As one of the worst storms hits Boston, people gather along the harbour awaiting news of the arrival of the SS Champagne, late from the other side of the Atlantic and caught in the weather, seemingly adrift and in danger of running aground at the Massachusetts port. The harbour master has already acted and sent the FV Foggy Sea, a fishing trawler, out to where the SS Champagne was last sighted and there, have her crew board her, discover what has happened and ensure that the passenger liner is not lost with either hands or passengers. Once aboard, what the crew of the FV Foggy Sea discover is a charnel house. Signs of blood and death everywhere, corpses dismembered in ways unimaginable, with looks of terror upon the faces of the decapitated heads. There seems no reason to this bloody shock, this carnival of death which seems to have been played out up and down the length of the ship, from one deck to another. What or who caused this massacre of passengers and crew alike? Is it still present aboard the SS Champagne and are there any survivors? This is the big, opening dramatic scene for The Order of the Stone: A Horror Mystery in Three Parts.

The Order of the Stone: A Horror Mystery in Three Parts is a campaign for Call of Cthulhu, Seventh Edition published by Chaosium, Inc.. It is a short campaign, intended to be played in a few sessions, but can be played via multiple means and it includes not one, but three different set-ups to help the Keeper get her players and their Investigators into the campaign. First, The Order of the Sone can be played using standard Call of Cthulhu, Seventh Edition rules; second it can be run using Pulp Cthulhu: Two-fisted Action and Adventure Against the Mythos and there are notes contained within its covers to do so; and third, it can be run using the rules given in the Call of Cthulhu Starter Set. The first set-up has the Investigators as members of the faculty and student body at Miskatonic University, specialising in history and archaeology, asked to go to Boston to check on the arrival of a fellow academic, Doctor Nicolus Sebastian, and his team, who are returning to the USA from a successful if troubled archaeological dig in Ireland aboard the SS Champagne. The second set-up is for existing Investigators simply awaiting the arrival of cousin aboard the SS Champagne. Experienced players, if not their Investigators, will quickly realise that none of this bodes well for the poor cousin. Well, this is Call of Cthulhu after all… The third set-up is the investigators as the crew of the FV Foggy Sea. If the second set-up reeks of familiarity, then this third set-up is genuinely interesting and novel, bringing a streak of bold muscularity to the roleplaying game as well as presenting the Investigators with the pre-packaged Investigator organisation. No matter which group the Investigators are drawn from—and to be honest, the Investigators as the crew of the FV Foggy Sea is original and startlingly different—they will all find themselves aboard the fishing trawler, headed to the SS Champagne. Also, The Order of the Stone: A Horror Mystery in Three Parts can be played in conjunction with Call of Cthulhu: Arkham, since although the campaign has its origins in Ireland, it plays out in New England. That said, the first and second set-ups, with either students and staff at Miskatonic University or pre-existing Investigators, works best with this last option.

The set-up of the campaign does make it difficult to adjust other periods, more so for a modern setting. The introduction provides a good overview of the campaign and its background, and also notes that throughout, at the end of key scenes, the leads that the Investigators need to find in order to progress are clearly marked. Then it is very quickly into the first scenario, ‘Terror on the SS Champagne’. There is a certain familiarity to the scenario. A ship adrift, seemingly abandoned—or in this case, its crew and passengers rent from limb to limb, and a dark and nasty threat stalking its passageways and rooms, and then, once it is aware of them, the members of the other crew who have come aboard to check for the living and/or salvage. Everywhere is a bloodbath and the Investigators will need to work hard not to join as they try and work out what has happened on the ship. The SS Champagne is given a detailed description to accompany its deck plans and there are several scenes and encounters that the Keeper can insert into the Investigators’ progress through the stricken vessel. These escalate the scenario’s growing sense of peril, enhanced by the worsening storm, until the Investigators find themselves stalked by the Mythos entity at the heart of the campaign. Should any Investigator suffer from a Bout of Madness, there is a useful list of possible phobias to suffer. ‘Terror on the SS Champagne’ is quite straightforward and will probably end with a bang—though other options are discussed too, but it does leave the players and their Investigators with a conundrum. What do they tell the authorities when they get back to Boston?

The second scenario, ‘Murder in Greyport’, opens with a strange revelation. Marco Torres, one of the passengers aboard the SS Champagne not only managed to get off the ailing passenger liner, but lived long enough to be murdered mere weeks later! Which begs the question, “If one person managed off the SS Champagne, did anyone else?” If ‘Terror on the SS Champagne’ was action driven and linear, ‘Murder in Greyport’ is more open and investigative in nature. Taking place in Greyport, a fishing town to the east of Arkham, the investigation will primarily consist of two lines of enquiry. First, who murdered Marco Torres, and secondly, how did he get off the SS Champagne? The investigation is very clearly organised and so easy for the Keeper to follow. As with the first part of the campaign, the description of the town and the various NPCs and what they know, all nicely interconnected, are accompanied by a series of events, driven by the Investigators’ presence in the town and their asking questions here and there over the course of a day or so. All of them are confrontational in nature, whether with the local townsfolk or with outsiders who have more than a vested interest in the Investigators’ activities. There are options here also, first to add a possible motivation for the Investigators, and second, to add other murder plots, but they do complicate the situation. By the end of ‘Murder in Greyport’ should have solved the murder, determined that the victim was not the only person to escape the SS Champagne, and worked out where they have gone. This middle scenario is surprisingly mundane, its horror one of small-mindedness and human emotions, though there are more than traces of the Mythos at the end.

The third and final scenario, ‘The Hunt’, narrows the story down to a confrontation with the forces and agents of the Mythos deep in the Massachusetts backwoods. The Investigators may gain some allies, and thus a potential source of replacement Investigators if their interactions with the other outsiders in Greyport went well, if not, the Investigators may find their efforts to stop the cultists’ plans somewhat hindered. The climax of the campaign takes place in the hills above a children’s summer camp, long closed down due to a canoeing accident, requiring a trek into the woods in the bloody wake of the cultists and their master. In the ruins of colonial era settlement, the Investigators have a chance to counter the activities of the cultists and so save the world. These scenes are fairly complex in comparison to the rest of the campaign, so does need a careful study upon the part of the Keeper.

Rounding The Order of the Stone are several appendices. These in turn detail all of the new tomes and spells in the campaign and then the crew of the FV Foggy Sea as pre-generated Investigators. This is a diverse mix of characters. Physically, The Order of the Stone is cleanly and tidily presented. The maps are serviceable, but the artwork is excellent. Oddly, two NPCs that appeared earlier in the book are given entirely different illustrations in different styles in the third scenario.

The Order of the Stone: A Horror Mystery in Three Parts is a small-scale campaign both in terms of its play length, its scope, and its factions. It offers a solid mix of both Mythos and mundane horror, interaction and investigation, in a tight story that works well as an easy to prepare first campaign.

Quintessence is a generic, rules-light, dice pool-driven roleplaying game from Gribblie Games. Intended to do everything from hack ‘n’ slash fantasy, post-apocalyptic survival, and paranormal investigation to cartoon capers, space opera, and horror one-shots, it is written to allow a great deal of freedom in terms of character design and growth, some of which can be developed during play to create individual Player Characters with unique abilities. Once play begins, the mechanics to Quintessence are fast-paced, lean into cinematic action, and allow for player input in terms of describing the action and developing what their characters are capable of. The book itself is fairly short—barely a little over one hundred pages—which does not give a lot of space for it to cover everything. It can be roughly divided into three sections, covering in turn, the rules, character creation, and advice for the Guide, as the Game Master is known.

With a little time to explain what a roleplaying game is, Quintessence really starts with a glossary of its terms, necessary because it dives quickly into the mechanics. A Player Character has four Affinities—Air, Earth, Fire, and Water. Air represents grace, instinct, and spirit; Earth represents fortitude, reason, and resolve; Fire is confidence, passion, and spark; and Water is curiosity, expression, and subtlety. Within each, he will have one or more Approaches, ways in which deals with situations or problems. A Player Character’s attunement to each Affinity is represented by a die type, from a four-sided die to a twelve-sided die, whilst the Proficiency in each Approach indicates the number of dice rolled for it. Vigour is a combination of a Player Character’s energy, health, and motivation, and is either depleted when he suffers damage or when points are expended to undertake actions. Perks such as Soothing Voice, Lithe, and Confident will add dice to a pool, whilst Quirks like Inattentive, Fear of Snakes, and Illiterate deduct dice from a pool.

To have his character undertake an action, assembles a pool of dice equal to a pair of Approaches and their dice type and number of dice. If appropriate, Perks add dice to the pool, whilst Quirks deduct them. When rolled, results of four or more count as successes. Rolling the maximum value on any die counts as either two successes or go into the player’s pool of Destiny dice. A player can have a maximum of four Destiny dice and these can be kept and rolled on any later check. Any roll of one is treated as a fumble, in which case a success is deducted from the total rolled or a die can be added to the Guide’s Fate pool. The Fate pool works like a player’s Destiny dice in that it can have a maximum of four, which are used for NPC checks. Making the roll costs the Player Character a point of Vigour.

Action in the roleplaying game is kept track of on an Action Tracker. This is a track of boxes numbered from one to twenty and enables the Guide to determine when the actions of both the Player Characters and the NPCs take place. Some actions, such as talking to an ally or drawing a weapon take no actions. A snapshot with a rifle or a punch thrown in a brawl is a one-step action; a pointed attack with a rapier or an aimed shot with a pistol is a two-step action; and a smash attack with a mace or a targeted shot with a crossbow is a three-step action. Then the Guide counts up the number of steps on the Action Tracker and when enough have passed, the action will take place. Whilst one-step actions are faster and means that a Player Characters gets to do a lot, they do not inflict as much damage as the considered and longer two-step and three-step actions. Each action, no matter how many steps in involves, costs a single Vigour to carry out, so the player has to weigh up the cost of the faster, less damage-inflicting Actions that effectively cost more Vigour because a Player Character can do more of them versus slow, more complex, but potentially more damaging Actions that have the same Vigour cost.

Damage is determined by the number of successes rolled multiplied by modifier based on the weapon used and the number of steps that the action took. Armour reduces damage, but also takes damage itself, indicated by the number of times that the armour will successfully protect the character. The rules for combat also handle cover, which increases the number needed to count as successes; dodging and parry, which requires an opposed roll with the defender’s successes negating the attacker’s; and of course, death and healing.

Although the main purpose of the Action Tracker is to keep track of who acts when in combat, it can be used for other purposes. The most obvious is for chases and races, but another is long term projects, perhaps researching a spell or improving irrigation for a village. The latter is not really explored in the pages of Quintessence, but Endeavours, Notions, and Magic are. Magic requires a Perk as well as suitable setting theme, whilst a Notion is an idea or inspiration that is acquired through play, which can be banked at the cost of an Experience Point to be brought into play later on. The use of either Magic or Notion requires the use of an extended test, an Endeavour, that the player creates himself during play which can then be improved through multiple, successful use. The base difficulty for the Endeavour, like any action, is four, but this is increased by numerous factors, including whether the aim of the spell is to heal or harm—and then by how much, range, number of people affected, and so on. If the Endeavour is successful, then the player gets to record it. Once it is written down, the difficulty reduces by one and the next time the Player Character successfully casts the spells or performs the Endeavour, the difficulty lowers again until it reaches the default difficulty.

This Endeavour system is supported by some examples, primarily of magic use. It is a nice, simple, freeform system that allows for a lot of player input and scope for the player to develop his character as he wants. However, as good as it is, as written it feels limited to just magic and physical activities. Yet like the suggestion that the Action Tracker be used for more than combat and chases, the idea that the Endeavour mechanic be used for something else, including social situations and long-term projects, remains disappointingly unexplored.

One aspect of the rules that Quintessence does not cover is conditions. Beyond straightforward damage to Vigour, there is no advice on damage from other sources, where that is fire, falling, drowning, poison, and even fear. These are major omissions, especially more so given that they might be ones that the players might want to bring into play via their characters’ Endeavours.

To create a character, a player decides upon a concept that fits the Guide’s setting and then decides upon a Persona, Origins, Perks, and Quirks, before running him through a Lifepath. The Persona is divided between Nature, who the Player Character is in terms of personality or ideology, and Demeanour, how he appears to others. Origins can be lineage, species, community, and so on. For example, one could be Orc and the other Human, to become a Half-Orc, or one could be Italian American and the other the New York Police Department. Perks and Quirks are acquired from the Origins, and then the Lifepath consists of four life events for which the player must alter Approaches once, add Perks and Quirks once then, and choose any one of them again. The player also decides on gear, relationships, goals, and languages.

Henry Brinded
AFFINITIES
Air: d6; Etiquette 2, Intuition 2, Humour 2
Earth: d8; Grit 2, Knowledge 3, Willpower 2

Fire: d4; Optimistic 2, Obsession 2, Imagination 2
Water: d8; Inquisitive 3, Artistry 2, Shrewd 1
Vigour: 25

Origin #1: Classics Scholar
Origin #2: Quiet Antiquarian
Life Event #1: Grew up Boston Brahmin
Life Event #1: Yale
Life Event #1: The Great War
Life Event #1: My own business

Perks: Ear for Languages, A Love of the Past, Private Income
Quirks: Pacifist, Deafness

Goals: Prove to my family that my business can be successful (short term), return to college (long term), keep my friends safe (group)

The advice for the Guide covers setting and genre, running Session Zero and the questions to be asked, setting call to adventures for the Player Characters to give them motivation to go adventuring, and session planning. The latter covers its tone and pacing, types of encounters—including social, environmental, and action—and then threats to populate with them. There are optional rules for fumbles, accompanied by tables for both standard and magical fumbles, and notably, there is advice on the Guide working with her players. This focuses on ensuring that a player’s creation is not unnecessarily overpowered, but rather something that is useful and over time can be developed in an ability or spell or power that will be amazing. The advice is simply not to say no, but “Yes, but…” to ensure the vision that the player and the Guide do not clash and fit the setting. The advice for the Guide is good, but it is brief.

Physically, Quintessence is decently written and illustrated. The artwork ranges in quality, but none of it is bad and all together serves to give the book an enjoyably scrappy look.

Quintessence really sums up this roleplaying game. For there is a solid set of mechanics at its core and in the Endeavour mechanic gives players and the Guide the scope to bring powers and spells and abilities into play and develop them into signature moves. However, beyond that core, that ‘quintessence’, and the roleplaying game is undeveloped. There are hints and suggestions that the Action Tracker and Endeavour mechanic can be really flexible, but neither is as fully explored as it needed to be in order to really show how flexible the roleplaying game is clearly intended to be. Ultimately, there is a brevity to Quintessence and omissions from its rules which make it challenging to use. Perhaps a second edition—or at least a companion volume—that will fix these issues and make Quintessence the roleplaying game that the designers clearly intended it to be.

The Bloodwood Forest is a dense, semi-tropical forest that lies down the length of the Severed Valley, bisected by the river Sunder. The Bloodwood Forest is inhabited by Fey, who slip into the world from the Unseelie Court and prey on unwary travellers… There is a guaranteed safe path through the forest, the Fey Road, mostly unmarked and purported to be haunted by ghosts. The impenetrable forest is said to be full of riches, including rare woods and plants, seams of gemstones, and animals to trap for their pelts. Rarest of all are the Blood Trees, whose resin can be bled and collected for its magical value. Two towns stand at opposite sides of the forest, one of which is Redstone. Once a sleepy little village, in recent years it has been transformed into a bustling town following investment by Lord Julian Vasco. He even attempted to build a road through the Bloodwood Forest, but it was barely half built when its sponsor disappeared and it has fallen into disrepair since… Worse the Bloodwood Forest suddenly expanded rapidly and encroached on the town, the trees and plants piercing buildings and forcing people out. With what were once beautiful buildings in ruins, the inhabitants of Redstone were driven out or fled, and the boom town was reduced to a shadow of what it was before the arrival of Lord Julian Vasco.

This is the set-up for Bloodwood, a scenario for Dungeons & Dragons, Fifth Edition for a party of Sixth Level Player Characters. Published by Crow & Crown, best known for Herbarium: A Botanical 5th Edition Supplement, it is nominally set in the Forgotten Realms, between Lushpool and Sheirtalar, on the shore of the Shining Sea. Alternatives are suggested, but Bloodwood need not be set in Faerûn at all and can be easily slotted in a Dungeon Master’s campaign. Several reasons are suggested as to why the Player Characters might travel to Redstone, including a simple matter of being hired as caravan guards and a thief answering the call of his thief’s guild to aid a fellow thief in the former town. There are rumours abroad that suggest that Lord Vasco was orchestrating bandit attacks on the merchant caravans to sell the stolen goods and that he possessed a magical amulet which enabled him to ward off the forest fey. Both hooks are prosaic, and the situation does lend itself to others. Perhaps there are families wanting to find relatives gone missing in the Bloodwood Forest, Lord Vasco has creditors who want his disappearance confirmed, or even Lord Vasco’s family want to know where he is? Once the Player Characters get to Redstone, the options and motivations open up. NPCs will want the Player Characters to enter the Bloodwood Forest to obtain some resin from the Blood Train, locate the rare treasures that he was said to possess, and so on.

Investigating Lord Vasco begins at his estate, which apart from a single room, is as overgrown with the Bloodwood Forest as Redstone is. This is his office, which the Player Characters will have relatively access to and thus be able to search for possible clues as to his whereabouts. In a nice touch, these are easily found and point towards some of his activities and contacts made in the fey forest which has overtaken his home. The clues—consisting of pages from his journal—also point to his being a highly ambitious and manipulative man. Also here is the atrium, the centrepiece of Lord Vasco’s villa, once open to the sky to let the sun in, but now under a wild canopy of trees and plants. At its centre in the floor is a giant stone slab, said to hide the entrance to his treasure vault. Following the clues given in Lord Vasco’s journal, the Player Characters will make their way into Bloodwood Forest, following the Fey Road into depths, hoping that they do not get lost. The best time to do it is at night, when the Fey Road can be best seen by the ghosts that walk upon it, though the Player Character be careful lest fear drives them back out of the forest. With the treasures gathered, typically after facing some nasty denizens of the Unseelie Court, the Player Characters can return to Lord Vasco’s estate and potentially discover what secrets he was hiding.

On the surface, what the Player Characters have to do in Bloodwood is far from complex—discovering the clues at Lord Vasco’s estate, recovering the treasures he has hoarded in the Bloodwood Forest, and returning to discover his real secrets. There is more to the scenario than just this. The players and their characters do have choices to make in terms of which potential employer they decide to take up with since as they will quickly learn not all of them are moral, upstanding characters. Further, they are bound to discover hints that Lord Vasco was not quite as rich as he was supposed to be and that he was manipulating affairs deep into the forest. Unfortunately, the full extent of this manipulation is not revealed until after the climax of the scenario and the Player Characters have no chance to interact with the victims until then. At that point, the Player Characters do have some interesting choices to make and the Dungeon Master should prepare for what should be a good roleplaying scene.

Beyond its plot, Bloodwood is supported with an appendix that takes up a quarter of its length. This contains a wide range of new monsters and treasures. The treasures include the Cloak of Many Fashions, which can change its appearance to appear like any cloak; the Carrion Ring, which summons a swarm of beetles to aid the wearer’s attacks for one minute, though it leaves them smelling of rotting meat for an hour(!); and Dragon’s Blood Ink, made from the resin of the blood tree, which is used to enhance the effects of Glyph of Warding and other spells which need to be drawn for their effects. The new monsters include the Alraune, a homunculus grown from the roots of the mandrake plant which has a deafening scream and a taste for meat; the Gravebird, undead corvids possessed by wandering spirits that can mimic sounds and which likes to steal small shiny items from those it attacks; and the Tikbalang, an elongated, bony creature with a horse’s head that serves as a guardian for gates to the spirit world, that sometimes leads travellers astray or returns them to the path they were on, no matter how they have got. Several of the creatures given are taken from folklore. For example, the Alraune comes from German folklore, whilst the Tikbalang is taken from Philippine folklore.

Physically, Bloodwood is incredibly well presented. The writing is dense in places, even slightly overwritten, but the Dungeon Master is presented with a wealth of detail to bring the setting to life. The two maps are very nicely done, though more, including maps of the Severed Valley and Redstone would have been useful. The artwork consists of a mixture of the specially commissioned pieces and the creative commons, of which the latter is a problem. It is not that any of the creative commons selected artwork is bad. It is not. Rather that despite the text in Bloodwood describing the Severed Valley and the Bloodwood Forest as being semi-tropical, the artwork does not reflect that. Instead, it has a northern European feel, of a faded bucolic pastoralism that gives it an appropriate sense of fading decline that contrasts nicely with the sharpness of the Unseelie fey abroad in the region.

For the most part, the issues with Bloodwood—the density of the text and the partial lack of engagement with the actual backstory until the very—do not negate from what is actually an atmospheric and decently supported adventure. Bloodwood is a very likeable scenario that deserves a sequel to explore both the setting and the repercussions of its events further.

Now in its seventeenth year, Free RPG Day for 2024 took place on Saturday, June 22nd. As per usual, Free RPG Day consisted of an array of new and interesting little releases, which are traditionally tasters for forthcoming games to be released at GenCon the following August, but others are support for existing RPGs or pieces of gaming ephemera or a quick-start. This included dice, miniatures, vouchers, and more. Thanks to the generosity of Waylands Forge in Birmingham, Reviews from R’lyeh was able to get hold of many of the titles released for Free RPG Day.

—oOo—
Garbage & Glory – Trashrun is a preview of, and a quick-start for Garbage & Glory, the roleplaying games of raccoons—known as ‘trash pandas’—going on adventures, typically to acquire the best kind of trash dumped by humans and turn it into something useful. They will have to compete—and sometimes even fight—for this trash with other trash-mongers like Rat Bandits and Killoyotes. Of course, there is rubbish, which is rubbish and trash, which is useful, and the best source of waste is always guarded giant Ogres in flashing yellow outfits. Who knows why? Actually, the ‘why’ really does not matter, because nothing is going to stop raccoons from getting the best trash. It is published by Wet Ink Games, which previously published Heckin’ Good Doggos – Someone’s Last Day at the Track for Free RPG Day 2023, but is probably best known for Jiangshi: Blood in the Banquet Hall, the horror roleplaying game set in a Chinese restaurant in the 1920s. Designed to be played by all ages, it includes the roleplaying game’s +One System, six ready-to-play pre-generated dog characters, and a full adventure, ‘Beyond the Sewer Gate’. In order to play, a group will need a pool of six-sided dice and two decks of ordinary playing cards, each of which should be different to tell them apart.
A raccoon in Garbage & Glory is defined by a Title, Calling, Attributes, and Training. The Title is descriptive, but a Calling grants a raccoon a unique ability and a unique skill. For example, ‘Argentus’, one of the pre-generated raccoons in Garbage & Glory – Trashrun has the Title of ‘The Crafty Blade’. He also has the Calling of ‘Rubbish Ruffian’. This grants him the Calling Ability of ‘The Body Remembers’ which doubles the effect when negating damage or receiving healing, as well as the Calling Skill of ‘Attack Back’, which allows him a riposte if an attack against him misses. The three Attributes are Brawn, Smarts, and Guts, which start at three each, but can be much higher. Each Attribute has four associated areas of Training. For example, Brawn has Break, Scrap, Sneak, and Wriggle. Besides equipment, a Raccoon has rating in Garbage and Glory, which indicate the number of cards for each that a Raccoon has.

