return to sleep-walking, like Renfield's strange behavior, is due to Dracula returning from London.

Lucy's diary entry seems to be correct.  Plus it seems obvious that after hearing the good news from her friend Lucy would seek to emulate her more.

Both Lucy and her mother are not doing well. Lucy's mother, also a victim of Dracula I speculate, is doing much worse, but both women are of a fraily constitution.  We will see which one fares for the worse.

Hillingham does not exist on any street map of the time, nor of the present day.

#RPGaDay2024 Acclaimed Advice

 Acclaimed Advice. I have had so much over the years it's hard to remember what was advice and what was things I learned on my own.

But I do know one that is pretty recent. Characters should not be perfect from Ginny Di.

Ginny Di

She wasn't the first to say it. Not by a long shot. Nor was what she was saying particularly original (which was also her point), but it is solid advice all the same. 

Her advice in a nutshell? Build the character to be fun. For you that might mean optimal builds, or min-maxing. For me it cool magic and a bunch of other things.

Regardless of hearing it in 2024, 2014 or 1984 the advice is still good. 

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I am participating in Dave Chapman's #RPGaDAY2024 for August. 

#RPGaDay2024

Dracula, The Hunters' Journals: 23 August Dr. Seward's Diary (Cont.)

Dr. Seward continues to monitor Renfield.

Dracula - The Hunters' Journals


23 August.—“The unexpected always happens.” How well Disraeli knew life. Our bird when he found the cage open would not fly, so all our subtle arrangements were for nought. At any rate, we have proved one thing; that the spells of quietness last a reasonable time. We shall in future be able to ease his bonds for a few hours each day. I have given orders to the night attendant merely to shut him in the padded room, when once he is quiet, until an hour before sunrise. The poor soul’s body will enjoy the relief even if his mind cannot appreciate it. Hark! The unexpected again! I am called; the patient has once more escaped.

 

Later.—Another night adventure. Renfield artfully waited until the attendant was entering the room to inspect. Then he dashed out past him and flew down the passage. I sent word for the attendants to follow. Again he went into the grounds of the deserted house, and we found him in the same place, pressed against the old chapel door. When he saw me he became furious, and had not the attendants seized him in time, he would have tried to kill me. As we were holding him a strange thing happened. He suddenly redoubled his efforts, and then as suddenly grew calm. I looked round instinctively, but could see nothing. Then I caught the patient’s eye and followed it, but could trace nothing as it looked into the moonlit sky except a big bat, which was flapping its silent and ghostly way to the west. Bats usually wheel and flit about, but this one seemed to go straight on, as if it knew where it was bound for or had some intention of its own. The patient grew calmer every instant, and presently said:—

“You needn’t tie me; I shall go quietly!” Without trouble we came back to the house. I feel there is something ominous in his calm, and shall not forget this night....

Notes: Moon Phase: Waning Crescent

There is no evidence of Benjamin Disraeli (or any other Disraeli) ever saying the quote above. It is an English proverb recorded for the first time in the 19th Century; when Dracula was published and Disraeli was PM.

Renfield is obviously a lot smarter than Seward is giving him credit for.  He is also focused on something that Seward doesn't quiet yet see.

#RPGaDAY2024 Peerless Player / Amazing Anecdote

There are so many choices again here as well. Hard to narrow it down really.

So I am going to with "Amazing Anecdote" instead.

A couple years back we were all at Gen Con waiting to get into the Dealer room. I had been commenting to my wife and kids that the crowd seemed younger, and far more diverse than in previous years. We also noted more families.

Gen Con 2023

As we were walking by two young women, likely in their late teens or early twenties, were going the other direction. One was telling the other, "I love it here, this is one of the few places I can really feel like I am being myself."

I can completely relate!

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I am participating in Dave Chapman's #RPGaDAY2024 for August. 

#RPGaDay2024

#RPGaDAY2024 Notable Non-player Character

 I have a lot of characters. Often times, the difference between a PC and an NPC is only "Am I running this game."

One of my favorite NPCs is my unquestionably evil necromancer / warlock Magnus

Magnus in Baldur's Gate 3

I have had this guy for a few decades now really. He began as a Death Master from Dragon Magazine #76, expanded on him a bit more when Quagmire came out, and he got a big boost in college when he became my big bad for my "Atlantean" campaign. 

