The Other Side

Dracula, The Hunters' Journals: 6 August Mina Murray’s Journal

Lucy has no word from Jonathan.

Dracula - The Hunters' Journals

6 August.—Another three days, and no news. This suspense is getting dreadful. If I only knew where to write to or where to go to, I should feel easier; but no one has heard a word of Jonathan since that last letter. I must only pray to God for patience. Lucy is more excitable than ever, but is otherwise well. Last night was very threatening, and the fishermen say that we are in for a storm. I must try to watch it and learn the weather signs. To-day is a grey day, and the sun as I write is hidden in thick clouds, high over Kettleness. Everything is grey—except the green grass, which seems like emerald amongst it; grey earthy rock; grey clouds, tinged with the sunburst at the far edge, hang over the grey sea, into which the sand-points stretch like grey fingers. The sea is tumbling in over the shallows and the sandy flats with a roar, muffled in the sea-mists drifting inland. The horizon is lost in a grey mist. All is vastness; the clouds are piled up like giant rocks, and there is a “brool” over the sea that sounds like some presage of doom. Dark figures are on the beach here and there, sometimes half shrouded in the mist, and seem “men like trees walking.” The fishing-boats are racing for home, and rise and dip in the ground swell as they sweep into the harbour, bending to the scuppers. Here comes old Mr. Swales. He is making straight for me, and I can see, by the way he lifts his hat, that he wants to talk....

I have been quite touched by the change in the poor old man. When he sat down beside me, he said in a very gentle way:—

“I want to say something to you, miss.” I could see he was not at ease, so I took his poor old wrinkled hand in mine and asked him to speak fully; so he said, leaving his hand in mine:—

“I’m afraid, my deary, that I must have shocked you by all the wicked things I’ve been sayin’ about the dead, and such like, for weeks past; but I didn’t mean them, and I want ye to remember that when I’m gone. We aud folks that be daffled, and with one foot abaft the krok-hooal, don’t altogether like to think of it, and we don’t want to feel scart of it; an’ that’s why I’ve took to makin’ light of it, so that I’d cheer up my own heart a bit. But, Lord love ye, miss, I ain’t afraid of dyin’, not a bit; only I don’t want to die if I can help it. My time must be nigh at hand now, for I be aud, and a hundred years is too much for any man to expect; and I’m so nigh it that the Aud Man is already whettin’ his scythe. Ye see, I can’t get out o’ the habit of caffin’ about it all at once; the chafts will wag as they be used to. Some day soon the Angel of Death will sound his trumpet for me. But don’t ye dooal an’ greet, my deary!”—for he saw that I was crying—“if he should come this very night I’d not refuse to answer his call. For life be, after all, only a waitin’ for somethin’ else than what we’re doin’; and death be all that we can rightly depend on. But I’m content, for it’s comin’ to me, my deary, and comin’ quick. It may be comin’ while we be lookin’ and wonderin’. Maybe it’s in that wind out over the sea that’s bringin’ with it loss and wreck, and sore distress, and sad hearts. Look! look!” he cried suddenly. “There’s something in that wind and in the hoast beyont that sounds, and looks, and tastes, and smells like death. It’s in the air; I feel it comin’. Lord, make me answer cheerful when my call comes!” He held up his arms devoutly, and raised his hat. His mouth moved as though he were praying. After a few minutes’ silence, he got up, shook hands with me, and blessed me, and said good-bye, and hobbled off. It all touched me, and upset me very much.

I was glad when the coastguard came along, with his spy-glass under his arm. He stopped to talk with me, as he always does, but all the time kept looking at a strange ship.

“I can’t make her out,” he said; “she’s a Russian, by the look of her; but she’s knocking about in the queerest way. She doesn’t know her mind a bit; she seems to see the storm coming, but can’t decide whether to run up north in the open, or to put in here. Look there again! She is steered mighty strangely, for she doesn’t mind the hand on the wheel; changes about with every puff of wind. We’ll hear more of her before this time to-morrow.”



Notes

Moon Phase: Waxing Gibbous

The Demeter has entered into Mina's life, though she does not know the importance of this just yet.

#RPGaDAY2024 RPG that is easy to use

 When it gets right down to it, you can't get more basic than Basic D&D.

Moldvay Basic

Like many of the RPGs I am going to talk about this month, this one is so easy that everyone can go from no knowledge to playing their new characters in a matter of minutes.  I know people have very fond memories of the Mentzer set and I personally got my start with the Holmes Basic set, but it is this one I consider my first "real" D&D.


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I am participating in Dave Chapman's #RPGaDAY2024 for August. 

#RPGaDay2024


#RPGaDAY RPG with great writing

This one was a bit harder since there are so many well-written RPGs, many with well-designed rules and others with well-crafted narratives. But the one that ticks all those boxes for me is CJ Carella's WitchCraft.

C.J. Carella's WitchCraft RPG

I talk about this game a lot here, and with good reason. It is one of my all-time favorite games. 

Mere words can't express my love for this game. Though I have tried many, many times. This is the game I come back to. This is the game that I hold up as my Gold Standard of Games.  Not that it isn't without its own issues, of course, but nothing I can't work around or even with.  I have often said I wrote Ghosts of Albion as nothing but a giant love letter to the WitchCraft RPG.

WitchCraft was the game that pulled me back into RPGs. I was ready to give up until I found this game. I have never looked back.

CJ Carella's WitchCraft

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I am participating in Dave Chapman's #RPGaDAY2024 for August. 

#RPGaDay2024

Dracula, The Hunters' Journals: 4 August Log of the Demeter (Cont.)

Final Log of the Demeter.

