Given the origins of the roleplaying hobby—in wargaming and in the drawing of dungeons that the first player characters, and a great many since, explored and plundered—it should be no surprise just how important maps are to the hobby. They serve as a means to show a tactical situation when using miniatures or tokens and to track the progress of the player characters through the dungeon—by both the players and the Dungeon Master. And since the publication of Dungeon Geomorphs, Set One: Basic Dungeon by TSR, Inc. in 1976, the hobby has found different ways in which to provide us with maps. Games Workshop published several Dungeon Floor Sets in the 1980s, culminating in Dungeon Planner Set 1: Caverns of the Dead and Dungeon Planner Set 2: Nightmare in Blackmarsh; Dwarven Forge has supplied dungeon enthusiasts with highly detailed, three-dimensional modular terrain since 1996; and any number of publishers have sold maps as PDFs via Drivethrurpg.com. Loke BattleMats does something a little different with its maps. It publishes them as books.
A Loke BattleMats book comes as a spiral-bound book. Every page is a map and every page actually light card with a plastic covering. The fact that it is spiral-bound means that the book lies completely flat and because there is a map on every page, every map can be used on its own or combined with the map on the opposite page to work as one big, double-page spread map. The fact that the book is spiral bound means that it can be folded back on itself and thus just one map used with ease or the book unfolded to reveal the other half of the map as necessary. The fact that every page has a plastic covering means that every page can be drawn on using a write-on/wipe-off pen. It is a brilliantly simple concept which has already garnered the publisher the UK Games Expo 2019 People’s Choice Awards for Best Accessory for the Big Book of Battlemats and both the UK Games Expo 2019 Best Accessory and UK Games Expo 2019 People’s Choice Awards Best Accessory for Giant Book of Battle Mats.
The newest release from Loke Battle Mats is the Big Book of Battle Mats: Rooms, Vaults, & Chambers, which presents “Battle maps for Tabletop Roleplaying Ideal for Heists and Other Exciting Encounters!”, marked in either one-inch squares. Unlike other map books from Loke Battle Mats, the plain maps, simple floors without any detail or furnishings, are left until the end, so the volume gets straight to presenting interesting locations that a Game Master can add to her game. It starts with a tavern, all wood flooring and trestle tables on one page, but a stone-floored cellar, connected by a set of stairs on the opposite page. Next, there is some kind of office, which could be town hall or a minor guild hall, but next to that is a gaol with several cells, so together the two maps become a watch house or town guard station complete with its set of cells in which hold suspects or prisoners. Similarly, there are work desks and an office on the next map, but a room with shelves containing books or papers on the other, turning the location into a records office or a library, a plain series of tunnels snake around the map only to connect to room via a hole in the wall (either dug open or blown open with magic of even explosives), whilst an unremarkable work area is turned into something interesting—the backstage of a theatre—because it connects to a stage and auditorium on the opposite page, and an innocent-looking restaurant hides a gambling den complete with dueling room should satisfaction be demanded on the opposite page. Other maps depict warehouses and sections of a sewer system—the latter easy to line up with the sewer maps in other map volumes from the publisher, a sauna complex, a museum foyer complete with triceratops skeleton on display, an abandoned house complete with cobwebs, and even a banqueting hall and kitchen.
The maps are also nicely detailed in places. Food in particular features throughout, whether that is the lonely plate on the desk in the room backstage or sumptuous choice of dishes laid out on the banqueting table, but there are also numerous tools, weapons, and pieces of armour dotting the various locations as appropriate. Another feature is that the maps do not always specifically work for the fantasy genre. They will work in others too. For example, the inn and gambling den would be perfect for the nineteen twenties and thirties, the sauna complex feels very modern, and the museum foyer with its triceratops skeleton would work in numerous genres.
The main feature of the maps in the Big Book of Battle Mats: Rooms, Vaults, & Chambers is their capacity to tell stories. Want the Player Characters to tunnel into the vault of a bank? There is a tunnel and map with a broken wall for that, as well as vault on another map. Or, for a bank robbery, take the office and gaol and make the cells individual vaults. The gambling den is perfect for a raid by the police or a rival gang. The stage is ripe for an interrupted performance. All the Game Master or her players and their characters have to do is supply the details of the interruption. Essentially, depending upon the story being played out, the multiple maps can be used as the Player Characters move from one location to another as events unfold. In addition, because the maps in the Big Book of Battle Mats: Rooms, Vaults, & Chambers depict urban locations, they can often be used again and again, especially in a campaign which takes place in one town or city.
Physically, Big Book of Battle Mats: Rooms, Vaults, & Chambers is very nicely produced. The maps are clear, easy to use, fully painted, and vibrant with colour. One issue may well be with binding and the user might want to be a little careful folding the pages back and forth lest the pages crease or break around the spiral comb of the binding.
It is clear that a lot of thought of has been put into the design of the Big Book of Battle Mats: Rooms, Vaults, & Chambers. Although not every room or map in the collection is either exciting or inspirational, they can all be useful. The best of them are and many of the maps will inspire a gaming group to use them as locations and more, using them to help create the stories they roleplay. The Big Book of Battle Mats: Rooms, Vaults, & Chambers is a really useful sourcebook for city campaigns and its capacity to help tell stories is very nicely thought out.