I created my Death Pact Warlock to make sure I could use him in my Basic-era games, too. 

One thing I've never done is play Magnus as a PC. However, I'm now experimenting by using the Dread Lord mod for Warlocks in Baldur's Gate 3. He's currently a 2nd level warlock, but I plan to give him some levels in Wizard (Necromancer). I'm playing him as a 'Dark Urge', which is a change from my usual preference for good characters fighting evil. 

Maybe I'll even hire some NPCs and mod them to be Runu and Urnu. I have a witch mod (naturally) for BG3, so that actually might be fun. I'll have to see if I can manage that.

I'll have to keep you all posted. 

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I am participating in Dave Chapman's #RPGaDAY2024 for August. 

#RPGaDay2024



Dracula, The Hunters' Journals: 21 August Letter, Messrs. Carter, Paterson & Co., London

 Letter detailing the delivery of Dracula's boxes of Earth.

Dracula - The Hunters' Journals


Letter, Messrs. Carter, Paterson & Co., London, to Messrs. Billington & Son, Whitby.

21 August.

“Dear Sirs,—

“We beg to acknowledge £10 received and to return cheque £1 17s. 9d, amount of overplus, as shown in receipted account herewith. Goods are delivered in exact accordance with instructions, and keys left in parcel in main hall, as directed.

“We are, dear Sirs,
“Yours respectfully.
Pro Carter, Paterson & Co.”



Notes: Moon Phase: Waning Crescent

The biggest question here is, how do we know about this letter? All correspondences are assumed to have been collected by Mina and organized.  But how did she obtain these letters?

Were they discovered by our hunters when they went and searched for clues? I mean I am sure Holmwood could demand to see them, he was a Lord afterall.

In any case they got them and it helped to track down the boxes.

Dracula, The Hunters' Journals: 8 August Cutting from "The Dailygraph" (Pasted into Mina Murry's Journal)

The story of Demeter is told in full after it runs a ground.

Dracula - The Hunters' Journals CUTTING FROM “THE DAILYGRAPH,” 8 AUGUST

(Pasted in Mina Murray’s Journal.)

From a Correspondent.

Whitby.

ONE of the greatest and suddenest storms on record has just been experienced here, with results both strange and unique. The weather had been somewhat sultry, but not to any degree uncommon in the month of August. Saturday evening was as fine as was ever known, and the great body of holiday-makers laid out yesterday for visits to Mulgrave Woods, Robin Hood’s Bay, Rig Mill, Runswick, Staithes, and the various trips in the neighbourhood of Whitby. The steamers Emma and Scarborough made trips up and down the coast, and there was an unusual amount of “tripping” both to and from Whitby. The day was unusually fine till the afternoon, when some of the gossips who frequent the East Cliff churchyard, and from that commanding eminence watch the wide sweep of sea visible to the north and east, called attention to a sudden show of “mares’-tails” high in the sky to the north-west. The wind was then blowing from the south-west in the mild degree which in barometrical language is ranked “No. 2: light breeze.” The coastguard on duty at once made report, and one old fisherman, who for more than half a century has kept watch on weather signs from the East Cliff, foretold in an emphatic manner the coming of a sudden storm. The approach of sunset was so very beautiful, so grand in its masses of splendidly-coloured clouds, that there was quite an assemblage on the walk along the cliff in the old churchyard to enjoy the beauty. Before the sun dipped below the black mass of Kettleness, standing boldly athwart the western sky, its downward way was marked by myriad clouds of every sunset-colour—flame, purple, pink, green, violet, and all the tints of gold; with here and there masses not large, but of seemingly absolute blackness, in all sorts of shapes, as well outlined as colossal silhouettes. The experience was not lost on the painters, and doubtless some of the sketches of the “Prelude to the Great Storm” will grace the R. A. and R. I. walls in May next. More than one captain made up his mind then and there that his “cobble” or his “mule,” as they term the different classes of boats, would remain in the harbour till the storm had passed. The wind fell away entirely during the evening, and at midnight there was a dead calm, a sultry heat, and that prevailing intensity which, on the approach of thunder, affects persons of a sensitive nature. There were but few lights in sight at sea, for even the coasting steamers, which usually “hug” the shore so closely, kept well to seaward, and but few fishing-boats were in sight. The only sail noticeable was a foreign schooner with all sails set, which was seemingly going westwards. The foolhardiness or ignorance of her officers was a prolific theme for comment whilst she remained in sight, and efforts were made to signal her to reduce sail in face of her danger. Before the night shut down she was seen with sails idly flapping as she gently rolled on the undulating swell of the sea,

As idle as a painted ship upon a painted ocean.