Dracula - The Hunters' Journals


4 August.—Still fog, which the sunrise cannot pierce. I know there is sunrise because I am a sailor, why else I know not. I dared not go below, I dared not leave the helm; so here all night I stayed, and in the dimness of the night I saw It—Him! God forgive me, but the mate was right to jump overboard. It was better to die like a man; to die like a sailor in blue water no man can object. But I am captain, and I must not leave my ship. But I shall baffle this fiend or monster, for I shall tie my hands to the wheel when my strength begins to fail, and along with them I shall tie that which He—It!—dare not touch; and then, come good wind or foul, I shall save my soul, and my honour as a captain. I am growing weaker, and the night is coming on. If He can look me in the face again, I may not have time to act.... If we are wrecked, mayhap this bottle may be found, and those who find it may understand; if not, ... well, then all men shall know that I have been true to my trust. God and the Blessed Virgin and the saints help a poor ignorant soul trying to do his duty....


Notes

Moon Phase: Waxing Gibbous

These logs are published along with the account of the Demeter when it runs aground.

Dracula, The Hunters' Journals: 3 August Log of the Demeter (Cont.) & Mina Murray's Journal (Cont.)

The Demeter continues through fog and the first mate kills himself. Mina has no new word from Jonathan and Lucy's sleep walking is getting worse. Are they all related?

Dracula - The Hunters' Journals


Log of the Demeter (Cont.)

3 August.—At midnight I went to relieve the man at the wheel, and when I got to it found no one there. The wind was steady, and as we ran before it there was no yawing. I dared not leave it, so shouted for the mate. After a few seconds he rushed up on deck in his flannels. He looked wild-eyed and haggard, and I greatly fear his reason has given way. He came close to me and whispered hoarsely, with his mouth to my ear, as though fearing the very air might hear: “It is here; I know it, now. On the watch last night I saw It, like a man, tall and thin, and ghastly pale. It was in the bows, and looking out. I crept behind It, and gave It my knife; but the knife went through It, empty as the air.” And as he spoke he took his knife and drove it savagely into space. Then he went on: “But It is here, and I’ll find It. It is in the hold, perhaps in one of those boxes. I’ll unscrew them one by one and see. You work the helm.” And, with a warning look and his finger on his lip, he went below. There was springing up a choppy wind, and I could not leave the helm. I saw him come out on deck again with a tool-chest and a lantern, and go down the forward hatchway. He is mad, stark, raving mad, and it’s no use my trying to stop him. He can’t hurt those big boxes: they are invoiced as “clay,” and to pull them about is as harmless a thing as he can do. So here I stay, and mind the helm, and write these notes. I can only trust in God and wait till the fog clears. Then, if I can’t steer to any harbour with the wind that is, I shall cut down sails and lie by, and signal for help....

 

It is nearly all over now. Just as I was beginning to hope that the mate would come out calmer—for I heard him knocking away at something in the hold, and work is good for him—there came up the hatchway a sudden, startled scream, which made my blood run cold, and up on the deck he came as if shot from a gun—a raging madman, with his eyes rolling and his face convulsed with fear. “Save me! save me!” he cried, and then looked round on the blanket of fog. His horror turned to despair, and in a steady voice he said: “You had better come too, captain, before it is too late. He is there. I know the secret now. The sea will save me from Him, and it is all that is left!” Before I could say a word, or move forward to seize him, he sprang on the bulwark and deliberately threw himself into the sea. I suppose I know the secret too, now. It was this madman who had got rid of the men one by one, and now he has followed them himself. God help me! How am I to account for all these horrors when I get to port? When I get to port! Will that ever be?


Mina Murray's Journal (Cont.)

3 August.—Another week gone, and no news from Jonathan, not even to Mr. Hawkins, from whom I have heard. Oh, I do hope he is not ill. He surely would have written. I look at that last letter of his, but somehow it does not satisfy me. It does not read like him, and yet it is his writing. There is no mistake of that. Lucy has not walked much in her sleep the last week, but there is an odd concentration about her which I do not understand; even in her sleep she seems to be watching me. She tries the door, and finding it locked, goes about the room searching for the key.


Notes

Moon Phase: Waxing Gibbous

On the Demeter, the Captain comes so very close to discovering the secret of what is happening with the boxes of Earth. The mate actually saw Dracula, who is still described as pale, and attempted to kill him. Instead he throws himself overboard.

Back in Whitby, Lucy is sleep walking again and it seems worse to Mina. Again, I don't think this is 100% Dracula's doing. I think he found an "eager disciple" and someone who was already prone to his psychic attacks. Good examples of this from the movies are  Francis Ford Coppola's Bram Stoker's Dracula (1992) and John Badham's Dracula (1979). In Badham's Dracula we get Lucy and Mina swapped and the 1890s are replaced by the 1910s. In both cases the "Lucy" character (Mina in Badham's) succumbs to Dracula's will readily and almost eagerly. She represents the England Dracula thinks he is about to dominate. In reality England has moved on to Mina, the modern woman, whom Dracula can try to control but never truly conquer. 


#RPGaDAY Most often played RPG

 I don't think this one is even a contest. That would be Basic-era D&D. 


Dungeons & Dragons Basic Set What treasures in such a small box!

The Moldvay Basic set was more than just an introductory set to D&D. It was an introduction to a hobby, a lifestyle. The rules were simply written and organized. They were not simple rules, and re-reading them today, I marvel that we all conquered this stuff at age 10-11. It may have only covered the first three levels of character growth, but they were a quality three.

I bought the Expert Set for my birthday in 1982. For the longest time, that was all I needed. Eventually, I moved on to AD&D. I discovered those Little Brown Books and even picked up my own real copy of Holmes Basic. I love those games, and I love playing them still, but they never quite had the same magic as that first time I opened up that box and saw what treasures were inside. I did not have to imagine how my characters felt when they discovered some long-lost treasure. I knew.

Today, I still go back to Tom Moldvay's classic Basic book. It is my yardstick for measuring any OSR game. Almost everything I need is right there, just waiting for me.

Three Basic Sets
Three Basic Sets, Books and Dice

Holmes Basic, also called the "Blue Book," was my start. Sort of. The rules I used back when I began were a hodge-podge of Holmes Basic and AD&D, particularly the Monster Manual. This was fine, really, since, at the time, 1979, these game lines were a lot closer to each other. I have talked about this in my "1979 Campaign" posts.