The level opens up to a large open gallery. The design is dwarven, but has been modified. The gallery is over 600 ft long.

This room is filled with the shadows of dwarven lords and wizard students. They seem to be from different times since they do not interact at all with each other.

Hidden among these shadows are four (4) Spectres.  

These are former minions of the Vampire Queen in life and serve her still after death.

The specters have normal treasure E x4. 

There are also Type A, C, D here as well, but no magic items. The Vampire Queen has used all of those.

On each side of the gallery there are multiple alcoves and exits.

As well as contributing to Free RPG Day every year Goodman Games also has its own ‘Dungeon Crawl Classics Day’, which sadly, can be a very North American event. The day is notable not only for the events and the range of adventures being played for Goodman Games’ roleplaying games, but also for the scenarios it releases specifically to be played on the day. For ‘Dungeon Crawl Classics Day 2020’, which took place on Saturday, May 16th, 2020, the publisher released two items. The first was DCC Day #1: Shadow of the Beakmen, a single scenario for the Dungeon Crawl Classics Role Playing Game. The second was the DCC Day 2020 Adventure Pack, which not only provided support for the Dungeon Crawl Classics Role Playing Game and Mutant Crawl Classics Roleplaying Game – Triumph & Technology Won by Mutants & Magic, but also for the Dungeon Crawl Classics Lankhmar Boxed Set, with a scenario for each. This format has been has been followed for each subsequent DCC Day, that is, a single scenario and an anthology containing two or three scenarios, all of them short, relatively easy to run and add to an ongoing campaign, or even use as a one-shot of convention game.

