"I'll never let the devil into this house Lara."
- Miss Fontaine

Not too long after saying this, she does exactly that.

One would think I had seen every version of Carmilla out there. And in truth I had, until very recently.  This is a new one and one that came highly recommended to me. 

The cast is pretty amazing with a personal favorite of mine Jessica Raine as Miss Fontaine, the Mademoiselle De Lafontaine character from the novella.  Tobias Menzies of Game of Thrones and Outlander fame as The Doctor (Spielsberg).

It also includes new(-sh)commers, Hannah Rae as Lara "Bauer" (not sure why the name is changed), and Devrim Lingnau as Carmilla.

The movie more or less follows the basic story novella but also takes a few liberties.  It is atmospheric and gothic and sadly dreadfully slow. It does play up the tension between Carmilla and Miss Fontaine more.

The story is fine, not a lot of horrors though and some of my favorite lines from the book are gone.

Not really a fan of how it ended.

October 2021
Viewed: 49
First Time Views: 36

 

A couple of months ago, beginning of September I think, I was made aware of a new title on DMsGuild called She is the Ancient: A Genderbent Curse of Strahd by Beth the Bard. 

I checked it out and liked it. Hopped on to Twitter to offer her congratulations and mentioned that she would hit Gold Best Seller status.  Well, this past month she did it!  I thought with Halloween coming up and so many people running the 5e Curse of Strahd this would be a great time to review it.

She is the Ancient: A Genderbent Curse of Strahd

by Beth the Bard

157 pages, color art, PDF.

To start with you will need the 5th Edition version of Curse of Strahd to use this resource. Though I am going to also talk about how this can be used with the original AD&D 1st Edition adventure I6 Ravenloft.

She is the Ancient is more than just giving us a distaff Strahd. You don't need a guide for that.  This guidebook shows how changing the gender of Strahd, but keeping her as a strong warrior figure, changes the nature of her relationship with, well everyone. The most interesting is her new rivalry and even hatred of Tatyana.  These new relationships take up a good bit of this guide. 

Beth the Bard reminds us that this IS a horror adventure and to assume that bad things can't happen to, well, everyone, is unreasonable.  So yes there is still violence here and it's directed at everyone this time.

The changes are largely of these sorts:

Characters/NPCs.  Several characters get changes, some minor, others are major.  Strahd is now female, as is Van Richten.  Others get minor changes. Any of these can be used optionally.  Many of these are much more interesting than the ones we get in Curse of Strahd. 

Relationships. Related to the characters are new relationships.  These are very well detailed and even if you never change a single character according to this guide this is a very useful tool for Curse of Strahd.

Encounters.  There are also changes to various encounters all over the Curse of Strahd adventure.  This takes the shape of some encounter rewrites and others with tips.  Additionally, there are encounter "flowcharts" that show how the various encounters are related to each other.  There are also new handouts that you can print out to give to players.

That is overly simple, there are 157 pages here after all, but this is the gist of it. 

The layout is clean and clear and the art is rather fantastic.  It is on sale right now, but even at its regular price of $19.99 is a good deal, especially considering all we are getting here.

The overall feel is the same I get from watching a classic horror movie.  "Dracula" is a horrid monster, someone that kills pretty much everyone in his path.  "The Bride of Dracula" is just as evil, and likely kills as many people, but for some reason, her story seems more tragic.   This new guide turns even this around.

Strahd is tragic, his love for Tatyana has driven him to become a monster.  In this new Strahd, she is still a tragic figure, but it is nothing so prosaic as love that drives her, but hate and betrayal and yes jealousy.  THIS Strahd is motivated by more violent emotions and desires.  You anger her at your peril. 

There is an accessible version of this adventure available. Link included in the PDF.  There are tokens and NPC portraits you can use with this OR with the original Curse of Strahd if you choose.

I6 Ravenloft

Curse of Strahd is the newest iteration of the classic Ravenloft tale.  This is "Dracula Untold" with Luke Evans.  "I6 Ravenloft" is Hammer Horror with Christopher Lee.  SO it stands then that "She is the Ancient" applied to I6 Ravenloft is Ingrid Pitt, in her "Countess Dracula" role. 

I have not sat down with this new guide and Ravenloft and analyzed it line by line, but I have run Ravenloft several times since I purchased the original shortly after it was released.  I have run it for every version of D&D since 1983, including D&D 5e before Curse of Strahd was released.  My feeling here is that She is the Ancient can be used with the classic module just as easily. 

Much of what is presented in the She is the Ancient is relationship-based. So conversion to or from 5e and 1st Ed is not an issue.  There are some 5e stat blocks, but nothing that can't be easily replaced or swapped out. 

Honestly the next time I run I6 I am going to give this a try.

What I like best about this is an attempt to do something different with what is now can be considered a classic sort of tale. It shows that like love, the topics of hate, revenge, and undying purpose are universal and can transcend simpler concepts of gender. 

I had thought, originally, that this would give me some ideas for my own Darklord and Domain, Darlessa and Arevenir.  Thankfully, She is the Ancient is not only NOT distaff Strahd, it is also NOT just a generic female vampire Darklord.  I will, however, adopt the adventure flowchart idea and the relationships as they are modeled here.  There are some great ideas to be honest.

Who should buy She is the Ancient?   Anyone who has run and wants to re-run Curse of Strahd and wants to try something different. Personally, I feel the DMs that have run Curse of Strahd already will benefit the most from this.

I also think that first-time DMs of Curse of Strahd will enjoy this, but there is a LOT going on in both Curse of Strahd AND She is the Ancient.

Once you have this you can adopt/adapt as much or as little as you like.   Or even just use the flowcharts and relationships to flesh out all the characters more.

I would say my ONLY complaint is that there is no POD option, but in truth, the layout and design are such that any page or collection of pages can be printed out and slotted into your Curse of Strahd book. Though a POD would be nice. 

She is the Ancient: A Genderbent Curse of Strahd is not going to be for everyone and that is OK.  BUT, for the people that are inclined to use it is a great resource and guide.  It is well written with great art and layout.  A lot of work went into this and like the original Ravenloft, it provides yet more options for replayability.  

Believe it or not, I did not get the streaming channel Shudder, until really recently.  I was building my list and I saw one I knew of but had not seen yet, 1981's The Queen of Black Magic, also known as Ratu Ilmu Hitam or Queen of the Dark Arts. I also saw there was a Shudder exclusive, 2019's The Queen of Black Magic.  Thinking they might be the same I opted to make a night of it.  

The Queen of Black Magic (1981)

This one came highly recommended.  

Baedah is getting married, but something is wrong.  She sees maggots, snakes, and the groom as a corpse and his men as demons. Something also is attacking the local shaman.  The groom, Kohar, quickly decides that it must be Murni's fault because she is a witch. She is a witch because this is all her fault. Solid logic!  We learn that he had seduced Murni and took "her dignity" (virginity) but would not marry her. 

Murni is played by Indonesian horror queen Suzzanna (Suzzanna Martha Frederika van Osch).  "Murni" by the way means "Pure" in Indonesian.  Kohar and his mean go to her home and lynch her. He even slaps her old mother and sets their home on fire.  They toss her off the side of a cliff to make sure to "get rid of her black magic" but she is caught by a strange man.   

The man rescues her and nurses her back to health.  He tells her if they accuse of her black magic then she should use black magic to get her revenge. She will be the Queen of Black Magic.  

We get a "training montage" which involves Murni doing naked backflips under a full moon until smoke comes out of her head.  This had to be near-pornographic for Indonesia in the early 80s.

Murni returns to her village, much to the shock of the men that tried to kill her.  They try to warn Kohar, but she summons bees to kill one of them.  She then causes huge boils to form on another and they explode, filled with blood.   Gruesome, yet satisfying.  Lots of great examples of sympathetic magic here too.  

An Indonesian Lionel Richie-looking dude shows up to the village. He seems very religious and immune to the effects of black magic. 

Murni killing Kohar by getting him to rip off his own head is worth the price of admission alone.  Then watching Kohar's head fly around is just great. 

The becomes a battle between black magic and the power of the new stranger, Permana, invoking god. 

In their battle, we learn that Permana is Murni's older brother to learn from a holy man far away.  Makes sense since they both can do the same backflips.

They fight, but when the evil priest/magician that trains Murni shows up to kill Permana, Murni turns on him instead.  She blows him up with magic, but it is implied she dies as well.

Some great effects really, given the time and budget, and a fun story.

The Queen of Black Magic (2019)

This one is also Indonesian and described as a loose-remake of the first. 

This one starts out strong. A family is driving back to visit the orphanage the father grew up in.  While talking they hit something. Getting out they find a deer on the side of the road, but it seems like it has been there a bit.  As they drive off we see a bloody girl on the other side of the road that they missed. 

They meet at the orphanage and others are also here to see the old caretaker., Mr. Bandi.

We learn that one of the kids from the orphanage was a girl named Murni. But no idea if it is the same one. Obviously, there is something about Murni that makes the adults very squeamish.  

Hanif, the father, is getting food from his car when he notices the blood on the car but also the black hair.  The deer he hit was brown.  Driving back he and one of his brothers, Jefri, find the girl.  They also find a bus full of the orphans and they are all dead. Murdered. 

They let their other brother Anton know and he drives back to see and go get the police.  He gets trapped on the bus and attacked by bugs. So many that his eyes pop out of their sockets.  Back at the orphanage the same thing is happening to his wife Eva.  Lina, believing she is too fat due to hormone treatments and begins cutting off bits of her flesh.   Eva rips off some of her skin and bugs come crawling out.

We learn the three boys as orphans discovered that Ms. Mirah had abducted a girl and was using black magic. So they locked her in a room where she banged her head against a door until she split her own skull open.  So with Mr. Bandi's help, they tore up the floor, put her body in, and covered it in cement. 

We see her ghost at one point. Damn. The Indonesians have some scary-ass monsters.