Edited by Dr. John Eric Holmes, this book took the original D&D books and re-edited them to a single cohesive whole, though limited to 3rd level, as a means to get people introduced to the D&D game.  The Original Rules (see "O" day!) were an eclectic collection of rules that grew out of Gary Gygax's and Dave Arneson's playstyles. Debate continues on who did what, and I am not going to provide anything close to a definitive answer, but the game sold well but had a steep learning curve to others who were not part of that inner circle or came from War Games. The Holmes Edition attempted to fix that.

Mentzer Basic, or the BECMI (Basic, Expert, Companion, Master, Immortals) rules, was published after the Moldvay Basic, Cook/Marsh Expert sets. The rules between the B/X and BECMI rules are largely superficial (I will discuss this more), and the BECMI rules go past level 14 into the Companion rules (more on that tomorrow).

There is evidence that the Mentzer Basic set, also known as the "Red Box," was one of the best-selling editions of D&D ever, even outselling the flagship line of AD&D at times. It was also sold in more countries and more languages than any other version of D&D. If you recall Sunday's post, the D&D Basic line was in play for 22 years, covering the same time period as AD&D 1st and 2nd Edition rules. And it is still widely popular today. 

UK, American, and Spanish Mentzer BasicsBasic books from England, the USA, and Spain

Basic D&D has great online support regarding books from DriveThruRPG and other "Old School Renaissance" creators. But it is an older game. One of the oldest in fact. So, some things made perfectly good sense back then that would cause people to scratch their heads at the various design choices (Descending Armor Class? Level limits?), but that doesn't detract from the fun. Finding a Basic game or even people to play it with will be harder.


I am participating in Dave Chapman's #RPGaDAY2024 for August. 

#RPGaDay2024

Dracula, The Hunters' Journals: 2 August Log of the Demeter (Cont.)

The fog continues

Dracula - The Hunters' Journals


2 August, midnight.—Woke up from few minutes’ sleep by hearing a cry, seemingly outside my port. Could see nothing in fog. Rushed on deck, and ran against mate. Tells me heard cry and ran, but no sign of man on watch. One more gone. Lord, help us! Mate says we must be past Straits of Dover, as in a moment of fog lifting he saw North Foreland, just as he heard the man cry out. If so we are now off in the North Sea, and only God can guide us in the fog, which seems to move with us; and God seems to have deserted us.


Notes

Moon Phase: Waxing Gibbous

The fog is indeed moving with them. I wonder if Stoker was influenced by the tales of King James VI and I and his recounting of the weather that "witches" used against him to prevent his return to England. The same sort of weather is now used to cover Dracula's arrival to England. In each case it is an example of those of evil influence using weather control, or Tempestarii

Kickstart Your Weekend: Fun and Games Special!

 I have a BIG Kickstart Your Weekend post here with lost of fun and games. Quite literally. Perfect since this is Gen Con weekend and I can't be there. So let's see what we have.

The African Boardgames Convention - AB Con 2024

AB Con

https://www.kickstarter.com/projects/oluwafemi/the-african-boardgames-convention-ab-con-2024?ref=theotherside

This is such a great Kickstarter. Yes there are rewards, but biggest reward is knowing you helped out a worthy cause and got some kids together to play some games. Check it out and support them if you can.

Damn It, Owen! Cartoons That Refused To NOT Be Drawn

Damn it Owen

https://www.kickstarter.com/projects/owenkcstephens/damn-it-owen-cartoons-that-refused-to-not-be-drawn?ref=theotherside

Drawings from industry vets Stan! on the words and wisdom of Owen K.C. Stephens.

This one is great on it's own, but knowing it helps Owen in his fight against cancer is just a huge bonus.

Kitty Clacks - Halloween Treats Polyhedral Dice!

Kitty Clacks - Halloween Treats Polyhedral Dice!

https://www.kickstarter.com/projects/blackoakworkshop/kitty-clacks-halloween-treats-polyhedral-dice?ref=theotherside

This one is fun! I love the dice from Black Oak Workshop and have a BIG feature I am doing on them in October. So this is quite timely really. 

If you like cats, dice, and Halloween, then this seems like a no-brainer.

D6 System: Second Edition

 Second Edition

https://www.kickstarter.com/projects/gallantknightgames/d6-system-second-edition?ref=theotherside

I like the D6 system. There are a lot of really fun games out there that use it and honestly I have never given it the attention it really deserves. Looks like I might get to change that with a new version/edition coming out from Gallant Knight Games and West End Games. 

This Kickstarter is doing well and I hope this is the start of a new era for the D6 system.

80's Adventures: 5e Supplement & Adventure Modules for DnD

 5e Supplement & Adventure Modules for DnD

https://www.kickstarter.com/projects/dicedungeons/80s-adventures?ref=theotherside

Ok this one is just silly and I love it. D&D Adventures set in the 1980s. I mean really, this has my name written all over it. Way of the Crane Monk, Path of Dance Barbarian? Yeah this will be fun.

Couple of comics featuring witches are next!

Tarot, Witch of the Black Rose: The Vampire of Halloween

 The Vampire of Halloween

https://www.kickstarter.comprojects/jimbalent/tarot-witch-of-the-black-rose-the-vampire-of-halloween?ref=theotherside

Jim (and Holly) are friends of The Other Side and of course I am a fan of all witches.

This one is not live yet, but they are seeking sign-ups for when it is launched next month. I will also repost this one then.

SKYCLAD: Graphic Novel by David Campiti & Michal Dutkiewicz

 Graphic Novel by David Campiti & Michal Dutkiewicz

https://www.kickstarter.com/projects/banzaigirl/skyclad-graphic-novel-by-david-campiti-and-michal-dutkiewicz?ref=theotherside

This one is new to me and seem cut from the same cloth as Tarot. Real witches in the real world. This one has witches running a strip club. Maybe it will give me some idea for my Mayfairs.