DCC Day #1: Shadow of the Beakmen is short and it is designed to be played within a four-hour slot, whether that is at a convention or on DCC Day itself. The scenario is designed for a party of four to eight First Level Player Characters. They are travelling between locations when they come across a small village standing on a lake. From the settlement echo screams and cries of terror, smoke hangs over its rooftops from the buildings already set ablaze, and strange figures move in the shimmering light, some riding crocodiles and wielding a lance of stone tipped with a weird green light in a perversion of the knights of old. Yet this is not what catches the eyes of the adventurers, for a blazing emerald light emanates from beside the lake. There is something dangerous happening there, more dangerous than the marauders roving the streets of the village. As befits a one-shot or convention-style scenario, such as DCC Day #1: Shadow of the Beakmen is that it leaps straight into the situation, presenting the players and their characters with a choice—do they rush to the villagers’ aid or do they ride away? Now to be fair, the Player Characters will be pulled into the adventure whatever choice they make, but DCC Day #1: Shadow of the Beakmen will be all the more interesting if the players decide that the best course of action is to intervene.
Intervention then, sets up what is actually the best scene in the scenario. This is the running battle across the village, down its streets and into the marketplace to the docks and the edge of the lake. It is handled as a series of random encounters, with villagers begging for help, buildings collapsing into flames, and encounters with the strange beaked humanoids, some of whom are riding crocodiles and wielding green-tipped lances, that are attacking the village and attempting to capture the villagers. It feels brutal and desperate. Once at the lakeside, the Player Characters can discover the cause of the light, something strange is summoning something even worse than that attacking the village. More of the beak-faced men! This sets a big battle, but defeating them gives the Player Characters the chance to discover more about the invaders.
The second part of the scenario takes place in the Malachite Stele, a giant stone tower that has erupted from the lake as a result of the summoning. It is a traditional dungeon, although limited to just nine locations and is thus linear in nature. Fortunately, its brevity is made up by its atmosphere, which is muddy and murky, squelchy and slimy, the damp meaning it is also cold. It is thoroughly unpleasant. There is also a good mix of encounters throughout the dungeon. There are pools where the Player Characters can gain great boons or suffer terrible banes in classically random chances, there are chambers with egg sacs incubating more beakmen much like those of Aliens, and there is a challenging big boss encounter at the end, but in between there is the second-best scene in the scenario. This is with the Weaver, a corpulent woman with long silver hair and eight segmented limbs, who spinning the silk that each egg sac is made from. She wants to escape and in the main bit of roleplaying in the scenario, will negotiate for her release. Of course, she cannot be exactly trusted, and it is suggested that if freed, she will want to play a role in the future lives of the Player Characters. Further, if her web is plucked, it enables a Player Character to scry another location in the Malachite Stele complex. This can be random, but it can also be used to hint that the complex contains more rooms than at first seems. Several are behind a secret door—though there is another, more dangerous means of access—and the foresight granted by the web should help the Player Characters to progress further.
Finally, at the top of the Malachite Stele, the Player Characters will face the villain of the scenario, the Master of Shadows. This is a challenging fight, both for the Player Characters to fight and the Judge to run.
Physically, DCC Day #1: Shadow of the Beakmen is decently done. It is lightly illustrated, but the artwork is decent. If there is an issue with the artwork, it is that the Weaver is not illustrated and considering that she has the possibility of her playing a role in the future lives of the Player Characters, not illustrating her was a missed opportunity. Both maps are well done though, and the monsters stats being placed on their stat cards at the back of the adventure makes them easy to use.

DCC Day #1: Shadow of the Beakmen starts with the cliché of a village in peril and gives it an immediacy rarely embraced by that cliché, throwing the Player Characters straight into the action and facing some very strange creatures! The scenario has a couple of really good scenes and plenty of action and really makes for a good low-Level one-shot or convention scenario.

 A couple of art Kickstarters this weekend. Both are pretty well known for their witches.

Larry Elmore: The Complete Elmore Volume III hardcover book

https://www.kickstarter.com/projects/larryelmore/larry-elmore-the-complete-elmore-volume-iii-hardcover-book?ref=theotherside

There is not a D&D player who doesn't know the art of Larry Elmore. I am not even sure what I need to say here.

It's Larry. It's his D&D art. Buy it. 

Broomsticks & Brushwork

A collection of ink illustrations celebrating witches from around the magical world.

https://www.kickstarter.com/projects/kesingersketchcraft/sketchcraft?ref=theotherside

This one just looks fun. 

All sorts of little witches. I would have LOVED to grab an original commission, but I can't easily part with $850.  

But it all looks like fun.

 These stairs take the party down to level 9. The temperatures are much cooler now. 

As the stairs descend (at least 200 ft) there are other staircases. Many are broken, but other still look viable. These others usually lead to dead ends, lairs of monsters (use Wandering Monsters), or fall into darkness.

The feeling here should look like a broken and destroyed kingdom of stone.  This is more of the original dwarven mountain and has been less "renovated" by the Vampire Queen.  There are also areas of the original Citadel of Necromancers here too, under the devastation of the mountain.  Dwarven character will be able point out at least four different types of structures here: the original stone of the island, the dwarven mountain, modifications by various wizards and necromancers who lived here, and finally, modifications from the experiments of the Vampire Queen herself.

The Necromantic aura of the upper levels mixes with the demonic ones of the level above and something else that even the most learned magic-user can't quite identify.