Shortly before ten o’clock the stillness of the air grew quite oppressive, and the silence was so marked that the bleating of a sheep inland or the barking of a dog in the town was distinctly heard, and the band on the pier, with its lively French air, was like a discord in the great harmony of nature’s silence. A little after midnight came a strange sound from over the sea, and high overhead the air began to carry a strange, faint, hollow booming.

Then without warning the tempest broke. With a rapidity which, at the time, seemed incredible, and even afterwards is impossible to realize, the whole aspect of nature at once became convulsed. The waves rose in growing fury, each overtopping its fellow, till in a very few minutes the lately glassy sea was like a roaring and devouring monster. White-crested waves beat madly on the level sands and rushed up the shelving cliffs; others broke over the piers, and with their spume swept the lanthorns of the lighthouses which rise from the end of either pier of Whitby Harbour. The wind roared like thunder, and blew with such force that it was with difficulty that even strong men kept their feet, or clung with grim clasp to the iron stanchions. It was found necessary to clear the entire piers from the mass of onlookers, or else the fatalities of the night would have been increased manifold. To add to the difficulties and dangers of the time, masses of sea-fog came drifting inland—white, wet clouds, which swept by in ghostly fashion, so dank and damp and cold that it needed but little effort of imagination to think that the spirits of those lost at sea were touching their living brethren with the clammy hands of death, and many a one shuddered as the wreaths of sea-mist swept by. At times the mist cleared, and the sea for some distance could be seen in the glare of the lightning, which now came thick and fast, followed by such sudden peals of thunder that the whole sky overhead seemed trembling under the shock of the footsteps of the storm.

Some of the scenes thus revealed were of immeasurable grandeur and of absorbing interest—the sea, running mountains high, threw skywards with each wave mighty masses of white foam, which the tempest seemed to snatch at and whirl away into space; here and there a fishing-boat, with a rag of sail, running madly for shelter before the blast; now and again the white wings of a storm-tossed sea-bird. On the summit of the East Cliff the new searchlight was ready for experiment, but had not yet been tried. The officers in charge of it got it into working order, and in the pauses of the inrushing mist swept with it the surface of the sea. Once or twice its service was most effective, as when a fishing-boat, with gunwale under water, rushed into the harbour, able, by the guidance of the sheltering light, to avoid the danger of dashing against the piers. As each boat achieved the safety of the port there was a shout of joy from the mass of people on shore, a shout which for a moment seemed to cleave the gale and was then swept away in its rush.

Before long the searchlight discovered some distance away a schooner with all sails set, apparently the same vessel which had been noticed earlier in the evening. The wind had by this time backed to the east, and there was a shudder amongst the watchers on the cliff as they realized the terrible danger in which she now was. Between her and the port lay the great flat reef on which so many good ships have from time to time suffered, and, with the wind blowing from its present quarter, it would be quite impossible that she should fetch the entrance of the harbour. It was now nearly the hour of high tide, but the waves were so great that in their troughs the shallows of the shore were almost visible, and the schooner, with all sails set, was rushing with such speed that, in the words of one old salt, “she must fetch up somewhere, if it was only in hell.” Then came another rush of sea-fog, greater than any hitherto—a mass of dank mist, which seemed to close on all things like a grey pall, and left available to men only the organ of hearing, for the roar of the tempest, and the crash of the thunder, and the booming of the mighty billows came through the damp oblivion even louder than before. The rays of the searchlight were kept fixed on the harbour mouth across the East Pier, where the shock was expected, and men waited breathless. The wind suddenly shifted to the north-east, and the remnant of the sea-fog melted in the blast; and then, mirabile dictu, between the piers, leaping from wave to wave as it rushed at headlong speed, swept the strange schooner before the blast, with all sail set, and gained the safety of the harbour. The searchlight followed her, and a shudder ran through all who saw her, for lashed to the helm was a corpse, with drooping head, which swung horribly to and fro at each motion of the ship. No other form could be seen on deck at all. A great awe came on all as they realised that the ship, as if by a miracle, had found the harbour, unsteered save by the hand of a dead man! However, all took place more quickly than it takes to write these words. The schooner paused not, but rushing across the harbour, pitched herself on that accumulation of sand and gravel washed by many tides and many storms into the south-east corner of the pier jutting under the East Cliff, known locally as Tate Hill Pier.