Nadya, Hanif's wife, discovers a bunch of photos of half-dressed underage girls that apparently Mr. Bandi took.  One of the girls is Siti, the woman married to Maman who invited them all there.   When confronted with the photos Siti tells everyone he did it with all the girls. When three were going to tell, he locked them in a room and poisoned them.  It seems that Ms. Mirah was protecting the girls and she was going to kill Mr. Bandi.   

Nif finds another picture and we learn that Murni was Ms. Mirah's daughter.

Something, Murni likely, begins to torture everyone. Eva is clawing her skin off, the orphans are being scalded with steaming water. Nif's children are getting whipped. It's all pretty brutal. 

Murni gets her head cut off, but puts it back on in an obvious nod to the first movie.  Nadya sets Murni on fire.

Later Nadya is picking Haniq from school but thinks she sees Murni. 

The movie ends with scenes from the 1981 original. 

--

Both movies were pretty good with some good scares and a good story.  Glad I watched them back to back. 

October 2021
Viewed: 48
First Time Views: 35

I have not done one of these for so long.  I am watching "The Witch of Kings Cross" the documentary of artist Rosaleen Norton.  The movie is great and it reminded me how much I love her work.  Before I get into talking about Roie, I want to mention that actress Kate Elizabeth Laxton who plays Roie in the documentary is just fantastic.  

Ok. On to Roie.

Rosaleen Miriam Norton was born October 2, 1917 and lived till December 5, 1979.  She was considered to be an esoteric artist and one of Australia's most notorious artists.  She was one of the first women to ever be charged with obscenity for her art. 

So I guess fair warning for the art that follows.

She referred to herself as a "witch" and used altered states of consciousness to make her art. She often called herself "Thorn," much like a craft name.  But her friends all called her Roie.

I came to know her via her art "The Seance."  I thought she had tapped into something deep and maybe even a little dark.  For someone young and obsessed with witches and the writings of C.G. Jung she seemed like some sort of prophetess or seeress to me. 

Later I learned her art was fueled by drugs, sex, and trying to commune with other powers, in particular Pan.  Sounds perfect to me.  

If The Seance grabbed me, then her Lilith cemented her in the pantheon of people that influenced my RPG writings.

She does a lot of Jungian archetypes in her art and I use the same ones when I wrote my first books on witches.

Her demon Fohat (above) was something of her personal demon or even a Jungian Animus. 

Interviewer: What would be the state of the world if evil ruled?
Roie: Exactly as it is now.

If I could, her art would be the covers for all my books.

"I came into this world bravely, and I will leave this world bravely."

- Last Words of Rosaleen Norton

This one came up as a suggested movie on Tubi so I had to check it out.   I have long been fascinated by the Goddess Astarte and her literal demonization to the male demon Astaroth. This movie covers some of that and adds some neat little tidbits as well. 

Astaroth (2017)

The movie is Brazilian and completely in Portuguese.  Thankfully the captions are in English.  Not that it would matter much, it's not a difficult one to follow.

Our stars are three college students living together whose primary interests seem to be tattoos and metal.  There is tattoo artist Dri (Ju Calaf),  guitarist Lia (played by former top Brazilian porn star Monica Mattos), and martial artist Mai.  Dri and Lia meet up with tattoo artist Gregório (Janderson Tucunduva) who has been communing with the demon Astaroth (also played by Mattos).

Gregório has been tattooing sigils on to people so Astaroth can claim them.  Once she has enough she can come into the mortal world.

All in all not a bad premise.  The movie feels like an American horror movie circa 1995, only a lot less sex and nudity if you can believe that.  The movie doesn't really get going until the half-way mark. 

Eventually, Lia gets possessed by Astaroth kills Dri, but not before Mai can find out.  Mai figures out what Astaroth is and kills Gregório and the possessed Lia to send Astaroth to hell.

The movie is quite obsessed with metal with the bands getting top billing right after the actresses. Not a bad thing really; demons, metal, horror, it all fits together.  The trouble is sometimes it comes across as an 80s training video.  If it had been made in the 80s there would have been a larger body count and at least one song by Dokken.

It wasn't a bad flick really, it just had the feel of some people doing this on a budget and they got all their friends over to do it. 

October 2021
Viewed: 46
First Time Views: 33

Been spending some time working on my various Lords and Ladies of the land of Faerie. With the new Wild Beyond the Witchlight out, I have been thinking more and more about what I'd like to do with them.

Case in point is an old favorite, Nicnevin the Faerie Queen of Witches from Scottish lore.   I mentioned her all the way back in 2014 as servant/ally of Aradia. She would later appear in the Tome of Beasts from Kobold Press.

My version fits into my vision of the Lands of Faerie and my War of the Witch Queens a bit better.  She is the Witch Queen of the Faerie Tradition and can be a patron for witches or Fey Pact Warlocks.

Nicnevin, Faerie Queen of Witches
Faerie Lady

Frequency: Unique
Number Appearing: 1 (1)
Alignment: Neutral [Chaotic Neutral]
Movement: 120' (40') [12"]
  Fly: 150' (50') [15"]
Armor Class: 0 [19]
Hit Dice: 13d8+39*** (98 hp)
  Large: 13d10+39 (111 hp)
To Hit AC 0: 8 (+11)
Attacks: 1 sickle or by spell
Damage: 1d6+2 or by spell
Special: Fly,  Immune to charm, hold, and sleep spells, Magic Resistance 50% (all magic), Magic Resistance 100% (Witch magic), witch spells and powers
Size: Large
Save: Witch 13
Morale: 12
Treasure Hoard Class: See below 
XP: 4,200 (OSE) 4,350 (LL)

Str: 17 (+2) Dex: 12 (0) Con: 19 (+3) Int: 16 (+2) Wis: 18 (+3) Cha: 20 (+4)

The Witch Queen of the Faerie is also known by the names Nicneven, Nicnevin, Nicnevan or Nic an Neachneohain.  She is the current Witch Queen of the Faerie tradition and the longest-serving.  Previous Faerie Queens of Witches were known as Satia, Bensozie, Zobiana, Abundia, and Herodiana.  She is both a Faerie Lord (Lady) and the Queen of Witches for all witches in the Faerie Traditions.  She is served by faerie witches of all courts.  Her retinue includes elves, nymphs, and hags among many others.  Any faerie creature that becomes a witch or has witch-like powers are hers to command.

The Witch Queen can attack with a special sickle made from pure moonlight.  It can attack creatures as if it were a +3 weapon.  In her hands, the sickle acts as a sword of sharpness +3 and will do double damage to clerics and magic-users (wizards).  In anyone else's hands, it is only a simple harvesting sickle.  She also may cast spells as a 13th level witch of the Faerie Tradition with the appropriate occult powers.  She knows all the spells of the Faerie tradition and does not need to prepare them beforehand.  She employs a magical cloak that reduces her AC to 0 [19] and provides her an additional +3 to all saves. 

Magical attacks against her have a 50% chance of failure. If a witch casts a spell at her the spell is completely negated.  No witch may harm her via magic or mundane means.

The Queen of Witches appears to be a statuesque, 7' tall, Faerie woman of middle age.  She is beautiful in a wild, uncontrolled way like that of a towering waterfall or a dangerous storm.   Her hair is a bright red that seems to shimmer like flames, glowing brighter as her emotions run higher.  Her eyes are a uniform blue that glows when she casts spells.  Her skin is covered in blue woad designs. 

She rides out at night with her retinue of nymphs and hags on great faries steeds like giant elk or stags searching the countryside for girls to add to her coven of witches and for clerics that honor gods of the sun to kill. 

--

Might tweak her a bit. Have a couple books on Scottish folklore I'd like to go over again. Plus I want to work out her relationship with Scáthach.  Likely Nicnevin is a daughter or something similar. 

https://www.heroforge.com/load_config%3D17900174/

The third of Dario Argento's "Three Mothers" series that began with Suspiria (1977) and followed into Inferno (1980). This one deals with the Mother of Tears, Matter Lachymarum, the most beautiful and cruelest of all the mothers. 

Mother of Tears (2007)

A crypt is uncovered in an ancient Italian graveyard with a coffin and a reliquary.  Inside the reliquary are little stone carvings of demons and a red vest that they keep calling a talisman.  It is sent to the Museum of Ancient Art in Rome to be studied by the curator Michael Pierce. He is out so it is opened by art student (and Pierce's girlfriend) Sarah Mandy (director's daughter Asia Argento).  She lets out some demons that attack and kill her colleague. Sarah manages to escape by listening to a voice that tells her where to go.

Soon Rome descends into violence as more witches from all over the world begin to come to town. We learn that they have heard the call of Matter Lachymarum. She has returned from the dead with her red talisman. Sarah is watched by the police for her colleague's disappearance and by all the witches for reasons we don't know yet.  The voice she hears keeps getting her out of trouble. 

We learn that Sarah is the daughter of a powerful white witch that dealt a serious blow to Mater Suspiriorum (Suspiria). It is implied that she was one of the dancers.  Sarah also has power and that is why Matter Lachymarum is seeking her out. 

The witches coming to Rome manage to kill pretty much everyone that Sarah knows. 

Sarah finds Matter Lachymarum's home and before she can be sacrificed she uses a spear to rip off Matter Lachymarum red talisman and burns it.  All the witches panic and Matter Lachymarum is killed.

--

So. It's not a great movie. There are some good moments. I think what I should do is watch all three back to back sometime to get Argento's full experience.

Asia Argento is not a great actress.  She was ok in this, but someone with more skill would have been better. 

The witches coming to Rome though were great. One of the things I loved here was that the witches all spoke a language they alone understood. I have seen this in Motherland, Coven, and Emerald City.  Now I really want to try and implement it in a game somehow. 

Creating a language though. That is WAY beyond my skillset. 

October 2021
Viewed: 45
First Time Views: 32

It is not often that I bring my Atheism into my posts over here.  I mean in D&D my preferred classes to play are clerics, druids, paladins, and witches; all pretty much the exact opposite of my own beliefs (or lack thereof).   So my blog reading is fairly split between RPG blogs and Science and Atheism blogs. 

It's nice when they combine. 