Every 6 turns roll for wandering monsters as normal. There is a 25% chance that the monster encountered is a "Shadow" version. It looks like the shadow of the monster. It attacks, but it has no physical form so it can't damage or be damaged. Every 3 turns a "Shadow Wizard" will be spotted. This is a dead wizard or student who does not know they are dead. They go about their business as if it were a normal day for them. They do not damage or interact, but they are creepy.

One of the best things about blogging and writing about games for so long is I have gotten to meet so many really great people and made some really great friends.

Two such are Tim Knight over at Hero Press and Pun Issac over at Halls of the Nephilim. Both are great guys, and we all have many intersecting interests in RPGs, comics, and movies.  So it is no real shock then when we decide to go over and play in each other's sandboxes.

Over the summer, they graciously allowed me to use two of their iconic characters, The Acrobatic Flea and The Web Archivist, for The Wasted Lands.

Now they have returned to honor and built versions of my misanthrope villain, The Refrigerator, for their own respective supers games, along with tweaks to make him work in their worlds. 

• The Refrigerator of Knight City: Villains & Vigilantes (mod)
• The Refrigerator of  Carbide City: 5th Evolution

Both are great takes on my villain, and I love the additional little details they have both added. 

What is the point of having an iconic character if you can't share it?

 This is a tough one. I have had so many favorites over the years. Each one representing a different point in my life and gaming.

Most of these will be known to readers here.

Basic (B/X) D&D - not the one I started with that would be the Holmes Basic, but the one that got me deep into the hobby.

AD&D 1st Edition - This is the one I played the most in those early days. The Monster Manual was my gateway drug to RPGs coming from Mythology.

Chill 1st Edition - This was either my first or second RPG after D&D (tied with Traveller) but it was my first horror RPG, and it spawned everything after.

Call of Cthulhu - Not my first Horror RPG, but one of my favorites. Really set the bar on what a horror RPG should be.

Masque of the Red Death - not an RPG by itself, and a bit wonky, it did something I always wanted: it brought my AD&D 2nd ed rules to Gothic Victorian Earth and Horror. Ravenloft brought some of this earlier, and both were my game of choice throughout the 90s until D&D-burnout set in and I went to my next big thing. 

CJ Carella's WitchCraft - I can't overestimate how much this RPG changed things for me. The world was close enough to that of Chill, Call of Cthulhu, and Masque of the Red Death that my ideas for those games gained new life under Unisystem. I loved the game so much I pestered the publisher, Eden Studios, to let me write for them. The result was my next favorite.

Ghosts of Albion - while this might be self-serving, it is my favorite for a reason. Everything I wanted in a Unisystem game is here. Victorian era, magic, horror, and Unisystem. I would have happily written for Unisystem for ever if I could have.  Which leads me to my last one and the top of my list.

NIGHT SHIFT Veterans of the Supernatural Wars - Again, a little self serving but NIGHT SHIFT is everything I have ever wanted in a game. It combines the best mechanics of all the games above along with a play style I love and in a world, or more to the point worlds, I enjoy.

If I only get to pick one, then it will be NIGHT SHIFT.

I have had the luxury and the privilege to work on a great number of RPGs over the years. Some of which were dream jobs and dream games. I consider myself lucky. But of all of those, NIGHT SHIFT is not just my favorite game, favorite rules, and favorite setting; it was also my favorite writing experience. Only Ghosts of Albion and my various Witch books come close.

Thank you, Dave Chapman for hosting this again! I had a great time.

 The last room on this level is dominated by a large treasure horde and an equally impressive guardian.

Red dragons were promised all the treasure in the former Dwarven kingdom. This Red Dragon is the last of their offspring. He is not as crafty or as strong as his forebearers, but he is still challenging.

He has H x5 treasure. There are a couple of chests of holding as well.

 I have a soft spot for Obscure RPGs. But I think one of my favorites, warts and all, is Lee Gold's "Lands of Adventure."

The game has some flaws, but it is such a fun concept and a great idea. Plus, the art and design are fantastic. 