Mechanically, Garbage & Glory – Trashrun and thus Garbage & Glory uses the +One System. This involves rolling a number of six-sided dice each to the skill being used. Each five or six rolled is a success. Harder tasks require more Successes. ‘+One Manipulations’ enable a player to change the outcome using points from the Attribute associated with the Skill. Prior to a roll, a manipulation can be made to add a die to a roll or even gain a skill rating in a previously untrained skill, if only temporarily. After the roll, to increase the value of a die roll by one—typically from a four to a five—and to reroll any number of dice. In addition to skill rolls, raccoons can face Challenges, which are attempted by the whole Mask—as a group of raccoons is known—as a group effort. They simply need to roll a number of Successes equal to the target number for the Challenge for the whole pack to succeed. The scenario, ‘Beyond the Sewer Gate’, uses ‘Countdown Challenges’, which if failed, add a cumulative penalty to all subsequent Countdown Challenges in the adventure.
There multiple uses for playing cards in the +One System in Garbage & Glory – Trashrun and thus Garbage & Glory. It depends upon which deck they are played from. Cards drawn from the Garbage deck have two uses—crafting and healing. For the former, the suits represent types of trash. Spades for sharp objects, Hearts for soft, Diamonds for shiny, and Clubs for hard, with higher value cards representing better trash and Jokers acting as wild cards. Notably, very Shiny trash means that it might be magical. For healing one card is discarded per potential point of damage. Cards from the Glory deck can be discarded for ‘+One Manipulations’, healing, and to gain Initiative scores. Whenever a card from the Glory deck is discarded, the player is expected to narrate exactly how glorious it is.

Combat is kept simple. Participants have the one action per turn, initiative is determined by the highest-ranking card of Glory—card suits matter in the full rules to Garbage & Glory, but not in Garbage & Glory – Trashrun—and once a player has acted, then he gets to choose who goes next. At the end of a round, the player of the last character—or the Game Master—to act chooses who acts first in the next round, though it cannot be themselves. Attacks are made against the Scrap, Hurl, or magic values of the defendant as the Target Number. Overall, both the mechanics and combat are nicely explained in Garbage & Glory – Trashrun, and supported with innumerable examples as well as tone and using the X-Card where necessary.

Garbage & Glory – Trashrun includes six pre-generated raccoons. They include a fighter, a skills generalist, a brawler, a healer and skilled dumpster diver, a sneaky raccoon with sticky fingers, and a tinkerer who can delivered a barbed quip. Each has a full sheet, with spaces for each raccoon’s Attributes marked with bottlecaps!

The scenario, ‘Beyond the Sewer Gate’ opens with the raccoons outside the legendary Munci Wastedisp, ready to sneak in and search for its long sought after trove of trashy treasure. The Mask plans to explore its dark and twisty depths in search of good trash, all the whilst avoiding patrolling Ogres in their shiny yellow armour. There is a constant flow of water and rubbish—and perhaps some trash—into Munci Wastedisp, but there is also the chance that too much flows in and it has to go somewhere! Mechanically, if the players fail three Countdown Challenges, they are washed out of Munci Wastedisp. Inside, the Mask will find Rat Bandits, rooms full of all too shiny rubbish, and eventually way into ‘The Depths’ of Munci Wastedisp where they will find the best trash they have ever dreamed of. There they need to avoid the Ogres—and worse—search for the best trash, and get out again, likely chased out… ‘Beyond the Sewer Gate’ is a solid scenario, which hides much of what is going on to the players in the dark of the municipal waste dump, giving it an atmosphere that they unlikely to have thought much about, let considered a location to set a roleplaying scenario in!
Physically, Garbage & Glory – Trashrun is brightly, cheerfully presented. The writing is clear and the illustrated of the various raccoons and the threats they face are excellent. At the front there are illustrations of the weapons that the raccoons use, including a ‘Car Key Shank’, a Stainless Steel based on a steel ruler, and a ‘Pretty Gear Chain Sword’, which is essentially a bicycle chain turned rapidly using the pedals as handles! These are a lot of fun. It is a pity that none of the character sheets for the raccoons have illustrations, and it would have been useful if there had been explanations on what each of the pre-generated raccoons do.
Garbage & Glory – Trashrun is a good quick-start and a good introduction to Garbage & Glory. Its setting and its mechanics make it suitable for younger teenagers and older players and an experienced Narrator, especially one who has run some storytelling style games, will be able to grasp the +One System and explain how it works with ease. Overall, Garbage & Glory – Trashrun is cheerfully, cheeky fun and should give a session’s worth of raccoonish rambunctiousness.

 Day 4

Sparkly witch hats!

 This movie might be one of the best convergence of movies from my youth, Greek Myth, and monsters from the Monster Manual. Tonight's feature is 1964's The Gorgon from Hammer Films.

The Gorgon (1964)

Ok what does this movie have? Well, Christopher Lee (as a good guy!), Peter Cushing (as a bad guy! sort of), the "Hammer Hamlet"" pre-Doctor Who Patrick Troughton, Barbara Shelley, an angry mob, a monster, basically it hits all the notes. But does it is hit them right?

The plot features a bunch of seemingly random murders. The odd thing is that the murder victims are all turned to stone. Peter Cushing is out local doctor covering up for the murders, but we don't see why till the very end. 

Lee is the friend of a family where one brother is blamed for the murders, his father is later turned to stone while investigating, and the last brother comes to investigate and falls in love with Barbara Shelley's Carla.

We learn through various sources that the spirit of "Megeara" one of the last Gorgon sisters haunts this small village in Germany. The three Gorgons were named Stheno, Euryale, and Medusa. Megeara must have sounded better to them.

Turns out Megeara's spirit is living on in Carla and every full moon she is released again on the world. 

Believe it or not, I have never seen this movie till tonight. 

There are a TON of liberties taken with the ancient Greek myth, but honestly that is fine. I am more annoyed they went with Megeara instead of Stheno or Euryale.

Featured Monster: Medusa

I think it is a bit obvious that the art in the Monster Manual was very inspired by this movie.

There is even some evidence that the Medusa of D&D is also based on this movie to a degree. Not the spirit or the coming out at the full moon, but the general behavior.

The great thing about this movie? It takes a classical mythology monster and gives it a solid horror feel to it in the special Hammer way. If you want a good working template on how to add horror to your games, this is a good place to start.

Of course, and this is an old gripe of mine, why is the monster called a Medusa and not a Gorgon? More to the point why is there also a bull-like creature called a Gorgon in the MM?

There is a "Gorgon" in a 1607 Bestiary by Edward Topsell titled "The Historie of Foure-Footed Beastes." Note, the link here is to the revised and combined Beasts, Insects, and Serpents and is over 1000 pages. 

That looks like our bull-Gorgon sure enough. I am sure that this is creature Gygax had in mind. And he said as much [1][2][3].

Two monsters for the price of one? No. I'll keep this one for the Medusa. 

October Horror Movie Challenge 2024
Viewed: 3
First Time Views: 3

Three chapters tonight in the lives of our hunters, or one very busy, very important, day.

CHAPTER XXI

DR. SEWARD’S DIARY

3 October.—Let me put down with exactness all that happened, as well as I can remember it, since last I made an entry. Not a detail that I can recall must be forgotten; in all calmness I must proceed.

When I came to Renfield’s room I found him lying on the floor on his left side in a glittering pool of blood. When I went to move him, it became at once apparent that he had received some terrible injuries; there seemed none of that unity of purpose between the parts of the body which marks even lethargic sanity. As the face was exposed I could see that it was horribly bruised, as though it had been beaten against the floor—indeed it was from the face wounds that the pool of blood originated. The attendant who was kneeling beside the body said to me as we turned him over:—

“I think, sir, his back is broken. See, both his right arm and leg and the whole side of his face are paralysed.” How such a thing could have happened puzzled the attendant beyond measure. He seemed quite bewildered, and his brows were gathered in as he said:—

“I can’t understand the two things. He could mark his face like that by beating his own head on the floor. I saw a young woman do it once at the Eversfield Asylum before anyone could lay hands on her. And I suppose he might have broke his neck by falling out of bed, if he got in an awkward kink. But for the life of me I can’t imagine how the two things occurred. If his back was broke, he couldn’t beat his head; and if his face was like that before the fall out of bed, there would be marks of it.” I said to him:—

“Go to Dr. Van Helsing, and ask him to kindly come here at once. I want him without an instant’s delay.” The man ran off, and within a few minutes the Professor, in his dressing gown and slippers, appeared. When he saw Renfield on the ground, he looked keenly at him a moment, and then turned to me. I think he recognised my thought in my eyes, for he said very quietly, manifestly for the ears of the attendant:—

“Ah, a sad accident! He will need very careful watching, and much attention. I shall stay with you myself; but I shall first dress myself. If you will remain I shall in a few minutes join you.”

The patient was now breathing stertorously and it was easy to see that he had suffered some terrible injury. Van Helsing returned with extraordinary celerity, bearing with him a surgical case. He had evidently been thinking and had his mind made up; for, almost before he looked at the patient, he whispered to me:—

“Send the attendant away. We must be alone with him when he becomes conscious, after the operation.” So I said:—

“I think that will do now, Simmons. We have done all that we can at present. You had better go your round, and Dr. Van Helsing will operate. Let me know instantly if there be anything unusual anywhere.”

The man withdrew, and we went into a strict examination of the patient. The wounds of the face was superficial; the real injury was a depressed fracture of the skull, extending right up through the motor area. The Professor thought a moment and said:—

“We must reduce the pressure and get back to normal conditions, as far as can be; the rapidity of the suffusion shows the terrible nature of his injury. The whole motor area seems affected. The suffusion of the brain will increase quickly, so we must trephine at once or it may be too late.” As he was speaking there was a soft tapping at the door. I went over and opened it and found in the corridor without, Arthur and Quincey in pajamas and slippers: the former spoke:—

“I heard your man call up Dr. Van Helsing and tell him of an accident. So I woke Quincey or rather called for him as he was not asleep. Things are moving too quickly and too strangely for sound sleep for any of us these times. I’ve been thinking that to-morrow night will not see things as they have been. We’ll have to look back—and forward a little more than we have done. May we come in?” I nodded, and held the door open till they had entered; then I closed it again. When Quincey saw the attitude and state of the patient, and noted the horrible pool on the floor, he said softly:—

“My God! what has happened to him? Poor, poor devil!” I told him briefly, and added that we expected he would recover consciousness after the operation—for a short time, at all events. He went at once and sat down on the edge of the bed, with Godalming beside him; we all watched in patience.

“We shall wait,” said Van Helsing, “just long enough to fix the best spot for trephining, so that we may most quickly and perfectly remove the blood clot; for it is evident that the hæmorrhage is increasing.”

The minutes during which we waited passed with fearful slowness. I had a horrible sinking in my heart, and from Van Helsing’s face I gathered that he felt some fear or apprehension as to what was to come. I dreaded the words that Renfield might speak. I was positively afraid to think; but the conviction of what was coming was on me, as I have read of men who have heard the death-watch. The poor man’s breathing came in uncertain gasps. Each instant he seemed as though he would open his eyes and speak; but then would follow a prolonged stertorous breath, and he would relapse into a more fixed insensibility. Inured as I was to sick beds and death, this suspense grew, and grew upon me. I could almost hear the beating of my own heart; and the blood surging through my temples sounded like blows from a hammer. The silence finally became agonising. I looked at my companions, one after another, and saw from their flushed faces and damp brows that they were enduring equal torture. There was a nervous suspense over us all, as though overhead some dread bell would peal out powerfully when we should least expect it.

At last there came a time when it was evident that the patient was sinking fast; he might die at any moment. I looked up at the Professor and caught his eyes fixed on mine. His face was sternly set as he spoke:—

“There is no time to lose. His words may be worth many lives; I have been thinking so, as I stood here. It may be there is a soul at stake! We shall operate just above the ear.”

Without another word he made the operation. For a few moments the breathing continued to be stertorous. Then there came a breath so prolonged that it seemed as though it would tear open his chest. Suddenly his eyes opened, and became fixed in a wild, helpless stare. This was continued for a few moments; then it softened into a glad surprise, and from the lips came a sigh of relief. He moved convulsively, and as he did so, said:—

“I’ll be quiet, Doctor. Tell them to take off the strait-waistcoat. I have had a terrible dream, and it has left me so weak that I cannot move. What’s wrong with my face? it feels all swollen, and it smarts dreadfully.” He tried to turn his head; but even with the effort his eyes seemed to grow glassy again so I gently put it back. Then Van Helsing said in a quiet grave tone:—

“Tell us your dream, Mr. Renfield.” As he heard the voice his face brightened, through its mutilation, and he said:—

“That is Dr. Van Helsing. How good it is of you to be here. Give me some water, my lips are dry; and I shall try to tell you. I dreamed”—he stopped and seemed fainting, I called quietly to Quincey—“The brandy—it is in my study—quick!” He flew and returned with a glass, the decanter of brandy and a carafe of water. We moistened the parched lips, and the patient quickly revived. It seemed, however, that his poor injured brain had been working in the interval, for, when he was quite conscious, he looked at me piercingly with an agonised confusion which I shall never forget, and said:—

“I must not deceive myself; it was no dream, but all a grim reality.” Then his eyes roved round the room; as they caught sight of the two figures sitting patiently on the edge of the bed he went on:—

“If I were not sure already, I would know from them.” For an instant his eyes closed—not with pain or sleep but voluntarily, as though he were bringing all his faculties to bear; when he opened them he said, hurriedly, and with more energy than he had yet displayed:—

“Quick, Doctor, quick. I am dying! I feel that I have but a few minutes; and then I must go back to death—or worse! Wet my lips with brandy again. I have something that I must say before I die; or before my poor crushed brain dies anyhow. Thank you! It was that night after you left me, when I implored you to let me go away. I couldn’t speak then, for I felt my tongue was tied; but I was as sane then, except in that way, as I am now. I was in an agony of despair for a long time after you left me; it seemed hours. Then there came a sudden peace to me. My brain seemed to become cool again, and I realised where I was. I heard the dogs bark behind our house, but not where He was!” As he spoke, Van Helsing’s eyes never blinked, but his hand came out and met mine and gripped it hard. He did not, however, betray himself; he nodded slightly and said: “Go on,” in a low voice. Renfield proceeded:—

“He came up to the window in the mist, as I had seen him often before; but he was solid then—not a ghost, and his eyes were fierce like a man’s when angry. He was laughing with his red mouth; the sharp white teeth glinted in the moonlight when he turned to look back over the belt of trees, to where the dogs were barking. I wouldn’t ask him to come in at first, though I knew he wanted to—just as he had wanted all along. Then he began promising me things—not in words but by doing them.” He was interrupted by a word from the Professor:—

“How?”

“By making them happen; just as he used to send in the flies when the sun was shining. Great big fat ones with steel and sapphire on their wings; and big moths, in the night, with skull and cross-bones on their backs.” Van Helsing nodded to him as he whispered to me unconsciously:—

“The Acherontia Aitetropos of the Sphinges—what you call the ‘Death’s-head Moth’?” The patient went on without stopping.

“Then he began to whisper: ‘Rats, rats, rats! Hundreds, thousands, millions of them, and every one a life; and dogs to eat them, and cats too. All lives! all red blood, with years of life in it; and not merely buzzing flies!’ I laughed at him, for I wanted to see what he could do. Then the dogs howled, away beyond the dark trees in His house. He beckoned me to the window. I got up and looked out, and He raised his hands, and seemed to call out without using any words. A dark mass spread over the grass, coming on like the shape of a flame of fire; and then He moved the mist to the right and left, and I could see that there were thousands of rats with their eyes blazing red—like His, only smaller. He held up his hand, and they all stopped; and I thought he seemed to be saying: ‘All these lives will I give you, ay, and many more and greater, through countless ages, if you will fall down and worship me!’ And then a red cloud, like the colour of blood, seemed to close over my eyes; and before I knew what I was doing, I found myself opening the sash and saying to Him: ‘Come in, Lord and Master!’ The rats were all gone, but He slid into the room through the sash, though it was only open an inch wide—just as the Moon herself has often come in through the tiniest crack and has stood before me in all her size and splendour.”

His voice was weaker, so I moistened his lips with the brandy again, and he continued; but it seemed as though his memory had gone on working in the interval for his story was further advanced. I was about to call him back to the point, but Van Helsing whispered to me: “Let him go on. Do not interrupt him; he cannot go back, and maybe could not proceed at all if once he lost the thread of his thought.” He proceeded:—

“All day I waited to hear from him, but he did not send me anything, not even a blow-fly, and when the moon got up I was pretty angry with him. When he slid in through the window, though it was shut, and did not even knock, I got mad with him. He sneered at me, and his white face looked out of the mist with his red eyes gleaming, and he went on as though he owned the whole place, and I was no one. He didn’t even smell the same as he went by me. I couldn’t hold him. I thought that, somehow, Mrs. Harker had come into the room.”

The two men sitting on the bed stood up and came over, standing behind him so that he could not see them, but where they could hear better. They were both silent, but the Professor started and quivered; his face, however, grew grimmer and sterner still. Renfield went on without noticing:—

“When Mrs. Harker came in to see me this afternoon she wasn’t the same; it was like tea after the teapot had been watered.” Here we all moved, but no one said a word; he went on:—

“I didn’t know that she was here till she spoke; and she didn’t look the same. I don’t care for the pale people; I like them with lots of blood in them, and hers had all seemed to have run out. I didn’t think of it at the time; but when she went away I began to think, and it made me mad to know that He had been taking the life out of her.” I could feel that the rest quivered, as I did, but we remained otherwise still. “So when He came to-night I was ready for Him. I saw the mist stealing in, and I grabbed it tight. I had heard that madmen have unnatural strength; and as I knew I was a madman—at times anyhow—I resolved to use my power. Ay, and He felt it too, for He had to come out of the mist to struggle with me. I held tight; and I thought I was going to win, for I didn’t mean Him to take any more of her life, till I saw His eyes. They burned into me, and my strength became like water. He slipped through it, and when I tried to cling to Him, He raised me up and flung me down. There was a red cloud before me, and a noise like thunder, and the mist seemed to steal away under the door.” His voice was becoming fainter and his breath more stertorous. Van Helsing stood up instinctively.

“We know the worst now,” he said. “He is here, and we know his purpose. It may not be too late. Let us be armed—the same as we were the other night, but lose no time; there is not an instant to spare.” There was no need to put our fear, nay our conviction, into words—we shared them in common. We all hurried and took from our rooms the same things that we had when we entered the Count’s house. The Professor had his ready, and as we met in the corridor he pointed to them significantly as he said:—

“They never leave me; and they shall not till this unhappy business is over. Be wise also, my friends. It is no common enemy that we deal with. Alas! alas! that that dear Madam Mina should suffer!” He stopped; his voice was breaking, and I do not know if rage or terror predominated in my own heart.

Outside the Harkers’ door we paused. Art and Quincey held back, and the latter said:—

“Should we disturb her?”

“We must,” said Van Helsing grimly. “If the door be locked, I shall break it in.”

“May it not frighten her terribly? It is unusual to break into a lady’s room!”

Van Helsing said solemnly, “You are always right; but this is life and death. All chambers are alike to the doctor; and even were they not they are all as one to me to-night. Friend John, when I turn the handle, if the door does not open, do you put your shoulder down and shove; and you too, my friends. Now!”

He turned the handle as he spoke, but the door did not yield. We threw ourselves against it; with a crash it burst open, and we almost fell headlong into the room. The Professor did actually fall, and I saw across him as he gathered himself up from hands and knees. What I saw appalled me. I felt my hair rise like bristles on the back of my neck, and my heart seemed to stand still.

The moonlight was so bright that through the thick yellow blind the room was light enough to see. On the bed beside the window lay Jonathan Harker, his face flushed and breathing heavily as though in a stupor. Kneeling on the near edge of the bed facing outwards was the white-clad figure of his wife. By her side stood a tall, thin man, clad in black. His face was turned from us, but the instant we saw we all recognised the Count—in every way, even to the scar on his forehead. With his left hand he held both Mrs. Harker’s hands, keeping them away with her arms at full tension; his right hand gripped her by the back of the neck, forcing her face down on his bosom. Her white nightdress was smeared with blood, and a thin stream trickled down the man’s bare breast which was shown by his torn-open dress. The attitude of the two had a terrible resemblance to a child forcing a kitten’s nose into a saucer of milk to compel it to drink. As we burst into the room, the Count turned his face, and the hellish look that I had heard described seemed to leap into it. His eyes flamed red with devilish passion; the great nostrils of the white aquiline nose opened wide and quivered at the edge; and the white sharp teeth, behind the full lips of the blood-dripping mouth, champed together like those of a wild beast. With a wrench, which threw his victim back upon the bed as though hurled from a height, he turned and sprang at us. But by this time the Professor had gained his feet, and was holding towards him the envelope which contained the Sacred Wafer. The Count suddenly stopped, just as poor Lucy had done outside the tomb, and cowered back. Further and further back he cowered, as we, lifting our crucifixes, advanced. The moonlight suddenly failed, as a great black cloud sailed across the sky; and when the gaslight sprang up under Quincey’s match, we saw nothing but a faint vapour. This, as we looked, trailed under the door, which with the recoil from its bursting open, had swung back to its old position. Van Helsing, Art, and I moved forward to Mrs. Harker, who by this time had drawn her breath and with it had given a scream so wild, so ear-piercing, so despairing that it seems to me now that it will ring in my ears till my dying day. For a few seconds she lay in her helpless attitude and disarray. Her face was ghastly, with a pallor which was accentuated by the blood which smeared her lips and cheeks and chin; from her throat trickled a thin stream of blood; her eyes were mad with terror. Then she put before her face her poor crushed hands, which bore on their whiteness the red mark of the Count’s terrible grip, and from behind them came a low desolate wail which made the terrible scream seem only the quick expression of an endless grief. Van Helsing stepped forward and drew the coverlet gently over her body, whilst Art, after looking at her face for an instant despairingly, ran out of the room. Van Helsing whispered to me:—

“Jonathan is in a stupor such as we know the Vampire can produce. We can do nothing with poor Madam Mina for a few moments till she recovers herself; I must wake him!” He dipped the end of a towel in cold water and with it began to flick him on the face, his wife all the while holding her face between her hands and sobbing in a way that was heart-breaking to hear. I raised the blind, and looked out of the window. There was much moonshine; and as I looked I could see Quincey Morris run across the lawn and hide himself in the shadow of a great yew-tree. It puzzled me to think why he was doing this; but at the instant I heard Harker’s quick exclamation as he woke to partial consciousness, and turned to the bed. On his face, as there might well be, was a look of wild amazement. He seemed dazed for a few seconds, and then full consciousness seemed to burst upon him all at once, and he started up. His wife was aroused by the quick movement, and turned to him with her arms stretched out, as though to embrace him; instantly, however, she drew them in again, and putting her elbows together, held her hands before her face, and shuddered till the bed beneath her shook.

“In God’s name what does this mean?” Harker cried out. “Dr. Seward, Dr. Van Helsing, what is it? What has happened? What is wrong? Mina, dear, what is it? What does that blood mean? My God, my God! has it come to this!” and, raising himself to his knees, he beat his hands wildly together. “Good God help us! help her! oh, help her!” With a quick movement he jumped from bed, and began to pull on his clothes,—all the man in him awake at the need for instant exertion. “What has happened? Tell me all about it!” he cried without pausing. “Dr. Van Helsing, you love Mina, I know. Oh, do something to save her. It cannot have gone too far yet. Guard her while I look for him!” His wife, through her terror and horror and distress, saw some sure danger to him: instantly forgetting her own grief, she seized hold of him and cried out:—

“No! no! Jonathan, you must not leave me. I have suffered enough to-night, God knows, without the dread of his harming you. You must stay with me. Stay with these friends who will watch over you!” Her expression became frantic as she spoke; and, he yielding to her, she pulled him down sitting on the bed side, and clung to him fiercely.

