This room is also the tomb of a minor lord.

This room has been broken into and looted.

There is a hazard here (not a trap) but some of the mason-work is loose. There is 1 in 6 chance of it being spotted (2 in 6 for elves and dwarves). Anyone near the coffin has a chance of being hit. Roll randomly for all within 5' of the coffin area. Save vs. Petrification or be hit with falling stone for 4d6 hp of damage.

Dwarves will point out that had not the minions of the Vampire Queen not messed with the stone work it would have stayed in place until the end of time. 

 Time delve into the box under my desk and pull out an old, musty Dragon Magazine. Today we go all the way back to January 1982. Chevy Chase's "Modern Problems" is in the movie theatres, which is notable for the real acting debut of Broadway actor/singer Nell Carter. Olivia Newton-John is still dominating the airwaves with "Physical," and on the shelves in Waldenbooks and FLGS across the land is This Old Dragon #57.

Our cover comes from Dean Morrissey. I don't know much about it really. My copy doesn't even have it. 

Jake Jaquet's editorial mentions the first time he heard "Dungeons & Dragons" mentioned on TV; during an episode of "Simon & Simon," no less. 

Kim Mohan's Cover to Cover overview covers what we will see in this issue. 

Out on a Limb covers letters about previous issues' content. Typically, things the readers didn't like.

Classic Dragon MVP Ed Greenwood is up first with Modern Monsters. He gives us some AD&D (though I think it could all work for D&D too; this was the time when a distinction had to be made) stats for various modern objects like cars and modern weapons. Also, how *D&D characters can deal with with them with and without the magic they are used to.  This is a rather great article and one that should be referenced for "City Beyond the Gate" when it appears in Dragon #100. 

Nice ad for FGU's Space Opera. Well...the ad itself in nothing special, but the listing of game stores that carry it is. I find it interesting that my home state (Illinois) had more game stores than the others. This could have been because FGU was located in Chicago. Also, there was a game store in the town I now live in that is no longer there. It's now a Pizza place. 

Len Lakofka's Leomund's Tiny Hut is up with detailed information on shield and weapons skills in AD&D and what you can expect any particular group of humanoids to have. Very detailed, and while I appreciate this, I am (and was) of the mind to say "given them all swords and call it 1d6 of damage each."  Not as realistic I am sure, but certainly will get the job done. Len took this stuff a lot more seriously than I do. 

Not to be outshined, Gary is up with one his From the Sorcerer's Scroll with "Developments from Stonefist to South Province" for his World of Greyhawk setting. One day I need to do a retrospective all of his writings. I feel that something like this would have been done already.  In any case, it is a fun little look into the "current events" of Greyhawk. Something I think I appreciate more now than I did then. 

Moving from AD&D to Top Secret we have In Search of A James Bond by Mark Mulkins.  Or how the famous 007 would fit into the Top Secret game. Something I am sure EVERYONE playing Top Secret tried at one point or another.  A lot of this is particular to the game mechanics of Top Secret including how move Bond between agencies. 

Merle M. Rasmussen, as expected, follows up with his Spy's Advice column for Top Secret.  Top Secret always looked like a fun game but one I never got into. I am a little surprised we have not seen an OSR version of this game yet.

Pete Mohney has a quick on with Random Magic Items. A set of tables meant to aid the DM and supplement the DMG.

For DragonQuest fans, there is The Versatile Magician by Jon Mattson. This covers new skills for the Magician. It looks good and I'll add it to my big DragonQuest set of notes for if or when I ever get to play it again. 

Up next is one of my favorite series from the Classic Dragon days, Giants in the Earth. I know a lot of ink was spilled to tell us how D&D/AD&D was not a novel and visa-versa, but I did love seeing these literary characters get represented as D&D characters. In this issue we have C. J. Cherryh's Morgaine and Vanye from her "Morgaine Series" including the rather notorious (for its cover) "Fires of Azeroth." These books were a staple of the old Science Fiction and Fantasy book club. They were on my TBR pile forever. I really should give them a go. I have enjoyed C. J. Cherryh's other works. We also get Lynn Abbey’s Rifkin from "Daughter of the Bright Moon." This was also years before she would come to work at TSR.  And finally two from Robert E. Howard; Belit and Dark Agnes. 