There was of course a considerable concussion as the vessel drove up on the sand heap. Every spar, rope, and stay was strained, and some of the “top-hammer” came crashing down. But, strangest of all, the very instant the shore was touched, an immense dog sprang up on deck from below, as if shot up by the concussion, and running forward, jumped from the bow on the sand. Making straight for the steep cliff, where the churchyard hangs over the laneway to the East Pier so steeply that some of the flat tombstones—“thruff-steans” or “through-stones,” as they call them in the Whitby vernacular—actually project over where the sustaining cliff has fallen away, it disappeared in the darkness, which seemed intensified just beyond the focus of the searchlight.

It so happened that there was no one at the moment on Tate Hill Pier, as all those whose houses are in close proximity were either in bed or were out on the heights above. Thus the coastguard on duty on the eastern side of the harbour, who at once ran down to the little pier, was the first to climb on board. The men working the searchlight, after scouring the entrance of the harbour without seeing anything, then turned the light on the derelict and kept it there. The coastguard ran aft, and when he came beside the wheel, bent over to examine it, and recoiled at once as though under some sudden emotion. This seemed to pique general curiosity, and quite a number of people began to run. It is a good way round from the West Cliff by the Drawbridge to Tate Hill Pier, but your correspondent is a fairly good runner, and came well ahead of the crowd. When I arrived, however, I found already assembled on the pier a crowd, whom the coastguard and police refused to allow to come on board. By the courtesy of the chief boatman, I was, as your correspondent, permitted to climb on deck, and was one of a small group who saw the dead seaman whilst actually lashed to the wheel.

It was no wonder that the coastguard was surprised, or even awed, for not often can such a sight have been seen. The man was simply fastened by his hands, tied one over the other, to a spoke of the wheel. Between the inner hand and the wood was a crucifix, the set of beads on which it was fastened being around both wrists and wheel, and all kept fast by the binding cords. The poor fellow may have been seated at one time, but the flapping and buffeting of the sails had worked through the rudder of the wheel and dragged him to and fro, so that the cords with which he was tied had cut the flesh to the bone. Accurate note was made of the state of things, and a doctor—Surgeon J. M. Caffyn, of 33, East Elliot Place—who came immediately after me, declared, after making examination, that the man must have been dead for quite two days. In his pocket was a bottle, carefully corked, empty save for a little roll of paper, which proved to be the addendum to the log. The coastguard said the man must have tied up his own hands, fastening the knots with his teeth. The fact that a coastguard was the first on board may save some complications, later on, in the Admiralty Court; for coastguards cannot claim the salvage which is the right of the first civilian entering on a derelict. Already, however, the legal tongues are wagging, and one young law student is loudly asserting that the rights of the owner are already completely sacrificed, his property being held in contravention of the statutes of mortmain, since the tiller, as emblemship, if not proof, of delegated possession, is held in a dead hand. It is needless to say that the dead steersman has been reverently removed from the place where he held his honourable watch and ward till death—a steadfastness as noble as that of the young Casabianca—and placed in the mortuary to await inquest.

Already the sudden storm is passing, and its fierceness is abating; crowds are scattering homeward, and the sky is beginning to redden over the Yorkshire wolds. I shall send, in time for your next issue, further details of the derelict ship which found her way so miraculously into harbour in the storm.

Notes: Moon Phase: Full Moon

This is the start of Chapter 7.  I have already placed the Demeter's logs in chronological order in this series to get a full reckoning of all events. 

This is a rather picaresque bit of prose to describe the Whitby environs. While newspapers of today are more direct and to the point, this style was very common.  

Stoker invokes Coleridge here for "The Rime of the Ancient Mariner." This won't be the last time. His descriptions of Lucy later on are similar to Coleridge's Specter-Woman. 

The captain of the ship, steadfast to the end, is discovered dead at the helm. 

Even now, the storm that would inspire so many artists (as claimed) is abating. 

The question I have remaining. Did Mina paste this into her Journal right away, or did she add it after the event were known to her? 

Dungeons & Dragons Stamps

 I picked these up last week but forgot to mention them here.