Not for everyone, but it looks fun.

Quite the round up. Have fun!

#RPGaDay2024 Most recently played

 Most recent played?

That would have to be my AD&D 2nd Edition one set in the Forgotten Realms with my oldest.  We play a little here and there when he gets off of work (usually around 11:00pm to midnight).

AD&D 2nd Ed

We have not gotten very far. An hour or two here and there, but we have had a blast doing it.

This is the one where I am running my Sinéad as a DMPC. She is a Bard, so she is always just a support character, and she is the DM mouthpiece on Realms lore. It has been great since I remembered how much fun I always had with Bards.

I am participating in Dave Chapman's #RPGaDAY2024 for August. 

#RPGaDay2024

Dracula, The Hunters' Journals: 1 August Log of the Demeter (Cont.)

The Demeter hits a patch of fog.

Dracula - The Hunters' Journals


1 August.—Two days of fog, and not a sail sighted. Had hoped when in the English Channel to be able to signal for help or get in somewhere. Not having power to work sails, have to run before wind. Dare not lower, as could not raise them again. We seem to be drifting to some terrible doom. Mate now more demoralised than either of men. His stronger nature seems to have worked inwardly against himself. Men are beyond fear, working stolidly and patiently, with minds made up to worst. They are Russian, he Roumanian.


Notes

Moon Phase: Waxing Gibbous

Here we see Dracula's ability to control the weather some more, a power often forgotten in some modern retellings of the Dracula story and almost completely ignored in other vampire tales.

We are now down to a crew of four.

#RPGaDay2024 First RPG bought this year

That was a tough one to figure out. I bought a lot of RPG-related items this year from adventures to minis, but I think the first full RPG I bought this year was the Spanish Language version of CJ Carella's WitchCraft RPG.

WitchCraft RPG

The Spanish Language version from Edge most resembles the Eden Studios 2nd Edition. The text is the same and the art is the same.

Wicce in Spanish

The difference, of course, is this new Edge version is in Spanish.

I am happy to have this as this was one of the other "Holy Grail" items for my Spanish collection of RPGs. It was also the last CJ Carella WitchCraft book I am likely able to buy. 

CJ Carella's WitchCraft RPG

I am pleased that I was able to read a lot of it. Granted, my Spanish is still very limited, but I know this book very, very well. 

My collection of Spanish Language RPGs is not huge, but it covers my favorite games and about 85-90% of the games I like to play.

Spanish Language RPGs

Not a lot, but enough to keep me busy for a while.

I am participating in Dave Chapman's #RPGaDAY2024 for August. 

#RPGaDay2024

 Since it makes sense, here is Roberto Micheri's Spanish translation. You can find Roberto (and me often making a fool of myself with my pre-school-level Spanish) in the Puerto Rico Role Players Facebook Group.

Si es tu primera vez, todos los días de agosto mira la sugerencia y escribe, haz un blog, vlog, podcast, dibuja, haz manualidades o lo que sea como respuesta. Si no te gusta la pregunta completa, por ejemplo, en el Día 3 la pregunta es "RPG (juego de rol) más jugado", la palabra "más" está en negrilla y puedes usar sólo esa palabra como respuesta si quieres hablar de otra cosa. 

También hay una opción alternativa al final, por si acaso. Si no te gusta ninguna de estas sugerencias, sigue leyendo.

  1. Primer RPG comprado este año
  2. RPG jugado más recientemente
  3. RPG más jugado
  4. RPG con gran arte
  5. RPG muy bien escrito
  6. RPG fácil de usar
  7. RPG con "buena forma"
  8. Un accesorio que aprecies
  9. Un accesorio que te gustaría ver
  10. RPG que te gustaría ver en televisión
  11. RPG con “one-shots” bien respaldados
  12. RPG con campañas bien sustentadas
  13. Entornos evocadores
  14. Personajes fascinantes
  15. Gran equipamiento para los personajes
  16. Rápido de aprender
  17. Una comunidad RPG cautivadora
  18. Momentos de juego memorables
  19. Sesión sensacional
  20. Aventura increíble
  21. Campaña clásica
  22. Notable personaje no jugador (NPC)
  23. Jugador sin igual
  24. Aclamados consejos
  25. Dados deseables
  26. Magnífica pantalla
  27. Maravillosa miniatura
  28. Excelente artilugio para “gamers”
  29. Impresionante aplicación (app)
  30. Persona con la que te gustaría jugar
  31. Juego o jugador que echas de menos

Alternativa - Una anécdota sorprendenteSi no te gusta ninguno de estas sugerencias, ya sé que son de última hora, puedes optar por un conjunto de temas para #RPGaDAY completamente diferente. Sugeridas por Skala Wyzwania, estas ideas son muy divertidas e incluso hay un gráfico muy atractivo para esta versión. 

Sólo tienes que mirar el día a la izquierda, elegir el tema y tirar un d10 para descubrir qué deberías hacer con ese tema ese día. 

Genial, gracias Skala.

  1. Runas
  2. Bosque
  3. Demonología
  4. Cosmos
  5. Hadas
  6. Portal
  7. Ciudad olvidada
  8. Experimento
  9. Héroes
  10. Steampunk
  11. Invasión
  12. Mundos paralelos
  13. Zombis
  14. Despertar
  15. Genética
  16. Mazmorra
  17. IA (inteligencia artificial)
  18. Maldición
  19. Holograma
  20. Batalla 
  21. Desastre
  22. Espacio interdimensional
  23. Ritual
  24. Antiguo
  25. Mutante
  26. Tatuaje
  27. Transformación / Cambiar de forma
  28. Mimeto (Mimic)
  29. Caballero
  30. Trampa 
  31. Dragones

Cada día tira un d10 para seguir la sugerencia

Resultado

  1. Describe un monstruo
  2. Crea un personaje no jugador (NPC)
  3. Escribir una misión para el tablón de anuncios
  4. Inventar un objeto
  5. Escribe una leyenda o un rumor 
  6. Crear una tabla al azar
  7. Crear una mecánica sencilla
  8. Presentar una idea para un encuentro aleatorio
  9. Escribir un diálogo escuchado a escondidas
  10. ¡Dibuja!