I reviewed it a couple of years ago but have only played once or twice since then. It really is an old-school gem from the ancient days of Dragon Magazine.

 Continuing on past the Queen's broken throne room, the party turns a corner to the left and sees a horrific sight.

Trapped inside a magic circle is an ancient Chaos Hag. Though it is hard to know which kind she is, but she tries, and fails to shift her shape to that a beautiful elf maiden.

She croaks out, her voice dry and cracking, to be let out. She is in a panic. These are the first people she has seen in centuries. 

She will make a weak attempt to claim she is an elf polymorphed into a hag. This ruse though can't last, since she is so hungry. Her's is a similar tale to other creatures here. 

IF the party says they are hunting for the Vampire Queen then she will say she was trapped here after the Queen took over. This is true. She also says that there is only one seal left holding her in. Also true.

If the party agrees to free her she will give them the Hand of Glory at her feet and that will allow them to sneak past the guard of this level.  Mostly true. She will give it to them yes, but the Hand is so old it won't work very well.

Also there is 50% chance that if freed she will attack the party and eat them.

 Hello. My is Tim, and I am addicted to dice.

It began innocently enough. I got a set in my D&D Basic. Then another in my D&D Expert Box. Then B. Dalton's Bookseller in White Oaks Mall had Dragon Dice in full sets and percentile genators.

Then I got clear sets. Blue sets. Discover more. Now...well, now I have no clear idea how many I have. I have sets for characters, a set for each game, and sets for DMing certain campaigns. Metal dice, tiny dice, huge dice.

So what did I get in the mail yesterday? You guessed it.

These retro dice were made by Threshold Diceworks. Which you can find on Facebook and their Etsy store. He was taking pre-orders a while back and mine finally came in yesterday and I am very pleased with them!

They compare very favorably to the sets I had with my Expert set, the Dragon Dice polyhedrals, and the sets that came with the Mentzer Basic boxes.

Yes. Those are my Mentzer dice still in a bag and unopened and unmarked.

I even have some Armory Dice Markers for them! I might swap a d10 in each set for a proper set of percentile dice. I can even use them for Star Frontiers.

Now. I just need a good dice bag for them.

These will likely be my Old School Essentials dice or my Wasted Lands ones. 

In any case, I am really happy to have them. When they start selling more I need to snag an orange d8.

Ah. This one stuck with me as the most memorable encounter.

It would have to be the first time I encountered a Lich in the AD&D 1st Edition days. I think it was the summer of 82 or so.

The DM read the monster's description, and she decided that it had all these new spells because it was a former high-level magic-user. She played the monster as we would have today, but back then, that was kind of a new thing. Not only that she had poping in and out of the Ethereal Plane more or less at will. 

Needless to say it kicked our 6th to 7th level asses. That lich kicked our asses.

While I was annoyed, I later looked back on it and thought about how well she had done with it all. 

So yeah, freaking Liches are dangerous.

Since that day, my undead have all been way more powerful. 

 The cave continues. Further ahead is an open area. There is what appears to be a broken stone throne. 

This appears to be the queen's throne room, but it appears to have been destroyed. There is subtle magic on the throne. 

If a dwarf or female character sits on the throne a scene is played out of the throne room in it's glory days. All the PCs see dwarven courtiers with gnome, human, and even elven dignitaries. All enjoying themselves as scenes through the years are shown. One scene shows what appears to be an informal gathering interrupted as the figure of the Vampire Queen comes into the room ridding on the back of some demonic hell-beast. Demons soon overrun the room and kill everyone in sight.

Characters must save vs. Paralysis or feel the death shock of those victims. Failing, they take 2d6 hp of damage, save for half.

Characters gain 45 xp each for seeing this scene.

If a female dwarf sits on the throne, then she sees the same tableau, but does not need to make a save and she takes no damage. She also gains The Blessing of the Dwarf Queen for the remainder of this level. This is a +1 to hit and +1 to all saves.

 I interrupt my regularly scheduled Monstrous Monday post for our monster harvest we worked on over the weekend.

Long-time readers will know that my wife has a huge garden. She has over 115 tomato plants and somewhere north of 120 peppers from sweet to super hot. 