Van Helsing and I tried to calm them both. The Professor held up his little golden crucifix, and said with wonderful calmness:—

“Do not fear, my dear. We are here; and whilst this is close to you no foul thing can approach. You are safe for to-night; and we must be calm and take counsel together.” She shuddered and was silent, holding down her head on her husband’s breast. When she raised it, his white night-robe was stained with blood where her lips had touched, and where the thin open wound in her neck had sent forth drops. The instant she saw it she drew back, with a low wail, and whispered, amidst choking sobs:—

“Unclean, unclean! I must touch him or kiss him no more. Oh, that it should be that it is I who am now his worst enemy, and whom he may have most cause to fear.” To this he spoke out resolutely:—

“Nonsense, Mina. It is a shame to me to hear such a word. I would not hear it of you; and I shall not hear it from you. May God judge me by my deserts, and punish me with more bitter suffering than even this hour, if by any act or will of mine anything ever come between us!” He put out his arms and folded her to his breast; and for a while she lay there sobbing. He looked at us over her bowed head, with eyes that blinked damply above his quivering nostrils; his mouth was set as steel. After a while her sobs became less frequent and more faint, and then he said to me, speaking with a studied calmness which I felt tried his nervous power to the utmost:—

“And now, Dr. Seward, tell me all about it. Too well I know the broad fact; tell me all that has been.” I told him exactly what had happened, and he listened with seeming impassiveness; but his nostrils twitched and his eyes blazed as I told how the ruthless hands of the Count had held his wife in that terrible and horrid position, with her mouth to the open wound in his breast. It interested me, even at that moment, to see, that, whilst the face of white set passion worked convulsively over the bowed head, the hands tenderly and lovingly stroked the ruffled hair. Just as I had finished, Quincey and Godalming knocked at the door. They entered in obedience to our summons. Van Helsing looked at me questioningly. I understood him to mean if we were to take advantage of their coming to divert if possible the thoughts of the unhappy husband and wife from each other and from themselves; so on nodding acquiescence to him he asked them what they had seen or done. To which Lord Godalming answered:—

“I could not see him anywhere in the passage, or in any of our rooms. I looked in the study but, though he had been there, he had gone. He had, however——” He stopped suddenly, looking at the poor drooping figure on the bed. Van Helsing said gravely:—

“Go on, friend Arthur. We want here no more concealments. Our hope now is in knowing all. Tell freely!” So Art went on:—

“He had been there, and though it could only have been for a few seconds, he made rare hay of the place. All the manuscript had been burned, and the blue flames were flickering amongst the white ashes; the cylinders of your phonograph too were thrown on the fire, and the wax had helped the flames.” Here I interrupted. “Thank God there is the other copy in the safe!” His face lit for a moment, but fell again as he went on: “I ran downstairs then, but could see no sign of him. I looked into Renfield’s room; but there was no trace there except——!” Again he paused. “Go on,” said Harker hoarsely; so he bowed his head and moistening his lips with his tongue, added: “except that the poor fellow is dead.” Mrs. Harker raised her head, looking from one to the other of us she said solemnly:—

“God’s will be done!” I could not but feel that Art was keeping back something; but, as I took it that it was with a purpose, I said nothing. Van Helsing turned to Morris and asked:—

“And you, friend Quincey, have you any to tell?”

“A little,” he answered. “It may be much eventually, but at present I can’t say. I thought it well to know if possible where the Count would go when he left the house. I did not see him; but I saw a bat rise from Renfield’s window, and flap westward. I expected to see him in some shape go back to Carfax; but he evidently sought some other lair. He will not be back to-night; for the sky is reddening in the east, and the dawn is close. We must work to-morrow!”

He said the latter words through his shut teeth. For a space of perhaps a couple of minutes there was silence, and I could fancy that I could hear the sound of our hearts beating; then Van Helsing said, placing his hand very tenderly on Mrs. Harker’s head:—

“And now, Madam Mina—poor, dear, dear Madam Mina—tell us exactly what happened. God knows that I do not want that you be pained; but it is need that we know all. For now more than ever has all work to be done quick and sharp, and in deadly earnest. The day is close to us that must end all, if it may be so; and now is the chance that we may live and learn.”

The poor, dear lady shivered, and I could see the tension of her nerves as she clasped her husband closer to her and bent her head lower and lower still on his breast. Then she raised her head proudly, and held out one hand to Van Helsing who took it in his, and, after stooping and kissing it reverently, held it fast. The other hand was locked in that of her husband, who held his other arm thrown round her protectingly. After a pause in which she was evidently ordering her thoughts, she began:—

“I took the sleeping draught which you had so kindly given me, but for a long time it did not act. I seemed to become more wakeful, and myriads of horrible fancies began to crowd in upon my mind—all of them connected with death, and vampires; with blood, and pain, and trouble.” Her husband involuntarily groaned as she turned to him and said lovingly: “Do not fret, dear. You must be brave and strong, and help me through the horrible task. If you only knew what an effort it is to me to tell of this fearful thing at all, you would understand how much I need your help. Well, I saw I must try to help the medicine to its work with my will, if it was to do me any good, so I resolutely set myself to sleep. Sure enough sleep must soon have come to me, for I remember no more. Jonathan coming in had not waked me, for he lay by my side when next I remember. There was in the room the same thin white mist that I had before noticed. But I forget now if you know of this; you will find it in my diary which I shall show you later. I felt the same vague terror which had come to me before and the same sense of some presence. I turned to wake Jonathan, but found that he slept so soundly that it seemed as if it was he who had taken the sleeping draught, and not I. I tried, but I could not wake him. This caused me a great fear, and I looked around terrified. Then indeed, my heart sank within me: beside the bed, as if he had stepped out of the mist—or rather as if the mist had turned into his figure, for it had entirely disappeared—stood a tall, thin man, all in black. I knew him at once from the description of the others. The waxen face; the high aquiline nose, on which the light fell in a thin white line; the parted red lips, with the sharp white teeth showing between; and the red eyes that I had seemed to see in the sunset on the windows of St. Mary’s Church at Whitby. I knew, too, the red scar on his forehead where Jonathan had struck him. For an instant my heart stood still, and I would have screamed out, only that I was paralysed. In the pause he spoke in a sort of keen, cutting whisper, pointing as he spoke to Jonathan:—

“‘Silence! If you make a sound I shall take him and dash his brains out before your very eyes.’ I was appalled and was too bewildered to do or say anything. With a mocking smile, he placed one hand upon my shoulder and, holding me tight, bared my throat with the other, saying as he did so, ‘First, a little refreshment to reward my exertions. You may as well be quiet; it is not the first time, or the second, that your veins have appeased my thirst!’ I was bewildered, and, strangely enough, I did not want to hinder him. I suppose it is a part of the horrible curse that such is, when his touch is on his victim. And oh, my God, my God, pity me! He placed his reeking lips upon my throat!” Her husband groaned again. She clasped his hand harder, and looked at him pityingly, as if he were the injured one, and went on:—

“I felt my strength fading away, and I was in a half swoon. How long this horrible thing lasted I know not; but it seemed that a long time must have passed before he took his foul, awful, sneering mouth away. I saw it drip with the fresh blood!” The remembrance seemed for a while to overpower her, and she drooped and would have sunk down but for her husband’s sustaining arm. With a great effort she recovered herself and went on:—

“Then he spoke to me mockingly, ‘And so you, like the others, would play your brains against mine. You would help these men to hunt me and frustrate me in my designs! You know now, and they know in part already, and will know in full before long, what it is to cross my path. They should have kept their energies for use closer to home. Whilst they played wits against me—against me who commanded nations, and intrigued for them, and fought for them, hundreds of years before they were born—I was countermining them. And you, their best beloved one, are now to me, flesh of my flesh; blood of my blood; kin of my kin; my bountiful wine-press for a while; and shall be later on my companion and my helper. You shall be avenged in turn; for not one of them but shall minister to your needs. But as yet you are to be punished for what you have done. You have aided in thwarting me; now you shall come to my call. When my brain says “Come!” to you, you shall cross land or sea to do my bidding; and to that end this!’ With that he pulled open his shirt, and with his long sharp nails opened a vein in his breast. When the blood began to spurt out, he took my hands in one of his, holding them tight, and with the other seized my neck and pressed my mouth to the wound, so that I must either suffocate or swallow some of the—— Oh my God! my God! what have I done? What have I done to deserve such a fate, I who have tried to walk in meekness and righteousness all my days. God pity me! Look down on a poor soul in worse than mortal peril; and in mercy pity those to whom she is dear!” Then she began to rub her lips as though to cleanse them from pollution.

As she was telling her terrible story, the eastern sky began to quicken, and everything became more and more clear. Harker was still and quiet; but over his face, as the awful narrative went on, came a grey look which deepened and deepened in the morning light, till when the first red streak of the coming dawn shot up, the flesh stood darkly out against the whitening hair.

We have arranged that one of us is to stay within call of the unhappy pair till we can meet together and arrange about taking action.

Of this I am sure: the sun rises to-day on no more miserable house in all the great round of its daily course.

CHAPTER XXII

JONATHAN HARKER’S JOURNAL

3 October.—As I must do something or go mad, I write this diary. It is now six o’clock, and we are to meet in the study in half an hour and take something to eat; for Dr. Van Helsing and Dr. Seward are agreed that if we do not eat we cannot work our best. Our best will be, God knows, required to-day. I must keep writing at every chance, for I dare not stop to think. All, big and little, must go down; perhaps at the end the little things may teach us most. The teaching, big or little, could not have landed Mina or me anywhere worse than we are to-day. However, we must trust and hope. Poor Mina told me just now, with the tears running down her dear cheeks, that it is in trouble and trial that our faith is tested—that we must keep on trusting; and that God will aid us up to the end. The end! oh my God! what end?... To work! To work!

When Dr. Van Helsing and Dr. Seward had come back from seeing poor Renfield, we went gravely into what was to be done. First, Dr. Seward told us that when he and Dr. Van Helsing had gone down to the room below they had found Renfield lying on the floor, all in a heap. His face was all bruised and crushed in, and the bones of the neck were broken.

Dr. Seward asked the attendant who was on duty in the passage if he had heard anything. He said that he had been sitting down—he confessed to half dozing—when he heard loud voices in the room, and then Renfield had called out loudly several times, “God! God! God!” after that there was a sound of falling, and when he entered the room he found him lying on the floor, face down, just as the doctors had seen him. Van Helsing asked if he had heard “voices” or “a voice,” and he said he could not say; that at first it had seemed to him as if there were two, but as there was no one in the room it could have been only one. He could swear to it, if required, that the word “God” was spoken by the patient. Dr. Seward said to us, when we were alone, that he did not wish to go into the matter; the question of an inquest had to be considered, and it would never do to put forward the truth, as no one would believe it. As it was, he thought that on the attendant’s evidence he could give a certificate of death by misadventure in falling from bed. In case the coroner should demand it, there would be a formal inquest, necessarily to the same result.

When the question began to be discussed as to what should be our next step, the very first thing we decided was that Mina should be in full confidence; that nothing of any sort—no matter how painful—should be kept from her. She herself agreed as to its wisdom, and it was pitiful to see her so brave and yet so sorrowful, and in such a depth of despair. “There must be no concealment,” she said, “Alas! we have had too much already. And besides there is nothing in all the world that can give me more pain than I have already endured—than I suffer now! Whatever may happen, it must be of new hope or of new courage to me!” Van Helsing was looking at her fixedly as she spoke, and said, suddenly but quietly:—

“But dear Madam Mina, are you not afraid; not for yourself, but for others from yourself, after what has happened?” Her face grew set in its lines, but her eyes shone with the devotion of a martyr as she answered:—

“Ah no! for my mind is made up!”

“To what?” he asked gently, whilst we were all very still; for each in our own way we had a sort of vague idea of what she meant. Her answer came with direct simplicity, as though she were simply stating a fact:—

“Because if I find in myself—and I shall watch keenly for it—a sign of harm to any that I love, I shall die!”

“You would not kill yourself?” he asked, hoarsely.

“I would; if there were no friend who loved me, who would save me such a pain, and so desperate an effort!” She looked at him meaningly as she spoke. He was sitting down; but now he rose and came close to her and put his hand on her head as he said solemnly:

“My child, there is such an one if it were for your good. For myself I could hold it in my account with God to find such an euthanasia for you, even at this moment if it were best. Nay, were it safe! But my child——” For a moment he seemed choked, and a great sob rose in his throat; he gulped it down and went on:—

“There are here some who would stand between you and death. You must not die. You must not die by any hand; but least of all by your own. Until the other, who has fouled your sweet life, is true dead you must not die; for if he is still with the quick Un-Dead, your death would make you even as he is. No, you must live! You must struggle and strive to live, though death would seem a boon unspeakable. You must fight Death himself, though he come to you in pain or in joy; by the day, or the night; in safety or in peril! On your living soul I charge you that you do not die—nay, nor think of death—till this great evil be past.” The poor dear grew white as death, and shock and shivered, as I have seen a quicksand shake and shiver at the incoming of the tide. We were all silent; we could do nothing. At length she grew more calm and turning to him said, sweetly, but oh! so sorrowfully, as she held out her hand:—

“I promise you, my dear friend, that if God will let me live, I shall strive to do so; till, if it may be in His good time, this horror may have passed away from me.” She was so good and brave that we all felt that our hearts were strengthened to work and endure for her, and we began to discuss what we were to do. I told her that she was to have all the papers in the safe, and all the papers or diaries and phonographs we might hereafter use; and was to keep the record as she had done before. She was pleased with the prospect of anything to do—if “pleased” could be used in connection with so grim an interest.

As usual Van Helsing had thought ahead of everyone else, and was prepared with an exact ordering of our work.

“It is perhaps well,” he said, “that at our meeting after our visit to Carfax we decided not to do anything with the earth-boxes that lay there. Had we done so, the Count must have guessed our purpose, and would doubtless have taken measures in advance to frustrate such an effort with regard to the others; but now he does not know our intentions. Nay, more, in all probability, he does not know that such a power exists to us as can sterilise his lairs, so that he cannot use them as of old. We are now so much further advanced in our knowledge as to their disposition that, when we have examined the house in Piccadilly, we may track the very last of them. To-day, then, is ours; and in it rests our hope. The sun that rose on our sorrow this morning guards us in its course. Until it sets to-night, that monster must retain whatever form he now has. He is confined within the limitations of his earthly envelope. He cannot melt into thin air nor disappear through cracks or chinks or crannies. If he go through a doorway, he must open the door like a mortal. And so we have this day to hunt out all his lairs and sterilise them. So we shall, if we have not yet catch him and destroy him, drive him to bay in some place where the catching and the destroying shall be, in time, sure.” Here I started up for I could not contain myself at the thought that the minutes and seconds so preciously laden with Mina’s life and happiness were flying from us, since whilst we talked action was impossible. But Van Helsing held up his hand warningly. “Nay, friend Jonathan,” he said, “in this, the quickest way home is the longest way, so your proverb say. We shall all act and act with desperate quick, when the time has come. But think, in all probable the key of the situation is in that house in Piccadilly. The Count may have many houses which he has bought. Of them he will have deeds of purchase, keys and other things. He will have paper that he write on; he will have his book of cheques. There are many belongings that he must have somewhere; why not in this place so central, so quiet, where he come and go by the front or the back at all hour, when in the very vast of the traffic there is none to notice. We shall go there and search that house; and when we learn what it holds, then we do what our friend Arthur call, in his phrases of hunt ‘stop the earths’ and so we run down our old fox—so? is it not?”

“Then let us come at once,” I cried, “we are wasting the precious, precious time!” The Professor did not move, but simply said:—

“And how are we to get into that house in Piccadilly?”

“Any way!” I cried. “We shall break in if need be.”

“And your police; where will they be, and what will they say?”

I was staggered; but I knew that if he wished to delay he had a good reason for it. So I said, as quietly as I could:—

“Don’t wait more than need be; you know, I am sure, what torture I am in.”

“Ah, my child, that I do; and indeed there is no wish of me to add to your anguish. But just think, what can we do, until all the world be at movement. Then will come our time. I have thought and thought, and it seems to me that the simplest way is the best of all. Now we wish to get into the house, but we have no key; is it not so?” I nodded.

“Now suppose that you were, in truth, the owner of that house, and could not still get in; and think there was to you no conscience of the housebreaker, what would you do?”

“I should get a respectable locksmith, and set him to work to pick the lock for me.”

“And your police, they would interfere, would they not?”

“Oh, no! not if they knew the man was properly employed.”

“Then,” he looked at me as keenly as he spoke, “all that is in doubt is the conscience of the employer, and the belief of your policemen as to whether or no that employer has a good conscience or a bad one. Your police must indeed be zealous men and clever—oh, so clever!—in reading the heart, that they trouble themselves in such matter. No, no, my friend Jonathan, you go take the lock off a hundred empty house in this your London, or of any city in the world; and if you do it as such things are rightly done, and at the time such things are rightly done, no one will interfere. I have read of a gentleman who owned a so fine house in London, and when he went for months of summer to Switzerland and lock up his house, some burglar came and broke window at back and got in. Then he went and made open the shutters in front and walk out and in through the door, before the very eyes of the police. Then he have an auction in that house, and advertise it, and put up big notice; and when the day come he sell off by a great auctioneer all the goods of that other man who own them. Then he go to a builder, and he sell him that house, making an agreement that he pull it down and take all away within a certain time. And your police and other authority help him all they can. And when that owner come back from his holiday in Switzerland he find only an empty hole where his house had been. This was all done en règle; and in our work we shall be en règle too. We shall not go so early that the policemen who have then little to think of, shall deem it strange; but we shall go after ten o’clock, when there are many about, and such things would be done were we indeed owners of the house.”

I could not but see how right he was and the terrible despair of Mina’s face became relaxed a thought; there was hope in such good counsel. Van Helsing went on:—

“When once within that house we may find more clues; at any rate some of us can remain there whilst the rest find the other places where there be more earth-boxes—at Bermondsey and Mile End.”

Lord Godalming stood up. “I can be of some use here,” he said. “I shall wire to my people to have horses and carriages where they will be most convenient.”

“Look here, old fellow,” said Morris, “it is a capital idea to have all ready in case we want to go horsebacking; but don’t you think that one of your snappy carriages with its heraldic adornments in a byway of Walworth or Mile End would attract too much attention for our purposes? It seems to me that we ought to take cabs when we go south or east; and even leave them somewhere near the neighbourhood we are going to.”

“Friend Quincey is right!” said the Professor. “His head is what you call in plane with the horizon. It is a difficult thing that we go to do, and we do not want no peoples to watch us if so it may.”

Mina took a growing interest in everything and I was rejoiced to see that the exigency of affairs was helping her to forget for a time the terrible experience of the night. She was very, very pale—almost ghastly, and so thin that her lips were drawn away, showing her teeth in somewhat of prominence. I did not mention this last, lest it should give her needless pain; but it made my blood run cold in my veins to think of what had occurred with poor Lucy when the Count had sucked her blood. As yet there was no sign of the teeth growing sharper; but the time as yet was short, and there was time for fear.

When we came to the discussion of the sequence of our efforts and of the disposition of our forces, there were new sources of doubt. It was finally agreed that before starting for Piccadilly we should destroy the Count’s lair close at hand. In case he should find it out too soon, we should thus be still ahead of him in our work of destruction; and his presence in his purely material shape, and at his weakest, might give us some new clue.

As to the disposal of forces, it was suggested by the Professor that, after our visit to Carfax, we should all enter the house in Piccadilly; that the two doctors and I should remain there, whilst Lord Godalming and Quincey found the lairs at Walworth and Mile End and destroyed them. It was possible, if not likely, the Professor urged, that the Count might appear in Piccadilly during the day, and that if so we might be able to cope with him then and there. At any rate, we might be able to follow him in force. To this plan I strenuously objected, and so far as my going was concerned, for I said that I intended to stay and protect Mina, I thought that my mind was made up on the subject; but Mina would not listen to my objection. She said that there might be some law matter in which I could be useful; that amongst the Count’s papers might be some clue which I could understand out of my experience in Transylvania; and that, as it was, all the strength we could muster was required to cope with the Count’s extraordinary power. I had to give in, for Mina’s resolution was fixed; she said that it was the last hope for her that we should all work together. “As for me,” she said, “I have no fear. Things have been as bad as they can be; and whatever may happen must have in it some element of hope or comfort. Go, my husband! God can, if He wishes it, guard me as well alone as with any one present.” So I started up crying out: “Then in God’s name let us come at once, for we are losing time. The Count may come to Piccadilly earlier than we think.”

“Not so!” said Van Helsing, holding up his hand.

“But why?” I asked.

“Do you forget,” he said, with actually a smile, “that last night he banqueted heavily, and will sleep late?”

Did I forget! shall I ever—can I ever! Can any of us ever forget that terrible scene! Mina struggled hard to keep her brave countenance; but the pain overmastered her and she put her hands before her face, and shuddered whilst she moaned. Van Helsing had not intended to recall her frightful experience. He had simply lost sight of her and her part in the affair in his intellectual effort. When it struck him what he said, he was horrified at his thoughtlessness and tried to comfort her. “Oh, Madam Mina,” he said, “dear, dear Madam Mina, alas! that I of all who so reverence you should have said anything so forgetful. These stupid old lips of mine and this stupid old head do not deserve so; but you will forget it, will you not?” He bent low beside her as he spoke; she took his hand, and looking at him through her tears, said hoarsely:—

“No, I shall not forget, for it is well that I remember; and with it I have so much in memory of you that is sweet, that I take it all together. Now, you must all be going soon. Breakfast is ready, and we must all eat that we may be strong.”

Breakfast was a strange meal to us all. We tried to be cheerful and encourage each other, and Mina was the brightest and most cheerful of us. When it was over, Van Helsing stood up and said:—

“Now, my dear friends, we go forth to our terrible enterprise. Are we all armed, as we were on that night when first we visited our enemy’s lair; armed against ghostly as well as carnal attack?” We all assured him. “Then it is well. Now, Madam Mina, you are in any case quite safe here until the sunset; and before then we shall return—if—— We shall return! But before we go let me see you armed against personal attack. I have myself, since you came down, prepared your chamber by the placing of things of which we know, so that He may not enter. Now let me guard yourself. On your forehead I touch this piece of Sacred Wafer in the name of the Father, the Son, and——”

There was a fearful scream which almost froze our hearts to hear. As he had placed the Wafer on Mina’s forehead, it had seared it—had burned into the flesh as though it had been a piece of white-hot metal. My poor darling’s brain had told her the significance of the fact as quickly as her nerves received the pain of it; and the two so overwhelmed her that her overwrought nature had its voice in that dreadful scream. But the words to her thought came quickly; the echo of the scream had not ceased to ring on the air when there came the reaction, and she sank on her knees on the floor in an agony of abasement. Pulling her beautiful hair over her face, as the leper of old his mantle, she wailed out:—

“Unclean! Unclean! Even the Almighty shuns my polluted flesh! I must bear this mark of shame upon my forehead until the Judgment Day.” They all paused. I had thrown myself beside her in an agony of helpless grief, and putting my arms around held her tight. For a few minutes our sorrowful hearts beat together, whilst the friends around us turned away their eyes that ran tears silently. Then Van Helsing turned and said gravely; so gravely that I could not help feeling that he was in some way inspired, and was stating things outside himself:—

“It may be that you may have to bear that mark till God himself see fit, as He most surely shall, on the Judgment Day, to redress all wrongs of the earth and of His children that He has placed thereon. And oh, Madam Mina, my dear, my dear, may we who love you be there to see, when that red scar, the sign of God’s knowledge of what has been, shall pass away, and leave your forehead as pure as the heart we know. For so surely as we live, that scar shall pass away when God sees right to lift the burden that is hard upon us. Till then we bear our Cross, as His Son did in obedience to His Will. It may be that we are chosen instruments of His good pleasure, and that we ascend to His bidding as that other through stripes and shame; through tears and blood; through doubts and fears, and all that makes the difference between God and man.”