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Dracula, The Hunters' Journals: 30 July Log of the Demeter (Cont.)

The Demeter nears England, but so few crew remain.

Dracula - The Hunters' Journals


30 July.—Last night. Rejoiced we are nearing England. Weather fine, all sails set. Retired worn out; slept soundly; awaked by mate telling me that both man of watch and steersman missing. Only self and mate and two hands left to work ship.


Notes

Moon Phase: Waxing Crescent

Dracula must be absolutely gorged at this point. 

The High Witchcraft Tradition

The Magic Circle - John William WaterhouseI have been on a mini vacation to see my wife's family. They all moved down south. Personally, I dislike going south of Joliet, IL but that is me.  Anyway they are all huge card players staying up till the wee hours playing. That is cool, I got to watch the Olympics. You don't see me talking a lot about sports here though I am a life-long St. Louis Cardinals fan and a complete Olympics junkie. I am no expert by any stretch of the imagination, but I love the Olympics.

With some projects done, and others on hold (Basic Bestiary. Waiting for more art), I started a new project over my extended weekend.

The High Witchcraft Tradition

Well..."new" might be the wrong word.  

I have a lot of notes from other projects that didn't quite fit or didn't get developed enough to get added. Plus this is a book I have been picking at for a while and have been calling my "Last Witch Book."  If it is that remains to be seen, but I do have some great ideas.

Here is the shape of the book so far.

High Magic

It will include the use of High Magic, so magic that invokes spirits, demons, angels and the like. I would also like to include High Magic options for Magic-users. A bit like my Hermetic Mage Prestige class I did for 3.x.

Advanced

This book will be my first "true" book for the Advanced era. So compatibility with OSRIC, Advanced Labyrinth Lord, and Old-School Essentials Advanced is implied. Originally this book was going to be part of my "Basic Witch" series and focus on how I mixed AD&D 1st ed with the Expert set back in the day. I still might do that. I have a lot of ideas for that sort of play, but this is not the book for that.

Plus I will freely admit I am not as enthusiastic for D&D's future as I once was. I will buy D&D 5R, I will even likely play it a few times. But as much as I love digital and online games, that is not my preferred mode. 

So instead of endlessly complaining about it, I am just going to focus my efforts into the types of games I DO enjoy playing. If you are looking for ragey click-bait, you won't find it here.

Best of the Old, Best of the New (Maybe)

I love my old-school games. I also am rather fond of new-school games as well. For me it has always been about maximum fun. So I would love to go back over some of the newer developments in games and see what can be ported back over. This one is not a guarantee. My focus first and foremost is a witch book from circa 1986.   

Cover Art

For this book I am going to commission some original cover art. I have already been sending out emails to artists I want to work with and ones I have worked with in the past for this. And as much as I love the Pre-Raphaelite covers I have used in the past, I have something specific in mind for this one.

Waterhouse's "The Magic Circle" above was one of the ideas I originally had. I am, of course, sad not to use it for this book, but I also want something new. 

I want this book to be really good. I want it to challenge my writing ability and game design ability. Plus I also want it to be able to cover any "so-called" witch written about in the "Advanced-era."  If someone else's book/game/adventure set in the same era with the same or similar rule system and they have a witch character, I want my rules to be flexible enough and comprehensive enough that you could play that character using my rules. Lofty? Maybe. Do able? Certainly.

Potential High Witches

I have been tossing this idea around for a few years now. I finally hit a critical mass of notes to make it a real book. For me as much as for you, here are my posts about it. 

Links to relevant posts

Dracula, The Hunters' Journals: 29 July Log of the Demeter (Cont.)

The Demeter suffers more deaths.

Dracula - The Hunters' Journals


29 July.—Another tragedy. Had single watch to-night, as crew too tired to double. When morning watch came on deck could find no one except steersman. Raised outcry, and all came on deck. Thorough search, but no one found. Are now without second mate, and crew in a panic. Mate and I agreed to go armed henceforth and wait for any sign of cause.


Notes

Moon Phase: Waxing Crescent

Dracula is hungry, and he will make himself appear younger by using the blood and life of this crew. 

Dracula, The Hunters' Journals: 28 July Log of the Demeter (Cont.)

The Demeter travels through storms.

Dracula - The Hunters' Journals


28 July.—Four days in hell, knocking about in a sort of maelstrom, and the wind a tempest. No sleep for any one. Men all worn out. Hardly know how to set a watch, since no one fit to go on. Second mate volunteered to steer and watch, and let men snatch a few hours’ sleep. Wind abating; seas still terrific, but feel them less, as ship is steadier.

Notes

Moon Phase: Waxing Crescent

These storms are caused by Dracula. Both to weaken the crew and speed his journey to England.

Dracula, The Hunters' Journals: 27 July Mina Murray's Journal (Cont.)

 Still no news from Harker.

Dracula - The Hunters' Journals


27 July.—No news from Jonathan. I am getting quite uneasy about him, though why I should I do not know; but I do wish that he would write, if it were only a single line. Lucy walks more than ever, and each night I am awakened by her moving about the room. Fortunately, the weather is so hot that she cannot get cold; but still the anxiety and the perpetually being wakened is beginning to tell on me, and I am getting nervous and wakeful myself. Thank God, Lucy’s health keeps up. Mr. Holmwood has been suddenly called to Ring to see his father, who has been taken seriously ill. Lucy frets at the postponement of seeing him, but it does not touch her looks; she is a trifle stouter, and her cheeks are a lovely rose-pink. She has lost that anæmic look which she had. I pray it will all last.