Ok. The entire middle section of my Dragon is gone. Typical really, since it was an adventure, "The Wandering Trees."  I checked my Dragon CD-ROM and sure enough, that is what it is. BUT by the rules I have established for myself here I really can't go over it. I will say this though, it was the second-place winner, IDDC II (International Dungeon Design Contest II) the OSR Grimoire has more on that. It also looks like a fun adventure. I am kind of sad I don't have it.

Up on a Soapbox is next. We get a rare Brian Blume editorial about playing evil characters. He concludes that no serious gamer will ever want to. Meanwhile, a good amount of the 5.2 Million Baldur's Gate 3 players (according to Steam) are going to at least try the "Dark Urge" option at least once. BUT in principle, I do agree. All things being equal I would rather play a Good character than and Evil one.  Roger E. Moore is next with "Dungeons Aren't Supposed To Be 'For Men Only,'" an interesting bit of a slice in time. I am not 100% certain what the motive here is. Why? Well, it could be two equally valid things. Moore, or others, looked out at the vast demographic of D&D players and found the lack of women concerning. OR. They could have been responding to criticism. While I am NOT going to get into the personal views of the various creators of the game from nearly 40 to 50 years ago, I am going to take Moore at face value and say he is here (on his soapbox as it were) saying, yes women do, should, and can play D&D.  Thankfully, this is also not an issue these days and the years since this time have made great strides for more and more inclusion. 

You know the saying, "Getting off on the wrong foot?" I feel like that is where I am with the Minaria series. This month is The Chronology of Minaria by Glenn Rahman. I mean I know it is for Divine Right, but I never got into that game so I have no context for any of this. Here is what I get from it now. The 80s were a fun time. To think that TSR would spend valuable page resources (four full pages) on this is either amazing or amazingly short-sighted. I can't tell which, but I can say it was a very, very different time and a different mindset. If I posted my HUGE timeline of my Mystoerth world I would not expect anyone to be that interested. Maybe some, but enough?  This was the last of the Minaria articles too. Since it would be two more years before I would buy a copy of Dragon at this point I am not surprised this series never contacted with me. 

D&D's War Game roots are showing here in this next article from Michael Kluever on The History of the Shield. It's a neat article that goes into some historical detail about the focused development of the shield. It covers 9 pages (with some half-page ads here and there). It is interesting but more than I need for a typical D&D game. Granted, that is me. I would get excited about a 9-page on the history of scrolls or something magical. So every time I get a "Politics of Hell" there is one of these. It is a good article, but no where near my personal interests. 

Reviews are up next. Tony Watson covers Star Viking a game I only sort of remember.  It is a sci-fi mini-game for two players, a Viking and a Federate. Where the Viking player tries to raid bases and other ships and the Federate tries to stop them. Watson enjoyed the game and played around with variant ideas. I could see this game being reskinned as Star Trek, Orions vs the Federation style game easily. Might be fun.  In what could be called an understated review, the brand-new superhero RPG Champions gets less than a half page (compared to the two given to Star Viking).  Though Scott Bennie does say that the game does a very good job of emulating it's genre and he gives it a "hearty recommendation" despite it's flaws. Also the game was only 56 pages back then. 

Simulation Corner by John Prados covers The Art of Illustration in games. I am not sure if I am missing something here but his thesis is "good art sells games and makes games better." Yes. But I think back to some of the art that was common prior to 1982 and maybe this was something that needed to be said. 

The Electric Eye from Mark Herro goes over the recent survey about computer use among Dragon readers. Here are some interesting insights. 

Age
Under 19: 63%
19-22: 9%
22-44: 25%
45+: 0%

Education Level
Students: 71%
Professional: 29%

This tracks and was expected for the time. 