There was hope in his words, and comfort; and they made for resignation. Mina and I both felt so, and simultaneously we each took one of the old man’s hands and bent over and kissed it. Then without a word we all knelt down together, and, all holding hands, swore to be true to each other. We men pledged ourselves to raise the veil of sorrow from the head of her whom, each in his own way, we loved; and we prayed for help and guidance in the terrible task which lay before us.

It was then time to start. So I said farewell to Mina, a parting which neither of us shall forget to our dying day; and we set out.

To one thing I have made up my mind: if we find out that Mina must be a vampire in the end, then she shall not go into that unknown and terrible land alone. I suppose it is thus that in old times one vampire meant many; just as their hideous bodies could only rest in sacred earth, so the holiest love was the recruiting sergeant for their ghastly ranks.

We entered Carfax without trouble and found all things the same as on the first occasion. It was hard to believe that amongst so prosaic surroundings of neglect and dust and decay there was any ground for such fear as already we knew. Had not our minds been made up, and had there not been terrible memories to spur us on, we could hardly have proceeded with our task. We found no papers, or any sign of use in the house; and in the old chapel the great boxes looked just as we had seen them last. Dr. Van Helsing said to us solemnly as we stood before them:—

“And now, my friends, we have a duty here to do. We must sterilise this earth, so sacred of holy memories, that he has brought from a far distant land for such fell use. He has chosen this earth because it has been holy. Thus we defeat him with his own weapon, for we make it more holy still. It was sanctified to such use of man, now we sanctify it to God.” As he spoke he took from his bag a screwdriver and a wrench, and very soon the top of one of the cases was thrown open. The earth smelled musty and close; but we did not somehow seem to mind, for our attention was concentrated on the Professor. Taking from his box a piece of the Sacred Wafer he laid it reverently on the earth, and then shutting down the lid began to screw it home, we aiding him as he worked.

One by one we treated in the same way each of the great boxes, and left them as we had found them to all appearance; but in each was a portion of the Host.

When we closed the door behind us, the Professor said solemnly:—

“So much is already done. If it may be that with all the others we can be so successful, then the sunset of this evening may shine on Madam Mina’s forehead all white as ivory and with no stain!”

As we passed across the lawn on our way to the station to catch our train we could see the front of the asylum. I looked eagerly, and in the window of my own room saw Mina. I waved my hand to her, and nodded to tell that our work there was successfully accomplished. She nodded in reply to show that she understood. The last I saw, she was waving her hand in farewell. It was with a heavy heart that we sought the station and just caught the train, which was steaming in as we reached the platform.

I have written this in the train.

 

Piccadilly, 12:30 o’clock.—Just before we reached Fenchurch Street Lord Godalming said to me:—

“Quincey and I will find a locksmith. You had better not come with us in case there should be any difficulty; for under the circumstances it wouldn’t seem so bad for us to break into an empty house. But you are a solicitor and the Incorporated Law Society might tell you that you should have known better.” I demurred as to my not sharing any danger even of odium, but he went on: “Besides, it will attract less attention if there are not too many of us. My title will make it all right with the locksmith, and with any policeman that may come along. You had better go with Jack and the Professor and stay in the Green Park, somewhere in sight of the house; and when you see the door opened and the smith has gone away, do you all come across. We shall be on the lookout for you, and shall let you in.”

“The advice is good!” said Van Helsing, so we said no more. Godalming and Morris hurried off in a cab, we following in another. At the corner of Arlington Street our contingent got out and strolled into the Green Park. My heart beat as I saw the house on which so much of our hope was centred, looming up grim and silent in its deserted condition amongst its more lively and spruce-looking neighbours. We sat down on a bench within good view, and began to smoke cigars so as to attract as little attention as possible. The minutes seemed to pass with leaden feet as we waited for the coming of the others.

At length we saw a four-wheeler drive up. Out of it, in leisurely fashion, got Lord Godalming and Morris; and down from the box descended a thick-set working man with his rush-woven basket of tools. Morris paid the cabman, who touched his hat and drove away. Together the two ascended the steps, and Lord Godalming pointed out what he wanted done. The workman took off his coat leisurely and hung it on one of the spikes of the rail, saying something to a policeman who just then sauntered along. The policeman nodded acquiescence, and the man kneeling down placed his bag beside him. After searching through it, he took out a selection of tools which he produced to lay beside him in orderly fashion. Then he stood up, looked into the keyhole, blew into it, and turning to his employers, made some remark. Lord Godalming smiled, and the man lifted a good-sized bunch of keys; selecting one of them, he began to probe the lock, as if feeling his way with it. After fumbling about for a bit he tried a second, and then a third. All at once the door opened under a slight push from him, and he and the two others entered the hall. We sat still; my own cigar burnt furiously, but Van Helsing’s went cold altogether. We waited patiently as we saw the workman come out and bring in his bag. Then he held the door partly open, steadying it with his knees, whilst he fitted a key to the lock. This he finally handed to Lord Godalming, who took out his purse and gave him something. The man touched his hat, took his bag, put on his coat and departed; not a soul took the slightest notice of the whole transaction.

When the man had fairly gone, we three crossed the street and knocked at the door. It was immediately opened by Quincey Morris, beside whom stood Lord Godalming lighting a cigar.

“The place smells so vilely,” said the latter as we came in. It did indeed smell vilely—like the old chapel at Carfax—and with our previous experience it was plain to us that the Count had been using the place pretty freely. We moved to explore the house, all keeping together in case of attack; for we knew we had a strong and wily enemy to deal with, and as yet we did not know whether the Count might not be in the house. In the dining-room, which lay at the back of the hall, we found eight boxes of earth. Eight boxes only out of the nine, which we sought! Our work was not over, and would never be until we should have found the missing box. First we opened the shutters of the window which looked out across a narrow stone-flagged yard at the blank face of a stable, pointed to look like the front of a miniature house. There were no windows in it, so we were not afraid of being over-looked. We did not lose any time in examining the chests. With the tools which we had brought with us we opened them, one by one, and treated them as we had treated those others in the old chapel. It was evident to us that the Count was not at present in the house, and we proceeded to search for any of his effects.

After a cursory glance at the rest of the rooms, from basement to attic, we came to the conclusion that the dining-room contained any effects which might belong to the Count; and so we proceeded to minutely examine them. They lay in a sort of orderly disorder on the great dining-room table. There were title deeds of the Piccadilly house in a great bundle; deeds of the purchase of the houses at Mile End and Bermondsey; note-paper, envelopes, and pens and ink. All were covered up in thin wrapping paper to keep them from the dust. There were also a clothes brush, a brush and comb, and a jug and basin—the latter containing dirty water which was reddened as if with blood. Last of all was a little heap of keys of all sorts and sizes, probably those belonging to the other houses. When we had examined this last find, Lord Godalming and Quincey Morris taking accurate notes of the various addresses of the houses in the East and the South, took with them the keys in a great bunch, and set out to destroy the boxes in these places. The rest of us are, with what patience we can, waiting their return—or the coming of the Count.

CHAPTER XXIII

DR. SEWARD’S DIARY

3 October.—The time seemed terribly long whilst we were waiting for the coming of Godalming and Quincey Morris. The Professor tried to keep our minds active by using them all the time. I could see his beneficent purpose, by the side glances which he threw from time to time at Harker. The poor fellow is overwhelmed in a misery that is appalling to see. Last night he was a frank, happy-looking man, with strong, youthful face, full of energy, and with dark brown hair. To-day he is a drawn, haggard old man, whose white hair matches well with the hollow burning eyes and grief-written lines of his face. His energy is still intact; in fact, he is like a living flame. This may yet be his salvation, for, if all go well, it will tide him over the despairing period; he will then, in a kind of way, wake again to the realities of life. Poor fellow, I thought my own trouble was bad enough, but his——! The Professor knows this well enough, and is doing his best to keep his mind active. What he has been saying was, under the circumstances, of absorbing interest. So well as I can remember, here it is:—

“I have studied, over and over again since they came into my hands, all the papers relating to this monster; and the more I have studied, the greater seems the necessity to utterly stamp him out. All through there are signs of his advance; not only of his power, but of his knowledge of it. As I learned from the researches of my friend Arminus of Buda-Pesth, he was in life a most wonderful man. Soldier, statesman, and alchemist—which latter was the highest development of the science-knowledge of his time. He had a mighty brain, a learning beyond compare, and a heart that knew no fear and no remorse. He dared even to attend the Scholomance, and there was no branch of knowledge of his time that he did not essay. Well, in him the brain powers survived the physical death; though it would seem that memory was not all complete. In some faculties of mind he has been, and is, only a child; but he is growing, and some things that were childish at the first are now of man’s stature. He is experimenting, and doing it well; and if it had not been that we have crossed his path he would be yet—he may be yet if we fail—the father or furtherer of a new order of beings, whose road must lead through Death, not Life.”

Harker groaned and said, “And this is all arrayed against my darling! But how is he experimenting? The knowledge may help us to defeat him!”

“He has all along, since his coming, been trying his power, slowly but surely; that big child-brain of his is working. Well for us, it is, as yet, a child-brain; for had he dared, at the first, to attempt certain things he would long ago have been beyond our power. However, he means to succeed, and a man who has centuries before him can afford to wait and to go slow. Festina lente may well be his motto.”

“I fail to understand,” said Harker wearily. “Oh, do be more plain to me! Perhaps grief and trouble are dulling my brain.”

The Professor laid his hand tenderly on his shoulder as he spoke:—

“Ah, my child, I will be plain. Do you not see how, of late, this monster has been creeping into knowledge experimentally. How he has been making use of the zoöphagous patient to effect his entry into friend John’s home; for your Vampire, though in all afterwards he can come when and how he will, must at the first make entry only when asked thereto by an inmate. But these are not his most important experiments. Do we not see how at the first all these so great boxes were moved by others. He knew not then but that must be so. But all the time that so great child-brain of his was growing, and he began to consider whether he might not himself move the box. So he began to help; and then, when he found that this be all-right, he try to move them all alone. And so he progress, and he scatter these graves of him; and none but he know where they are hidden. He may have intend to bury them deep in the ground. So that he only use them in the night, or at such time as he can change his form, they do him equal well; and none may know these are his hiding-place! But, my child, do not despair; this knowledge come to him just too late! Already all of his lairs but one be sterilise as for him; and before the sunset this shall be so. Then he have no place where he can move and hide. I delayed this morning that so we might be sure. Is there not more at stake for us than for him? Then why we not be even more careful than him? By my clock it is one hour and already, if all be well, friend Arthur and Quincey are on their way to us. To-day is our day, and we must go sure, if slow, and lose no chance. See! there are five of us when those absent ones return.”

Whilst he was speaking we were startled by a knock at the hall door, the double postman’s knock of the telegraph boy. We all moved out to the hall with one impulse, and Van Helsing, holding up his hand to us to keep silence, stepped to the door and opened it. The boy handed in a despatch. The Professor closed the door again, and, after looking at the direction, opened it and read aloud.

“Look out for D. He has just now, 12:45, come from Carfax hurriedly and hastened towards the South. He seems to be going the round and may want to see you: Mina.”

There was a pause, broken by Jonathan Harker’s voice:—

“Now, God be thanked, we shall soon meet!” Van Helsing turned to him quickly and said:—

“God will act in His own way and time. Do not fear, and do not rejoice as yet; for what we wish for at the moment may be our undoings.”

“I care for nothing now,” he answered hotly, “except to wipe out this brute from the face of creation. I would sell my soul to do it!”

“Oh, hush, hush, my child!” said Van Helsing. “God does not purchase souls in this wise; and the Devil, though he may purchase, does not keep faith. But God is merciful and just, and knows your pain and your devotion to that dear Madam Mina. Think you, how her pain would be doubled, did she but hear your wild words. Do not fear any of us, we are all devoted to this cause, and to-day shall see the end. The time is coming for action; to-day this Vampire is limit to the powers of man, and till sunset he may not change. It will take him time to arrive here—see, it is twenty minutes past one—and there are yet some times before he can hither come, be he never so quick. What we must hope for is that my Lord Arthur and Quincey arrive first.”

About half an hour after we had received Mrs. Harker’s telegram, there came a quiet, resolute knock at the hall door. It was just an ordinary knock, such as is given hourly by thousands of gentlemen, but it made the Professor’s heart and mine beat loudly. We looked at each other, and together moved out into the hall; we each held ready to use our various armaments—the spiritual in the left hand, the mortal in the right. Van Helsing pulled back the latch, and, holding the door half open, stood back, having both hands ready for action. The gladness of our hearts must have shown upon our faces when on the step, close to the door, we saw Lord Godalming and Quincey Morris. They came quickly in and closed the door behind them, the former saying, as they moved along the hall:—

“It is all right. We found both places; six boxes in each and we destroyed them all!”

“Destroyed?” asked the Professor.

“For him!” We were silent for a minute, and then Quincey said:—

“There’s nothing to do but to wait here. If, however, he doesn’t turn up by five o’clock, we must start off; for it won’t do to leave Mrs. Harker alone after sunset.”

“He will be here before long now,” said Van Helsing, who had been consulting his pocket-book. “Nota bene, in Madam’s telegram he went south from Carfax, that means he went to cross the river, and he could only do so at slack of tide, which should be something before one o’clock. That he went south has a meaning for us. He is as yet only suspicious; and he went from Carfax first to the place where he would suspect interference least. You must have been at Bermondsey only a short time before him. That he is not here already shows that he went to Mile End next. This took him some time; for he would then have to be carried over the river in some way. Believe me, my friends, we shall not have long to wait now. We should have ready some plan of attack, so that we may throw away no chance. Hush, there is no time now. Have all your arms! Be ready!” He held up a warning hand as he spoke, for we all could hear a key softly inserted in the lock of the hall door.

I could not but admire, even at such a moment, the way in which a dominant spirit asserted itself. In all our hunting parties and adventures in different parts of the world, Quincey Morris had always been the one to arrange the plan of action, and Arthur and I had been accustomed to obey him implicitly. Now, the old habit seemed to be renewed instinctively. With a swift glance around the room, he at once laid out our plan of attack, and, without speaking a word, with a gesture, placed us each in position. Van Helsing, Harker, and I were just behind the door, so that when it was opened the Professor could guard it whilst we two stepped between the incomer and the door. Godalming behind and Quincey in front stood just out of sight ready to move in front of the window. We waited in a suspense that made the seconds pass with nightmare slowness. The slow, careful steps came along the hall; the Count was evidently prepared for some surprise—at least he feared it.

Suddenly with a single bound he leaped into the room, winning a way past us before any of us could raise a hand to stay him. There was something so panther-like in the movement—something so unhuman, that it seemed to sober us all from the shock of his coming. The first to act was Harker, who, with a quick movement, threw himself before the door leading into the room in the front of the house. As the Count saw us, a horrible sort of snarl passed over his face, showing the eye-teeth long and pointed; but the evil smile as quickly passed into a cold stare of lion-like disdain. His expression again changed as, with a single impulse, we all advanced upon him. It was a pity that we had not some better organised plan of attack, for even at the moment I wondered what we were to do. I did not myself know whether our lethal weapons would avail us anything. Harker evidently meant to try the matter, for he had ready his great Kukri knife and made a fierce and sudden cut at him. The blow was a powerful one; only the diabolical quickness of the Count’s leap back saved him. A second less and the trenchant blade had shorne through his heart. As it was, the point just cut the cloth of his coat, making a wide gap whence a bundle of bank-notes and a stream of gold fell out. The expression of the Count’s face was so hellish, that for a moment I feared for Harker, though I saw him throw the terrible knife aloft again for another stroke. Instinctively I moved forward with a protective impulse, holding the Crucifix and Wafer in my left hand. I felt a mighty power fly along my arm; and it was without surprise that I saw the monster cower back before a similar movement made spontaneously by each one of us. It would be impossible to describe the expression of hate and baffled malignity—of anger and hellish rage—which came over the Count’s face. His waxen hue became greenish-yellow by the contrast of his burning eyes, and the red scar on the forehead showed on the pallid skin like a palpitating wound. The next instant, with a sinuous dive he swept under Harker’s arm, ere his blow could fall, and, grasping a handful of the money from the floor, dashed across the room, threw himself at the window. Amid the crash and glitter of the falling glass, he tumbled into the flagged area below. Through the sound of the shivering glass I could hear the “ting” of the gold, as some of the sovereigns fell on the flagging.

We ran over and saw him spring unhurt from the ground. He, rushing up the steps, crossed the flagged yard, and pushed open the stable door. There he turned and spoke to us:—

“You think to baffle me, you—with your pale faces all in a row, like sheep in a butcher’s. You shall be sorry yet, each one of you! You think you have left me without a place to rest; but I have more. My revenge is just begun! I spread it over centuries, and time is on my side. Your girls that you all love are mine already; and through them you and others shall yet be mine—my creatures, to do my bidding and to be my jackals when I want to feed. Bah!” With a contemptuous sneer, he passed quickly through the door, and we heard the rusty bolt creak as he fastened it behind him. A door beyond opened and shut. The first of us to speak was the Professor, as, realising the difficulty of following him through the stable, we moved toward the hall.

“We have learnt something—much! Notwithstanding his brave words, he fears us; he fear time, he fear want! For if not, why he hurry so? His very tone betray him, or my ears deceive. Why take that money? You follow quick. You are hunters of wild beast, and understand it so. For me, I make sure that nothing here may be of use to him, if so that he return.” As he spoke he put the money remaining into his pocket; took the title-deeds in the bundle as Harker had left them, and swept the remaining things into the open fireplace, where he set fire to them with a match.

Godalming and Morris had rushed out into the yard, and Harker had lowered himself from the window to follow the Count. He had, however, bolted the stable door; and by the time they had forced it open there was no sign of him. Van Helsing and I tried to make inquiry at the back of the house; but the mews was deserted and no one had seen him depart.

It was now late in the afternoon, and sunset was not far off. We had to recognise that our game was up; with heavy hearts we agreed with the Professor when he said:—

“Let us go back to Madam Mina—poor, poor dear Madam Mina. All we can do just now is done; and we can there, at least, protect her. But we need not despair. There is but one more earth-box, and we must try to find it; when that is done all may yet be well.” I could see that he spoke as bravely as he could to comfort Harker. The poor fellow was quite broken down; now and again he gave a low groan which he could not suppress—he was thinking of his wife.

With sad hearts we came back to my house, where we found Mrs. Harker waiting us, with an appearance of cheerfulness which did honour to her bravery and unselfishness. When she saw our faces, her own became as pale as death: for a second or two her eyes were closed as if she were in secret prayer; and then she said cheerfully:—

“I can never thank you all enough. Oh, my poor darling!” As she spoke, she took her husband’s grey head in her hands and kissed it—“Lay your poor head here and rest it. All will yet be well, dear! God will protect us if He so will it in His good intent.” The poor fellow groaned. There was no place for words in his sublime misery.

We had a sort of perfunctory supper together, and I think it cheered us all up somewhat. It was, perhaps, the mere animal heat of food to hungry people—for none of us had eaten anything since breakfast—or the sense of companionship may have helped us; but anyhow we were all less miserable, and saw the morrow as not altogether without hope. True to our promise, we told Mrs. Harker everything which had passed; and although she grew snowy white at times when danger had seemed to threaten her husband, and red at others when his devotion to her was manifested, she listened bravely and with calmness. When we came to the part where Harker had rushed at the Count so recklessly, she clung to her husband’s arm, and held it tight as though her clinging could protect him from any harm that might come. She said nothing, however, till the narration was all done, and matters had been brought right up to the present time. Then without letting go her husband’s hand she stood up amongst us and spoke. Oh, that I could give any idea of the scene; of that sweet, sweet, good, good woman in all the radiant beauty of her youth and animation, with the red scar on her forehead, of which she was conscious, and which we saw with grinding of our teeth—remembering whence and how it came; her loving kindness against our grim hate; her tender faith against all our fears and doubting; and we, knowing that so far as symbols went, she with all her goodness and purity and faith, was outcast from God.

“Jonathan,” she said, and the word sounded like music on her lips it was so full of love and tenderness, “Jonathan dear, and you all my true, true friends, I want you to bear something in mind through all this dreadful time. I know that you must fight—that you must destroy even as you destroyed the false Lucy so that the true Lucy might live hereafter; but it is not a work of hate. That poor soul who has wrought all this misery is the saddest case of all. Just think what will be his joy when he, too, is destroyed in his worser part that his better part may have spiritual immortality. You must be pitiful to him, too, though it may not hold your hands from his destruction.”

As she spoke I could see her husband’s face darken and draw together, as though the passion in him were shrivelling his being to its core. Instinctively the clasp on his wife’s hand grew closer, till his knuckles looked white. She did not flinch from the pain which I knew she must have suffered, but looked at him with eyes that were more appealing than ever. As she stopped speaking he leaped to his feet, almost tearing his hand from hers as he spoke:—

“May God give him into my hand just for long enough to destroy that earthly life of him which we are aiming at. If beyond it I could send his soul for ever and ever to burning hell I would do it!”

“Oh, hush! oh, hush! in the name of the good God. Don’t say such things, Jonathan, my husband; or you will crush me with fear and horror. Just think, my dear—I have been thinking all this long, long day of it—that ... perhaps ... some day ... I, too, may need such pity; and that some other like you—and with equal cause for anger—may deny it to me! Oh, my husband! my husband, indeed I would have spared you such a thought had there been another way; but I pray that God may not have treasured your wild words, except as the heart-broken wail of a very loving and sorely stricken man. Oh, God, let these poor white hairs go in evidence of what he has suffered, who all his life has done no wrong, and on whom so many sorrows have come.”

We men were all in tears now. There was no resisting them, and we wept openly. She wept, too, to see that her sweeter counsels had prevailed. Her husband flung himself on his knees beside her, and putting his arms round her, hid his face in the folds of her dress. Van Helsing beckoned to us and we stole out of the room, leaving the two loving hearts alone with their God.

Before they retired the Professor fixed up the room against any coming of the Vampire, and assured Mrs. Harker that she might rest in peace. She tried to school herself to the belief, and, manifestly for her husband’s sake, tried to seem content. It was a brave struggle; and was, I think and believe, not without its reward. Van Helsing had placed at hand a bell which either of them was to sound in case of any emergency. When they had retired, Quincey, Godalming, and I arranged that we should sit up, dividing the night between us, and watch over the safety of the poor stricken lady. The first watch falls to Quincey, so the rest of us shall be off to bed as soon as we can. Godalming has already turned in, for his is the second watch. Now that my work is done I, too, shall go to bed.

Notes: Moon Phase: Waxing Gibbous

Dr. Seward finds a near-dead Renfield. He suspects his back is broken, and then he turns him over!?! Where did you go to medical school Jack?  They trephine Renfield to reduce the pressure on his brain, a dangerous operation under any circumstance, and he is revived long enough to speak of his Master in tones that are quasi-religious. One almost gets the feeling that there is a John the Baptist/Jesus relationship between Renfield/Dracula. However, in this reversal, the Messianic Dracula baptised Renfield.  