Case in point with the latest "scandal" with the play "She Kills Monsters."

Briefly, the play, written by award-winning Qui Nguyen,  centers around a recently orphaned girl, Agnes, who wants to learn more about her younger sister Tilly by playing the D&D adventure Tilly had written.  In the process, she learns more about her sister and Tilly's struggles with being bullied for being gay.  The play happens both in the real world of Agnes and the game world where Tilly was Tillius the Paladin.  People from the real world are also represented in the game world. For example, Tilly's girlfriend Elizabeth "Lili" becomes "Lilith" in the game. Cheerleaders are Succubi, and so on.

This in and of itself is worth talking about.  A well-received play featuring how a young woman comes to know her late sister a little more and her friends from playing Dungeons & Dragons. It is sweet and actually wholesome.

So, of course, some religious asshole is going to have a problem with it.

Enter said asshole, Jeff Lyle, and his cult at Good News Gathering. 

I found out about his fuckery from Hemant Mehta over at The Friendly Atheist. I guess for "God" reasons, Jeff Lyle wanted the play canceled. Because that is what religion does.  And he succeeded.  Sot of.

Here is a local news report discussing it. 

It is 2021. Why are LGBT issues still being censored?  Why are Dungeons & Dragons-themed media still being attacked by the right-wing members of the religious community?  

When I say "politics" are an important facet of my gaming THIS is what I mean.  The optics here are...well EXACTLY what we have been seeing forever.  Some white, hetero male sees something HE doesn't like, especially since it is a.) female focused, b.) has magic /occultism/demons involved, and SHOCK c.) might have a LGBT character in it HE decides that NO ONE ELSE can see it either.

That's original fucking cancel culture right there.  

But, just like all great D&D games, when our hero is down the party comes in to save the day!

In this case, the "party" is a Go Fund Me page set up to take the play off-campus so they can still perform it.   As of this writing, it has raised $13,762 of its original $5,000 goal! That is great!

So yeah. If you have a couple of bucks and want to send the message that this is not the Dark Ages, nor the 17th Century nor even 1982 anymore, then give it to these kids.

The Go Fund Me is here: https://www.gofundme.com/f/save-she-kills-monsters-hillsboro

I have seen a lot of attempts of telling the Bathory story.  This one focuses more on the history than the vampire retellings. Though it gets some of that wrong as well.

The Blood Queen (2015)

The acting by the young stars,  Isabelle Allen as Aletta and Lucas Bond as her brother Mischa, is quite good really.  I expect to see more of them in the future.

Equally, Svetlana Khodchenkova is hypnotic as Bathory. Watching her on-screen you really want her to be something other than the monster we know her to be. 

Aletta and Mischa get arrested for being thieves but are soon rescued by the Countess' aides, Dorata and Ilona.  Both children are taken to the castle.

The Countess takes an interest in Aletta, and it is not entirely a wholesome one.  

While Aletta is getting more involved with the castle, and the more Mischa is getting beat up, we discover that kids go missing all the time from the castle.

Mischa is caught stealing Bathory's book and is thrown in the dungeons.  The book is Bathory's diary of the children she tortured, mutilated, and killed.  

Mischa manages to escape and get back to the judge to tell him about Bathory, but the judge decides that Mischa is lying and sentences him to death.    Aletta also tries to escape, thinking that Mischa has left her.  She runs into Katja, the gypsy girl we saw in the beginning.  Katja is Aletta's older sister that went missing the year before.  She had been at Castle Csejte but had escaped.   Katja almost gets away with Aletta, but is killed by Dorata.

Bathory has Aletta chained up above her bath to drain her, but Mischa arrives with Bear, the jailer that Mischa had impressed with his ability to get out of any locks.   Bear saves Aletta, but not before Bathory kills Mischa.  The King's men arrive in time to arrest Bathory. 

After this, the story follows what history tells us.   It's not a bad flick at all, but not a great one either. Light on the explicit horror but heavy on the implied.  They changed Bathory's victims to boys and girls instead of just girls.  I suppose they needed to do this to allow Mischa in.   There was just so much more they could have done with it I feel.

The movie was very stylish. It scene was great to look at and Svetlana Khodchenkova was great as Bathory.  It reminded me a lot of the Daughters of Darkness.  Then I recalled I had a brand new Ultra 4k BluRay I had gotten for my birthday!  I figured I should pop it in.

Daughters of Darkness (1971)

This is still one of my favorite horror films from the 70s. This new Ultra 4k transfer is fantastic looking.  Blue Underground does a great job as always.  This one is a 3-disc set. An Ultra 4k BlueRay, a regular BluRay, and a soundtrack CD.  

I did Daughters of Darkness in 2019. So watching it now I still have my DVD version in mind.  This one is so much clearer, so much sharper.    For example, when Valerie (Danielle Ouimet) is reading the newspaper you can actually see the page she is reading.   The scene where Stefan beats Valerie is also much, unnecessarily so, clearer.  The car crash at the end is so much brighter and clearer you can see all the skid marks on the road from the other takes. 

Plus it is great watching this right after The Blood Queen is kind of fun.  Both movies featured a haunting portrayal of Ezerabet Bathory as a blonde from two fantastic actresses. Both movies also feature her servant Ilona.  

I have not checked out all the special features yet, but they look interesting. There are two features I did check out are the interviews with Danielle Ouimet "Valerie" and Andrea Rau "Ilona."  Danielle Ouimet's was fantastic and a lot of fun.   Andrea Rau's was also great and also great to hear sounding excited in this.   They look like they were filmed in 2006. Both actresses have nothing but wonderful things to say about Delphine Seyrig.

Each time I watch this I am just fascinated by Delphine Seyrig.  She seems like she is much classier than this movie should be allowed to have. I think about a modern remake of this and I can't think of anyone who could play her the same way.  Though I do admit that Svetlana Khodchenkova came very, very close.

Eternal (2004)

I figure lets keep going.  I had seen most of the other adaptations of the Bathory story from her time period, I had often wondered though what filmmakers had in mind for her post-1971.  I guess the answer is "Canada."  Or at least that is the way that filmmaker Wilhelm Liebenberg sees it in 2004's Eternal. Here we get Caroline Néron as Elizabeth Kane aka Erszabet Bathory.  We don't have an Ilona character, well and Irinia, but there is an actress whose real name is Ilona. 

We open with a woman,"Wildcat" played by Sarah Manninen, who goes to see Elizabeth for some pre-arranged sexual hook-up.  Elizabeth promptly kills her and asks her assistant to prepare her bath.

Soon we learn that the woman was the wife of cop, Raymond Pope (played by Conrad Pla). Raymond is not what you call a faithful husband.  He is having sex with another woman (who we learn is Nancy, the wife of his friend) when he gets the call about his wife's car.  Pope goes to see Erszabet/Elizabeth.  BTW Conrad Pla is not a great actor.  His son Joey Pla, who plays his son Nathan, is a better actor.  Now to be fair the role he is playing is not supposed to be subtle.   Caroline Néron on the other hand is much better. 

Ray continues to investigate Bathory while she kills Nancy.   Ray investigates and drinks and spends time in strip clubs while his friend and son's babysitter Lisa is killed by Irina. 

Ray follows Bathory to Venice (despite being wanted for murder and having a kid to watch)  where he ends up at Bathory's house. Here he hunts her down during her orgy but is shot and stabbed.  He is saved by the Interpol Detective he talked to in Montreal, Inspector Thurzo. Somehow Thurzo, who also seems to be a priest of some sort, has everything cleared up for him. Of course like an idiot Raymond drinks the wine Elizabeth gives him. It is hinted he will go rescue her when she is transferred to a clinic in Switzerland. 

The movie is not great, not by any stretch of the imagination. 

October 2021
Viewed: 44
First Time Views: 31

Some movies about one of my favorite mythological figures Lilith.  

Lillith (2019)

Ok, this one is spelled with two Ls and is a bit of a silly movie, but even then there is a good-sized body count.    Jenna played by Nell Kessler discovers her boyfriend cheating on her. She and her friend Emma decided to get some revenge by summoning the demon "Lillith."  Trouble is she never really believed it would work even when she shows up.  Savannah Whitten is so much fun as Lilith.  She brings a real dark sense of humor to the role.  I love the makeup effects they use for her too.

A few other things.  I love the Tarot card they are using here. And 69 action news? Sure why not!

Let's be honest...this is not a great movie, but it is a fun one.  There is a solid vibe here of just a bunch of friends getting together to shot a horror movie.  It is quite fun.

They have/had a good social media presence, so that is also really fun.

• https://www.facebook.com/LillithFilm/
• https://itsblogginevil.com/tag/lillith/
• https://ritterhausproductions.com/lillith/
• https://www.voicesfromthebalcony.com/2021/06/24/lillith-2019-review/

Lilith (2018)

Ok now, this one is 180° from the one above.  This one is an anthology where the central theme is Lilith getting revenge on men who have wronged women. The connective tissue here is Police Detective Ryan Carson.  We see him shooting Lilith (we learn later) in the first scene.

The first story deals with Brook Carson (Brialynn Massie), the detective's teenage daughter.  She is having sex with her teacher and gets pregnant.  Unable to deal she kills herself.  Brooks friends, who abandoned her when she needed them try to blackmail the teacher, but they screw it up. One kid gets shot and the teacher tries to kill the others.  While he is hunting them down Brook comes back, but possessed by Lilith.  She kills her former friends for abandoning her and the teacher.  When she is done though her father sees her and tells her that Lilith will take care of her now.

In the next one Lilith poses as a caregiver for an old man.  She takes on the form of "Joanne" the old man's dead wife. In this one Philip (Vernon Wells) expects her to show up and has been waiting. There is the implication that Lilith is now in charge of Hell.  She kills Philip and Det. Carson shows up later to investigate. 

The next story deals with a guy, Darren (Colton Wheeler), and his porn addiction.  His wife heads out to a religious retreat.  His skeezy buddy convinces him to call this call-girl, who is of course Lilith.  They have sex. A lot of sex. Lilith kills him. Madison, his wife, comes home and finds his dead body posed like Baphomet.  Det. Carson investigates this murder too.