We brought in tomatoes, peppers, carrots, garlic, some onions, okra, beans, basil, and even some potatoes. 

We spent Sunday processing them all.

I processed about 3 gallons of Tomato sauce and we also made tomato soup to freeze.

This was our third harvest this year so far and we have least two more.  With all the picking (and you have to do the weeding then too), processing, and freezing, we hit the couch last night, and both of us crashed.  This was all a lot easier 25 years ago when she started her garden.

Honestly, I should have made a "Tomato Monster" but was too beat.

Now to convince my chef son to make me something will all this garden fresh produce!

 Scares do not come easy to me anymore. I consume horror movies like most people watch sitcoms (and laugh as much), nearly all my non-D&D games are horror and a fair amount of my D&D ones are as well.  So for a game to REALLY scare me, it has to be special. And it is usually NOT due to the rules being used.

Case in point. My online games from 2006 to 2009 that I called "Vacation in Vancouver."  I played it starting with WitchCraft and then moved over to True20 (a game not known for its horror).

The hook was that members of Vancouver's supernatural community were going missing.  Long story short, there was this entire underground where vampyres, demons, and witches were getting together and engaging in all sorts of lewd sexual acts in exchange for essence.  After a while, even open acts of magic were considered acceptable.

The game, though was not really about sex or even depravity (there was a lot of sexual slavery going on and it was hard to know who was using who), but about addiction and losing yourself.

A couple of characters had to be literally pulled back from the edge.

As a role-playing experience, it was intense.  There was not much combat, to be honest.  Part of that was out of choice (the characters were investigators, not thugs) and part out of necessity (combats online can be dull, even in Unisystem).

The game ended like many others, not with a big finale but gradually dying off.

The mystery of where all the supernaturals were going was solved, but not the one of the demonic sex trafficking. The demons never actually killed anyone. In fact, they seemed to be concerned for the welfare of the Gifted and Lesser Gifted in their "care".  And there were plenty of volunteers for the demons, too, since the exchange of Essence was pleasurable for both (but only humans can 'regenerate' Essence).

There were some very interesting games, though, that came from all of that.  It was one of those rare RPG moments where the bad guys might have won, and there was nothing the PCs/Cast could do about it.  While the game was fun and provided some of the best pure Horror roleplaying I have run in a long time, I am just not sure how it could even be revisited.

 This cave area continues on and opens up to a large area.

This cave is huge and the ceiling extends up and far out of sight.

There are several thousand bats that are scared off of any light source. They do not attack, but can still frighten the characters.

 This is a two-fer for me. There are two games I want to see a new edition of and I hope that once again they are the same system.

I would love to see a new edition of Mutants & Masterminds AND a new edition of a DC Comics RPG.

I started with M&M back in 2nd Edition and I loved it. Such a great game.

When 3rd Edition came out I grabbed the PDFs right away and was going to pick up the print versions, but Green Ronin also had released the DC Adventures game that used the same M&M 3rd edition system. So I got all of those books.

I'd love a 4th edition of M&M and wonder if it couldn't move a little closer to their AGE system.

I also want a new DC comics RPG. I know there is a new Marvel game out and yes it looks great, but I have always been more of a DC guy.  I also want to buy more Green Ronin stuff.

The bottom of this staircase opens to a chamber in a cave. The cave continues on, but to the right is a stone structure.

The structure is a mausoleum of seven gnome thanes.

The tombs are ornate but have been pillaged many times over the centuries. 

 There is no treasure and no undead here. 

 Like games and dice I have a few favorite character sheets.  Though I will admit my all time favorite is a blank sheet. because at that point the potential is limitless!

My "Willow & Tara RPG" sheet. I made this one myself for my combined Buffy/WitchCraft/Ghosts of Albion game. It had details for all three games so characters could easily move between the rules.

Likewise, I had a WitchCraft variant I used that also had similar information.


I love Mage, and the Sorcerer's Crusade sheet is one of my favorites.

For pure nostalgia sake I love the Green D&D Basic sheets.

And the AD&D 1st Ed sheets too.