Dungeons & Dragons stamps

These are the first class "Forever" stamps and there are 20 stamps of 10 designs. At 73¢ each this sheet costs $14.60.

Given the amount of letters I send, this might last me till D&D's 60th anniversary!




#RPGaDAY2024 An Accessory You Appreciate

 There is one accessory that I have to say has helped me more than any other when it comes to my games. That is Wikipedia

Wikipedia

Wikipedia first went online on January 15, 2001, and was created by Jimmy "Jimbo" Wales and Larry Sanger. As of July 2024, English Wikipedia hosts approximately 6.85 million articles and has about 47.68 million registered users, of whom 114,409 have made at least one edit in the past month.  As of early 2024, there are over 1,300 articles on Wikipedia related to "Dungeons & Dragons."

While I don't use Wikipedia for my "day job" as an academic, it is great for D&D and other RPGs.  I would not use it for an academic paper of any sort, but I will go there to get a summary of something. Or if I need to know something like when were sewers introduced in Europe or how a flying buttress was made.  It is also great for RPG and D&D specific information.

I started as an editor back in September of 2007 and I have touched a majority of the D&D articles over the years as an independent fact checker and source finder. I helped get a few articles to "Good Article" status like Drizzt Do'UrdenDwellers of the Forbidden City, and Bunnies & Burrows. I even got a small grant for that last one.  Even better, I got the Ravenloft and Expedition to the Barrier Peaks articles to Featured Article status. 

I don't edit there as much as I used to, but I still check in on various articles and provide support where and when I can.


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I am participating in Dave Chapman's #RPGaDAY2024 for August. 

#RPGaDay2024

#RPGaDAY2024 RPG with 'good form'

 Not 100% sure what is being asked here, but to me there are a couple of RPGs that can fall into this. Though admittedly, I could be confusing "good form" with "good formatting."

The first ones to come to mind are Dungeons & Dragons 4th Edition and Old-School Essentials.

Dungeons & Dragons 4e

Both for the same reason. Their layout facilitates laying the book open at the game table with all information needed on facing pages. 

Dungeons & Dragons 4e

OSE takes this a step further, with all the information needed on a particular topic fitting on just two pages.

Old School Essentials Layout
Old School Essentials Layout
Old School Essentials Layout

So much so that I took it upon myself to get a spiral-bound copy made of Old School Essentials Classic.

Old School Essentials Classic
Old School Essentials Classic

It's not an easy task getting all the text to fit like this but the results are impressive.


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I am participating in Dave Chapman's #RPGaDAY2024 for August. 

#RPGaDay2024


Dracula, The Hunters' Journals: 6 August Mina Murray’s Journal

Lucy has no word from Jonathan.

Dracula - The Hunters' Journals

6 August.—Another three days, and no news. This suspense is getting dreadful. If I only knew where to write to or where to go to, I should feel easier; but no one has heard a word of Jonathan since that last letter. I must only pray to God for patience. Lucy is more excitable than ever, but is otherwise well. Last night was very threatening, and the fishermen say that we are in for a storm. I must try to watch it and learn the weather signs. To-day is a grey day, and the sun as I write is hidden in thick clouds, high over Kettleness. Everything is grey—except the green grass, which seems like emerald amongst it; grey earthy rock; grey clouds, tinged with the sunburst at the far edge, hang over the grey sea, into which the sand-points stretch like grey fingers. The sea is tumbling in over the shallows and the sandy flats with a roar, muffled in the sea-mists drifting inland. The horizon is lost in a grey mist. All is vastness; the clouds are piled up like giant rocks, and there is a “brool” over the sea that sounds like some presage of doom. Dark figures are on the beach here and there, sometimes half shrouded in the mist, and seem “men like trees walking.” The fishing-boats are racing for home, and rise and dip in the ground swell as they sweep into the harbour, bending to the scuppers. Here comes old Mr. Swales. He is making straight for me, and I can see, by the way he lifts his hat, that he wants to talk....