The last story deals with a serial killer Frank (played by Frank Tryon) and he kidnaps Melissa (Kimberly Roswell).  He brings her to his home where he has been torturing her.  Frank is remembering all the women he killed (and their shoes) and is getting ready to dismember a still living Melissa when there is a knock on the door.  It is Lilith (no shock).  Frank tries to drug her, but Lilith manages to switch the drug to Frank's drink. Lilith proceeds to torture him, but sets him free.  Melissa shows up behind him and shoves the drill into him.  Lilith then rips out Frank's heart.   As expected Det. Carson shows up.

The connecting scenes between the stories deal with Det. Carson and a priest trying to trap Lilith, but it is obvious there are in way over their heads.  It is also the least interesting of the tales. 

The makeup effects are kind cool and Lilith is played in each story by a different actress. I admit this is what drew me to the movie to start with. Some of the actors were good, many were only ok.  It was still a fun little romp.  I do love a nice horror anthology.

Lilith' Hell (2017)

This one is a little odd.  It is filmed as a point of view movie staring the "filmmaker" Ruggero Deodato as himself and two others to film a horror movie. I say "filmmaker" since he is playing himself and he is the filmmaker in the movie, the actual director is Vincenzo Petrarolo. Though Ruggero Deodato is an actual director, just not in this one.  He is most famous for "Cannibal Holocaust." This movie is a nod to that,  

The movie is taking place "just outside of Rome" and it is obvious that the filmmakers (in the movie) have no idea what they are doing. 

There is some security came footage, ala Paranormal Activity which could have been scary, but ends up just being tense.  The only scare comes when Marco hides under the bed of the actresses (everyone has to share) and then reaches up to grab Michelle's leg.  Everyone then tries to go back to sleep. Michelle wakes up startled and walks around the house.  She finds Marcond Alberto in the pool and seems to warm up to them. That is until she bites off Alberto's penis. Ryans and Sara find them and start freaking out.  Michelle is nowhere to be found and Alberto is dead.   They find Michelle but she seems all possessed.  She screams, but it sounds like an animal and the security cameras go all weird. 

They stumble into another room that is covered in drawings and runes that look demonic.  The room is connected to the security room where all the cameras are.  They also find the body of Marco's grandmother.  Of course, Ryan is freaking out, but not because of the deaths or the evil room, but because what is they are filming now is better than his movie.  

They find a camera on the ground and play the SD card on it.  There are robbed people in the evil room and they performing a seance to summon Lilith.   She appears to possess the young woman in the video. The men in the video get terrified and try to stop Lilith and Marco's grandmother, but they all end up killing each other, leaving the possessed girl tied up in the room.  They realize she is still there, and she begins to scream.   It looks like the girl, Linda, is ok, and in pain, and only Sara seems to understand what is going on.  She demands that they tie her up since Lilith can possess her.  Though in their excitement to find a phone and call the priest they let Sara loose.

Credit to Manuela Stanciu who plays Michelle as a vapid actress wanting drugs, to a scared woman, to a demon-possessed monster.  Her exorcism scene is quite good.  Joelle Rigollet also does a great job as Sara, the make-up artist that knows a lot about Lilith.  Speaking of make-up, her running and smeared mascara is a great touch. 

--

What do these all have in common?  Well, they get a lot of it right at least in terms of popular cultural understanding of Lilith.  In two of the three cases, priests are unable to exorcise her.  In the 2017 movie, he says it is because she is Sumerain and can't be removed.  She can charm with her eyes and get men to do what she wants.  She only possesses women, but that might be a personal preference.   When she does her eyes turn yellow or gold. 

None of the movies were "great" but all were fun and I honestly enjoyed them all. 

October 2021
Viewed: 41
First Time Views: 28

Soon after I posted my discussion on Aliens and Horror for use in sci-fi horror and in BlackStar in particular I found a wealth of information.  Here are the fruits of those findings.

Whisperer in the Outer Darkness

I see this as the "second" episode of the season after the two-parter "The Stars Are Right" that introduces the Cthulhuoid Horrors we share space with. 

The crew gets new orders from Starfleet.  They are to pick up a professor Alyson Wilmarth.  While setting up a new subspace relay on Pluto the Starfleet Corp of Engineers uncover two startling discoveries.  The first is the remains of a Tellarite survey team that dates back to the early 20th Century, circa 1930-31.  The second is what the Tellarite's were investigating.  The remains of a small outpost of any unknown civilization that dates back to 12 million years ago.  Among the remains are a frozen Danuvius guggenmosi, a human ancestor from the Miocene.   Artifacts from the civilization bear a resemblance to other artifacts found on Earth in the Andes, Appalachians, and Himalayas mountain ranges.  Dr. Wilmarth is an expert on these.

Naturally, Starfleet contacted Tellar Prime about this to see what they knew, and maybe figure out what they were doing on Pluto in the 1930s.  This puts Dr. Wilmarth in contact with Dr. Akeley, her counterpart in the Tellarite College of Exoarcheology.  Dr. Wilmarth was scheduled to take a sabbatical and head to Tellar Prime when the term was done.  Dr. Akeley, in typical Tellarite fashion claims he can't wait for her and takes their data and heads out to a remote system he thinks has the answers.

Once on Tellar Prime, we learn that the Tellarite name for Pluto is Yuggoth, though they claim that name was not one they made up, but what they were able to decipher.  Much like Earth, there is evidence of this unknown species having lived on Tellar Prime, the 5th planet on the 61 Cygni/Tellar system.  The Tellarites wanted to know how artifacts from Yuggoth got to Tellar Prime.

The crew, with Dr. Wilmarth still in tow, head out for the remote system discovered by Dr. Akeley.

<<I'll add some bits about getting to the planet, the tech on the planet here.>>

They discover Dr. Akeley, but he is acting with a flat affect is very polite to everyone (should be a dead giveaway that something is wrong).  He claims to have been in contact with the civilization, the Mi-Go, and they are friendly and only wish to share their secrets of over 70 million years of space travel with the Federation.  Akeley of course has stayed hidden in the shadows this whole time.  When he is confronted they will discover the entire back of his skull has been opened and "scooped" out.  His brain and eyes are gone.  The look is similar to the original Tellarite masks on The Original Series that made their eyes look like they were missing.  Only a tiny device is left in his otherwise empty skull.  It is apparently "piloting" the body.

Here the ship is attacked by Mi-Go.  They can't appear on sensors and are only known by the gravity they displace when they land on any deck with artificial gravity. 

I am certainly going to use some ideas from Forbidden World even if it is just to model a Mi-Go creature from the movie poster.  I like the idea of a human/Mi-Go hybrid that can talk.  Maybe it will have Dr. Akeley's or even Dr. Wilmarth's face.  Recreate the poster art, but not the movie, Galaxy of Terror.

I still need to come up with a resolution for this. What do the Mi-Go want? How does the crew "defeat" them? Still need to work out those details as well.

This will be a good test of Star Trek Adventures mixed with Achtung! Cthulhu 2d20 both from Mōdiphiüs.

Every year I try to work in at least one Jean Rollin film. They are usually not great but usually fairly fun. Tonight's choice is one that has also been on my list for a bit and thanks to fine folks at Redemption, I now have my own copy.

The Demoniacs (1974)

We begin the movie with an introduction to a group of "Wreckers" I guess these were people that would shine lights out into the sea at night to "wreck" ships on the rocks and steal their cargo.  The Captain, Le Bosco, Paul, and the "beautiful but perverted" Tina.

After a recent wrecking, two young women survive and come to shore where they are brutalized by the Wreckers.  

The crew heads to the village brothel to drink, and the Captain gets all weird and paranoid.  They decide to go back to the wreck and kill the women.  They set fire to ship but never find the bodies.

The girls, believed to be dead, make a deal with the Devil, who is locked in an old castle for some reason, to have the power they need to get revenge.   Of course to give them the power he has to have sex with them.

Though I am not exactly what power he gives them.  They find the Wreckers, but it seems they are brutalized some more and all six die in the end.

Well.  I suppose it could have been worse. It could have been Jeunes filles impudiques, aka Schoolgirl Hitchhikers, which was just dreadful.

Red Scream Vampyres (2009)

Caught this one streaming after I was done with the Demoniacs BluRay.  Needed something a little newer. Well. I am really disappointed and should have gone to bed instead. 

Earlier I was complaining about the "Daughters of the Craft" movies. Well, I'd take the worst Craft remake here over this bottom basement "Vampyres" remake. I have seen terrible remakes of Vampyers before, this one is unwatchable.

October 2021
Viewed: 38
First Time Views: 25

It's October and that means horror here at the Other Side. It also used to mean horror in the pages of Dragon Magazine.  While the horror-themed issues would not start in earnest until the mid- and late-80s, this little gem of an issue was released in November of 1980.  

Let's put this all into context.  Holmes Basic was the D&D people were going to now to get started. AD&D was about to hit its highest levels of popularity.  The famous Moldvay Basic set was still a year away from publication.  Personally, I had just learned of the Monster Manual a year before and had gotten my hands on a shared copy of Holmes Basic that had been making the rounds.  I can vividly recall riding my bike to the burned-down Burger King in my neighborhood thinking it would make a great dungeon.  Ok. I was 11.  I wonder how things might have been different if I had gotten ahold of this issue before Dragon #114 (for reasons that will be obvious)?

But let's start at the beginning and that is November 1980. Queen's "Another One Bites the Dust" is the #1 song on the radio.  The Awakening is the number one movie and on the stands is issue #43 of This Old Dragon.

One of the real joys of reading any old magazine, and reading Dragon in particular, is seeing all the old ads.  

Ral Partha, a huge favorite, is up with some of their boxed board games. Here we see one that would vex me for years, Witch's Cauldron.  I mention it more below, but here is the start of what would become my "Traveller Envy."

A couple of things I noticed right away.  One, I tried reading "The Dragon Rumbles" a couple of times and I still am not sure what it was trying to tell me.  Maybe it's because I am tired.  The second one of the featured artists in this issue is Ed Greenwood.  He really was doing it all.