Though my own Witch character sheets are my most favorite of all.

On the tail of the Old School Renaissance has come another movement—the rise of the fanzine. Although the fanzine—a nonprofessional and nonofficial publication produced by fans of a particular cultural phenomenon, got its start in Science Fiction fandom, in the gaming hobby it first started with Chess and Diplomacy fanzines before finding fertile ground in the roleplaying hobby in the 1970s. Here these amateurish publications allowed the hobby a public space for two things. First, they were somewhere that the hobby could voice opinions and ideas that lay outside those of a game’s publisher. Second, in the Golden Age of roleplaying when the Dungeon Masters were expected to create their own settings and adventures, they also provided a rough and ready source of support for the game of your choice. Many also served as vehicles for the fanzine editor’s house campaign and thus they showed another DM and group played said game. This would often change over time if a fanzine accepted submissions. Initially, fanzines were primarily dedicated to the big three RPGs of the 1970s—Dungeons & Dragons, RuneQuest, and Traveller—but fanzines have appeared dedicated to other RPGs since, some of which helped keep a game popular in the face of no official support.
Since 2008 with the publication of Fight On #1, the Old School Renaissance has had its own fanzines. The advantage of the Old School Renaissance is that the various Retroclones draw from the same source and thus one Dungeons & Dragons-style RPG is compatible with another. This means that the contents of one fanzine will be compatible with the Retroclone that you already run and play even if not specifically written for it. Labyrinth Lord and Lamentations of the Flame Princess Weird Fantasy Roleplay have proved to be popular choices to base fanzines around, as has Swords & Wizardry. Then there is also Old School Essentials.
Carcass Crawler is ‘The Official Fanzine Old-School Essentials zine’. Published by Necrotic Gnome, Old School Essentials is the retroclone based upon the version of Basic Dungeons & Dragons designed by Tom Moldvay and published in 1981, and Carcass Crawler provides content and options for it. It is pleasingly ‘old school’ in its sensibilities, being a medley of things in its content rather than just the one thing or the one roleplaying game as has been the trend in gaming fanzines, especially with ZineQuest. Carcass Crawler #1 focused on Classes and Races alongside its other support for Old School Essentials, whereas although Carcass Crawler Issue #2 does provide new Races and Classes, it instead focuses on general support for the Player Character and playing Old School Essentials.
The two new classes in Carcass Crawler Issue #2 follow standard Old School Essentials rules in that it allows for ‘Race as Class’ as well as supporting the separation of Race and Class as per Old School Essentials: Advanced Fantasy. ‘Phase Elf & Wood Elf’ are the two in question and interestingly, the latter is inspired by both Moldvay’s Basic Dungeons & Dragons and Advanced Dungeons & Dragons, First Edition, whilst the former is inspired by Original Dungeons & Dragons. The Elf of Original Dungeons & Dragons could switch between the Fighter and Magic-User Classes and do so in between adventures. As a Demihuman Class for Old School Essentials, the Phase Elf can also switch between the two Classes, but can only do so from one day to the next. As well as switching Classes, the Player Character can also switch personalities, whilst still retaining the same body and memories. Where the Phase Elf does not so much mix and match the abilities of the Fighter and Magic-User Classes as alternate between the two, the Wood Elf eschews both. Instead, the Wood Elf is more naturalistic, good at foraging and hunting and hiding in the woods. The Wood Elf is good with missile weapons, but can only wear leather armour. Instead of arcane magic, the Wood Elf can pray for and cast divine magic. If using Old School Essentials: Advanced Fantasy, this can be Druidic magic, but Clerical if not.