We get the idea here that Renfield has some vampiric powers of his own. His prodigious strength earlier and the idea that he can "smell" the difference in Dracula. Indeed, he says the Dracula smells like Mrs. Harker. This is because Dracula has been feeding on Mina. Mina too has been changed as Renfield reports. 

Another note here about the moon phases, we are nearing the full moon and Seward reports how bright the moon is. 

We see Mina, feeding on Dracula while Harker sleeps nearby. This is also one of the very few times that Van Helsing and Dracula share a scene in the novel. 

Dracula is obviously done with Renfield. Likely because he told Mina to get far away from here. 

Dracula also has some lines here, something we have yet to encounter since he left Transylvania. His words to Mina are a bastardization of the Catholic wedding rites, likely the same rites Mina and Jonathan shared. 

Harker's long entry amounts to his point of view of the events and how much he wants to destroy the Count. Our hunters do manage to "stop the earths" or close of Dracula's means of escape by hunting down more of his artifacts (deeds, keys, earth boxes). 

One of the more famous scenes in the book translated to screen is the burning or branding of Mina by the holy wafer and her proclamations of "unclean, unclean." It is a scene repeated often in vampire films. Here it has the effect of hardening the resolve of the men to fight for Mina against the evil that is Dracula. It is practically religious in nature. It is reminiscent of the Mark of Cain. 

We get more examples of Arthur, Lord Godalming, throwing his weight around, breaking into a place, and expecting the police not to give him trouble because he is a Lord. 

In Seward's second entry, we see the count has grown old again, with white hair. Is this because he gave some of his blood back to Mina? Maybe, otherwise, he had "banqueted heavily," as Van Helsing so tactlessly put it in Harker's Journal. 

We also get Van Helsing's speech about Dracula's "Child-Brain."  Personally I think the wording is poor here and has lead to all sorts of misunderstandings about Dracula's nature. Stoker take great care to tell us how brilliant Dracula is at the start of the tale with the number of languages he can read and his grasp of English. Also his plan to have multiple Earth boxes all over London. Dracula is a planner. What he isn't though is modern. His plan would have worked fantastic if he had still been in the culture of Eastern Europe, or "the Old World" for Stoker. Dracula is a creature of the old world and he is unfamiliar with things like the telegraph and the other "modern" means our hunters have at their disposal. But he is, as Van Helsing points out, learning.

Compare this to the myths of legends of Vampires basically being "stuck" in the moment of time of their deaths. I have seen movies where a vampire playing chess can do so masterfully, but unable to learn new moves so the game is always the same. Or other odd compulsions. Dracula is trying to apply Old Word thinking to New World problems and that is the nature of his "Child Brain." Not that he is immature or stupid, but rather ignorant (at the moment) of what he has to deal with. Dracula is a child not because he is new, but because he is still learning new ways of doing things. 

Can you imagine a world where Christopher Lee only made one Dracula movie? No. Neither can I. Thanks to the movie magic of Hammer Horror, we got to see Lee's Dracula (who I believe played Dracula more time than any other actor) return time and time again from Victorian England to the Swinging Satanic 70s. Each time, he is confronted by his nemeses, the Van Helsing family, often in the guise of Peter Cushing.  So if Ravenloft is Hammer Horror, then it should come as no surprise that we would get a sequel adventure. 

We did. Strahd is back in Ravenloft II: The House on Gryphon Hill.

This adventure, while not as well received as the first, ground-breaking, Ravenloft it did have a lot going for it. For starters, it was much more classically Gothic in nature. An old family, an ancient curse, ghosts, a strange and charming young Alchemist by the name of Strahd von Zarovich.

I10 Ravenloft II: The House on Gryphon Hill

by Tracy and Laura Hickman*. Cover art by Clyde Caldwell, interior art by Jeff Easley. (1986). Color covers, black-white interior art. Cartography by Dave Sutherland. 48 Pages.

I should point out here that this adventure, while having the Hickmans in the by line, was really just an outline and some notes. Tracy Hickman had left TSR in 1985. The adventure was given over to David Cook, Jeff Grubb, Harold Johnson, and Douglas Niles. Now personally, I can see the sections that were created by Grubb and Niles. I had become very familiar with their works by this point. I honestly believe that if they had started from scratch, this would have been a different sort of adventure. 

Not that I am complaining. I rather enjoy this adventure, significant warts and all. It is more Gothic than Ravenloft I6 was, complete with an epic battle on lightning-streaked moors. 

This adventure introduces many elements that will become central to the Ravenloft campaign setting. The Weathermays, the lich Azalin, the d’Honaires, the Timothys, will all appear again in the Realms of Terror boxed set. 

One thing that won't make that much of a splash though is the big surprise of this adventure; the Alchemist Strahd. Is he the distilled goodness of the Vampire Strahd? Is the Vampire the distilled evil of the Alchemist? Or is there something else?  Like the first adventure, this one has a random plot device. Instead of fortune-telling cards, we get a mesmerist's session. The nature of the two Strahds can be found here.

Or not.

Again, the Alchemist doesn't make a significant impact in the later AD&D 2nd Edition. The Ravenloft campaign setting is all but forgotten in future treatments.  This is not a bad thing, really; the whole Alchemist deal felt like a bit of a retcon in some respects.  Though I can imagine running this adventure now for, say, the 5e players who know who Strahd is would be a lot of fun.

At 48 pages, with more isometric maps, it is larger than the original Ravenloft adventure. There is also a lot more going on. Though fans of "hack n slash" style D&D are going to be disappointed. Oh there are monsters here and they are deadly as hell, but that is not what the adventure is about. Those are just obstacles to the real adventure.

Dreams of Barovia

There is a small section of this adventure titled "The Dreams of Barovia" which is rather fun. The idea is that you play I6: Ravenloft and I10: Ravenloft II concurrently. The character move back and forth between one reality to the other. Playing the same characters but at different times and places. For example, the characters fall asleep in Barovia (I6) and wake up in Mordentshire (I10) wearing different clothing. 

I ran it this way back in college. My old High School DM, Bob Grenda and I ran it together for his normal group. We took turns DMing, with me taking I10 while he ran I6. We did it in a marathon session from a Thursday night to Sunday. It was fun but I forgot to tell my roommates and girlfriend at the time I was doing this and they had no idea where I was. This was the early 90s, so before everyone had cell phones. I found my notes, it was 10/26/1991. 

It worked well, but it was really deadly. HP loss and wounds carried over from reality to reality, which really upped the fear.  I'd love to try it again sometime, but I'd make some tweaks.

If you didn't like Ravenloft I then this one will feel like more of the same. But I enjoyed it and there is still a lot of untapped potential in this adventure for me. 

Rereading it now, so many years later there is a lot I would like to do with it still. A lot I would change, but all in all it was a great time. 

 Day 3

This is a semi-opaque purple one with glittery bits on the inside. I rather like it. Matches yesterday's d6.

 Every year, I also watch a Godzilla movie. I mean these were the "Monster Movies" my dad and I watched. So this time I was joined by my oldest son to watch this. We had an absolute blast.

Godzilla x Kong: The New Empire (2024)

Let's not pretend this movie is anything more than what it is, a big fight by giant Kaiju. This is the second Kong and Godzilla team-up, and they are going after another giant primate, The Skar King, and his pet dragon. 

Is this movie a horror? No, unless you count the horrors committed to the laws of physics here. But it is a fun romp with a great soundtrack.

Kong fights monsters, gets his butt kicked, and has to go get Godzilla as backup. Godzilla, suspecting something was up anyway, got supercharged by feeding on the energies of Tiamat (much to my son's delight and explaining why the big G was pink). 

I DO find the Hollow Earth very entertaining. While it makes as much sense as a gigantic Kaiju, it is still fun and reminds me I should write more Hollow Earth content.

This is not an Oscar-winning entry in the Godzilla franchise, but no one, least of all me, goes into these expecting that.

Featured Monster: White Dragon

The Kaiju/Titan Shimo is a white dragon in all but name. She doesn't have wings, but I can live with that. The Kaiju/Titan Tiamat does not have any resemblance to the D&D Tiamat, but maybe to the mythological Tiamat if you squint your eyes.

Shimo doesn't have wings, but she does make for a good White Dragon. There is a great bit where Shimo breathes frost into the sky to make it cloud over. It was not a damage-causing attack, but fun, all the same.

--

October Horror Movie Challenge 2024
Viewed: 2
First Time Views: 2

Mina and Jonathan are both so tired they don't notice the change in Mina. Seward has a final encounter with Renfield.

Mina Harker’s Journal.

2 October 10 p. m.—Last night I slept, but did not dream. I must have slept soundly, for I was not waked by Jonathan coming to bed; but the sleep has not refreshed me, for to-day I feel terribly weak and spiritless. I spent all yesterday trying to read, or lying down dozing. In the afternoon Mr. Renfield asked if he might see me. Poor man, he was very gentle, and when I came away he kissed my hand and bade God bless me. Some way it affected me much; I am crying when I think of him. This is a new weakness, of which I must be careful. Jonathan would be miserable if he knew I had been crying. He and the others were out till dinner-time, and they all came in tired. I did what I could to brighten them up, and I suppose that the effort did me good, for I forgot how tired I was. After dinner they sent me to bed, and all went off to smoke together, as they said, but I knew that they wanted to tell each other of what had occurred to each during the day; I could see from Jonathan’s manner that he had something important to communicate. I was not so sleepy as I should have been; so before they went I asked Dr. Seward to give me a little opiate of some kind, as I had not slept well the night before. He very kindly made me up a sleeping draught, which he gave to me, telling me that it would do me no harm, as it was very mild.... I have taken it, and am waiting for sleep, which still keeps aloof. I hope I have not done wrong, for as sleep begins to flirt with me, a new fear comes: that I may have been foolish in thus depriving myself of the power of waking. I might want it. Here comes sleep. Good-night.

JONATHAN HARKER’S JOURNAL

2 October, evening.—A long and trying and exciting day. By the first post I got my directed envelope with a dirty scrap of paper enclosed, on which was written with a carpenter’s pencil in a sprawling hand:—

“Sam Bloxam, Korkrans, 4, Poters Cort, Bartel Street, Walworth. Arsk for the depite.”

I got the letter in bed, and rose without waking Mina. She looked heavy and sleepy and pale, and far from well. I determined not to wake her, but that, when I should return from this new search, I would arrange for her going back to Exeter. I think she would be happier in our own home, with her daily tasks to interest her, than in being here amongst us and in ignorance. I only saw Dr. Seward for a moment, and told him where I was off to, promising to come back and tell the rest so soon as I should have found out anything. I drove to Walworth and found, with some difficulty, Potter’s Court. Mr. Smollet’s spelling misled me, as I asked for Poter’s Court instead of Potter’s Court. However, when I had found the court, I had no difficulty in discovering Corcoran’s lodging-house. When I asked the man who came to the door for the “depite,” he shook his head, and said: “I dunno ’im. There ain’t no such a person ’ere; I never ’eard of ’im in all my bloomin’ days. Don’t believe there ain’t nobody of that kind livin’ ere or anywheres.” I took out Smollet’s letter, and as I read it it seemed to me that the lesson of the spelling of the name of the court might guide me. “What are you?” I asked.

“I’m the depity,” he answered. I saw at once that I was on the right track; phonetic spelling had again misled me. A half-crown tip put the deputy’s knowledge at my disposal, and I learned that Mr. Bloxam, who had slept off the remains of his beer on the previous night at Corcoran’s, had left for his work at Poplar at five o’clock that morning. He could not tell me where the place of work was situated, but he had a vague idea that it was some kind of a “new-fangled ware’us”; and with this slender clue I had to start for Poplar. It was twelve o’clock before I got any satisfactory hint of such a building, and this I got at a coffee-shop, where some workmen were having their dinner. One of these suggested that there was being erected at Cross Angel Street a new “cold storage” building; and as this suited the condition of a “new-fangled ware’us,” I at once drove to it. An interview with a surly gatekeeper and a surlier foreman, both of whom were appeased with the coin of the realm, put me on the track of Bloxam; he was sent for on my suggesting that I was willing to pay his day’s wages to his foreman for the privilege of asking him a few questions on a private matter. He was a smart enough fellow, though rough of speech and bearing. When I had promised to pay for his information and given him an earnest, he told me that he had made two journeys between Carfax and a house in Piccadilly, and had taken from this house to the latter nine great boxes—“main heavy ones”—with a horse and cart hired by him for this purpose. I asked him if he could tell me the number of the house in Piccadilly, to which he replied:—

“Well, guv’nor, I forgits the number, but it was only a few doors from a big white church or somethink of the kind, not long built. It was a dusty old ’ouse, too, though nothin’ to the dustiness of the ’ouse we tooked the bloomin’ boxes from.”

“How did you get into the houses if they were both empty?”

“There was the old party what engaged me a-waitin’ in the ’ouse at Purfleet. He ’elped me to lift the boxes and put them in the dray. Curse me, but he was the strongest chap I ever struck, an’ him a old feller, with a white moustache, one that thin you would think he couldn’t throw a shadder.”

How this phrase thrilled through me!

“Why, ’e took up ’is end o’ the boxes like they was pounds of tea, and me a-puffin’ an’ a-blowin’ afore I could up-end mine anyhow—an’ I’m no chicken, neither.”

“How did you get into the house in Piccadilly?” I asked.

“He was there too. He must ’a’ started off and got there afore me, for when I rung of the bell he kem an’ opened the door ’isself an’ ’elped me to carry the boxes into the ’all.”

“The whole nine?” I asked.

“Yus; there was five in the first load an’ four in the second. It was main dry work, an’ I don’t so well remember ’ow I got ’ome.” I interrupted him:—

“Were the boxes left in the hall?”

“Yus; it was a big ’all, an’ there was nothin’ else in it.” I made one more attempt to further matters:—

“You didn’t have any key?”

“Never used no key nor nothink. The old gent, he opened the door ’isself an’ shut it again when I druv off. I don’t remember the last time—but that was the beer.”

“And you can’t remember the number of the house?”

“No, sir. But ye needn’t have no difficulty about that. It’s a ’igh ’un with a stone front with a bow on it, an’ ’igh steps up to the door. I know them steps, ’avin’ ’ad to carry the boxes up with three loafers what come round to earn a copper. The old gent give them shillin’s, an’ they seein’ they got so much, they wanted more; but ’e took one of them by the shoulder and was like to throw ’im down the steps, till the lot of them went away cussin’.” I thought that with this description I could find the house, so, having paid my friend for his information, I started off for Piccadilly. I had gained a new painful experience; the Count could, it was evident, handle the earth-boxes himself. If so, time was precious; for, now that he had achieved a certain amount of distribution, he could, by choosing his own time, complete the task unobserved. At Piccadilly Circus I discharged my cab, and walked westward; beyond the Junior Constitutional I came across the house described, and was satisfied that this was the next of the lairs arranged by Dracula. The house looked as though it had been long untenanted. The windows were encrusted with dust, and the shutters were up. All the framework was black with time, and from the iron the paint had mostly scaled away. It was evident that up to lately there had been a large notice-board in front of the balcony; it had, however, been roughly torn away, the uprights which had supported it still remaining. Behind the rails of the balcony I saw there were some loose boards, whose raw edges looked white. I would have given a good deal to have been able to see the notice-board intact, as it would, perhaps, have given some clue to the ownership of the house. I remembered my experience of the investigation and purchase of Carfax, and I could not but feel that if I could find the former owner there might be some means discovered of gaining access to the house.

There was at present nothing to be learned from the Piccadilly side, and nothing could be done; so I went round to the back to see if anything could be gathered from this quarter. The mews were active, the Piccadilly houses being mostly in occupation. I asked one or two of the grooms and helpers whom I saw around if they could tell me anything about the empty house. One of them said that he heard it had lately been taken, but he couldn’t say from whom. He told me, however, that up to very lately there had been a notice-board of “For Sale” up, and that perhaps Mitchell, Sons, & Candy, the house agents, could tell me something, as he thought he remembered seeing the name of that firm on the board. I did not wish to seem too eager, or to let my informant know or guess too much, so, thanking him in the usual manner, I strolled away. It was now growing dusk, and the autumn night was closing in, so I did not lose any time. Having learned the address of Mitchell, Sons, & Candy from a directory at the Berkeley, I was soon at their office in Sackville Street.

The gentleman who saw me was particularly suave in manner, but uncommunicative in equal proportion. Having once told me that the Piccadilly house—which throughout our interview he called a “mansion”—was sold, he considered my business as concluded. When I asked who had purchased it, he opened his eyes a thought wider, and paused a few seconds before replying:—

“It is sold, sir.”

“Pardon me,” I said, with equal politeness, “but I have a special reason for wishing to know who purchased it.”

Again he paused longer, and raised his eyebrows still more. “It is sold, sir,” was again his laconic reply.

“Surely,” I said, “you do not mind letting me know so much.”

“But I do mind,” he answered. “The affairs of their clients are absolutely safe in the hands of Mitchell, Sons, & Candy.” This was manifestly a prig of the first water, and there was no use arguing with him. I thought I had best meet him on his own ground, so I said:—

“Your clients, sir, are happy in having so resolute a guardian of their confidence. I am myself a professional man.” Here I handed him my card. “In this instance I am not prompted by curiosity; I act on the part of Lord Godalming, who wishes to know something of the property which was, he understood, lately for sale.” These words put a different complexion on affairs. He said:—

“I would like to oblige you if I could, Mr. Harker, and especially would I like to oblige his lordship. We once carried out a small matter of renting some chambers for him when he was the Honourable Arthur Holmwood. If you will let me have his lordship’s address I will consult the House on the subject, and will, in any case, communicate with his lordship by to-night’s post. It will be a pleasure if we can so far deviate from our rules as to give the required information to his lordship.”

I wanted to secure a friend, and not to make an enemy, so I thanked him, gave the address at Dr. Seward’s and came away. It was now dark, and I was tired and hungry. I got a cup of tea at the Aërated Bread Company and came down to Purfleet by the next train.

I found all the others at home. Mina was looking tired and pale, but she made a gallant effort to be bright and cheerful, it wrung my heart to think that I had had to keep anything from her and so caused her inquietude. Thank God, this will be the last night of her looking on at our conferences, and feeling the sting of our not showing our confidence. It took all my courage to hold to the wise resolution of keeping her out of our grim task. She seems somehow more reconciled; or else the very subject seems to have become repugnant to her, for when any accidental allusion is made she actually shudders. I am glad we made our resolution in time, as with such a feeling as this, our growing knowledge would be torture to her.

I could not tell the others of the day’s discovery till we were alone; so after dinner—followed by a little music to save appearances even amongst ourselves—I took Mina to her room and left her to go to bed. The dear girl was more affectionate with me than ever, and clung to me as though she would detain me; but there was much to be talked of and I came away. Thank God, the ceasing of telling things has made no difference between us.

When I came down again I found the others all gathered round the fire in the study. In the train I had written my diary so far, and simply read it off to them as the best means of letting them get abreast of my own information; when I had finished Van Helsing said:—

“This has been a great day’s work, friend Jonathan. Doubtless we are on the track of the missing boxes. If we find them all in that house, then our work is near the end. But if there be some missing, we must search until we find them. Then shall we make our final coup, and hunt the wretch to his real death.” We all sat silent awhile and all at once Mr. Morris spoke:—

“Say! how are we going to get into that house?”

“We got into the other,” answered Lord Godalming quickly.

“But, Art, this is different. We broke house at Carfax, but we had night and a walled park to protect us. It will be a mighty different thing to commit burglary in Piccadilly, either by day or night. I confess I don’t see how we are going to get in unless that agency duck can find us a key of some sort; perhaps we shall know when you get his letter in the morning.” Lord Godalming’s brows contracted, and he stood up and walked about the room. By-and-by he stopped and said, turning from one to another of us:—

“Quincey’s head is level. This burglary business is getting serious; we got off once all right; but we have now a rare job on hand—unless we can find the Count’s key basket.”

As nothing could well be done before morning, and as it would be at least advisable to wait till Lord Godalming should hear from Mitchell’s, we decided not to take any active step before breakfast time. For a good while we sat and smoked, discussing the matter in its various lights and bearings; I took the opportunity of bringing this diary right up to the moment. I am very sleepy and shall go to bed....

Just a line. Mina sleeps soundly and her breathing is regular. Her forehead is puckered up into little wrinkles, as though she thinks even in her sleep. She is still too pale, but does not look so haggard as she did this morning. To-morrow will, I hope, mend all this; she will be herself at home in Exeter. Oh, but I am sleepy!

Dr. Seward’s Diary.

2 October.—I placed a man in the corridor last night, and told him to make an accurate note of any sound he might hear from Renfield’s room, and gave him instructions that if there should be anything strange he was to call me. After dinner, when we had all gathered round the fire in the study—Mrs. Harker having gone to bed—we discussed the attempts and discoveries of the day. Harker was the only one who had any result, and we are in great hopes that his clue may be an important one.

Before going to bed I went round to the patient’s room and looked in through the observation trap. He was sleeping soundly, and his heart rose and fell with regular respiration.

This morning the man on duty reported to me that a little after midnight he was restless and kept saying his prayers somewhat loudly. I asked him if that was all; he replied that it was all he heard. There was something about his manner so suspicious that I asked him point blank if he had been asleep. He denied sleep, but admitted to having “dozed” for a while. It is too bad that men cannot be trusted unless they are watched.

To-day Harker is out following up his clue, and Art and Quincey are looking after horses. Godalming thinks that it will be well to have horses always in readiness, for when we get the information which we seek there will be no time to lose. We must sterilise all the imported earth between sunrise and sunset; we shall thus catch the Count at his weakest, and without a refuge to fly to. Van Helsing is off to the British Museum looking up some authorities on ancient medicine. The old physicians took account of things which their followers do not accept, and the Professor is searching for witch and demon cures which may be useful to us later.

I sometimes think we must be all mad and that we shall wake to sanity in strait-waistcoats.

 

Later.—We have met again. We seem at last to be on the track, and our work of to-morrow may be the beginning of the end. I wonder if Renfield’s quiet has anything to do with this. His moods have so followed the doings of the Count, that the coming destruction of the monster may be carried to him in some subtle way. If we could only get some hint as to what passed in his mind, between the time of my argument with him to-day and his resumption of fly-catching, it might afford us a valuable clue. He is now seemingly quiet for a spell.... Is he?—— That wild yell seemed to come from his room....

 

The attendant came bursting into my room and told me that Renfield had somehow met with some accident. He had heard him yell; and when he went to him found him lying on his face on the floor, all covered with blood. I must go at once....

Notes: Moon Phase: Waxing Gibbous

Mina's sleep is changing here. She is being visited by the Count. And Jonathan is too busy and sleepy to notice.

The hunters are tracking the whereabouts of the earth boxes, something that usually only gets a quick montage in the movies, if it is depicted at all.

Meanwhile, Seward has a meeting with Renfield, which turns out to be the last. 

 For this October, I am going to focus on Dungeons & Dragons' own horror setting, Ravenloft. I am not going to review every Ravenloft product, nor am I planning on a review of every Ravenloft product I own, but I am going to focus on some select items. To that end I am starting with where it all started, the classic Ravenloft module, I6. 

I6 Ravenloft

by Tracy and Laura Hickman. Art by Clyde Caldwell. (1983). Color covers, black-white interior art. Cartography by Dave Sutherland. 32 Pages.

I have talked about this adventure a lot. It is one of my all-time favorite adventures. Maybe less for what it is and more for what it meant to me.