Notes

Moon Phase: Waxing Crescent

The plot, unbeknownst to our heroes is moving forward. 

The Ring is the Holmwood Family estate.

Dracula, The Hunters' Journals: 26 July Mina Murray's Journal

 Mina is getting increasingly worried about Jonathan.

Dracula - The Hunters' Journals


26 July.—I am anxious, and it soothes me to express myself here; it is like whispering to one’s self and listening at the same time. And there is also something about the shorthand symbols that makes it different from writing. I am unhappy about Lucy and about Jonathan. I had not heard from Jonathan for some time, and was very concerned; but yesterday dear Mr. Hawkins, who is always so kind, sent me a letter from him. I had written asking him if he had heard, and he said the enclosed had just been received. It is only a line dated from Castle Dracula, and says that he is just starting for home. That is not like Jonathan; I do not understand it, and it makes me uneasy. Then, too, Lucy, although she is so well, has lately taken to her old habit of walking in her sleep. Her mother has spoken to me about it, and we have decided that I am to lock the door of our room every night. Mrs. Westenra has got an idea that sleep-walkers always go out on roofs of houses and along the edges of cliffs and then get suddenly wakened and fall over with a despairing cry that echoes all over the place. Poor dear, she is naturally anxious about Lucy, and she tells me that her husband, Lucy’s father, had the same habit; that he would get up in the night and dress himself and go out, if he were not stopped. Lucy is to be married in the autumn, and she is already planning out her dresses and how her house is to be arranged. I sympathise with her, for I do the same, only Jonathan and I will start in life in a very simple way, and shall have to try to make both ends meet. Mr. Holmwood—he is the Hon. Arthur Holmwood, only son of Lord Godalming—is coming up here very shortly—as soon as he can leave town, for his father is not very well, and I think dear Lucy is counting the moments till he comes. She wants to take him up to the seat on the churchyard cliff and show him the beauty of Whitby. I daresay it is the waiting which disturbs her; she will be all right when he arrives.


Notes

Moon Phase: Waxing Crescent

So Lucy is walking in her sleep. Sleepwalking was of great interest to the Victorians both from the Spiritual and Scientific frames of mind. It was believed that the sleep walker was "between worlds" and had access to knowledge or wisdom. 

Debate goes on. Was Lucy sleepwalking because she was under Dracula's thrall already, OR was she more susceptible of Dracula because of her history of sleepwalking?  I believe it was the latter. Her father had it and Lucy represents the "Old World" of England vs. Mina's New World of England. So Lucy still has a foot in that other, older, and more spiritual world. 

This also hints at the duality of Lucy. The innocent bride to be now and later the horrifying "Bloofer Lady" to come. This too was part of Victorian pop-psychology of the time. See the "Strange Case of Dr Jekyll and Mr Hyde" for a more developed example of this. 

There is a solid implication here. Lucy, in her innocence, makes her a "tasty" target for Dracula. We have seen in many movies that while Lucy is Dracula's appetizer, Mina is the meal. She is described by Van Helsing as being "remarkable" and having a "man like mind." All Victorian for Mina is smart and shrewd.  So. What sort of Vampire would Mina have been? Terrifying to be sure. I think this is a bit that Alan Moore grabbed onto in "The League of Extraordinary Gentlemen."

We are really just getting introduced to Mina still. But she is, as I'll show, the real star and the real hero of this tale.

Dracula, The Hunters' Journals: 25 July Mina Murray's Journal (Cont.)

 Mina has another encounter with the old fisherman and his friends.

Dracula - The Hunters' Journals


25 July Whitby*—I came up here an hour ago with Lucy, and we had a most interesting talk with my old friend and the two others who always come and join him. He is evidently the Sir Oracle of them, and I should think must have been in his time a most dictatorial person. He will not admit anything, and downfaces everybody. If he can’t out-argue them he bullies them, and then takes their silence for agreement with his views. Lucy was looking sweetly pretty in her white lawn frock; she has got a beautiful colour since she has been here. I noticed that the old men did not lose any time in coming up and sitting near her when we sat down. She is so sweet with old people; I think they all fell in love with her on the spot. Even my old man succumbed and did not contradict her, but gave me double share instead. I got him on the subject of the legends, and he went off at once into a sort of sermon. I must try to remember it and put it down:—

“It be all fool-talk, lock, stock, and barrel; that’s what it be, an’ nowt else. These bans an’ wafts an’ boh-ghosts an’ barguests an’ bogles an’ all anent them is only fit to set bairns an’ dizzy women a-belderin’. They be nowt but air-blebs. They, an’ all grims an’ signs an’ warnin’s, be all invented by parsons an’ illsome beuk-bodies an’ railway touters to skeer an’ scunner hafflin’s, an’ to get folks to do somethin’ that they don’t other incline to. It makes me ireful to think o’ them. Why, it’s them that, not content with printin’ lies on paper an’ preachin’ them out of pulpits, does want to be cuttin’ them on the tombstones. Look here all around you in what airt ye will; all them steans, holdin’ up their heads as well as they can out of their pride, is acant—simply tumblin’ down with the weight o’ the lies wrote on them, ‘Here lies the body’ or ‘Sacred to the memory’ wrote on all of them, an’ yet in nigh half of them there bean’t no bodies at all; an’ the memories of them bean’t cared a pinch of snuff about, much less sacred. Lies all of them, nothin’ but lies of one kind or another! My gog, but it’ll be a quare scowderment at the Day of Judgment when they come tumblin’ up in their death-sarks, all jouped together an’ tryin’ to drag their tombsteans with them to prove how good they was; some of them trimmlin’ and ditherin’, with their hands that dozzened an’ slippy from lyin’ in the sea that they can’t even keep their grup o’ them.”

I could see from the old fellow’s self-satisfied air and the way in which he looked round for the approval of his cronies that he was “showing off,” so I put in a word to keep him going:—

“Oh, Mr. Swales, you can’t be serious. Surely these tombstones are not all wrong?”