I have been quite touched by the change in the poor old man. When he sat down beside me, he said in a very gentle way:—

“I want to say something to you, miss.” I could see he was not at ease, so I took his poor old wrinkled hand in mine and asked him to speak fully; so he said, leaving his hand in mine:—

“I’m afraid, my deary, that I must have shocked you by all the wicked things I’ve been sayin’ about the dead, and such like, for weeks past; but I didn’t mean them, and I want ye to remember that when I’m gone. We aud folks that be daffled, and with one foot abaft the krok-hooal, don’t altogether like to think of it, and we don’t want to feel scart of it; an’ that’s why I’ve took to makin’ light of it, so that I’d cheer up my own heart a bit. But, Lord love ye, miss, I ain’t afraid of dyin’, not a bit; only I don’t want to die if I can help it. My time must be nigh at hand now, for I be aud, and a hundred years is too much for any man to expect; and I’m so nigh it that the Aud Man is already whettin’ his scythe. Ye see, I can’t get out o’ the habit of caffin’ about it all at once; the chafts will wag as they be used to. Some day soon the Angel of Death will sound his trumpet for me. But don’t ye dooal an’ greet, my deary!”—for he saw that I was crying—“if he should come this very night I’d not refuse to answer his call. For life be, after all, only a waitin’ for somethin’ else than what we’re doin’; and death be all that we can rightly depend on. But I’m content, for it’s comin’ to me, my deary, and comin’ quick. It may be comin’ while we be lookin’ and wonderin’. Maybe it’s in that wind out over the sea that’s bringin’ with it loss and wreck, and sore distress, and sad hearts. Look! look!” he cried suddenly. “There’s something in that wind and in the hoast beyont that sounds, and looks, and tastes, and smells like death. It’s in the air; I feel it comin’. Lord, make me answer cheerful when my call comes!” He held up his arms devoutly, and raised his hat. His mouth moved as though he were praying. After a few minutes’ silence, he got up, shook hands with me, and blessed me, and said good-bye, and hobbled off. It all touched me, and upset me very much.

I was glad when the coastguard came along, with his spy-glass under his arm. He stopped to talk with me, as he always does, but all the time kept looking at a strange ship.

“I can’t make her out,” he said; “she’s a Russian, by the look of her; but she’s knocking about in the queerest way. She doesn’t know her mind a bit; she seems to see the storm coming, but can’t decide whether to run up north in the open, or to put in here. Look there again! She is steered mighty strangely, for she doesn’t mind the hand on the wheel; changes about with every puff of wind. We’ll hear more of her before this time to-morrow.”



Notes

Moon Phase: Waxing Gibbous

The Demeter has entered into Mina's life, though she does not know the importance of this just yet.

#RPGaDAY2024 RPG that is easy to use

 When it gets right down to it, you can't get more basic than Basic D&D.

Moldvay Basic

Like many of the RPGs I am going to talk about this month, this one is so easy that everyone can go from no knowledge to playing their new characters in a matter of minutes.  I know people have very fond memories of the Mentzer set and I personally got my start with the Holmes Basic set, but it is this one I consider my first "real" D&D.


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I am participating in Dave Chapman's #RPGaDAY2024 for August. 

#RPGaDay2024


#RPGaDAY RPG with great writing

This one was a bit harder since there are so many well-written RPGs, many with well-designed rules and others with well-crafted narratives. But the one that ticks all those boxes for me is CJ Carella's WitchCraft.

C.J. Carella's WitchCraft RPG

I talk about this game a lot here, and with good reason. It is one of my all-time favorite games. 

Mere words can't express my love for this game. Though I have tried many, many times. This is the game I come back to. This is the game that I hold up as my Gold Standard of Games.  Not that it isn't without its own issues, of course, but nothing I can't work around or even with.  I have often said I wrote Ghosts of Albion as nothing but a giant love letter to the WitchCraft RPG.

WitchCraft was the game that pulled me back into RPGs. I was ready to give up until I found this game. I have never looked back.

CJ Carella's WitchCraft

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I am participating in Dave Chapman's #RPGaDAY2024 for August. 

#RPGaDay2024

Dracula, The Hunters' Journals: 4 August Log of the Demeter (Cont.)

Final Log of the Demeter.