The grinning hag cover art was done by Ray Cioni, a Chicago artist and we are told there are more color pages in this issue of Dragon than any other.  This includes the witch art from Alan Burton and pages of Wormy and Jasmie from Tramp and Darlene respectively.

Out on a Limb covers the questions of the time. Where can I get a copy of Issue 39? Do Angels have psionics? It is continued later in the magazine. Breaking up longer articles was more common then.

Our main feature is Brewing Up A New NPC: The Witch.  This is an update to the witch found in issue #20. Though the presentation is better here.  There is a lot here to unpack.  This article is written by Bill Muhlhausen, revised and edited by Kim Mohan and Tom Moldvay.  The witch here is very similar to the one found in Dragon #114.  Again, we get Low Order Witches limited to 16th level and High Order Witches limited to 22nd level.  I wondered if this was related to the 22 level cap found in the Greyhawk supplement.  The class reads through much like that of #114 and I am hard-pressed to find the exact differences. The article covers several pages.  I have had a fairly poor photocopy for years in my research binder. It was a thrill to finally read it again, this time with color, on the Dragon Magazine CD-ROM.  Now I have a print copy.

 The true gem for me is The Real Witch: A Mixture of Fact and Fantasy by Tom Moldvay.  This article covers what a witch could be in D&D.  It is only half a page but is punching way above its weight class and I reconsult it often.  With Holmes' "promise" of a witch class and Tom Moldavy Basic about to rock my world in just one year's time, I have often (and I mean all the time) wondered what a Basic witch might be like as penned by Holmes or Moldvay.   I have mine, but they are my witches, not theirs. Especially a couple of scholars like them.

Jake Jaquet is next with the Convetions 1980 report.  It was a pretty good year for cons.   Speaking of which Dave Cook reports from Gen Con XIII with Survival tips for the Slave Pits.  And a report on the winning Dungeon Master of the tournament play, in  He's the top Dungeon Mentzer with none other than a very young-looking Frank Mentzer.

Sage Advice covers some AD&D questions that really are new.  A brief article on D&D in Germany from a West German player.  West German, I have not had to write that in a while. 

There is a six-page questionnaire/survey to determine how good of a DM you have.  It is more of a self-guide to help the players figure out what their DM is or can do for them.  It is a tool for discussion, not actually dissimilar to the RPG Consent list.  The difference lies in who should have the supposed power in this structure.  

Len Lakofka is up with his Leomund's Tiny Hut discussing Action in the Meele Round. It is always nice to go back to these and read not just what the official interpretation of the rules are/were but what were the areas where they were ambiguous.  41 years and 4 other editions later we lose track of these things.

We get some more color with the Dragon's Bestiary.  Not only color but Erol Otus art at that.  One of the "monsters" is an Amazon.  This is not the first time we get a witch and amazon connection. There is art in the OD&D books of a "Beautiful Witch" and an Amazon together.   It is one of the reasons I like to include Amazons in my witch books.  Both for the Cult of Diana and the duality of magical and martial qualities.   

I didn't find the other two monsters, the Tolwar and the Lythlyx to be as interesting. Though I did find the Ed Greenwood art credit. He created the text and art for the Lythlyx.

Philip Meyers discusses illusions in Now you see it . . .but is it really there?.  I wonder that if Dragon #43 had been my first Dragon about witches and not #114, would my witches today have more illusion spells?

Ad for the 1981 Days of the Dragon calendar. If you can find one it will work for 2026 as well. 

For our big center-piece is a Traveller adventure called Canard from Roberto Camino. I have read through it a couple of times and it looks fun. I might need to use this Summer of 2022 when I plan my big outing for Traveller.   

Speaking of Traveller.  The reviews section is next and Roberto Camino is back reviewing the latest Traveller product Azhanti High Lightning in Azhanti: Almost too Creative.   This is likely the start of my Traveller Envy.  This was popular among the "older kids" that played Traveller a lot and it just looked so cool to me. It's a game all by itself AND it is a supplement to the main Traveller RPG.    

Douglas P. Bachmann reviews SPI's DragonQuest.  While he is not a fan of the ad copy hyperbole, he does make me want to try out this game even more.  Though we are warned that with the supplements then planned that DragonQuest could end up costing you $94 to #98 to play. A very expensive game!

A reminder of our forebears is next from Bryan Beecher in the next in his series of Squad Leader articles, #5: The Fall of Sevastopol. This one deals with a battle between the Russians and Germans in the late Spring of 1942. The DM I would meet the very next year was WAY into Squad Leader and tried to get me to play a few times.  He drifted away from RPGs eventually and even deeper into Wargames and Reenacting.  Not my bag, but I could see how he enjoyed them.  This was the DM that ran me through the Slave Lords series years ago. 

An opinion piece is up from Larry DiTillio.  The same that worked on He-Man and She-Ra as well as the Masks of Nyarlathotep.  The article, Apples, Oranges, Role-playing, and Morality, replies an article (in Dragon #39) by Douglas P. Bachmann on morality in fantasy. This article works on the premise that Mr. Bachmann did not truly understand the game worlds and the responsibility of DMing.  It's hard to evaluate this response without reading the first, but there are some interesting takeaways. There is room in AD&D (and other RPGs) for both DiTillio's world and Bachmann's.  As AD&D  game progresses with a good DM there will be other solutions to deal with problems other than with "the sword" (Witchlight is a good modern example).

Hate Orcs? You'll Love this Campaign by Roger Moore details his ideas for an all dwarven game in AD&D.  Now this might strike newer players as odd' not because of the all dwarf nature, but because back then in AD&D dwarves had class limits making it a different sort of challenge.  For example there were no Dwarven wizards.  While I like the newer versions of the game and can choose any class, I personally still find Dwarven wizards a little odd.  BUT that is not the point of Moore's article. His point is how to make it work in spite of the rule of rule limitations. 

Out on a Limb continues. We get a letter from an "E. Gary Gygax" from Lake Geneva, WI. He addresses an article from Dragon #40 about buffing up undead. This Gary guy seems to know a thing or two.

The Electric Eye covers Four From Space on Tape by Mark Herro. What we have are four different space-themed computer games on one cassette tape. I am not going to be all "well..back in my day computer programs were on cassette tape and you had the CLOAD them before you could play..."  No instead I want to reflect on two things.  First. Wow, have we come a long way!  These game were designed for the TRS-80 Level II Basic on a 16k computer.  16k! As of right now this post is 8.5k and takes up 12K of disc space.  One of my new hardware projects here at home is rebuilding a TRS-80 Color Computer 2 (with a HUGE 64k).  Let's pause a moment and be impressed by how far technology has come since the 80s.   The second point is, wow, companies really were fairly open about their copyright infringement back then.  This cassette has four games, Ultra Trek (Star Trek), Romulan (also Star Trek), Star Wars (what it says), and Star Lanes which was an outer space stock market.

Dragonmirth is next with the comics. In our color section, we get Finieous Fingers, a Wormy, and Jasmine.  The art in Jasmine is so different from anything else here. This is of course thanks to artist, cartographer, and under-sung hero of the World of Greyhawk, Darlene. I think Jasmine was too "adult" for the target audiences of Dragon at the time. Not "Adult" as in nudity (we have a bare ass on page 70, six pages before this) but in content. The art is fantastic, but the story doesn't pull you in, at least not unless you were there in the start.  Sadly Jasmine was cut for space, but I would like to do a retrospective on it someday.

Really one of the great issues for me and it captures a time, for me at least, where there truly was no end of the possibilities in sight. 

Minus Issue #5 (but represented my Best Of Vol 1) I have all the published Dragon Magazine Witches.

I am not going into this one with very high hopes.  It deals with demons, witches, and Ron Perlman.  

5ive Girls (2006)

The movie begins with Ron Perlman as Father Drake.  He is the teacher of a Catholic girl's school, St. Marks.  One of his students, Elizabeth, is drawing a scene from the Bible where Jesus casts out the Legions of demons (is Legion the number or the name? Sunday school was a long ass time ago).  Anyway, while Drake is talking to some students, Elizabeth starts to hear voices.  Soon the door slams shut and she begins hearing the voices of demons.  Drake finally gets into the room, but Elizabeth is gone, leaving only blood.

Five years later, the school reopens with just only five students and recovering drunk Father Drake.  The newest girl, Alex, is a witch with TK and can hear voices coming from nowhere. She also sees Elizabeth walking around the halls.  The other girls also experience strange happenings.  Leah passes through a filing cabinet.  Cecilia is blind but has second sight. Connie is a Wiccan.  Not sure what Mara does other than being a pain in the ass.  No, actually her power is healing by touch. 

Former student and current head Mistress, Miss Anna Pearce played by Amy Lalonde, also can see Elizabeth.  She tells her she is trying to help her.

We get typical Catholic School Girl shenanigans. Spanking with a ruler, girls sneaking off to smoke, breaking into the third floor.  While there they find a pentagram in a magic circle. At the same time, Miss Pearce is casting a diabolic spell to try and free Elizabeth with the other five girls as the sacrifices. 

Elizabeth, or a demon, is summoned and lands in Connie, but Mara is able to heal her.   Alex discovers a book belonging to Elizabeth. 

The next day a possessed Connie tries to kill Leah and then vomits a bunch of demons into her.  The girls realize right away that Leah is possessed. Leah confronts Father Drake and he tries to exorcise her, but she stabs him with the crucifixes instead.  We learn that Miss Pierce is Elizabeth's sister. 

Legion jumps from girl to girl, killing them along the way. 

The ending is kind of neat with the demon made of blood. But otherwise fairly derivative and predictable. 

About the cover. In this movie when you get possessed your eyes don't go all black, but all white.

--

Ok, I think I need to create a category of movie, Daughters of the Craft.  These are movies made after 1996 with teen witches, usually four, sometimes five. One should be good and one should be evil, or at least misunderstood. The filmmakers obviously loved the Craft and thought that was the movie they wanted to make.  I'll go back and see which ones fit it. 