Access to Computers

None: 6%
Apple-l I: 17%
Apple-l I+: 29%
Apple-l I I: 0%
PET: 0%
CBM: 9%
VIC: 3%
TRS-80 (Mod. 1): 20%
TRS-80 (Mod. 2): 3%
TRS-80 (Mod. 3): 9%
TRS-80 (Color): 6%
TRS-80 (pocket): 0%
North Star: 3%
Atari (800): 11%
Atari (400): 9%
APF: 0%
OSI: 0%
ZX80: 0%
Exidy: 0%
Heath/Zenith: 0%
S-100: 6%
Other: 20%

Again, this feels right to me given the demographics above. Apple dominated the education market followed by TSR-80s.  Atari was a popular home model and was in competition with the Vic-20/CBM and the TRS-80 Color Computer. This also makes me wish I had tried out the Atari 800/400 line more.

Only one reader had access too more than two different kinds of computers.

Most readers want more programs in the pages of Dragon, and all want articles on gaming-related topics. Readers were more or less equally divided on whether they buy, copy, or write their own programs. 

The Convention Schedule tells what is hot in the Winter of 1982. February 5-7 were the dates for Gen Con South. Something I think Gen Con could do again. 

Dragon Mirth has our comics. And we end with Wormy and What's New with Phil and Dixie! 

So a very interesting snapshot in time of what was happening in the world of Dragon magazine. Not a lot of insight into the world of RPGs, unless you count the Electric Eye article.

I am curious to know what people's thoughts were on the included adventure.

 Moving to the next room, the party finds the tomb of a dwarven duchess. 

The name on the lid has been worn away with age. The dwarven runes, though, at least the occupant is a duchess in her final rest.

Underneath the sarcophagus, there is Treasure Type L.

 The first of the smaller tombs appears to be for some sort of duke or lord (the lettering is wearing off) who was an uncle to one of the kings.

This (and all the ones here) tomb is smaller than those on the main tomb entrances. It also appears to be less disturbed than the others.

It's occupant still rests, undisturbed. It's treasure is gone, but a close inspection (roll of 1 on a d6; 1-2 for elves and dwarves) will find a secret door under the sarcophagus.

Inside there is a an Axe +2. In the hands of a dwarf it is an Axe +3 and a Dwarven Throwing Axe. It can be thrown for ranges 20/40/80 and return to the dwarf that threw it.

I have been kinda quiet lately because I have a few projects I am working on. One will be ready for next month.

In addition to all the other stuff I do, I will have my Horror Movie Challenge as normal, this year hosted by the Halls of the Nephilim.  I am also hosting the RPG Blog Carnival. 

My theme for this year is Horrors, Gods, and Monsters.  

I am going to post my usual batch of horror related topics, but I am also going to present my take on the Deities & Demigods II concept I have been working on.

While I have been doing a bit of work, I think the one I am ready to share is my Roman-Norse Pantheon.  

I have gods, and yes, monsters to share for this project, and hoping that October will be my month to bring it all to light.

If you want to participate in the RPG Blog Carnival on this topic, just post what you want (that concerns this topic) and share your link below. Or share it on social media with the #RPGBlogCarnival hashtag, and feel free to tag me.  I'll do a round-up of all the posts in November.

To bring all my topics together, I am looking to do monsters on Mondays. Currently thinking about new versions of the Alp, Earth Troll, and Trow. Need two more. I am also looking for good horror movies that could have taken place in the Black Forest during 7th Century Europe, or conform to those basic themes. I can think of a few that fit right now, but they are ones I have already seen.

In any case I hope to have some great material for you next month!

 This last opening leads down to a chamber with four other exits to other smaller chambers.

There is nothing in this main chamber. The smaller chambers appear to be the tombs of lesser members of the dwarven royal family.  The rooms are detailed this week.

 It is the first Monday of Autumn. I spent my weekend buying Halloween decorations and playing Baldur's Gate 3. My monster today was almost the physical manifestation of Error Code 516, but this might be better.  I wanted a shadowy, liminal undead figure.