Dracula - The Hunters' Journals


4 August.—Still fog, which the sunrise cannot pierce. I know there is sunrise because I am a sailor, why else I know not. I dared not go below, I dared not leave the helm; so here all night I stayed, and in the dimness of the night I saw It—Him! God forgive me, but the mate was right to jump overboard. It was better to die like a man; to die like a sailor in blue water no man can object. But I am captain, and I must not leave my ship. But I shall baffle this fiend or monster, for I shall tie my hands to the wheel when my strength begins to fail, and along with them I shall tie that which He—It!—dare not touch; and then, come good wind or foul, I shall save my soul, and my honour as a captain. I am growing weaker, and the night is coming on. If He can look me in the face again, I may not have time to act.... If we are wrecked, mayhap this bottle may be found, and those who find it may understand; if not, ... well, then all men shall know that I have been true to my trust. God and the Blessed Virgin and the saints help a poor ignorant soul trying to do his duty....


Notes

Moon Phase: Waxing Gibbous

These logs are published along with the account of the Demeter when it runs aground.

Dracula, The Hunters' Journals: 3 August Log of the Demeter (Cont.) & Mina Murray's Journal (Cont.)

The Demeter continues through fog and the first mate kills himself. Mina has no new word from Jonathan and Lucy's sleep walking is getting worse. Are they all related?

Dracula - The Hunters' Journals


Log of the Demeter (Cont.)

3 August.—At midnight I went to relieve the man at the wheel, and when I got to it found no one there. The wind was steady, and as we ran before it there was no yawing. I dared not leave it, so shouted for the mate. After a few seconds he rushed up on deck in his flannels. He looked wild-eyed and haggard, and I greatly fear his reason has given way. He came close to me and whispered hoarsely, with his mouth to my ear, as though fearing the very air might hear: “It is here; I know it, now. On the watch last night I saw It, like a man, tall and thin, and ghastly pale. It was in the bows, and looking out. I crept behind It, and gave It my knife; but the knife went through It, empty as the air.” And as he spoke he took his knife and drove it savagely into space. Then he went on: “But It is here, and I’ll find It. It is in the hold, perhaps in one of those boxes. I’ll unscrew them one by one and see. You work the helm.” And, with a warning look and his finger on his lip, he went below. There was springing up a choppy wind, and I could not leave the helm. I saw him come out on deck again with a tool-chest and a lantern, and go down the forward hatchway. He is mad, stark, raving mad, and it’s no use my trying to stop him. He can’t hurt those big boxes: they are invoiced as “clay,” and to pull them about is as harmless a thing as he can do. So here I stay, and mind the helm, and write these notes. I can only trust in God and wait till the fog clears. Then, if I can’t steer to any harbour with the wind that is, I shall cut down sails and lie by, and signal for help....

 

It is nearly all over now. Just as I was beginning to hope that the mate would come out calmer—for I heard him knocking away at something in the hold, and work is good for him—there came up the hatchway a sudden, startled scream, which made my blood run cold, and up on the deck he came as if shot from a gun—a raging madman, with his eyes rolling and his face convulsed with fear. “Save me! save me!” he cried, and then looked round on the blanket of fog. His horror turned to despair, and in a steady voice he said: “You had better come too, captain, before it is too late. He is there. I know the secret now. The sea will save me from Him, and it is all that is left!” Before I could say a word, or move forward to seize him, he sprang on the bulwark and deliberately threw himself into the sea. I suppose I know the secret too, now. It was this madman who had got rid of the men one by one, and now he has followed them himself. God help me! How am I to account for all these horrors when I get to port? When I get to port! Will that ever be?


Mina Murray's Journal (Cont.)

3 August.—Another week gone, and no news from Jonathan, not even to Mr. Hawkins, from whom I have heard. Oh, I do hope he is not ill. He surely would have written. I look at that last letter of his, but somehow it does not satisfy me. It does not read like him, and yet it is his writing. There is no mistake of that. Lucy has not walked much in her sleep the last week, but there is an odd concentration about her which I do not understand; even in her sleep she seems to be watching me. She tries the door, and finding it locked, goes about the room searching for the key.


Notes

Moon Phase: Waxing Gibbous

On the Demeter, the Captain comes so very close to discovering the secret of what is happening with the boxes of Earth. The mate actually saw Dracula, who is still described as pale, and attempted to kill him. Instead he throws himself overboard.

Back in Whitby, Lucy is sleep walking again and it seems worse to Mina. Again, I don't think this is 100% Dracula's doing. I think he found an "eager disciple" and someone who was already prone to his psychic attacks. Good examples of this from the movies are  Francis Ford Coppola's Bram Stoker's Dracula (1992) and John Badham's Dracula (1979). In Badham's Dracula we get Lucy and Mina swapped and the 1890s are replaced by the 1910s. In both cases the "Lucy" character (Mina in Badham's) succumbs to Dracula's will readily and almost eagerly. She represents the England Dracula thinks he is about to dominate. In reality England has moved on to Mina, the modern woman, whom Dracula can try to control but never truly conquer. 