October 2021
Viewed: 36
First Time Views: 23

While "The Wild Beyond The Witchlight" has a lot going for it the reason, well one of the reasons, I really wanted it was because we were getting some official D&D 5th Edition stats to some classic NPCs, in particular, Skylla and Kelek two "iconic" characters that I am using in my War of the Witch Queens campaign. So I want to look at these old friends and maybe a couple of new ones too.  I'll leave poor old Thaco alone with his pipe and bitterness today.  Plus it is October and Horror month, so I really just want to talk about my favorites, the bad guys.

Who Are These Characters?

Long before the use of the term Iconic Characters to refer to reoccurring D&D characters in publication, there were names like Warduke, Strongheart, Ringlerun, and Kelek.  They appeared in the AD&D toy line from LJN and in other media including coloring books, stickers, adventures, and sometimes even the Dungeons & Dragons cartoon.   It is also one of the reasons why I have to laugh when people today will see a stuffed Owlbear and complain that "WotC is selling out and ruining D&D."  They must have forgotten the Official Advanced Dungeons & Dragons™ Yoyo or Sunglasses.

Of all of these characters, there were a few standouts who got extra attention.  Ringlerun, the Good Wizard would be the cover boy for the Jeff Easley recover of the AD&D Player's Handook, although many at the time did not see the connection.  Kelek and Warduke would go on to get a guest spot on the D&D cartoon.  Warduke in particular would go on to be a minor celebrity in D&D iconic circles, getting 1st Ed (well...Basic really), 3rd Ed, and now 5th Ed Ed stats.

We would get all their official D&D Basic and Expert set stats, not AD&D, in the product AC1 The Shady Dragon Inn.  This was sort of a Rogues Gallery for BECMI D&D. You can read my review of it here. 

What I would like to do here today is compare these characters from the Wild Beyond the Witchlight to their Shady Dragon Inn and Quest for the Heartstone counterparts. 

The League of Malevolence

Heroes are great, but give me a "good" villain any day of the week.  Here are five iconic D&D villains. I will compare them to their D&D Basic versions to see what has changed and what has stayed the same.

Kelek

First up is the leader of the League of Malevolence, our Legion of Doom for D&D.  All these characters are Chaotic Evil which tracks well to their original alignments of Chaotic.  

In Basic D&D Kelek was an "Evil Sorcerer" of course at this time a "Sorcerer" was the level title for a 7th level Magic-user.  In 5e his class has become a Sorcerer.  This actually make a lot of sense and I approve of this change.  His stats are pretty much the same from edition to edition with the exception of his Charisma which goes from 7 to 17.  Charisma is the "prime" stat for sorcerers. Here he is described as a sociopath. That tracks with how I have seen him in the past. 

Part of this adventure is searching for a lost Unicorn horn. Well that was more or less the plot of the only D&D Cartoon to feature Kelek.  If nothing else I am saying he is still after unicorn horns. 

Skylla

Ah. My beloved Skylla.  I was the most excited and the most worried to see what the Wizard's dev team was going to do to you.  I have to say I am not disappointed. In Quest of the Heartstone, she is listed as a 6th level Warlock. Again, this time "Warlock" meaning 6th level magic-user. I do note that the TSR team avoided calling her a "Witch" at the time. Likely due to the Satanic Panic (but Warlock is fine?).  Like her former boss Kelek, the level title is translated to Class here and she is a 6th level Warlock. It fits well if you ask me. 

Skylla's stats are mostly the same with some tweaks to improve what she needs to be a Warlock.  Though the best changes are in her background.  For starters, her patron is not a demon (like I did) but rather with Baba Yaga (like...I did).  Additionally they tackle the Skylla/Charmay art issue head-on as sometimes Skylla goes by the name Charmay.  It's different than what I do with her, but it works out fine in my mind.

For the record, they got Skylla as close to a "witch: as D&D 5e's rules will currently allow.  I think they did a great job with her.  Kelek too.

Warduke

I do have to ask. Why does everyone like this guy so much? I never quite got it, but hey someone out there is looking at my nearly 30 posts about Skylla and scratching their head. 

That all being said, Warduke here is fairly impressive. I think the fans will be happy.  His stats are all the same in both versions.  His Dread Helm in Basic gave him Infravision to 60'.  The D&D 5e version only makes his eyes glow red.  Well, as I have said many times, I have a pencil.

Zarak

The half-orc Assassin was just an odd dude in Basic D&D that didn't have half-orcs as monsters, let alone as a character race, nor did it have assassins.  Yet there he is on page 18 of my Quest for the Heartstone. In D&D 5 he also has some strangeness. He is a full orc here BUT he is a short one to fit the AD&D/D&D Basic orcs.  Though he is still a Chaotic Evil Assassin.  His Dexterity gets a buff in 5e, but he loses his "boomerang" dagger!

Zargash

The evil cleric is back.  He is 7th level, so that makes him an evil Bishop. Zargash is still Chaotic Evil and he worships Orcus. Stats are tweaked a bit, but otherwise he is largely the same.

Missing Evil Characters™ include, Grimsword (Evil Knight aka Anti-Paladin), Zorgan (Evil Barbarian) and Drex (Evil Warrior) all from Quest for the Heartstone. Fox Fingers (Thief) and Raven (Evil Cleric) from Shaddy Dragon Inn.  In might be fun to make Raven. She is evil (but maybe not totally), and in love with Warduke. She was once friend with Mericon. Who is up in the next batch.

Valor's Call

Our group of good hereos had the real chance of being boring on one hand and overly sanctimonious on the other.  Thankfully were spared the worse.  They are not as interesting as our bad guys, but they are still fun and there are still some tweaks that make them worth reading and using.

Elkhorn

Our Lawful Good dwarf might have been one of the more popular figures right behind Warduke.  His stats are the same in both versions.  I do like how they took an essentially blank canvas and made a dwarf that is not a Flint Fireforge clone or a Dime store Thorin and gave him some goals.  He is a staunch enemy of evil.  If Strongheart is the founder of Valor's call, then Elkhorn is its heart.

Mercion

Ok. She is no Aleena, but Mercion is the cleric of the group. Her stats are tweaked a bit to give her better Strength and a higher level, but the Mercion in 5e is much more interesting.  In what I feel is a real homage to her Basic D&D roots, she does not worship a god but rather an ideal. She believes that truth gives life to artistry and beauty.  It's kind of a cool concept. If I were to use her as an NPC I would make sure she never lies about anything, ever. In fact, the brutal truth is better for her than a sweet lie. 

Molliver

Molliver the good thief was not in the Shady Dragon Inn product but can be found in the Quest for the Heartstone. In Quest no gender is given for Molliver, so in the 5e book their pronouns are "they."  I like it. I like it because a.) it works for the character and b.) it will certainly piss off the ones that need pissing off.

Molliver is also the only Chaotic Good member of the party. A "Lawful" thief does not make much sense really. Stats are largely the same with a buff for Dex. They even have their boots of levitation, handy for a thief.  

Ringlerun

Our Lawful Good Wizard from Basic remains a Lawful Good Wizard in 5e.  Never as interesting as Kelek, Elminster, or Mordenkainen he was on the cover of the Player's Handbook and a popular figure. 

His arm must be tired

He is still largely a generic wizard. He has kind of a James Randi in his later years look about him.  In my games he is dead; died of old age, but that doesn't really make sense for a wizard I guess.  I have some ideas forming that I might explore later.  Or not. After all he was never very interesting.

Strongheart

If I have one purely AD&D gripe it is that I rarely see anyone playing a paladin a good way.  "Sanctimonious Asshole" is not a Paladin. Neither is "Grim, tortured because there is so much evil in the world" isn't either.   I was worried that Strongheart was going to fall into one of those two camps. Or even worse, weak Sturm Brightblade clone.

Thankfully, that is not what we got. Instead, 5e Strongheart is the kind of paladin who is all about "we should get together to defeat evil because there is so much good in the world to enjoy!" He makes a good leader.  Again his stats are slightly tweaked to give him a better Strength (13 to 15) which, by the way, his D&D Basic stats were not good enough to make him an AD&D Paladin!

He was the character I was prepared to dislike the most (I have played paladins in EVERY version of D&D) and his actually was pretty cool.

It is mentioned that there are more characters in Valor's Call, off doing Good elsewhere.  They do have a solid feel of "The Superfriends" here. Not s big surprise I guess. Potential other members from Quest of the Heartstone include Peralay (Elf Fighter/Mage), Figgen (Halfling Fighter or Fighter/Theif), Deeth (Fighter), Hawkler (a totally NOT the Beastmaster Ranger), Bowmarc (Good "Crusader") and Valkeer, a half-giant warrior.  Of these Valkeer might the most fun to update to 5e.  Of these Peralay also appears in The Shady Dragon Inn.  

Other NPCs

There are plenty of other really interesting NPCs in this book.  Many I plan to lift and convert back to D&D Basic for use in my War of the Witch Queens campaign.

Burly the Hobgoblin

Before D&D, a hobgoblin was more a trickster as exemplified by Puck or Robin Goodfellow. In Witchlight we have Burly a Neutral Good Hobgoblin.  Ok, I'll go with that. My favorite bit is he is a hobgoblin who wears a pumpkin on his head.  Now, where have I seen that before?

Bugbear. Hobgoblin.  The differences are largely academic.

Likewise, Chucklehead is a goblin with a  head shaped like a taffy apple.

Iggwilv the Witch Queen

Yes! Getting Skylla was one thing, getting a new Iggwilv?  That's just crazy good.

This is Iggwilv after she has left the Abyss and has been hiding out in the Feywild for centuries. Here she is also known as Tasha, Natasha, and Zybilna.  There is an interaction here with Kelek that plays so well into my plans it is hard not to use it all.  There is an interesting Maiden-Mother-Crone aspect of Iggwilv here in the form of Tasha-Zybilna-Iggwilv.