Ravenloft was originally an adventure for First Edition AD&D, released in 1983, and written by Tracy and Laura Hickman's husband-and-wife team. It was part of the "I" or intermediate series of adventures. Most of these were not linked and only shared that they were higher levels than beginning adventures. Ravenloft, given the code I6, was for character levels 5 to 7. 

Ravenloft is not your typical dungeon crawl, and it is very atypical of the time's adventures. There is less of the typical Howard, Moorcock, and Tolkien here, and it is pure Bram Stoker. 

Ravenloft is Gothic Horror—or, more to the point, it is the Hammer Horror flavor of Gothic Horror laid over the top of Dungeons & Dragons. Harker was a milder-mannered English solicitor. The heroes here have fought dragons, goblins, and other real monsters. How can the Lord of Castle Ravenloft measure up to that?

Quite well, really.

I  picked up this adventure when it was first released and essentially threw it at my DM and told him he had to run me through it. It was everything I had hoped it would have been. Remember, my Appendix N is filled with Hammer Horror, Dracula, and Universal monsters. This was perfect for me. 

Ravenloft was a huge change from many of the adventures TSR had published to that date. For starters, the adventure featured an antagonist, Count Strahd von Zarovich, who was no mere monster. Yes, he was an AD&D Vampire, but he was meant to be run as an intelligent Non-player Character.  Before this, the vampires have been the unnamed Vampire Queen of the Palace of the Vampire Queen, Drelnza, the vampire daughter of Iggwilv in The Lost Caverns of Tsojcanth, and Belgos, the Drow Vampire in Vault of the Drow. By 1983, the amount written on all three of these vampires would not even be as long as this post will be. Strahd was different.

Strahd had a backstory, motivation, and intelligence, and he was ruthless. The goal was to destroy him, and that was not an easy feat by any stretch of the imagination.

The adventure also introduced some new elements. The dungeon crawl was gone, replaced by a huge gothic castle and a nearby village. The adventure could be replayed and unique given the "Fortunes of Ravenloft" mechanic, which allows key items, people, and motives to change based on a fortune card reading.

Finally, there were the isomorphic, 3D-looking maps from Dave Sutherland, which helped give perspective to many levels of Castle Ravenloft. 

The adventure was an immediate and resounding hit. This adventure, along with the Dragonlance Adventures, also by Tracy Hickman (and Margaret Weis), led to something many old-school gamers call "The Hickman Revolution." They claim it marks the time between the Golden Age and Silver Age of AD&D, with the Silver Age coming after 1983. While yes there was change, a lot of it was for the better.

For me, it was a dream come true. Vampires had always been my favorite creatures to fight in D&D, and I was an avid Dracula fan. I bought this adventure and then threw it at my DM, saying, "Run this!" 

I grew up on a steady stream of Universal Monsters, Hammer Horror, and Dark Shadows. That's my Appendix N. So, an adventure set in pretty much the Hammer Hamlet where I get strange locals and have to fight a vampire? Yeah, that is what D&D was to me. You can almost hear Toccata and Fugue in D minor while running it. 

I find that the people who don't like this adventure don't see what makes it great. This is not Lord of the Rings, Conan, or some other Appendix N pulp fantasy. This is Hammer Horror. Strahd has to be played with a combination of charisma, scene-chewing villainy, and absolute brutality. In other words, it is exactly like Christopher Lee playing Dracula.  Even the nearby village is filled with terrified but pitchforks in the ready villagers. 

That is not to say the adventure doesn't have its problems. At times, the Gothic elements are shoved into the Swords & Sorcery fantasy of D&D. And...let's be honest, some of the puns on the headstones in the lowest level are more than cringe-worthy.  If played properly, a vampire like Strahd could wipe out a party, and that is not counting all the other monsters (gargoyles, really strong zombies, werewolves) in the castle. Though Strahd suffers from the same issues that Christopher Lee's Dracula did, completely obsessive that blind him to some obvious blunders. But that is the nature of vampires, really. 

Original, 25th Anniversary Edition, Print on Demand Edition

I have played through this once, and I have run it four or five times. I would love to try it sometime under the Ghosts of Albion or WitchCraftRPG rules. I took my D&D 5e group through it when they completed Castle Amber to make for a "Mists" series. It was fantastic.

I even got my original module from 1983 signed by Tracy Hickman the year I ran my family through it.

Much like Dracula, Count Strahd and Ravenloft keep coming back for more and more. 

All versions of Castle Ravenloft, so far.

I am sure there will be even another version of this adventure out for D&D 5.5/5r. And I am just as likely to buy it.

 Day 2

Purple sparkle dice with cats! 

I want to start this "Monster Movie Marathon" with a new one. I got this movie for my birthday and waited till tonight to see it. While I have seen a version of this one before, there are in a sense three movies here. Franco's original, Pierre Querut's added "X-rated" (really only a hard R or NC-17, I have seen worse on Netflix), and Jean Rollin's 1981 additions. I saw the Jean Rollin version, but never the original Jesús Franco version. It is this version I am basing my monster connection on.

Plus I start off with a movie that ticks all the boxes on my checklists. Before 1977, check. Jesús Franco, check. Jean Rollin, check. Another Britt Nichols and Christina von Blanc collaboration, ok that is not on my list, but it should be. And of course a monster from the Monster Manual.

A Virgin Among the Living Dead (1973)

Original and other titles include The Night of the Shooting Stars (La nuit des étoiles filantes), Christina, Princess of Eroticism (the release title for the Franco version), and The Erotic Dreams of Christine.

Our tale concerns Christina (Christina von Blanc), who returns to estranged (and strange) family in Europe for the reading of her father's will. Here she meets Aunt Abigail, Uncle Howard, Cousin Carmencé (Britt Nichols), and creepy ground's keeper Basilio, played of course by Franco himself.

The plot is paper thin, but that is not why you watch it. Ignoring for a moment all the times Christina and Carmencé run around the villa naked (hard I know) there is something sinister going on here. The plot is very, very similar to a lot of these Euro-horror movies where estranged young (most likely female) relative visits creepy family in Europe only to discover they are Satanists/Vampires/Ghosts or something else.

While there are zombies and the living dead in this film, that is mostly in the Rollin version. The pure, uncut Franco is a bit more subtle.

I did watch all three, but there is not enough differences here to merit counting this as three movies. 

Featured Monster: Ghost

We do see the ghost of Christina's dead father. He was hung and can't enter into the afterlife. We also meet a character known as the Queen of Night. But the only thing that makes sense here is that everyone, including Christina, is dead. 

Ghosts vs. Wraith vs. Spectres. Sometimes it can be bit difficult to determine what a movie monster is in terms of a D&D monster. This is never more true than with the various incorporeal undead like ghosts. In this case I picked Ghost because they seem to be "alive" to each other. A specter is more like the Ghosts of A Christmas Carol and Wraith is something a little more insubstantial.

Groaning Spirits (Banshees) and Shadows are a little easier to tell apart from the others and easier to pick out in a movie. Banshees have a very solid history.

October Horror Movie Challenge 2024
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Another very busy day for our hunters.

Dr. Seward’s Diary.

1 October, 4 a. m.—Just as we were about to leave the house, an urgent message was brought to me from Renfield to know if I would see him at once, as he had something of the utmost importance to say to me. I told the messenger to say that I would attend to his wishes in the morning; I was busy just at the moment. The attendant added:—

“He seems very importunate, sir. I have never seen him so eager. I don’t know but what, if you don’t see him soon, he will have one of his violent fits.” I knew the man would not have said this without some cause, so I said: “All right; I’ll go now”; and I asked the others to wait a few minutes for me, as I had to go and see my “patient.”

“Take me with you, friend John,” said the Professor. “His case in your diary interest me much, and it had bearing, too, now and again on our case. I should much like to see him, and especial when his mind is disturbed.”

“May I come also?” asked Lord Godalming.

“Me too?” said Quincey Morris. “May I come?” said Harker. I nodded, and we all went down the passage together.

We found him in a state of considerable excitement, but far more rational in his speech and manner than I had ever seen him. There was an unusual understanding of himself, which was unlike anything I had ever met with in a lunatic; and he took it for granted that his reasons would prevail with others entirely sane. We all four went into the room, but none of the others at first said anything. His request was that I would at once release him from the asylum and send him home. This he backed up with arguments regarding his complete recovery, and adduced his own existing sanity. “I appeal to your friends,” he said, “they will, perhaps, not mind sitting in judgment on my case. By the way, you have not introduced me.” I was so much astonished, that the oddness of introducing a madman in an asylum did not strike me at the moment; and, besides, there was a certain dignity in the man’s manner, so much of the habit of equality, that I at once made the introduction: “Lord Godalming; Professor Van Helsing; Mr. Quincey Morris, of Texas; Mr. Renfield.” He shook hands with each of them, saying in turn:—

“Lord Godalming, I had the honour of seconding your father at the Windham; I grieve to know, by your holding the title, that he is no more. He was a man loved and honoured by all who knew him; and in his youth was, I have heard, the inventor of a burnt rum punch, much patronised on Derby night. Mr. Morris, you should be proud of your great state. Its reception into the Union was a precedent which may have far-reaching effects hereafter, when the Pole and the Tropics may hold alliance to the Stars and Stripes. The power of Treaty may yet prove a vast engine of enlargement, when the Monroe doctrine takes its true place as a political fable. What shall any man say of his pleasure at meeting Van Helsing? Sir, I make no apology for dropping all forms of conventional prefix. When an individual has revolutionised therapeutics by his discovery of the continuous evolution of brain-matter, conventional forms are unfitting, since they would seem to limit him to one of a class. You, gentlemen, who by nationality, by heredity, or by the possession of natural gifts, are fitted to hold your respective places in the moving world, I take to witness that I am as sane as at least the majority of men who are in full possession of their liberties. And I am sure that you, Dr. Seward, humanitarian and medico-jurist as well as scientist, will deem it a moral duty to deal with me as one to be considered as under exceptional circumstances.” He made this last appeal with a courtly air of conviction which was not without its own charm.

I think we were all staggered. For my own part, I was under the conviction, despite my knowledge of the man’s character and history, that his reason had been restored; and I felt under a strong impulse to tell him that I was satisfied as to his sanity, and would see about the necessary formalities for his release in the morning. I thought it better to wait, however, before making so grave a statement, for of old I knew the sudden changes to which this particular patient was liable. So I contented myself with making a general statement that he appeared to be improving very rapidly; that I would have a longer chat with him in the morning, and would then see what I could do in the direction of meeting his wishes. This did not at all satisfy him, for he said quickly:—

“But I fear, Dr. Seward, that you hardly apprehend my wish. I desire to go at once—here—now—this very hour—this very moment, if I may. Time presses, and in our implied agreement with the old scytheman it is of the essence of the contract. I am sure it is only necessary to put before so admirable a practitioner as Dr. Seward so simple, yet so momentous a wish, to ensure its fulfilment.” He looked at me keenly, and seeing the negative in my face, turned to the others, and scrutinised them closely. Not meeting any sufficient response, he went on:—

“Is it possible that I have erred in my supposition?”

“You have,” I said frankly, but at the same time, as I felt, brutally. There was a considerable pause, and then he said slowly:—

“Then I suppose I must only shift my ground of request. Let me ask for this concession—boon, privilege, what you will. I am content to implore in such a case, not on personal grounds, but for the sake of others. I am not at liberty to give you the whole of my reasons; but you may, I assure you, take it from me that they are good ones, sound and unselfish, and spring from the highest sense of duty. Could you look, sir, into my heart, you would approve to the full the sentiments which animate me. Nay, more, you would count me amongst the best and truest of your friends.” Again he looked at us all keenly. I had a growing conviction that this sudden change of his entire intellectual method was but yet another form or phase of his madness, and so determined to let him go on a little longer, knowing from experience that he would, like all lunatics, give himself away in the end. Van Helsing was gazing at him with a look of utmost intensity, his bushy eyebrows almost meeting with the fixed concentration of his look. He said to Renfield in a tone which did not surprise me at the time, but only when I thought of it afterwards—for it was as of one addressing an equal:—

“Can you not tell frankly your real reason for wishing to be free to-night? I will undertake that if you will satisfy even me—a stranger, without prejudice, and with the habit of keeping an open mind—Dr. Seward will give you, at his own risk and on his own responsibility, the privilege you seek.” He shook his head sadly, and with a look of poignant regret on his face. The Professor went on:—

“Come, sir, bethink yourself. You claim the privilege of reason in the highest degree, since you seek to impress us with your complete reasonableness. You do this, whose sanity we have reason to doubt, since you are not yet released from medical treatment for this very defect. If you will not help us in our effort to choose the wisest course, how can we perform the duty which you yourself put upon us? Be wise, and help us; and if we can we shall aid you to achieve your wish.” He still shook his head as he said:—

“Dr. Van Helsing, I have nothing to say. Your argument is complete, and if I were free to speak I should not hesitate a moment; but I am not my own master in the matter. I can only ask you to trust me. If I am refused, the responsibility does not rest with me.” I thought it was now time to end the scene, which was becoming too comically grave, so I went towards the door, simply saying:—

“Come, my friends, we have work to do. Good-night.”

As, however, I got near the door, a new change came over the patient. He moved towards me so quickly that for the moment I feared that he was about to make another homicidal attack. My fears, however, were groundless, for he held up his two hands imploringly, and made his petition in a moving manner. As he saw that the very excess of his emotion was militating against him, by restoring us more to our old relations, he became still more demonstrative. I glanced at Van Helsing, and saw my conviction reflected in his eyes; so I became a little more fixed in my manner, if not more stern, and motioned to him that his efforts were unavailing. I had previously seen something of the same constantly growing excitement in him when he had to make some request of which at the time he had thought much, such, for instance, as when he wanted a cat; and I was prepared to see the collapse into the same sullen acquiescence on this occasion. My expectation was not realised, for, when he found that his appeal would not be successful, he got into quite a frantic condition. He threw himself on his knees, and held up his hands, wringing them in plaintive supplication, and poured forth a torrent of entreaty, with the tears rolling down his cheeks, and his whole face and form expressive of the deepest emotion:—

“Let me entreat you, Dr. Seward, oh, let me implore you, to let me out of this house at once. Send me away how you will and where you will; send keepers with me with whips and chains; let them take me in a strait-waistcoat, manacled and leg-ironed, even to a gaol; but let me go out of this. You don’t know what you do by keeping me here. I am speaking from the depths of my heart—of my very soul. You don’t know whom you wrong, or how; and I may not tell. Woe is me! I may not tell. By all you hold sacred—by all you hold dear—by your love that is lost—by your hope that lives—for the sake of the Almighty, take me out of this and save my soul from guilt! Can’t you hear me, man? Can’t you understand? Will you never learn? Don’t you know that I am sane and earnest now; that I am no lunatic in a mad fit, but a sane man fighting for his soul? Oh, hear me! hear me! Let me go! let me go! let me go!”

I thought that the longer this went on the wilder he would get, and so would bring on a fit; so I took him by the hand and raised him up.

“Come,” I said sternly, “no more of this; we have had quite enough already. Get to your bed and try to behave more discreetly.”

He suddenly stopped and looked at me intently for several moments. Then, without a word, he rose and moving over, sat down on the side of the bed. The collapse had come, as on former occasion, just as I had expected.

When I was leaving the room, last of our party, he said to me in a quiet, well-bred voice:—

“You will, I trust, Dr. Seward, do me the justice to bear in mind, later on, that I did what I could to convince you to-night.”

CHAPTER XIX

JONATHAN HARKER’S JOURNAL

1 October, 5 a. m.—I went with the party to the search with an easy mind, for I think I never saw Mina so absolutely strong and well. I am so glad that she consented to hold back and let us men do the work. Somehow, it was a dread to me that she was in this fearful business at all; but now that her work is done, and that it is due to her energy and brains and foresight that the whole story is put together in such a way that every point tells, she may well feel that her part is finished, and that she can henceforth leave the rest to us. We were, I think, all a little upset by the scene with Mr. Renfield. When we came away from his room we were silent till we got back to the study. Then Mr. Morris said to Dr. Seward:—

“Say, Jack, if that man wasn’t attempting a bluff, he is about the sanest lunatic I ever saw. I’m not sure, but I believe that he had some serious purpose, and if he had, it was pretty rough on him not to get a chance.” Lord Godalming and I were silent, but Dr. Van Helsing added:—

“Friend John, you know more of lunatics than I do, and I’m glad of it, for I fear that if it had been to me to decide I would before that last hysterical outburst have given him free. But we live and learn, and in our present task we must take no chance, as my friend Quincey would say. All is best as they are.” Dr. Seward seemed to answer them both in a dreamy kind of way:—

“I don’t know but that I agree with you. If that man had been an ordinary lunatic I would have taken my chance of trusting him; but he seems so mixed up with the Count in an indexy kind of way that I am afraid of doing anything wrong by helping his fads. I can’t forget how he prayed with almost equal fervour for a cat, and then tried to tear my throat out with his teeth. Besides, he called the Count ‘lord and master,’ and he may want to get out to help him in some diabolical way. That horrid thing has the wolves and the rats and his own kind to help him, so I suppose he isn’t above trying to use a respectable lunatic. He certainly did seem earnest, though. I only hope we have done what is best. These things, in conjunction with the wild work we have in hand, help to unnerve a man.” The Professor stepped over, and laying his hand on his shoulder, said in his grave, kindly way:—

“Friend John, have no fear. We are trying to do our duty in a very sad and terrible case; we can only do as we deem best. What else have we to hope for, except the pity of the good God?” Lord Godalming had slipped away for a few minutes, but now he returned. He held up a little silver whistle, as he remarked:—

“That old place may be full of rats, and if so, I’ve got an antidote on call.” Having passed the wall, we took our way to the house, taking care to keep in the shadows of the trees on the lawn when the moonlight shone out. When we got to the porch the Professor opened his bag and took out a lot of things, which he laid on the step, sorting them into four little groups, evidently one for each. Then he spoke:—

“My friends, we are going into a terrible danger, and we need arms of many kinds. Our enemy is not merely spiritual. Remember that he has the strength of twenty men, and that, though our necks or our windpipes are of the common kind—and therefore breakable or crushable—his are not amenable to mere strength. A stronger man, or a body of men more strong in all than him, can at certain times hold him; but they cannot hurt him as we can be hurt by him. We must, therefore, guard ourselves from his touch. Keep this near your heart”—as he spoke he lifted a little silver crucifix and held it out to me, I being nearest to him—“put these flowers round your neck”—here he handed to me a wreath of withered garlic blossoms—“for other enemies more mundane, this revolver and this knife; and for aid in all, these so small electric lamps, which you can fasten to your breast; and for all, and above all at the last, this, which we must not desecrate needless.” This was a portion of Sacred Wafer, which he put in an envelope and handed to me. Each of the others was similarly equipped. “Now,” he said, “friend John, where are the skeleton keys? If so that we can open the door, we need not break house by the window, as before at Miss Lucy’s.”

Dr. Seward tried one or two skeleton keys, his mechanical dexterity as a surgeon standing him in good stead. Presently he got one to suit; after a little play back and forward the bolt yielded, and, with a rusty clang, shot back. We pressed on the door, the rusty hinges creaked, and it slowly opened. It was startlingly like the image conveyed to me in Dr. Seward’s diary of the opening of Miss Westenra’s tomb; I fancy that the same idea seemed to strike the others, for with one accord they shrank back. The Professor was the first to move forward, and stepped into the open door.

“In manus tuas, Domine!” he said, crossing himself as he passed over the threshold. We closed the door behind us, lest when we should have lit our lamps we should possibly attract attention from the road. The Professor carefully tried the lock, lest we might not be able to open it from within should we be in a hurry making our exit. Then we all lit our lamps and proceeded on our search.

The light from the tiny lamps fell in all sorts of odd forms, as the rays crossed each other, or the opacity of our bodies threw great shadows. I could not for my life get away from the feeling that there was some one else amongst us. I suppose it was the recollection, so powerfully brought home to me by the grim surroundings, of that terrible experience in Transylvania. I think the feeling was common to us all, for I noticed that the others kept looking over their shoulders at every sound and every new shadow, just as I felt myself doing.

The whole place was thick with dust. The floor was seemingly inches deep, except where there were recent footsteps, in which on holding down my lamp I could see marks of hobnails where the dust was cracked. The walls were fluffy and heavy with dust, and in the corners were masses of spider’s webs, whereon the dust had gathered till they looked like old tattered rags as the weight had torn them partly down. On a table in the hall was a great bunch of keys, with a time-yellowed label on each. They had been used several times, for on the table were several similar rents in the blanket of dust, similar to that exposed when the Professor lifted them. He turned to me and said:—

“You know this place, Jonathan. You have copied maps of it, and you know it at least more than we do. Which is the way to the chapel?” I had an idea of its direction, though on my former visit I had not been able to get admission to it; so I led the way, and after a few wrong turnings found myself opposite a low, arched oaken door, ribbed with iron bands. “This is the spot,” said the Professor as he turned his lamp on a small map of the house, copied from the file of my original correspondence regarding the purchase. With a little trouble we found the key on the bunch and opened the door. We were prepared for some unpleasantness, for as we were opening the door a faint, malodorous air seemed to exhale through the gaps, but none of us ever expected such an odour as we encountered. None of the others had met the Count at all at close quarters, and when I had seen him he was either in the fasting stage of his existence in his rooms or, when he was gloated with fresh blood, in a ruined building open to the air; but here the place was small and close, and the long disuse had made the air stagnant and foul. There was an earthy smell, as of some dry miasma, which came through the fouler air. But as to the odour itself, how shall I describe it? It was not alone that it was composed of all the ills of mortality and with the pungent, acrid smell of blood, but it seemed as though corruption had become itself corrupt. Faugh! it sickens me to think of it. Every breath exhaled by that monster seemed to have clung to the place and intensified its loathsomeness.

Under ordinary circumstances such a stench would have brought our enterprise to an end; but this was no ordinary case, and the high and terrible purpose in which we were involved gave us a strength which rose above merely physical considerations. After the involuntary shrinking consequent on the first nauseous whiff, we one and all set about our work as though that loathsome place were a garden of roses.

We made an accurate examination of the place, the Professor saying as we began:—

“The first thing is to see how many of the boxes are left; we must then examine every hole and corner and cranny and see if we cannot get some clue as to what has become of the rest.” A glance was sufficient to show how many remained, for the great earth chests were bulky, and there was no mistaking them.

There were only twenty-nine left out of the fifty! Once I got a fright, for, seeing Lord Godalming suddenly turn and look out of the vaulted door into the dark passage beyond, I looked too, and for an instant my heart stood still. Somewhere, looking out from the shadow, I seemed to see the high lights of the Count’s evil face, the ridge of the nose, the red eyes, the red lips, the awful pallor. It was only for a moment, for, as Lord Godalming said, “I thought I saw a face, but it was only the shadows,” and resumed his inquiry, I turned my lamp in the direction, and stepped into the passage. There was no sign of any one; and as there were no corners, no doors, no aperture of any kind, but only the solid walls of the passage, there could be no hiding-place even for him. I took it that fear had helped imagination, and said nothing.

A few minutes later I saw Morris step suddenly back from a corner, which he was examining. We all followed his movements with our eyes, for undoubtedly some nervousness was growing on us, and we saw a whole mass of phosphorescence, which twinkled like stars. We all instinctively drew back. The whole place was becoming alive with rats.