#RPGaDAY Most often played RPG

 I don't think this one is even a contest. That would be Basic-era D&D. 


Dungeons & Dragons Basic Set What treasures in such a small box!

The Moldvay Basic set was more than just an introductory set to D&D. It was an introduction to a hobby, a lifestyle. The rules were simply written and organized. They were not simple rules, and re-reading them today, I marvel that we all conquered this stuff at age 10-11. It may have only covered the first three levels of character growth, but they were a quality three.

I bought the Expert Set for my birthday in 1982. For the longest time, that was all I needed. Eventually, I moved on to AD&D. I discovered those Little Brown Books and even picked up my own real copy of Holmes Basic. I love those games, and I love playing them still, but they never quite had the same magic as that first time I opened up that box and saw what treasures were inside. I did not have to imagine how my characters felt when they discovered some long-lost treasure. I knew.

Today, I still go back to Tom Moldvay's classic Basic book. It is my yardstick for measuring any OSR game. Almost everything I need is right there, just waiting for me.

Three Basic Sets
Three Basic Sets, Books and Dice

Holmes Basic, also called the "Blue Book," was my start. Sort of. The rules I used back when I began were a hodge-podge of Holmes Basic and AD&D, particularly the Monster Manual. This was fine, really, since, at the time, 1979, these game lines were a lot closer to each other. I have talked about this in my "1979 Campaign" posts.

Edited by Dr. John Eric Holmes, this book took the original D&D books and re-edited them to a single cohesive whole, though limited to 3rd level, as a means to get people introduced to the D&D game.  The Original Rules (see "O" day!) were an eclectic collection of rules that grew out of Gary Gygax's and Dave Arneson's playstyles. Debate continues on who did what, and I am not going to provide anything close to a definitive answer, but the game sold well but had a steep learning curve to others who were not part of that inner circle or came from War Games. The Holmes Edition attempted to fix that.

Mentzer Basic, or the BECMI (Basic, Expert, Companion, Master, Immortals) rules, was published after the Moldvay Basic, Cook/Marsh Expert sets. The rules between the B/X and BECMI rules are largely superficial (I will discuss this more), and the BECMI rules go past level 14 into the Companion rules (more on that tomorrow).

There is evidence that the Mentzer Basic set, also known as the "Red Box," was one of the best-selling editions of D&D ever, even outselling the flagship line of AD&D at times. It was also sold in more countries and more languages than any other version of D&D. If you recall Sunday's post, the D&D Basic line was in play for 22 years, covering the same time period as AD&D 1st and 2nd Edition rules. And it is still widely popular today. 

UK, American, and Spanish Mentzer BasicsBasic books from England, the USA, and Spain

Basic D&D has great online support regarding books from DriveThruRPG and other "Old School Renaissance" creators. But it is an older game. One of the oldest in fact. So, some things made perfectly good sense back then that would cause people to scratch their heads at the various design choices (Descending Armor Class? Level limits?), but that doesn't detract from the fun. Finding a Basic game or even people to play it with will be harder.


I am participating in Dave Chapman's #RPGaDAY2024 for August. 

#RPGaDay2024

Dracula, The Hunters' Journals: 2 August Log of the Demeter (Cont.)

The fog continues

Dracula - The Hunters' Journals


2 August, midnight.—Woke up from few minutes’ sleep by hearing a cry, seemingly outside my port. Could see nothing in fog. Rushed on deck, and ran against mate. Tells me heard cry and ran, but no sign of man on watch. One more gone. Lord, help us! Mate says we must be past Straits of Dover, as in a moment of fog lifting he saw North Foreland, just as he heard the man cry out. If so we are now off in the North Sea, and only God can guide us in the fog, which seems to move with us; and God seems to have deserted us.


Notes

Moon Phase: Waxing Gibbous

The fog is indeed moving with them. I wonder if Stoker was influenced by the tales of King James VI and I and his recounting of the weather that "witches" used against him to prevent his return to England. The same sort of weather is now used to cover Dracula's arrival to England. In each case it is an example of those of evil influence using weather control, or Tempestarii

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