“Yabblins! There may be a poorish few not wrong, savin’ where they make out the people too good; for there be folk that do think a balm-bowl be like the sea, if only it be their own. The whole thing be only lies. Now look you here; you come here a stranger, an’ you see this kirk-garth.” I nodded, for I thought it better to assent, though I did not quite understand his dialect. I knew it had something to do with the church. He went on: “And you consate that all these steans be aboon folk that be happed here, snod an’ snog?” I assented again. “Then that be just where the lie comes in. Why, there be scores of these lay-beds that be toom as old Dun’s ’bacca-box on Friday night.” He nudged one of his companions, and they all laughed. “And my gog! how could they be otherwise? Look at that one, the aftest abaft the bier-bank: read it!” I went over and read:—

“Edward Spencelagh, master mariner, murdered by pirates off the coast of Andres, April, 1854, æt. 30.” When I came back Mr. Swales went on:—

“Who brought him home, I wonder, to hap him here? Murdered off the coast of Andres! an’ you consated his body lay under! Why, I could name ye a dozen whose bones lie in the Greenland seas above”—he pointed northwards—“or where the currents may have drifted them. There be the steans around ye. Ye can, with your young eyes, read the small-print of the lies from here. This Braithwaite Lowrey—I knew his father, lost in the Lively off Greenland in ’20; or Andrew Woodhouse, drowned in the same seas in 1777**; or John Paxton, drowned off Cape Farewell a year later; or old John Rawlings, whose grandfather sailed with me, drowned in the Gulf of Finland in ’50. Do ye think that all these men will have to make a rush to Whitby when the trumpet sounds? I have me antherums aboot it! I tell ye that when they got here they’d be jommlin’ an’ jostlin’ one another that way that it ’ud be like a fight up on the ice in the old days, when we’d be at one another from daylight to dark, an’ tryin’ to tie up our cuts by the light of the aurora borealis.” This was evidently local pleasantry, for the old man cackled over it, and his cronies joined in with gusto.

“But,” I said, “surely you are not quite correct, for you start on the assumption that all the poor people, or their spirits, will have to take their tombstones with them on the Day of Judgment. Do you think that will be really necessary?”

“Well, what else be they tombstones for? Answer me that, miss!”

“To please their relatives, I suppose.”

“To please their relatives, you suppose!” This he said with intense scorn. “How will it pleasure their relatives to know that lies is wrote over them, and that everybody in the place knows that they be lies?” He pointed to a stone at our feet which had been laid down as a slab, on which the seat was rested, close to the edge of the cliff. “Read the lies on that thruff-stean,” he said. The letters were upside down to me from where I sat, but Lucy was more opposite to them, so she leant over and read:—

“Sacred to the memory of George Canon, who died, in the hope of a glorious resurrection, on July, 29, 1873, falling from the rocks at Kettleness. This tomb was erected by his sorrowing mother to her dearly beloved son. ‘He was the only son of his mother, and she was a widow.’ Really, Mr. Swales, I don’t see anything very funny in that!” She spoke her comment very gravely and somewhat severely.

“Ye don’t see aught funny! Ha! ha! But that’s because ye don’t gawm the sorrowin’ mother was a hell-cat that hated him because he was acrewk’d—a regular lamiter he was—an’ he hated her so that he committed suicide in order that she mightn’t get an insurance she put on his life. He blew nigh the top of his head off with an old musket that they had for scarin’ the crows with. ’Twarn’t for crows then, for it brought the clegs and the dowps to him. That’s the way he fell off the rocks. And, as to hopes of a glorious resurrection, I’ve often heard him say masel’ that he hoped he’d go to hell, for his mother was so pious that she’d be sure to go to heaven, an’ he didn’t want to addle where she was. Now isn’t that stean at any rate”—he hammered it with his stick as he spoke—“a pack of lies? and won’t it make Gabriel keckle when Geordie comes pantin’ up the grees with the tombstean balanced on his hump, and asks it to be took as evidence!”

I did not know what to say, but Lucy turned the conversation as she said, rising up:—

“Oh, why did you tell us of this? It is my favourite seat, and I cannot leave it; and now I find I must go on sitting over the grave of a suicide.”

“That won’t harm ye, my pretty; an’ it may make poor Geordie gladsome to have so trim a lass sittin’ on his lap. That won’t hurt ye. Why, I’ve sat here off an’ on for nigh twenty years past, an’ it hasn’t done me no harm. Don’t ye fash about them as lies under ye, or that doesn’ lie there either! It’ll be time for ye to be getting scart when ye see the tombsteans all run away with, and the place as bare as a stubble-field. There’s the clock, an’ I must gang. My service to ye, ladies!” And off he hobbled.

Lucy and I sat awhile, and it was all so beautiful before us that we took hands as we sat; and she told me all over again about Arthur and their coming marriage. That made me just a little heart-sick, for I haven’t heard from Jonathan for a whole month.

 

The same day. I came up here alone, for I am very sad. There was no letter for me. I hope there cannot be anything the matter with Jonathan. The clock has just struck nine. I see the lights scattered all over the town, sometimes in rows where the streets are, and sometimes singly; they run right up the Esk and die away in the curve of the valley. To my left the view is cut off by a black line of roof of the old house next the abbey. The sheep and lambs are bleating in the fields away behind me, and there is a clatter of a donkey’s hoofs up the paved road below. The band on the pier is playing a harsh waltz in good time, and further along the quay there is a Salvation Army meeting in a back street. Neither of the bands hears the other, but up here I hear and see them both. I wonder where Jonathan is and if he is thinking of me! I wish he were here.


Notes

Moon Phase: Waxing Crescent

*Note. The text of Dracula lists this day as August 1 and the next day as July 26. I have corrected it here.

**Another misprint. This should be 1877. I kept it here to make it clearer.

Swales argues that most of the graves here are empty since he knew some of the sailors they belonged too and he knows they are at the bottom of various seas. 