For a moment or two we stood appalled, all save Lord Godalming, who was seemingly prepared for such an emergency. Rushing over to the great iron-bound oaken door, which Dr. Seward had described from the outside, and which I had seen myself, he turned the key in the lock, drew the huge bolts, and swung the door open. Then, taking his little silver whistle from his pocket, he blew a low, shrill call. It was answered from behind Dr. Seward’s house by the yelping of dogs, and after about a minute three terriers came dashing round the corner of the house. Unconsciously we had all moved towards the door, and as we moved I noticed that the dust had been much disturbed: the boxes which had been taken out had been brought this way. But even in the minute that had elapsed the number of the rats had vastly increased. They seemed to swarm over the place all at once, till the lamplight, shining on their moving dark bodies and glittering, baleful eyes, made the place look like a bank of earth set with fireflies. The dogs dashed on, but at the threshold suddenly stopped and snarled, and then, simultaneously lifting their noses, began to howl in most lugubrious fashion. The rats were multiplying in thousands, and we moved out.

Lord Godalming lifted one of the dogs, and carrying him in, placed him on the floor. The instant his feet touched the ground he seemed to recover his courage, and rushed at his natural enemies. They fled before him so fast that before he had shaken the life out of a score, the other dogs, who had by now been lifted in the same manner, had but small prey ere the whole mass had vanished.

With their going it seemed as if some evil presence had departed, for the dogs frisked about and barked merrily as they made sudden darts at their prostrate foes, and turned them over and over and tossed them in the air with vicious shakes. We all seemed to find our spirits rise. Whether it was the purifying of the deadly atmosphere by the opening of the chapel door, or the relief which we experienced by finding ourselves in the open I know not; but most certainly the shadow of dread seemed to slip from us like a robe, and the occasion of our coming lost something of its grim significance, though we did not slacken a whit in our resolution. We closed the outer door and barred and locked it, and bringing the dogs with us, began our search of the house. We found nothing throughout except dust in extraordinary proportions, and all untouched save for my own footsteps when I had made my first visit. Never once did the dogs exhibit any symptom of uneasiness, and even when we returned to the chapel they frisked about as though they had been rabbit-hunting in a summer wood.

The morning was quickening in the east when we emerged from the front. Dr. Van Helsing had taken the key of the hall-door from the bunch, and locked the door in orthodox fashion, putting the key into his pocket when he had done.

“So far,” he said, “our night has been eminently successful. No harm has come to us such as I feared might be and yet we have ascertained how many boxes are missing. More than all do I rejoice that this, our first—and perhaps our most difficult and dangerous—step has been accomplished without the bringing thereinto our most sweet Madam Mina or troubling her waking or sleeping thoughts with sights and sounds and smells of horror which she might never forget. One lesson, too, we have learned, if it be allowable to argue a particulari: that the brute beasts which are to the Count’s command are yet themselves not amenable to his spiritual power; for look, these rats that would come to his call, just as from his castle top he summon the wolves to your going and to that poor mother’s cry, though they come to him, they run pell-mell from the so little dogs of my friend Arthur. We have other matters before us, other dangers, other fears; and that monster—he has not used his power over the brute world for the only or the last time to-night. So be it that he has gone elsewhere. Good! It has given us opportunity to cry ‘check’ in some ways in this chess game, which we play for the stake of human souls. And now let us go home. The dawn is close at hand, and we have reason to be content with our first night’s work. It may be ordained that we have many nights and days to follow, if full of peril; but we must go on, and from no danger shall we shrink.”

The house was silent when we got back, save for some poor creature who was screaming away in one of the distant wards, and a low, moaning sound from Renfield’s room. The poor wretch was doubtless torturing himself, after the manner of the insane, with needless thoughts of pain.

I came tiptoe into our own room, and found Mina asleep, breathing so softly that I had to put my ear down to hear it. She looks paler than usual. I hope the meeting to-night has not upset her. I am truly thankful that she is to be left out of our future work, and even of our deliberations. It is too great a strain for a woman to bear. I did not think so at first, but I know better now. Therefore I am glad that it is settled. There may be things which would frighten her to hear; and yet to conceal them from her might be worse than to tell her if once she suspected that there was any concealment. Henceforth our work is to be a sealed book to her, till at least such time as we can tell her that all is finished, and the earth free from a monster of the nether world. I daresay it will be difficult to begin to keep silence after such confidence as ours; but I must be resolute, and to-morrow I shall keep dark over to-night’s doings, and shall refuse to speak of anything that has happened. I rest on the sofa, so as not to disturb her.

 

1 October, later.—I suppose it was natural that we should have all overslept ourselves, for the day was a busy one, and the night had no rest at all. Even Mina must have felt its exhaustion, for though I slept till the sun was high, I was awake before her, and had to call two or three times before she awoke. Indeed, she was so sound asleep that for a few seconds she did not recognize me, but looked at me with a sort of blank terror, as one looks who has been waked out of a bad dream. She complained a little of being tired, and I let her rest till later in the day. We now know of twenty-one boxes having been removed, and if it be that several were taken in any of these removals we may be able to trace them all. Such will, of course, immensely simplify our labour, and the sooner the matter is attended to the better. I shall look up Thomas Snelling to-day.

Dr. Seward’s Diary.

1 October.—It was towards noon when I was awakened by the Professor walking into my room. He was more jolly and cheerful than usual, and it is quite evident that last night’s work has helped to take some of the brooding weight off his mind. After going over the adventure of the night he suddenly said:—

“Your patient interests me much. May it be that with you I visit him this morning? Or if that you are too occupy, I can go alone if it may be. It is a new experience to me to find a lunatic who talk philosophy, and reason so sound.” I had some work to do which pressed, so I told him that if he would go alone I would be glad, as then I should not have to keep him waiting; so I called an attendant and gave him the necessary instructions. Before the Professor left the room I cautioned him against getting any false impression from my patient. “But,” he answered, “I want him to talk of himself and of his delusion as to consuming live things. He said to Madam Mina, as I see in your diary of yesterday, that he had once had such a belief. Why do you smile, friend John?”

“Excuse me,” I said, “but the answer is here.” I laid my hand on the type-written matter. “When our sane and learned lunatic made that very statement of how he used to consume life, his mouth was actually nauseous with the flies and spiders which he had eaten just before Mrs. Harker entered the room.” Van Helsing smiled in turn. “Good!” he said. “Your memory is true, friend John. I should have remembered. And yet it is this very obliquity of thought and memory which makes mental disease such a fascinating study. Perhaps I may gain more knowledge out of the folly of this madman than I shall from the teaching of the most wise. Who knows?” I went on with my work, and before long was through that in hand. It seemed that the time had been very short indeed, but there was Van Helsing back in the study. “Do I interrupt?” he asked politely as he stood at the door.

“Not at all,” I answered. “Come in. My work is finished, and I am free. I can go with you now, if you like.

“It is needless; I have seen him!”

“Well?”

“I fear that he does not appraise me at much. Our interview was short. When I entered his room he was sitting on a stool in the centre, with his elbows on his knees, and his face was the picture of sullen discontent. I spoke to him as cheerfully as I could, and with such a measure of respect as I could assume. He made no reply whatever. “Don’t you know me?” I asked. His answer was not reassuring: “I know you well enough; you are the old fool Van Helsing. I wish you would take yourself and your idiotic brain theories somewhere else. Damn all thick-headed Dutchmen!” Not a word more would he say, but sat in his implacable sullenness as indifferent to me as though I had not been in the room at all. Thus departed for this time my chance of much learning from this so clever lunatic; so I shall go, if I may, and cheer myself with a few happy words with that sweet soul Madam Mina. Friend John, it does rejoice me unspeakable that she is no more to be pained, no more to be worried with our terrible things. Though we shall much miss her help, it is better so.”

“I agree with you with all my heart,” I answered earnestly, for I did not want him to weaken in this matter. “Mrs. Harker is better out of it. Things are quite bad enough for us, all men of the world, and who have been in many tight places in our time; but it is no place for a woman, and if she had remained in touch with the affair, it would in time infallibly have wrecked her.”

So Van Helsing has gone to confer with Mrs. Harker and Harker; Quincey and Art are all out following up the clues as to the earth-boxes. I shall finish my round of work and we shall meet to-night.

Mina Harker’s Journal.

1 October.—It is strange to me to be kept in the dark as I am to-day; after Jonathan’s full confidence for so many years, to see him manifestly avoid certain matters, and those the most vital of all. This morning I slept late after the fatigues of yesterday, and though Jonathan was late too, he was the earlier. He spoke to me before he went out, never more sweetly or tenderly, but he never mentioned a word of what had happened in the visit to the Count’s house. And yet he must have known how terribly anxious I was. Poor dear fellow! I suppose it must have distressed him even more than it did me. They all agreed that it was best that I should not be drawn further into this awful work, and I acquiesced. But to think that he keeps anything from me! And now I am crying like a silly fool, when I know it comes from my husband’s great love and from the good, good wishes of those other strong men.

That has done me good. Well, some day Jonathan will tell me all; and lest it should ever be that he should think for a moment that I kept anything from him, I still keep my journal as usual. Then if he has feared of my trust I shall show it to him, with every thought of my heart put down for his dear eyes to read. I feel strangely sad and low-spirited to-day. I suppose it is the reaction from the terrible excitement.

Last night I went to bed when the men had gone, simply because they told me to. I didn’t feel sleepy, and I did feel full of devouring anxiety. I kept thinking over everything that has been ever since Jonathan came to see me in London, and it all seems like a horrible tragedy, with fate pressing on relentlessly to some destined end. Everything that one does seems, no matter how right it may be, to bring on the very thing which is most to be deplored. If I hadn’t gone to Whitby, perhaps poor dear Lucy would be with us now. She hadn’t taken to visiting the churchyard till I came, and if she hadn’t come there in the day-time with me she wouldn’t have walked there in her sleep; and if she hadn’t gone there at night and asleep, that monster couldn’t have destroyed her as he did. Oh, why did I ever go to Whitby? There now, crying again! I wonder what has come over me to-day. I must hide it from Jonathan, for if he knew that I had been crying twice in one morning—I, who never cried on my own account, and whom he has never caused to shed a tear—the dear fellow would fret his heart out. I shall put a bold face on, and if I do feel weepy, he shall never see it. I suppose it is one of the lessons that we poor women have to learn....

I can’t quite remember how I fell asleep last night. I remember hearing the sudden barking of the dogs and a lot of queer sounds, like praying on a very tumultuous scale, from Mr. Renfield’s room, which is somewhere under this. And then there was silence over everything, silence so profound that it startled me, and I got up and looked out of the window. All was dark and silent, the black shadows thrown by the moonlight seeming full of a silent mystery of their own. Not a thing seemed to be stirring, but all to be grim and fixed as death or fate; so that a thin streak of white mist, that crept with almost imperceptible slowness across the grass towards the house, seemed to have a sentience and a vitality of its own. I think that the digression of my thoughts must have done me good, for when I got back to bed I found a lethargy creeping over me. I lay a while, but could not quite sleep, so I got out and looked out of the window again. The mist was spreading, and was now close up to the house, so that I could see it lying thick against the wall, as though it were stealing up to the windows. The poor man was more loud than ever, and though I could not distinguish a word he said, I could in some way recognise in his tones some passionate entreaty on his part. Then there was the sound of a struggle, and I knew that the attendants were dealing with him. I was so frightened that I crept into bed, and pulled the clothes over my head, putting my fingers in my ears. I was not then a bit sleepy, at least so I thought; but I must have fallen asleep, for, except dreams, I do not remember anything until the morning, when Jonathan woke me. I think that it took me an effort and a little time to realise where I was, and that it was Jonathan who was bending over me. My dream was very peculiar, and was almost typical of the way that waking thoughts become merged in, or continued in, dreams.

I thought that I was asleep, and waiting for Jonathan to come back. I was very anxious about him, and I was powerless to act; my feet, and my hands, and my brain were weighted, so that nothing could proceed at the usual pace. And so I slept uneasily and thought. Then it began to dawn upon me that the air was heavy, and dank, and cold. I put back the clothes from my face, and found, to my surprise, that all was dim around. The gaslight which I had left lit for Jonathan, but turned down, came only like a tiny red spark through the fog, which had evidently grown thicker and poured into the room. Then it occurred to me that I had shut the window before I had come to bed. I would have got out to make certain on the point, but some leaden lethargy seemed to chain my limbs and even my will. I lay still and endured; that was all. I closed my eyes, but could still see through my eyelids. (It is wonderful what tricks our dreams play us, and how conveniently we can imagine.) The mist grew thicker and thicker and I could see now how it came in, for I could see it like smoke—or with the white energy of boiling water—pouring in, not through the window, but through the joinings of the door. It got thicker and thicker, till it seemed as if it became concentrated into a sort of pillar of cloud in the room, through the top of which I could see the light of the gas shining like a red eye. Things began to whirl through my brain just as the cloudy column was now whirling in the room, and through it all came the scriptural words “a pillar of cloud by day and of fire by night.” Was it indeed some such spiritual guidance that was coming to me in my sleep? But the pillar was composed of both the day and the night-guiding, for the fire was in the red eye, which at the thought got a new fascination for me; till, as I looked, the fire divided, and seemed to shine on me through the fog like two red eyes, such as Lucy told me of in her momentary mental wandering when, on the cliff, the dying sunlight struck the windows of St. Mary’s Church. Suddenly the horror burst upon me that it was thus that Jonathan had seen those awful women growing into reality through the whirling mist in the moonlight, and in my dream I must have fainted, for all became black darkness. The last conscious effort which imagination made was to show me a livid white face bending over me out of the mist. I must be careful of such dreams, for they would unseat one’s reason if there were too much of them. I would get Dr. Van Helsing or Dr. Seward to prescribe something for me which would make me sleep, only that I fear to alarm them. Such a dream at the present time would become woven into their fears for me. To-night I shall strive hard to sleep naturally. If I do not, I shall to-morrow night get them to give me a dose of chloral; that cannot hurt me for once, and it will give me a good night’s sleep. Last night tired me more than if I had not slept at all.

CHAPTER XX

JONATHAN HARKER’S JOURNAL

1 October, evening.—I found Thomas Snelling in his house at Bethnal Green, but unhappily he was not in a condition to remember anything. The very prospect of beer which my expected coming had opened to him had proved too much, and he had begun too early on his expected debauch. I learned, however, from his wife, who seemed a decent, poor soul, that he was only the assistant to Smollet, who of the two mates was the responsible person. So off I drove to Walworth, and found Mr. Joseph Smollet at home and in his shirtsleeves, taking a late tea out of a saucer. He is a decent, intelligent fellow, distinctly a good, reliable type of workman, and with a headpiece of his own. He remembered all about the incident of the boxes, and from a wonderful dog’s-eared notebook, which he produced from some mysterious receptacle about the seat of his trousers, and which had hieroglyphical entries in thick, half-obliterated pencil, he gave me the destinations of the boxes. There were, he said, six in the cartload which he took from Carfax and left at 197, Chicksand Street, Mile End New Town, and another six which he deposited at Jamaica Lane, Bermondsey. If then the Count meant to scatter these ghastly refuges of his over London, these places were chosen as the first of delivery, so that later he might distribute more fully. The systematic manner in which this was done made me think that he could not mean to confine himself to two sides of London. He was now fixed on the far east of the northern shore, on the east of the southern shore, and on the south. The north and west were surely never meant to be left out of his diabolical scheme—let alone the City itself and the very heart of fashionable London in the south-west and west. I went back to Smollet, and asked him if he could tell us if any other boxes had been taken from Carfax.

He replied:—

“Well, guv’nor, you’ve treated me wery ’an’some”—I had given him half a sovereign—“an’ I’ll tell yer all I know. I heard a man by the name of Bloxam say four nights ago in the ’Are an’ ’Ounds, in Pincher’s Alley, as ’ow he an’ his mate ’ad ’ad a rare dusty job in a old ’ouse at Purfect. There ain’t a-many such jobs as this ’ere, an’ I’m thinkin’ that maybe Sam Bloxam could tell ye summut.” I asked if he could tell me where to find him. I told him that if he could get me the address it would be worth another half-sovereign to him. So he gulped down the rest of his tea and stood up, saying that he was going to begin the search then and there. At the door he stopped, and said:—

“Look ’ere, guv’nor, there ain’t no sense in me a-keepin’ you ’ere. I may find Sam soon, or I mayn’t; but anyhow he ain’t like to be in a way to tell ye much to-night. Sam is a rare one when he starts on the booze. If you can give me a envelope with a stamp on it, and put yer address on it, I’ll find out where Sam is to be found and post it ye to-night. But ye’d better be up arter ’im soon in the mornin’, or maybe ye won’t ketch ’im; for Sam gets off main early, never mind the booze the night afore.”

This was all practical, so one of the children went off with a penny to buy an envelope and a sheet of paper, and to keep the change. When she came back, I addressed the envelope and stamped it, and when Smollet had again faithfully promised to post the address when found, I took my way to home. We’re on the track anyhow. I am tired to-night, and want sleep. Mina is fast asleep, and looks a little too pale; her eyes look as though she had been crying. Poor dear, I’ve no doubt it frets her to be kept in the dark, and it may make her doubly anxious about me and the others. But it is best as it is. It is better to be disappointed and worried in such a way now than to have her nerve broken. The doctors were quite right to insist on her being kept out of this dreadful business. I must be firm, for on me this particular burden of silence must rest. I shall not ever enter on the subject with her under any circumstances. Indeed, it may not be a hard task, after all, for she herself has become reticent on the subject, and has not spoken of the Count or his doings ever since we told her of our decision.

Dr. Seward’s Diary.

1 October.—I am puzzled afresh about Renfield. His moods change so rapidly that I find it difficult to keep touch of them, and as they always mean something more than his own well-being, they form a more than interesting study. This morning, when I went to see him after his repulse of Van Helsing, his manner was that of a man commanding destiny. He was, in fact, commanding destiny—subjectively. He did not really care for any of the things of mere earth; he was in the clouds and looked down on all the weaknesses and wants of us poor mortals. I thought I would improve the occasion and learn something, so I asked him:—

“What about the flies these times?” He smiled on me in quite a superior sort of way—such a smile as would have become the face of Malvolio—as he answered me:—

“The fly, my dear sir, has one striking feature; its wings are typical of the aërial powers of the psychic faculties. The ancients did well when they typified the soul as a butterfly!”

I thought I would push his analogy to its utmost logically, so I said quickly:—

“Oh, it is a soul you are after now, is it?” His madness foiled his reason, and a puzzled look spread over his face as, shaking his head with a decision which I had but seldom seen in him, he said:—

“Oh, no, oh no! I want no souls. Life is all I want.” Here he brightened up; “I am pretty indifferent about it at present. Life is all right; I have all I want. You must get a new patient, doctor, if you wish to study zoöphagy!”

This puzzled me a little, so I drew him on:—

“Then you command life; you are a god, I suppose?” He smiled with an ineffably benign superiority.

“Oh no! Far be it from me to arrogate to myself the attributes of the Deity. I am not even concerned in His especially spiritual doings. If I may state my intellectual position I am, so far as concerns things purely terrestrial, somewhat in the position which Enoch occupied spiritually!” This was a poser to me. I could not at the moment recall Enoch’s appositeness; so I had to ask a simple question, though I felt that by so doing I was lowering myself in the eyes of the lunatic:—

“And why with Enoch?”

“Because he walked with God.” I could not see the analogy, but did not like to admit it; so I harked back to what he had denied:—

“So you don’t care about life and you don’t want souls. Why not?” I put my question quickly and somewhat sternly, on purpose to disconcert him. The effort succeeded; for an instant he unconsciously relapsed into his old servile manner, bent low before me, and actually fawned upon me as he replied:—

“I don’t want any souls, indeed, indeed! I don’t. I couldn’t use them if I had them; they would be no manner of use to me. I couldn’t eat them or——” He suddenly stopped and the old cunning look spread over his face, like a wind-sweep on the surface of the water. “And doctor, as to life, what is it after all? When you’ve got all you require, and you know that you will never want, that is all. I have friends—good friends—like you, Dr. Seward”; this was said with a leer of inexpressible cunning. “I know that I shall never lack the means of life!”

I think that through the cloudiness of his insanity he saw some antagonism in me, for he at once fell back on the last refuge of such as he—a dogged silence. After a short time I saw that for the present it was useless to speak to him. He was sulky, and so I came away.

Later in the day he sent for me. Ordinarily I would not have come without special reason, but just at present I am so interested in him that I would gladly make an effort. Besides, I am glad to have anything to help to pass the time. Harker is out, following up clues; and so are Lord Godalming and Quincey. Van Helsing sits in my study poring over the record prepared by the Harkers; he seems to think that by accurate knowledge of all details he will light upon some clue. He does not wish to be disturbed in the work, without cause. I would have taken him with me to see the patient, only I thought that after his last repulse he might not care to go again. There was also another reason: Renfield might not speak so freely before a third person as when he and I were alone.

I found him sitting out in the middle of the floor on his stool, a pose which is generally indicative of some mental energy on his part. When I came in, he said at once, as though the question had been waiting on his lips:—

“What about souls?” It was evident then that my surmise had been correct. Unconscious cerebration was doing its work, even with the lunatic. I determined to have the matter out. “What about them yourself?” I asked. He did not reply for a moment but looked all round him, and up and down, as though he expected to find some inspiration for an answer.

“I don’t want any souls!” he said in a feeble, apologetic way. The matter seemed preying on his mind, and so I determined to use it—to “be cruel only to be kind.” So I said:—

“You like life, and you want life?”

“Oh yes! but that is all right; you needn’t worry about that!”

“But,” I asked, “how are we to get the life without getting the soul also?” This seemed to puzzle him, so I followed it up:—

“A nice time you’ll have some time when you’re flying out there, with the souls of thousands of flies and spiders and birds and cats buzzing and twittering and miauing all round you. You’ve got their lives, you know, and you must put up with their souls!” Something seemed to affect his imagination, for he put his fingers to his ears and shut his eyes, screwing them up tightly just as a small boy does when his face is being soaped. There was something pathetic in it that touched me; it also gave me a lesson, for it seemed that before me was a child—only a child, though the features were worn, and the stubble on the jaws was white. It was evident that he was undergoing some process of mental disturbance, and, knowing how his past moods had interpreted things seemingly foreign to himself, I thought I would enter into his mind as well as I could and go with him. The first step was to restore confidence, so I asked him, speaking pretty loud so that he would hear me through his closed ears:—

“Would you like some sugar to get your flies round again?” He seemed to wake up all at once, and shook his head. With a laugh he replied:—

“Not much! flies are poor things, after all!” After a pause he added, “But I don’t want their souls buzzing round me, all the same.”

“Or spiders?” I went on.

“Blow spiders! What’s the use of spiders? There isn’t anything in them to eat or”—he stopped suddenly, as though reminded of a forbidden topic.

“So, so!” I thought to myself, “this is the second time he has suddenly stopped at the word ‘drink’; what does it mean?” Renfield seemed himself aware of having made a lapse, for he hurried on, as though to distract my attention from it:—

“I don’t take any stock at all in such matters. ‘Rats and mice and such small deer,’ as Shakespeare has it, ‘chicken-feed of the larder’ they might be called. I’m past all that sort of nonsense. You might as well ask a man to eat molecules with a pair of chop-sticks, as to try to interest me about the lesser carnivora, when I know of what is before me.”

“I see,” I said. “You want big things that you can make your teeth meet in? How would you like to breakfast on elephant?”

“What ridiculous nonsense you are talking!” He was getting too wide awake, so I thought I would press him hard. “I wonder,” I said reflectively, “what an elephant’s soul is like!”

The effect I desired was obtained, for he at once fell from his high-horse and became a child again.