The Phase Elf and the Wood Elf are also presented as Races in their own right. As a Race, the Phase Elf has two Classes and these need not be the Fighter and Magic-User Classes. The Wood Elf is more straightforward.
‘Town Services’ covers all of the services an adventurer might need and find in a town. Inns, money changers, and traders and provisioners are all detailed, along with optional rules for haggling and noting that jewelers and moneychangers will hire guards. One of the features of early Dungeons & Dragons is the need for the Player Characters to hire retainers. ‘Town Services’ covers options for this, including townsfolk as porters and torch-bearers as well as actual adventurers. Wages are suggested, as is an optional rule for Treasure-Share-XP. Both articles provide simple, workable means of handling these rules aspects. Ease is the aim of ‘Quick Equipment’, which sets out to provide a quick method of a player equipping his character. This begins with standard basic equipment before making rolls—or choosing—for Class-specific items such as armour, weapons, and extra bits of equipment. Most Classes use the standard Weapons table, but Classes like Acrobat, Bard, Cleric, Druid, and Knight have their own. ‘Item-Based Encumbrance’ offers a new and third option for handling encumbrance in Old School Essentials. This is done on an item-by-item basis, so weapons and armour, bulkier adventuring equipment, and magical items count as a single items. Others, such as torches and rations, can be bundled together to make up single items. After a Player Character is equipped, his player counts up the number of items he is carrying and that determines his movement rate. It is a simple enough system and quick and easy to use. This quartet of articles are not the most interesting content in the fanzine, reflecting the utilitarian side of playing Dungeons & Dragons-style games, but it makes them no less useful.
‘Snake Cult Monsters’ and ‘The Tomb of Aum-Pharath’ are a pair of articles that involve a snake cult. The first lists eight monsters themed around a snake-worshipping cult. They include snakes bred by the cult, like the Alabaster Serpent, placed in suspended animation in treasure chests and urns as traps, and whose bite inflict Dexterity debilitating spasms. Hydral Statues are five-headed stone or bronze constructs that are typically used to guard gates in tombs and temples, whilst the Zombie Snake-Guard are snake-cultists who were ritually sacrificed to serve as tomb and shrine guards. As well as being undead, their bite is poisonous. The eight are nicely thematic and the Player Characters get to face them in ‘The Tomb of Aum-Pharath’. This details a tomb complex consisting of twelve locations detailed over a two-page spread. The Game Master will need to provide the stats, but these are based on the previous ‘Snake Cult Monsters’ article and so easy to create. She will also need to create a hook or two to get the Player Characters to the tomb complex’s doors, or drop it into a sandbox, but otherwise, the location is ready to play. If the Game Master has them, a snake-themed magical item would be a good addition too.
‘Black Powder Weapons’ in Carcass Crawler Issue #2 gave rules for early firearms such as matchlocks, wheellocks, and flintlocks in Old School Essentials. ‘Energy Weapons’ details energy blades such as daggers, staves, and swords, and pistols, carbines, and rifles for energy guns. The energy types consist of ion, plasma, and laser weapons, and besides describing them and detailing their use, suggests Class restrictions, depending whether they are martial, semi-martial, or non-martial Classes—with Clerics a special case, and how to handle their use as unknown technology is in Gamma World or S3 Expedition to the Barrier Peaks. The Energy Weapon Technician is added as a Specialist if energy weapons are common the campaign world.

Finally, ‘Adjudicating Traps’ is a discursive piece, examining the role of traps in the game and how to make them interesting for both the players and the Game Master. It suggests the benefits and negatives of rolling dice as a means to find and disarm traps and of taking a more narrative approach, with the players describing the actions of their characters. The options for making traps fun include placing clues and telegraphing the presence of traps, having traps fail to activate, and including non-lethal traps. Although short, this is a thoughtful piece that neatly ends by pointing out that the traps are part of play and the players should learn to enjoy the tragic, comedic, or gruesome ways in which traps might kill their characters.
Physically, Carcass Crawler Issue #2 is well written and well presented. The artwork is excellent.
Carcass Crawler Issue #2 is not as fun or as exciting as Carcass Crawler Issue #1. This is due to the fact that four of its articles deal with the mundane aspects of Dungeons & Dragons-style play—services, retainers, equipment, and encumbrance—and they are simply unexciting. However, that does not mean that they are not useful or well thought out, as they are. The other articles in the issue are also well done and perhaps more exciting, though not necessarily too much. Overall, Carcass Crawler Issue #2 is an enjoyably old school-style issue of a fanzine for Old School Essentials, but one that is more serviceable than surprising.