Dúlachán

Armor Class: 3 [16]
Hit Dice: 7+7** (39 hp)    
Move: 240' (80')
   Fly: 240' (80')
Attacks: 1 chill touch (1d8+1d6 chill, Constitution Drain) or 1 trample (1d6 x2)
Special: Constitution drain, undead, Magic +1 or better weapons to hit.
To Hit AC 0: 12 [+7]
No. Appearing: 1
Save As: Fighter 7
Morale: 12
Treasure Type: Nil
Alignment: Chaotic (Chaotic Evil)
XP: 1,250 (OSE), 1,300 (LL), 9/1,110 (S&W), 800 (BF)
Turn As: Spectre

Dullahan, the headless horseman. From Thomas Crofton Croker, Fairy Legends and Traditions of the South of Ireland (3rd ed., 1834)

The Dúlachán can appear as a ghostly Headless Horseman or as a headless man or woman driving a funeral carriage.  The rider/driver is headless and will carry their own severed head under their arm or in a bag tied to their saddle or belt.  The horses are always of the darkest black, though their eyes burn with baelfire. In both cases, the rider/driver and horse(s) are all part of the same creature and can't be separated. The Dúlachán seeks out the death of one person but will also attack and kill anyone in their way. Behind them follows an army of wailing ghosts. 

These creatures are only found riding in "liminal" or in between times. So sunset or sunrise, the equinoxes and solstices, or on Samhain, the new year. They are most commonly encountered at sunset on the Autumnal Equinox and Samhain (Halloween).

They attack with either a trample (used against victims who are not their direct targets) or a chill touch that does 1d8 hp of damage on hit and an additional 1d6 due to their bone-numbing cold. Their touch drains 1 point of constitution per hit. This is treated the same as other undead draining. Anyone drained to 0 Con dies. If they are the called-out victim, they are whisked away. If they are someone that gets in the dúlachán's way, then they join the army of ghosts that follow along behind it, doomed to wail for eternity.

Their tactic is to ride up just as the sun is setting, call out a victim's name, and then ride the others down to claim their chosen. They will only name one victim per group. There is never more than one dúlachán at a time. 

Dúlachán can be turned as Spectres, but they will return the next night at sundown to make their claim again. They are incorporeal and can only be hit with magic weapons. If they are "killed" they will return on the next change of season. The only way to truly be rid of one is to Turn it or kill it and cast a Remove Curse on the character called out.

If the called-out victim gets into the coach version of the dúlachán, it is instantly killed, but the dúlachán will not attack anyone else and ride off into the nighttime sky.

Game Master's Note: These creatures should never be used as random monster encounters.

--

Happy Fall!

 Continuing on to the next room, this is the tomb of another dwarven prince. There is a sarcophagus and an interned body but no treasure save for a single bottle.

Inside the bottle is a Djinn. 

The djinn will offer the party 3 wishes total if they don't attack it.

The djinn knows nothing about the Vampire Queen. This is because before imprisoning the djinn she wished for him to forget everything about her.

The party could choose to attack. The Djinn will turn invisible and hide. He will come back around to see if he can get the party to consent to the wishes since this is the only way he can get back to the Plane of Air.

The djinn returning to the Plane of Air will also return his memories. At this point, the djinn will return to the party and offer them any weapons they need to help them defeat the Vampire Queen. The djinn is barred from directly dealing with the Queen herself.

 Moving on from the King's Chamber (where the dragon was), we get to the Queen's Chamber. 

This tomb has been desecrated and robbed of all treasures. The Vampire Queen is jealous of any other queen other than herself.

 This room is directly in line with the corridor the party used to enter the room. The passageway slopes down considerably and goes for nearly 100 feet.  The room it opens up into is large.

Inside this room is a large dragon.

This dragon has been down here for centuries and it has grown too large to leave or even fly. It is a Necrotic Dragon. It had been a Red Dragon (and uses those stats) but its exposure to the necromantic magics of this tomb has changed it. Its breath weapon is a gout of black fire that burn cold, but burns all the same.

The local living goblins pay it tribute and the Shadow Elves from above believe it is some sort of dark avatar of long dead gods.

It has maximum HP for a red dragon and three times (x3) the amount of treasure.

It can be harmed with holy water (1d8 per vial) and a light or continual light spell will cause it to hit and save at a -1 penalty.

 I love shared universes. I love shared multi-verses. But anytime I can see a collaboration of various creatives to bring new life to something old or bring to life something new, then I am all for it.