Mina is getting worried about Harker. She was supposed to have heard from him by May 16 and it is now July 25.

Dracula, The Hunters' Journals: 24 July Mina Murray's Journal & Log of the Demeter

 Mina and Lucy have an odd encounter with an old fisherman. The Demeter continues on. 

Dracula - The Hunters' Journals


Mina Murray's Journal

24 July Whitby.—Lucy met me at the station, looking sweeter and lovelier than ever, and we drove up to the house at the Crescent in which they have rooms. This is a lovely place. The little river, the Esk, runs through a deep valley, which broadens out as it comes near the harbour. A great viaduct runs across, with high piers, through which the view seems somehow further away than it really is. The valley is beautifully green, and it is so steep that when you are on the high land on either side you look right across it, unless you are near enough to see down. The houses of the old town—the side away from us—are all red-roofed, and seem piled up one over the other anyhow, like the pictures we see of Nuremberg. Right over the town is the ruin of Whitby Abbey, which was sacked by the Danes, and which is the scene of part of “Marmion,” where the girl was built up in the wall. It is a most noble ruin, of immense size, and full of beautiful and romantic bits; there is a legend that a white lady is seen in one of the windows. Between it and the town there is another church, the parish one, round which is a big graveyard, all full of tombstones. This is to my mind the nicest spot in Whitby, for it lies right over the town, and has a full view of the harbour and all up the bay to where the headland called Kettleness stretches out into the sea. It descends so steeply over the harbour that part of the bank has fallen away, and some of the graves have been destroyed. In one place part of the stonework of the graves stretches out over the sandy pathway far below. There are walks, with seats beside them, through the churchyard; and people go and sit there all day long looking at the beautiful view and enjoying the breeze. I shall come and sit here very often myself and work. Indeed, I am writing now, with my book on my knee, and listening to the talk of three old men who are sitting beside me. They seem to do nothing all day but sit up here and talk.

The harbour lies below me, with, on the far side, one long granite wall stretching out into the sea, with a curve outwards at the end of it, in the middle of which is a lighthouse. A heavy sea-wall runs along outside of it. On the near side, the sea-wall makes an elbow crooked inversely, and its end too has a lighthouse. Between the two piers there is a narrow opening into the harbour, which then suddenly widens.

It is nice at high water; but when the tide is out it shoals away to nothing, and there is merely the stream of the Esk, running between banks of sand, with rocks here and there. Outside the harbour on this side there rises for about half a mile a great reef, the sharp edge of which runs straight out from behind the south lighthouse. At the end of it is a buoy with a bell, which swings in bad weather, and sends in a mournful sound on the wind. They have a legend here that when a ship is lost bells are heard out at sea. I must ask the old man about this; he is coming this way....

He is a funny old man. He must be awfully old, for his face is all gnarled and twisted like the bark of a tree. He tells me that he is nearly a hundred, and that he was a sailor in the Greenland fishing fleet when Waterloo was fought. He is, I am afraid, a very sceptical person, for when I asked him about the bells at sea and the White Lady at the abbey he said very brusquely:—

“I wouldn’t fash masel’ about them, miss. Them things be all wore out. Mind, I don’t say that they never was, but I do say that they wasn’t in my time. They be all very well for comers and trippers, an’ the like, but not for a nice young lady like you. Them feet-folks from York and Leeds that be always eatin’ cured herrin’s an’ drinkin’ tea an’ lookin’ out to buy cheap jet would creed aught. I wonder masel’ who’d be bothered tellin’ lies to them—even the newspapers, which is full of fool-talk.” I thought he would be a good person to learn interesting things from, so I asked him if he would mind telling me something about the whale-fishing in the old days. He was just settling himself to begin when the clock struck six, whereupon he laboured to get up, and said:—

“I must gang ageeanwards home now, miss. My grand-daughter doesn’t like to be kept waitin’ when the tea is ready, for it takes me time to crammle aboon the grees, for there be a many of ’em; an’, miss, I lack belly-timber sairly by the clock.”

He hobbled away, and I could see him hurrying, as well as he could, down the steps. The steps are a great feature on the place. They lead from the town up to the church, there are hundreds of them—I do not know how many—and they wind up in a delicate curve; the slope is so gentle that a horse could easily walk up and down them. I think they must originally have had something to do with the abbey. I shall go home too. Lucy went out visiting with her mother, and as they were only duty calls, I did not go. They will be home by this.

Log of the Demeter

24 July.—There seems some doom over this ship. Already a hand short, and entering on the Bay of Biscay with wild weather ahead, and yet last night another man lost—disappeared. Like the first, he came off his watch and was not seen again. Men all in a panic of fear; sent a round robin, asking to have double watch, as they fear to be alone. Mate angry. Fear there will be some trouble, as either he or the men will do some violence.

Notes

Moon Phase: Waning Crescent

We are treated to picturesque Whitby on the North Sea.

So who is this guy? We will learn later he is named "Swales." A version of this character appears in the 1979 John Badham "Dracula" played by the late Teddy Turner. He does make an appearance in the 1977 BBC mini-series closer to the character here. 

He is nearly 100 years old by his tale, and claims to have been at the Battle of Waterloo in 1815. So if he was in his late teens or younger 20s then he would be close to 100 now in (my suggested) 1892. 

His language, supposedly a Doric dialect, almost needs a translation guide. 

"I wouldn’t fash masel’ about them, miss." = "I would not trouble myself about them, miss."

"Feet Folks" = "Tourists"

"I must gang ageeanwards home now." = "I must be getting home now."

"for it takes me time to crammle aboon the grees, for there be a many of ’em" = "it takes me time to hobble (move) about the graves because there are so many of them."

"I lack belly-timber sairly by the clock." = "I am very hungry according to the clock" = "It's dinner time."

For the steps? There are 200 of them, according to many Dracula scholars.

Meanwhile the Demeter makes it slow and inventible way to where Mina now sits. 

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