Now I am perfectly happy with the formerly Chaotic Evil Iggwilv becoming more Chaotic Neutral as time goes on.  What I am not 100% sure about is her desire to abandon all her research on the Abyss and Demons in favor of learning about the Feywild instead.  But...I can live with it.

The Hour Glass Coven

I like them. Very interesting bunch of witches and hags.

The Minis

This is such an interesting group of NPCs it makes sense that there is also an equally interesting group of minis to go with them.  Sadly the supply chain breakdown has pushed many of these minis till 2022.  But I am really looking forward to them.

Kelek
Skylla
Zyblina

Looking forward to them.

I started watching 1988's The Unnamable tonight thinking for sure I had seen it.  Started it, couldn't remember it, then realized I had seen it.

The Unnamable (1988)

So there must be an unwritten rule that all modern adaptations of H.P. Lovecraft must take place in or around Miskatonic University and/or Arkham. After all, it makes good sense and if I were a filmmaker it is what I would do as well.  Of course, it doesn't mean you always have to do it.

Case in point there is almost more about M.U. here than there is about the titular monster/character here.  We get glimpses into the undergraduate life, the student body (and bodies), even people majoring in things other than medicine and the dark arts.  But all of this is just fluff for the main story.  Again a common problem, how to make a full-length movie out of a short story.

This one features Lovecraft's reoccurring protagonist Randolph Carter (this time played by Mark Kinsey Stephenson).

It is typical late 80s fare. Lots of gore. Lots of implied sexual antics.  

In this second viewing (or third, who knows) I can help but think Randolph Carter here is kind of a jerk. By the time he comes around to helping anyone half the cast is dead. Yeah, it's a horror flick people are going to die, but his laissez-faire attitude borders on sociopathic negligence rather than a cool distance.

I wanted to also watch The Unnamable II but I can't find it anywhere.  This is also a problem I am having with other Lovecraft-based flicks.

October 2021
Viewed: 11
First Time Views: 4.5

Ok. I can already tell that a Lovecraft film-fest is going to be rough.  Lovecraft's writings rarely translate well to the screen, this one is no exception.

The Thing on the Doorstep (2014)

This one looks like it was a student film, except everyone looks too old to be a student. 

The story sort of follows the Lovecraft short story, updated to modern times.

The cast is all unknowns. For most of them, this is their only film credit.  

The filming has an odd sepia tone to it that I thought was more than a little annoying. It certainly gave it a solid straight-to-video vibe about it. 

Again this video commits the worst sin a horror movie can; it was boring. I made it halfway through and ended up fast-forwarding to the end.  I am sure I missed nothing.   But given that I can only give myself half a point.  

October 2021
Viewed: 10
First Time Views: 4.5

"Son, she said, have I got a little story for you
What you thought was your daddy was nothin' but a...
While you were sittin' home alone at age thirteen
Your real daddy was dyin', sorry you didn't see him,
but I'm glad we talked...

Oh I, oh, I'm still alive
Hey, I, I, oh, I'm still alive
Hey I, oh, I'm still alive."

Pearl Jam, "Alive" (1991)

It's October. There's a chill in the air and there is a feeling in the air. Something that makes me reflective, chilly, and maybe a little melancholy. Sounds like the 90s to me.  There is also a game that captures this feeling perfectly.  Bloat Games' newest offering in the SURVIVE THIS!! series; We Die Young RPG.

I have been waiting to share this with you all and today is that day! 

We Die Young RPG Core Rules

"Tell me do you think it would be alright If I could just crash here tonight?"

We Die Young RPG Core Rules is 372 pages with color covers and black and white interior art.  The book is digest-sized, so the same size as Bloat Games other games.  The game was Eric Bloat & Josh Palmer with art by Phil Stone and additional art by RUNEHAMMER & Diogo Nogueira.

For this review, I am considering the just-released PDF on DriveThruRPG that I got as a Kickstarter backer.  The print book is due out soon.

Comparisons between this game and their first game, Dark Places & Demogorgons are natural and I think needed. I spent a lot of time with DP&D so I am looking forward to seeing how I can use this game with that as well. But first, let's get into the game proper. 

The book begins with two dedications from the authors.  I want to repeat them here since they set the tone not just for the game but also for my review.

Growing up in the 1980s was fun.  Being in my late teens and 20s in the 1990s however, was AMAZING.  January 1990 I was a university undergrad, living in the dorms with a girlfriend that driving me crazy (not in a good way), but a best friend I hung out with all the time.  December 1999 I was married to that best friend, I had a brand new baby son, living in my new house, and was working on my first Ph.D.  That's no small amount of change.  But I never forgot that kid in 1990 with the flannel, goatee, Doc Martins, and long hair. This is the game for that kid.  BTW "Layne" is Layne Staley, the former lead singer of Alice in Chains who died of a heroin overdose in 2002.  If you can't remember EXACTLY where you were when you heard Layne, Kurt, Shannon, or Chris was dead, then this game is, to turn a quote "not for you."

Introduction

"With the lights out, it's less dangerous. Here we are now, entertain us."

Here we are introduced to the newest SURVIVE THIS!! game. The authors are upfront about their inspirations here; grunge music from the 90s and the games that were popular at the time.  Having already gone through the book a few times it is a thread that weaved in overt and subtle ways, but it never feels overused, hackneyed, or clichéd.  We are given some in-game background for why the Pacific Northwest is so full of supernatural strangeness and it is a fun explanation.  But to quote the late, great Bard of Seatle I prefer it "always been and always be until the end."  But it works well. 

The basics of RPGs are covered and what you need to play.  Next we get into character creation.

Character Creation

"I'll be whatever you want. The bong in this Reggae song." 

Character creation follows the same process as other SURVIVE THIS!! games and by extension most Old-School games. We are told from the word go that we can add material we want from the other SURVIVE THIS!! games. 

Attributes are covered which include the standard six, plus the "Survive" attribute common to all SURVIVE THIS!! games.  My first thought?  My Dark Places and Demogons characters have grown up and moved to Seatle.

Like the other games in this family, Hit Points start with a 2d6 and increase by 1d6 per level regardless of class or race.  Combat can be quite deadly in these games for people used to the hardiness of even Old-School D&D characters.

Saving Throws are different from D&D but the same as DP&D with the edition of the Magic save.   This does make porting over characters and ideas from the other games pretty easy.

Alignment covers Righteous, Law, Neutral, Anarchist, and Evil. 

Races

"All I can say is that my life is pretty plain, You don't like my point of view and I'm insane."

Here we get into the really new material. We have a bunch of new races for this setting.  These include shapeshifting Doppelgangers, undead Ghouls, garden variety Humans, the immortal Imperishables, the ancient undead Jari-Ka, the various Realm-Twisted Fey (my new favorite, and I am sure I dated a Twitter Fey back then), Vampires (sparkles are optional), and Were-beasts of all stripes.  If you played ANY RPG in the 1990s you know what you are getting here, but still, they manage to make it feel both new and old at the same time.  New, because there is new potential here and old because they feel comfortably familiar; like that old flannel in the back of your closet or those beat-up old Doc Martens.

The races are well covered and you could easily drop them into any other SURVIVE THIS!! game or even any other Old-School game. They are really quite fun and I could not help but think of what characters I wanted to make with each one. This covers about 40 pages.

This is followed by a list of occupations with their bonuses. 

Classes

"This place is always such a mess. Sometimes I think I'd like to watch it burn."

We Die Young is a class/level system.  There 16 classes for this game.  Some look like repeats from DP&D but are not really.  They are updated to this setting and older characters.  We are told that classes from the other SURVIVE THIS!! games are welcome here.

Our classes include the Mystic (tattoos mages), Naturalists (potheads, I mean druids), Papal Pursuant (soldiers of God), Psions (Carrie), Revenant (Eric Draven the Crow), Riot Grrl (what it says on the tin), Rock Star, Serial Killer, Shaman (oh here are the potheads), Sickmen (homeless, as seen by Sound Garden), Street Bard, Street Fighters, Thralls (Vampire servants), Tremor Christs (psionically powered religious prophets), Warlock (steal power for otherworlds), and what I can only assume is an attempt to get a good review from me (just kidding!) the Witch. 

The witch here is slightly different than the ones we find in DP&D.  So there can be no end to the witchy goodness you can have by combining games. 

That covers a healthy 50 pages.  

Skills

"And so I wake in the morning and I step outside, And I take a deep breath and I get real high.
And I scream from the top of my lungs. 'What's going on?'"

The skill system for We Die Young is the same as DP&D.  Though without checking it feels a bit expanded.  You get points to put into skills and there are DCs to check.  Very 3e.  Or more like 3e IF it had been written in 1995.  So, yeah, another solid point for this game. 

Magic (& Psionics)

"Show me the power child, I'd like to say. That I'm down on my knees today."

Here is one of my favorite things in a game.  There is a mythos added to the system here that is rather fun (see Spellcasters & Salt) as well as rules for Rune-Tattoos.  Yeah, this is the 90s alright! 

Now I have to say this.  If adding a witch class is trying to get me to do a good review, then these spell names are outright flirting with me.  Spells called "All Apologies", "Heaven Beside You", "Black Days", "Wargasm", "Super Unknown", and "Far Behind"?  Yeah. That is hitting me where I live.  And that is only the very tip of the iceberg.

Magic, Spells and Psionics cover a little over 60 pages and I feel they could have kept going.

Equipment

"What did you expect to find? Was there something you left behind?"

No old-school flavored game is complete without a list of equipment. This includes common items, weapons, and even magical items.  Don't fret, it's not like there is a Magic Shop there. A "Health Locker" costs $50k and that is if you can find one. 

The list of drugs is really interesting and fun.  Look. It was the 90s. Everybody was taking drugs. 

New to this setting are the Zapatral Stones.  These are the remains of a meteorite that fell to Earth and hit the Pacific Northwest and Mount Rainer in particular.  They have strange power and effects depending on the size of the stone and the color.   

Playing the Game

"Whatsoever I've feared has come to life. Whatsoever I've fought off became my life."