Last week, I shared how both TTim Knight over at Hero Press and Pun Issac over at Halls of the Nephilim brought to life my evil villain, The Refrigerator for their respective Superheroe universes. 

I'll play a little in their sandboxes, too and bring over one of my iconics to their worlds. Today I am visiting Knight City with one of my favorite superheroes Taryn, the Teen Wtich.

Tim is using a modified version of Villains & Vigilantes. I am not 100% clear on all his house rules, but I can't go wrong with a by-the-book super. 

Taryn and Mojo, created in ePic Character Generator

To recap, Taryn is the teen daughter of my witch Larina. I wanted a character specifically for supers that had a magical background. My comics reading through the 1980s was largely Teen Titans and X-Men (so...like everyone else) and I wanted a character that would fit into those sorts of tales. 

Her father is a faerie lord, and his relationship with Taryn and Larina is...complicated. He will feature in other plots, but I am working hard NOT to make this a Trigon-Raven retread right now. Scáthaithe would not really be interested in taking over the Earth. Bringing more magic to it? Yeah, that might work. But really, I think his issue would be for Taryn to stay in the Faerie Realms.

While I always considered Taryn a Millenial/GenZ girl, she is named after "Taryn" from the Nightmare on Elm Street 3: Dream Warriors. Which is my favorite of the series. She is pretty much equal parts Raven from Teen Titans, Sabrina the Teenage Witch, and Kiki from Kiki's Delivery Service. She has a thing for flying fast and dating guys with fast Japanese motorcycles.

This is an update/revision of her Mighty Protector stats.

Teen Witch
Taryn "Nix" Nichols

Power Level: 6
Age: 17; Ht: 5' 3"; Wt: 114lb; Gender: F
Basic Hits: 3
Side: Good

STR: 9
END: 12
INT: 15
AG: 12
CHA: 17

Hit Points: 7
Power Points: 48
Carry Capacity: 110 lbs
Basic HTH Damage: 1d3
Healing Rate: 0.9/day
Move: 33"

Damage Modifier: +2
Accuracy: +1
ATT: +2
DEF: ??
PSYCHIC DEF: ??
Detect Hidden/Danger: 12% / 16%

ABILITIES/POWERS

WITCH BOLT: Power Blast, Range 54, 1d20 dmg
TELEKINESIS: 540 lbs 
FLIGHT: 108 MPH
HEIGHTENED SENSES: Detect magical auras
MAGIC SPELLS: Takes a full action to prepare

GEAR

Broom. Prop, needed to fly.

Cat. Her black cat is named Mojo.

LEGAL STATUS: Minor of the United States with no criminal record.

What is Taryn doing in Knight City? No idea! Maybe Tim will let me know!

 Going back to Room 2, and taking the first exit on the right leads to another long hallway. 

This hallway is long and magical lights spring to life as the party walks by. 

There are many open rooms to both sides of the hall, eight (8) on each side. The rooms are about 40' by 40' each. Whatever these rooms were in the past they are empty and long since looted and destroyed.  

There are some rats of the normal sorts and large spiders, but there is a distinct lack of any animal life here.  

The end of this hallway is open with an eerie glow.

If I had to make a guess on what was one of the most controversial topics in Dungeons & Dragons games since the beginning, I would not say it was the inclusion of demons, devils, or monsters that you can just randomly kill, or who contributed more; Gary or Dave, or even TSR's early litigious past. 

No. Going back, the most hotly debated topic then and now is Alignment.

Reading some old Dragon magazines, Usenet posts, or modern social media, people still love to argue about alignment. I have read a lot of self-proclaimed experts on D&D that get alignment completely wrong both in terms of use and how it should be applied. 

I have used alignment in D&D and some other games, but most games don't even have it and they are not less off for it. 

And of late, I am thinking that D&D doesn't need it either.

I am not saying that "Evil" and "Good" do not exist in the game in some moral gray space. There is alignment as an idea, a universal moral concept, and alignment as a game mechanic. As a game mechanic, that time has now passed.

Cases in point.

I played a Lawful Good paladin in the AD&D 1st ed days. That's redundant because the only paladins were lawful good. However, he traveled with a Neutral Evil Assassin, which was explicitly against the rules. We solved that issue by having a prophecy that these two had to travel and adventure together because their fates were linked and they could not kill each other. What were their fates? Well we only found out later on (and there may have been some retconning) that the Paladin's son and the Assassin's daughter would fall in love.  In this case, the rule about alignment got in the way of a good role-playing opportunity. 

As time went on, the assassin was less and less evil. I eventually concluded that he was Chaotic Neutral with some evil tendencies. And my paladin became more and more Lawful Autocratic than anything. Rules have to be followed because they are The Rules.  Alignment never served them well despite the restrictions both classes had on alignment. Yes, the hard-core rule lawyers will point out I wasn't playing them right or some other nonsense to justify their memorization of rules, but that is the same problem my Paladin had. Rules for the sake of Ruling and nothing else. 

Another issue. I am playing the Baldur's Gate 3 video game now and I love it. While there is a Detect Good/Evil spell, nothing in the game is alignment-specific. 

There is a Hobgoblin named Blurg, a member of the Society Of Brilliance, an order of sages who want to study and bring culture and civilization to the Underdark. Talk to him about it, and he is obviously intelligent and wants to study the rich ecological conditions in the Underdark and it's vast richnesses that could allow everyone to live together harmoniously.  He even has a friend, a Mindflayer named Omeluum, who wants to help the PCs. Both are from "evil" species, yet they do not perform an evil action. Indeed the actions they do perform can best be described as good or at worst self-serving. So maybe Chaotic Good? Neutral is what the Forgotten Realms Wiki has him as.

What about Karlach the tiefling? She has killed, but yet she is one of the nicest, happiest characters in the game. Shadowheart worships the evil Goddess Shar, she should be evil by D&D rules, yet she dislikes needless violence and has a soft spot in her heart for kids and animals. And SPOILER: You can also convert her to the Goddess Selûne, effectively changing her cleric's alignment with no loss of powers. Granted Shar and Selûne have a complicated relationship.

At no point in character creation did I list an alignment. 

Even in the image above, the representative characters don't fit all that well all the time. Darth Vader was redeemed in the end. The Doctor has murdered millions even entire species. Captain America though might fit Lawful Good most of the time.

D&D 4 added the Unaligned alignment and made Succubi Lawful evil. D&D 3 made Orcs Chaotic Evil. D&D has published entire books where NPCs never had an alignment listed. 

I use alignment, but I am seeing less and less need for it in my games. Spells like "Know Alignment" and "Protection from Good/Evil" now will rely more on hostile intent.  

Now, Ill likely keep the Outer Planes as they are and will have to figure that out someday, but for now I am content ditching the whole system.

 The double doors are locked and magicked. To open a thief will need to pass a successful open locks roll and a dispel magic or knock spell must be employed.

Inside is a treasure store of magic items.  The number of magic items remaining is determined by 2d6+1. 

Use Table X to determine the sort of magic items found.

September is here, and every year at this time, I say, "how in the hell did that happen???"

I have a snowblower to fix, veggies to harvest, and family to visit this month, so posting might be light.

I also want to get in some Old-School game reviews and discussions, plus I have some other things I want to clear off my plate before October hits.

This year I am joining in the 31 Days of Halloween Movie Challenge from Pun Issac over at Hall of the Nephilim. 

Here is the text version:

Daily Prompt

1. First Time Watch
2. Reanimated
3. Mother Nature Strikes Back
4. Foreign Language
5. What A Twist
6. Anthology
7. Teen Angst
8. Horror Comedy
9. Slow Burn
10. Body Horror
11. For The Kiddos
12. Black and White
13. Inspired By True Events
14. We Are the Weirdos Mister
15. Pretty Blood Suckers
16. Something Fishy
17. Underrated
18. Clown(s)
19. Folk Horror
20. Monstrous Blood Suckers
21. Summer Camp
22. Howl at the Moon
23. Best Soundtrack
24. Slasher
25. Found Footage
26. New Movie
27. Favorite Horror Director
28. Sci-Fi Horror
29. Man is the Real Monster
30. Remake Is Better Than the Original
31. All Hallows Eve

 Alternates

• Torture Porn
• Blaxploitation
• Video Game Movie
• Cults
• Best Gratuitous Nudity 

A few of these might end up being re-watches.  I wanted to do all Spanish language horror this year, but I might not get to that. I am not as far along in my Spanish as I would have hoped, to be honest.