Here we get our rules for playing the We Die Young game.   We get an overview of game terms, which is nice really. New rules for Curses, Exorcisms, and Madness are covered. It looks like to me they could be backported to DP&D rather easily. 

There is a fair number of combat rules.  Likely this has come about from the authors' experiences with their other game Vigilante City. 

We also get rules for XP & Leveling Up and Critical tables.

The World of We Die Young

"I'm the Man in the Box. Buried in my shit."

This is great stuff. This is the built-in campaign setting for We Die Young set place in a mythical and magical Pacific Northwest.  the TL;DR? Grunge woke supernatural creatures.  Ok, I can do that.  I mean it is not all that different than ShadowRun right?

The setting of the PNW/Seatle on the 90s is covered well.  I had many college friends that made the trek out to Seatle after our graduations (91 to 93 mostly), so I have some idea of what was happening on the ground level.  Twenty-somethings like me seemed drawn to the place by some mystic siren song.  A siren song with a Boss DS-2 distortion pedal. 

Various associations/groups are covered, like Jari-Ka circles, Ghoul Legacies, Vampire Lineages, were-kin groups.  Like I said, if you played RPGs in the 90s you know the drill. But again they are still both "new" and "old" at the same time. Kudos to the authors for giving me something new AND invoking nostalgia at the same time. 

We also get some great locations of note and some adventure seeds which include some creatures. 

Bestiary

"She eyes me like a Pisces when I am weak. I've been locked inside your heart-shaped box for weeks."

This covers all the creatures you can run into.  The stat blocks are similar enough to Basic-era D&D to be roughly compatible.  They are 100% compatible with other SURVIVE THIS!! games, so the excellent DARK PLACES & DEMOGORGONS - The Cryptid Manual will work well with this. In fact, I highly recommend it for this. 

There is a good variety of creatures.  Angels, Demons, BIGFOOT! and more. 

We get about 47 pages or so of monsters with stat blocks and an additional 10 pages of templates to add to monsters such as "Vampire" and "Radioactive."

Radioactive Bigfoot.  I don't need a plot. I have that!

We get Adventure Hooks next.  Roll a d100 and go!

The Appendix includes some Grung songs to get you into the mood.  Some Seattle Grunge bands, some not-Seatle Grunge Bands, and some late 80's and 90's Alternative bands.

There is a list of movies about the era. A list of books.  And finally the index and OGL.

Thoughts

"I don't mind the sun sometimes, the images it shows. I can taste you on my lips and smell you in my clothes."

Wow. What a really damn fun game!

If Dark Places & Demogorgons gave a "Stranger Things" 80s, this gives me a strange supernatural 90s.

It is exactly what I would have expected from the fine folks at Bloat Games.

My ONLY question about this setting is "Where are the UFOs and Aliens?"  I mean NOTHING was bigger in the 90s than "The X-Files."  I get that it is hard to cleave 90s Aliens to 90s supernatural (ask anyone that has tried to play WitchCraft AND Conspiracy X), but maybe a supplement is due out later?  I would suggest grabbing DARK PLACES & DEMOGORGONS - The UFO Investigator's Handbook to add some X-Files flavored goodness to We Die Young. 

Back in the early 2000s I had a game I was running, Vacation in Vancouver. It took place in the 90s and in Vancouver (naturally).  These rules make me want to revive that game and see where I could take it now. 

The bottom line for me is that SURVIVE THIS!! We Die Young RPG is a great game.  The pdf is fantastic and I can't wait for my Kickstarter books.

From Beyond (1986) might have been the very first Lovecraft-based movie I ever saw.  I remember having the poster of it hanging in my room until I went off to college and then my brother had it in his room.  I was pleased to also find a new movie based on the same Lovecraft short story and this film.

From Beyond (1986)

I have been re-watching Star Trek: Enterprise, so I have been getting a fairly constant dose of Jeffrey Combs, but he looks so damn young here.  Incidentally, the doors in the psych ward make the same noise as the doors on classic Trek. 

This movie reunites Combs with Barbara Crampton, director Stuart Gordon, and producer Brian Yuzna.  Gordon wanted a core set of actors he could work with to do a bunch of Lovecraft's stories.  It's didn't quite turn out that way, which is too bad really.  Crampton and Combs have great on-screen chemistry; especially considering they have no scenes where they are "romantically" linked.  This is also the best of the batch of the Lovecraft movies.  Having Barbara Crampton as Dr. Katherine McMichaels, a strong woman as a Lovecraft protagonist is fantastic.   Combs does a great job as Tillinghast and you never once think of him as West from Re-Animator.  Ted Sorel was also fantastic as the mad Dr. Edward Pretorius. 

The movie holds up really well. The only things that seem "dated" in it are the hairstyles and technology.   Even many of the special effects are still great. 

I think I would have rather had a sequel to this one more so than Re-Animator.

Banshee Chapter (2013)

I sort of got the sequel in Banshee Chapter.  This one combines the Lovecraft tale with the CIA's MK-ULTRA program. It features Katia Winter (who I adored in Sleepy Hollow), Ted Levine (from Silence of the Lambs and more recently The Alienist), and Michael McMillian (formerly of True Blood).

This features some "found footage" material, used to great effect in Blair Witch and Paranormal Activity and I think it works well here too.    In this movie, the dimensional shifting abilities are from a chemical created by the CIA, and some short-wave radio broadcasts over Number Stations.  I will tell you this, if you don't like jump scares, avoid this movie.  

The mixing of Lovecraft's base story, secret CIA programs, weapons-grade hallucinogens, and creepy urban legends makes for an attractive mix.

Katia Winter plays Anne Roland, a journalist searching for her missing friend James Hirsch (McMillian) who filmed himself taking some of MK-ULTRA's super-LSD (DMT-19) and has now disappeared.   She investigates the mystery and stumbles upon a recording of her friend picked up by a short-wave radio hobbyist who also happened to have worked for the NSA.

Ted Levin brilliantly plays Thomas Blackburn, a Hunter S. Thompson-like character.   This is getting better all the time.

Anne views some CIA footage on the effects of the drugs. She watches one of the patients/test subjects get attacked by some creature in the dark.  She also learns that DMT-19 is extracted directly from dead human pineal glands. 

Anne finally gets in contact with Blackburn and they do some DMT-19 created by Blackburn's friend Callie (Jenny Gabrielle).  Callie, who took some DMT-19 earlier, begins to show the same behavior that James did on the tape.  They see creatures that they normally could not see.  Much like how the Resonator does in From Beyond.  At one point we see Callie, all white-skinned and black eyes, vomiting up a ton of blood. It's a lot of fun.  

Monique Candelaria also appears as "Patient 14," one of the CIA test subjects.  She would later make another contribution to Lovecraft media in "Lovecraft Country."

Maybe it is my ears, but I found it helpful to have the Closed Captions turned on.

We learn after some scares and a run in with Callie that Blackburn never gave Anne the drug. Though she can hear and see the creatures.  We also find out the drug can be transmitted via touch and Blackburn was a subject of the CIA experiments when he was a teen.

Pretty good flick, but it sort of fell apart at the end.  I read the director ran out of time for filming and you can kind of tell.  But still, it was fun.  They even name drop Lovecraft in it.

October 2021
Viewed: 9
First Time Views: 4

Ah. Monstrous Mondays in October.  Nothing goes better together. They are peanut butter cups of my regular series postings.  So let's get this first Monday in October started off right with a monster that screams Halloween monsters to me.  Zombies.

After watching the Re-Animator trilogy this one is a, pardon the pun, a no brainer.

Zombie, Alchemical
Medium Undead* 

Frequency: Very Rare
Number Appearing: 1d8 (1d12)
Alignment: Chaotic [Chaotic Evil]
Movement: 150' (50') [15"]
Armor Class: 7 [12]
Hit Dice: 3d8+12*** (26 hp)
To Hit AC 0: 13 (+6)
Attacks: 2 claws, 1 bite
Damage: 1d6+3 x2, 1d4+3
Special: Fast, immune to turning, special abilities (see below)
Save: Monster 3
Morale: 12 (12)
Treasure Hoard Class: None
XP: 125 (OSE) 170 (LL)

Str: 19 (+3) Dex: 16 (+2) Con: 20 (+4) Int: 3 (-3) Wis: 1 (-4) Cha: 3 (-3)

Alchemical Zombies are created not by dark necromantic powers, but by forbidden sciences and alchemical means.  They look like normal zombies, but the similarities end there.   An alchemical zombie is fast, rolling normally for the initiative.  While they are a form of undead, they are not reanimated by necromancy or evil magic, therefore they can not be turned by a cleric.   

An alchemical zombie is mindless in its attacks.  It will seek out any living creature and attack it with claws and bites.  It will not stop until the living flesh it is attacking is torn to pieces.  Some alchemical zombies will eat the flesh, but they do not need to do it for sustenance, but instead only as a dim reflection of memory of enjoying food.  They do not rot beyond what their decomposed flesh has already done before their conversion and can last indefinitely.  Even hacked-off limbs will continue to seek out warm blood and flesh to tear and rend.  If there are no living creatures around the zombies will go into a passive stupor. They will "awaken" once a living person or creature comes within 60 ft of them.

In the process of making an alchemical zombie, alchemists discovered that by adding certain potions or chemicals can impart special powers on the zombie.  These powers and their sources are detailed below.

Roll d20 Potion/Chemical Effect  1-3  Contol Undead  Summons 1d4 normal zombie per day  4-5  ESP  +1 to attacks, saves and AC   6-7  Fire Resistance  +2 to saves vs. Fire damage     8-9  Giant Strength  +4 to damage per attack  10-13  Healing / Troll Blood  Regenerates 2 hp per round  14-15  Heroism  +2 to attacks  16-17  Invulnerability  +4 bonus to AC   18-19  Speed  2 extra claw attacks every other round  20  Super Heroism  +4 to attacks

In all cases, these powers are reflected in the XP values above.

Only fire can truly destroy these creatures and they must be reduced to ash. 

--

For today's entry I thought it might work if I returned the "To Hit AC 0" line to the stat block.