Speaking of October, Horror and Halloween.

Here is some new art for my next book, I need to get a move on it to get it done.

https://www.billyblueart.com/

Best get back to writing.

 This Gallery has four major exists, two on the right and two on the left.  Taking the first on the left takes the party down a slightly down-sloping hall.

This long hallway has many magical sigils that glow every 10 feet on the ceiling.  Stepping into the light of a sigil has a random effect.

The following effects occur unless the character makes a save vs. Spells.  Roll a 1d20 for the effects of each sigil. There are 10 total sigils.

1. The character is granted the power to cast a spell of their choice once.
2. The character is granted a +2 bonus to all saving throws for 1 hour.
3. The character is healed of all damage.
4. The character is surrounded by a protective aura that grants them resistance to all damage for 1 minute.
5. The character is cursed with a -2 penalty to all attack rolls for 1 hour.
6. The character is blinded for 1d4 rounds.
7. The character is deafened for 1d4 rounds.
8. The character is paralyzed for 1d4 rounds.
9. The character is poisoned for 1d4 hours.
10. The character's non-magical equipment is destroyed.
11. The character is trapped in a magical force field for 1d4 hours.
12. The character is attacked by a swarm of insects.
13. The character is attacked by a pack (1d4+1) of wolves.
14. The character is attacked by a group (1d6+1) of goblins.
15. The character is attacked by a troll.
16. The character is attacked by a dragon (this is actually an illusion, a second save vs. Spell to disbelieve).
17. The character is granted a limited wish.
18. The character is granted the power to fly for 1 hour.
19. The character is granted the power to understand all languages for 1 hour.
20. The character is granted the power to see in the dark for 1 hour.

A successful save means nothing happens, positive or negative. 

This hall ends in a large double door.

Room 4 can be found on either side of the entrance of the Gallery of Room 2.

Room 4a is to the left and Room 4b is to the right.

These rooms appear to be some sort of guardroom or wayroom. 

It is long abandoned. There are some basic weapons here; a dagger, a sword, and a few arrows.

 Room 3 covers the 13 alcoves on either side of this gallery (26 total).

Each alcove features the bust of an ancient dwarven king.  Their names and lineages are inscribed along with their accomplishments.  The dates go back to the dwarven mountain kingdom when the mountain was to the north.

Of the 26 busts, at least five have been completely destroyed. Another eight had secret panels, but those have all been looted centuries prior.  All have damage.

The level opens up to a large open gallery. The design is dwarven, but has been modified. The gallery is over 600 ft long.

This room is filled with the shadows of dwarven lords and wizard students. They seem to be from different times since they do not interact at all with each other.

Hidden among these shadows are four (4) Spectres.  

These are former minions of the Vampire Queen in life and serve her still after death.

The specters have normal treasure E x4. 

There are also Type A, C, D here as well, but no magic items. The Vampire Queen has used all of those.

On each side of the gallery there are multiple alcoves and exits.

 A couple of art Kickstarters this weekend. Both are pretty well known for their witches.

Larry Elmore: The Complete Elmore Volume III hardcover book

https://www.kickstarter.com/projects/larryelmore/larry-elmore-the-complete-elmore-volume-iii-hardcover-book?ref=theotherside

There is not a D&D player who doesn't know the art of Larry Elmore. I am not even sure what I need to say here.

It's Larry. It's his D&D art. Buy it. 

Broomsticks & Brushwork

A collection of ink illustrations celebrating witches from around the magical world.

https://www.kickstarter.com/projects/kesingersketchcraft/sketchcraft?ref=theotherside

This one just looks fun. 

All sorts of little witches. I would have LOVED to grab an original commission, but I can't easily part with $850.  

But it all looks like fun.