“I don’t want an elephant’s soul, or any soul at all!” he said. For a few moments he sat despondently. Suddenly he jumped to his feet, with his eyes blazing and all the signs of intense cerebral excitement. “To hell with you and your souls!” he shouted. “Why do you plague me about souls? Haven’t I got enough to worry, and pain, and distract me already, without thinking of souls!” He looked so hostile that I thought he was in for another homicidal fit, so I blew my whistle. The instant, however, that I did so he became calm, and said apologetically:—

“Forgive me, Doctor; I forgot myself. You do not need any help. I am so worried in my mind that I am apt to be irritable. If you only knew the problem I have to face, and that I am working out, you would pity, and tolerate, and pardon me. Pray do not put me in a strait-waistcoat. I want to think and I cannot think freely when my body is confined. I am sure you will understand!” He had evidently self-control; so when the attendants came I told them not to mind, and they withdrew. Renfield watched them go; when the door was closed he said, with considerable dignity and sweetness:—

“Dr. Seward, you have been very considerate towards me. Believe me that I am very, very grateful to you!” I thought it well to leave him in this mood, and so I came away. There is certainly something to ponder over in this man’s state. Several points seem to make what the American interviewer calls “a story,” if one could only get them in proper order. Here they are:—

Will not mention “drinking.”

Fears the thought of being burdened with the “soul” of anything.

Has no dread of wanting “life” in the future.

Despises the meaner forms of life altogether, though he dreads being haunted by their souls.

Logically all these things point one way! he has assurance of some kind that he will acquire some higher life. He dreads the consequence—the burden of a soul. Then it is a human life he looks to!

And the assurance—?

Merciful God! the Count has been to him, and there is some new scheme of terror afoot!

 

Later.—I went after my round to Van Helsing and told him my suspicion. He grew very grave; and, after thinking the matter over for a while asked me to take him to Renfield. I did so. As we came to the door we heard the lunatic within singing gaily, as he used to do in the time which now seems so long ago. When we entered we saw with amazement that he had spread out his sugar as of old; the flies, lethargic with the autumn, were beginning to buzz into the room. We tried to make him talk of the subject of our previous conversation, but he would not attend. He went on with his singing, just as though we had not been present. He had got a scrap of paper and was folding it into a note-book. We had to come away as ignorant as we went in.

His is a curious case indeed; we must watch him to-night.

Letter, Mitchell, Sons and Candy to Lord Godalming.

“1 October.

“My Lord,

“We are at all times only too happy to meet your wishes. We beg, with regard to the desire of your Lordship, expressed by Mr. Harker on your behalf, to supply the following information concerning the sale and purchase of No. 347, Piccadilly. The original vendors are the executors of the late Mr. Archibald Winter-Suffield. The purchaser is a foreign nobleman, Count de Ville, who effected the purchase himself paying the purchase money in notes ‘over the counter,’ if your Lordship will pardon us using so vulgar an expression. Beyond this we know nothing whatever of him.

“We are, my Lord,
“Your Lordship’s humble servants,
“Mitchell, Sons & Candy.”

Notes: Moon Phase: Waxing Gibbous

Again, a lot going on here. This accounts for the bulk of chapters 18 to 20.

Renfield is suddenly a lot more sane. I have always attributed this to Dracula now focusing all his attention on Mina. Renfield, left to his own designs begins to regain his mind.

We get more references to John Seward being called "Jack" likely to avoid confusion between him and Jonathan Harker. Though Van Helsing always calls him "John" or "Friend John."

I mentioned yesterday that Dracula was already aware of the plot against him, and we see here that he has moved some of his boxes. 

An important plot point here is the hunters' decision to keep details away from Mina to "protect her,"  but this turns out to be a mistake.  Some critics accuse Stoker of misogyny in this tale, but I think he is using it here to show the typical Victorian attitude because, at the same time, he shows that treating Mina as a "delicate flower" or "sweet child" has disastrous effects, as it did for Lucy.  It is only when Mina is treated as an equal that they make headway on their hunt. 

Mina, in her journals, reports that she is not happy to be kept out of the discussions. Of course, this is the morning after Dracula's first visit (while our hunters searched Carfax). So the mistakes have already been made and the damage done. Mina is feeling run down and generally "down."

Renfield compares himself to Enoch, who walked with God, as he is walking with the Devil. 

Speaking of Devils. "Count de Ville?" Really Dracula? Was "Count de Money" taken already? 

 I am celebrating 50 years of Dungeons & Dragons this October by reviewing some select Ravenloft products. But before I get into that, I want to review a Pre-Ravenloft product from TSR that fits the same feel. The mini-game Vampyre.

Vampyre (1981)

I covered many of the TSR mini-games a while back. This one is for 2-6 players. Players hunt the minions of Dracula in an attempt to find and destroy his coffins.  There is a "wilderness" map and a map of Castle Dracula. Designed by Philip A. Shreffler. Art by Erol Otus.

I'll avoid calling this a "bite-sized" game, but it is a game you can set up and play in an afternoon. Preferably a dark rainy afternoon in October.

Up to six players can embody most  of the iconic characters from Dracula. This injects some narrative flair right from the start. There are plenty of antagonists like Dracula, his brides, rats, bats and more. There are even demons and werewolves who were not from the books.

Players can even be converted into werewolves or nosferatu.

There is a Basic game, where you go around Castle Dracula trying to destroy all of Dracula's coffins. 

The Enhanced game takes you outside to Transylvania where you hunt down the count in his secret lair. 

So, essentially just like Basic and Expert D&D!

As a B/X Adventure

There is a lot to love about these little games.  The Souvenir font really hits that nostalgia button hard for fans of the Moldvay/Cook Basic and Expert sets. Not to mention some of the best-looking Erol Otus art.   Maybe it is the font, maybe it is the art but when I got these games the first thing I wanted to do was play them as part of my D&D games.  Of course, back then that meant Basic and Expert D&D.  Some of it also came from the desire to get the most out of my purchase with my limited paper route money.

Now, I am a HUGE Dracula and vampire fan, so when I got the Cook/Marsh Expert Set and saw that there were vampires in it, my first thoughts went to vampire hunts.  My first character was a cleric for this very reason.  The game Vampyre is set during the events of the novel Dracula with the same (or rather similar) characters.  So set in the 1890s. Since Ravenloft Masque of the Red Death was still a decade and a half away, I converted this to a simple Expert D&D monster hunt.   If I were to redo it I'd up the threat of Dracula.  In Expert, I made him a Greater Vampire. 

Vampire chic, circa 1981

The dual map, a "wilderness" and a "dungeon" again BEG to be used in the Expert game. The parallels between this game and the Ravenloft adventure. No surprise since both draw from the exact same source materials.  The trick the next time I use this is to make it less like Ravenloft.

 As a New Moon rises on October I have a new tradition here at the Other Side. Last Gary Con I picked up an Advent-ure Dice Calendar from Black Oak Workshop.  They were right next door to us (Elf Lair Games) and they had lots of great stuff.  But I had to have their "Advent-ure Calendar 9 Witch's Brew." 

Since it has 31 days and so does October, it is a perfect fit! It says there four complete dice sets, so lets have a look.

According to the website, the dice here are Cat's Grace, Spider's Venom, Cauldron's Bubble, and, the Witch's Brew.

Day 1

Ok! I had one fall out, a d2, not sure from where and behind door #1 is an orange d4 with spiders on it! So this is the Spider Venom dice. It will go great with my Halloween-themed dice. 

I grabbed a spare dice bag and will collect them every night. 

This is rather fun. Looking forward to seeing what I get next. Join me all month long.

Links to Black Oak Workshop

• Website, https://www.blackoakworkshop.com/
• Facebook, https://www.facebook.com/BlackOakWorkshop
• Twitter/X, https://twitter.com/BlackOakWShop
• Instagram, https://www.instagram.com/blackoakworkshop/
• Threads, https://www.threads.net/@blackoakworkshop
• Mastodon, https://dice.camp/@blackoakwshop@bird.makeup

  It's (nearly) October once again here at The Other Side, and you know what that means!

I have a TON going on, so let's get going.

Photo by Toni Cuenca from Pexels

RPG Blog Carnival

It has been my pleasure to host the RPG Blog Carnival in the past, and I am happy to do it again this October the spookiest of all months.

This month my topic is Horror and Fantasy. 

I am going to be focusing on how to add more horror elements to your fantasy games and hor to make your horror games more fantastical.

If you want to participate in the RPG Blog Carnival on this topic, just post what you want (that concerns this topic) and share your link below. Or share it on social media with the #RPGBlogCarnival hashtag, and feel free to tag me.  I'll do a round-up of all the posts in November.

Monster Movie Marathon

In that vein, I am going to watch a lot of fantasy, horror, and horror fantasy movies this time around. I am not focusing on a theme this year, but I am going to try to watch movies that feature monsters from the original AD&D 1st Edition Monster Manual. 

This is the 50th Anniversary of D&D, and I am still celebrating my enjoyment of the game. Since it was the Monster Manual and Horror that got me into D&D, I am going to watch a bunch of "Monster Movies."

Reviews, Dice, and More!

I am also going to get out some reviews of various Ravenloft products (horror, D&D, fitting my theme). I also have my nightly Advent-ure Dice reveals at Midnight.  Plus more as I come up with it.

Like I said. A very busy month here at The Other Side!

Our heroes are connecting the dots of this mystery. 

Dr. Seward’s Diary.

30 September.—Mr. Harker arrived at nine o’clock. He had got his wife’s wire just before starting. He is uncommonly clever, if one can judge from his face, and full of energy. If this journal be true—and judging by one’s own wonderful experiences, it must be—he is also a man of great nerve. That going down to the vault a second time was a remarkable piece of daring. After reading his account of it I was prepared to meet a good specimen of manhood, but hardly the quiet, business-like gentleman who came here to-day.

 

Later.—After lunch Harker and his wife went back to their own room, and as I passed a while ago I heard the click of the typewriter. They are hard at it. Mrs. Harker says that they are knitting together in chronological order every scrap of evidence they have. Harker has got the letters between the consignee of the boxes at Whitby and the carriers in London who took charge of them. He is now reading his wife’s typescript of my diary. I wonder what they make out of it. Here it is....

Strange that it never struck me that the very next house might be the Count’s hiding-place! Goodness knows that we had enough clues from the conduct of the patient Renfield! The bundle of letters relating to the purchase of the house were with the typescript. Oh, if we had only had them earlier we might have saved poor Lucy! Stop; that way madness lies! Harker has gone back, and is again collating his material. He says that by dinner-time they will be able to show a whole connected narrative. He thinks that in the meantime I should see Renfield, as hitherto he has been a sort of index to the coming and going of the Count. I hardly see this yet, but when I get at the dates I suppose I shall. What a good thing that Mrs. Harker put my cylinders into type! We never could have found the dates otherwise....

I found Renfield sitting placidly in his room with his hands folded, smiling benignly. At the moment he seemed as sane as any one I ever saw. I sat down and talked with him on a lot of subjects, all of which he treated naturally. He then, of his own accord, spoke of going home, a subject he has never mentioned to my knowledge during his sojourn here. In fact, he spoke quite confidently of getting his discharge at once. I believe that, had I not had the chat with Harker and read the letters and the dates of his outbursts, I should have been prepared to sign for him after a brief time of observation. As it is, I am darkly suspicious. All those outbreaks were in some way linked with the proximity of the Count. What then does this absolute content mean? Can it be that his instinct is satisfied as to the vampire’s ultimate triumph? Stay; he is himself zoöphagous, and in his wild ravings outside the chapel door of the deserted house he always spoke of “master.” This all seems confirmation of our idea. However, after a while I came away; my friend is just a little too sane at present to make it safe to probe him too deep with questions. He might begin to think, and then—! So I came away. I mistrust these quiet moods of his; so I have given the attendant a hint to look closely after him, and to have a strait-waistcoat ready in case of need.

Jonathan Harker’s Journal. (cont)

30 September.—The station-master was good enough to give me a line to his old companion the station-master at King’s Cross, so that when I arrived there in the morning I was able to ask him about the arrival of the boxes. He, too, put me at once in communication with the proper officials, and I saw that their tally was correct with the original invoice. The opportunities of acquiring an abnormal thirst had been here limited; a noble use of them had, however, been made, and again I was compelled to deal with the result in an ex post facto manner.

From thence I went on to Carter Paterson’s central office, where I met with the utmost courtesy. They looked up the transaction in their day-book and letter-book, and at once telephoned to their King’s Cross office for more details. By good fortune, the men who did the teaming were waiting for work, and the official at once sent them over, sending also by one of them the way-bill and all the papers connected with the delivery of the boxes at Carfax. Here again I found the tally agreeing exactly; the carriers’ men were able to supplement the paucity of the written words with a few details. These were, I shortly found, connected almost solely with the dusty nature of the job, and of the consequent thirst engendered in the operators. On my affording an opportunity, through the medium of the currency of the realm, of the allaying, at a later period, this beneficial evil, one of the men remarked:—

“That ’ere ’ouse, guv’nor, is the rummiest I ever was in. Blyme! but it ain’t been touched sence a hundred years. There was dust that thick in the place that you might have slep’ on it without ’urtin’ of yer bones; an’ the place was that neglected that yer might ’ave smelled ole Jerusalem in it. But the ole chapel—that took the cike, that did! Me and my mate, we thort we wouldn’t never git out quick enough. Lor’, I wouldn’t take less nor a quid a moment to stay there arter dark.”

Having been in the house, I could well believe him; but if he knew what I know, he would, I think, have raised his terms.

Of one thing I am now satisfied: that all the boxes which arrived at Whitby from Varna in the Demeter were safely deposited in the old chapel at Carfax. There should be fifty of them there, unless any have since been removed—as from Dr. Seward’s diary I fear.

I shall try to see the carter who took away the boxes from Carfax when Renfield attacked them. By following up this clue we may learn a good deal.

 

Later.—Mina and I have worked all day, and we have put all the papers into order.

Mina Harker’s Journal

30 September.—I am so glad that I hardly know how to contain myself. It is, I suppose, the reaction from the haunting fear which I have had: that this terrible affair and the reopening of his old wound might act detrimentally on Jonathan. I saw him leave for Whitby with as brave a face as I could, but I was sick with apprehension. The effort has, however, done him good. He was never so resolute, never so strong, never so full of volcanic energy, as at present. It is just as that dear, good Professor Van Helsing said: he is true grit, and he improves under strain that would kill a weaker nature. He came back full of life and hope and determination; we have got everything in order for to-night. I feel myself quite wild with excitement. I suppose one ought to pity any thing so hunted as is the Count. That is just it: this Thing is not human—not even beast. To read Dr. Seward’s account of poor Lucy’s death, and what followed, is enough to dry up the springs of pity in one’s heart.

 

Later.—Lord Godalming and Mr. Morris arrived earlier than we expected. Dr. Seward was out on business, and had taken Jonathan with him, so I had to see them. It was to me a painful meeting, for it brought back all poor dear Lucy’s hopes of only a few months ago. Of course they had heard Lucy speak of me, and it seemed that Dr. Van Helsing, too, has been quite “blowing my trumpet,” as Mr. Morris expressed it. Poor fellows, neither of them is aware that I know all about the proposals they made to Lucy. They did not quite know what to say or do, as they were ignorant of the amount of my knowledge; so they had to keep on neutral subjects. However, I thought the matter over, and came to the conclusion that the best thing I could do would be to post them in affairs right up to date. I knew from Dr. Seward’s diary that they had been at Lucy’s death—her real death—and that I need not fear to betray any secret before the time. So I told them, as well as I could, that I had read all the papers and diaries, and that my husband and I, having typewritten them, had just finished putting them in order. I gave them each a copy to read in the library. When Lord Godalming got his and turned it over—it does make a pretty good pile—he said:—

“Did you write all this, Mrs. Harker?”

I nodded, and he went on:—

“I don’t quite see the drift of it; but you people are all so good and kind, and have been working so earnestly and so energetically, that all I can do is to accept your ideas blindfold and try to help you. I have had one lesson already in accepting facts that should make a man humble to the last hour of his life. Besides, I know you loved my poor Lucy—” Here he turned away and covered his face with his hands. I could hear the tears in his voice. Mr. Morris, with instinctive delicacy, just laid a hand for a moment on his shoulder, and then walked quietly out of the room. I suppose there is something in woman’s nature that makes a man free to break down before her and express his feelings on the tender or emotional side without feeling it derogatory to his manhood; for when Lord Godalming found himself alone with me he sat down on the sofa and gave way utterly and openly. I sat down beside him and took his hand. I hope he didn’t think it forward of me, and that if he ever thinks of it afterwards he never will have such a thought. There I wrong him; I know he never will—he is too true a gentleman. I said to him, for I could see that his heart was breaking:—

“I loved dear Lucy, and I know what she was to you, and what you were to her. She and I were like sisters; and now she is gone, will you not let me be like a sister to you in your trouble? I know what sorrows you have had, though I cannot measure the depth of them. If sympathy and pity can help in your affliction, won’t you let me be of some little service—for Lucy’s sake?”

In an instant the poor dear fellow was overwhelmed with grief. It seemed to me that all that he had of late been suffering in silence found a vent at once. He grew quite hysterical, and raising his open hands, beat his palms together in a perfect agony of grief. He stood up and then sat down again, and the tears rained down his cheeks. I felt an infinite pity for him, and opened my arms unthinkingly. With a sob he laid his head on my shoulder and cried like a wearied child, whilst he shook with emotion.

We women have something of the mother in us that makes us rise above smaller matters when the mother-spirit is invoked; I felt this big sorrowing man’s head resting on me, as though it were that of the baby that some day may lie on my bosom, and I stroked his hair as though he were my own child. I never thought at the time how strange it all was.

After a little bit his sobs ceased, and he raised himself with an apology, though he made no disguise of his emotion. He told me that for days and nights past—weary days and sleepless nights—he had been unable to speak with any one, as a man must speak in his time of sorrow. There was no woman whose sympathy could be given to him, or with whom, owing to the terrible circumstance with which his sorrow was surrounded, he could speak freely. “I know now how I suffered,” he said, as he dried his eyes, “but I do not know even yet—and none other can ever know—how much your sweet sympathy has been to me to-day. I shall know better in time; and believe me that, though I am not ungrateful now, my gratitude will grow with my understanding. You will let me be like a brother, will you not, for all our lives—for dear Lucy’s sake?”

“For dear Lucy’s sake,” I said as we clasped hands. “Ay, and for your own sake,” he added, “for if a man’s esteem and gratitude are ever worth the winning, you have won mine to-day. If ever the future should bring to you a time when you need a man’s help, believe me, you will not call in vain. God grant that no such time may ever come to you to break the sunshine of your life; but if it should ever come, promise me that you will let me know.” He was so earnest, and his sorrow was so fresh, that I felt it would comfort him, so I said:—

“I promise.”

As I came along the corridor I saw Mr. Morris looking out of a window. He turned as he heard my footsteps. “How is Art?” he said. Then noticing my red eyes, he went on: “Ah, I see you have been comforting him. Poor old fellow! he needs it. No one but a woman can help a man when he is in trouble of the heart; and he had no one to comfort him.”

He bore his own trouble so bravely that my heart bled for him. I saw the manuscript in his hand, and I knew that when he read it he would realise how much I knew; so I said to him:—

“I wish I could comfort all who suffer from the heart. Will you let me be your friend, and will you come to me for comfort if you need it? You will know, later on, why I speak.” He saw that I was in earnest, and stooping, took my hand, and raising it to his lips, kissed it. It seemed but poor comfort to so brave and unselfish a soul, and impulsively I bent over and kissed him. The tears rose in his eyes, and there was a momentary choking in his throat; he said quite calmly:—

“Little girl, you will never regret that true-hearted kindness, so long as ever you live!” Then he went into the study to his friend.

“Little girl!”—the very words he had used to Lucy, and oh, but he proved himself a friend!

CHAPTER XVIII

DR. SEWARD’S DIARY

30 September.—I got home at five o’clock, and found that Godalming and Morris had not only arrived, but had already studied the transcript of the various diaries and letters which Harker and his wonderful wife had made and arranged. Harker had not yet returned from his visit to the carriers’ men, of whom Dr. Hennessey had written to me. Mrs. Harker gave us a cup of tea, and I can honestly say that, for the first time since I have lived in it, this old house seemed like home. When we had finished, Mrs. Harker said:—

“Dr. Seward, may I ask a favour? I want to see your patient, Mr. Renfield. Do let me see him. What you have said of him in your diary interests me so much!” She looked so appealing and so pretty that I could not refuse her, and there was no possible reason why I should; so I took her with me. When I went into the room, I told the man that a lady would like to see him; to which he simply answered: “Why?”

“She is going through the house, and wants to see every one in it,” I answered. “Oh, very well,” he said; “let her come in, by all means; but just wait a minute till I tidy up the place.” His method of tidying was peculiar: he simply swallowed all the flies and spiders in the boxes before I could stop him. It was quite evident that he feared, or was jealous of, some interference. When he had got through his disgusting task, he said cheerfully: “Let the lady come in,” and sat down on the edge of his bed with his head down, but with his eyelids raised so that he could see her as she entered. For a moment I thought that he might have some homicidal intent; I remembered how quiet he had been just before he attacked me in my own study, and I took care to stand where I could seize him at once if he attempted to make a spring at her. She came into the room with an easy gracefulness which would at once command the respect of any lunatic—for easiness is one of the qualities mad people most respect. She walked over to him, smiling pleasantly, and held out her hand.

“Good-evening, Mr. Renfield,” said she. “You see, I know you, for Dr. Seward has told me of you.” He made no immediate reply, but eyed her all over intently with a set frown on his face. This look gave way to one of wonder, which merged in doubt; then, to my intense astonishment, he said:—

“You’re not the girl the doctor wanted to marry, are you? You can’t be, you know, for she’s dead.” Mrs. Harker smiled sweetly as she replied:—

“Oh no! I have a husband of my own, to whom I was married before I ever saw Dr. Seward, or he me. I am Mrs. Harker.”

“Then what are you doing here?”

“My husband and I are staying on a visit with Dr. Seward.”

“Then don’t stay.”

“But why not?” I thought that this style of conversation might not be pleasant to Mrs. Harker, any more than it was to me, so I joined in:—

“How did you know I wanted to marry any one?” His reply was simply contemptuous, given in a pause in which he turned his eyes from Mrs. Harker to me, instantly turning them back again:—

“What an asinine question!”

“I don’t see that at all, Mr. Renfield,” said Mrs. Harker, at once championing me. He replied to her with as much courtesy and respect as he had shown contempt to me:—

“You will, of course, understand, Mrs. Harker, that when a man is so loved and honoured as our host is, everything regarding him is of interest in our little community. Dr. Seward is loved not only by his household and his friends, but even by his patients, who, being some of them hardly in mental equilibrium, are apt to distort causes and effects. Since I myself have been an inmate of a lunatic asylum, I cannot but notice that the sophistic tendencies of some of its inmates lean towards the errors of non causa and ignoratio elenchi.” I positively opened my eyes at this new development. Here was my own pet lunatic—the most pronounced of his type that I had ever met with—talking elemental philosophy, and with the manner of a polished gentleman. I wonder if it was Mrs. Harker’s presence which had touched some chord in his memory. If this new phase was spontaneous, or in any way due to her unconscious influence, she must have some rare gift or power.

We continued to talk for some time; and, seeing that he was seemingly quite reasonable, she ventured, looking at me questioningly as she began, to lead him to his favourite topic. I was again astonished, for he addressed himself to the question with the impartiality of the completest sanity; he even took himself as an example when he mentioned certain things.

“Why, I myself am an instance of a man who had a strange belief. Indeed, it was no wonder that my friends were alarmed, and insisted on my being put under control. I used to fancy that life was a positive and perpetual entity, and that by consuming a multitude of live things, no matter how low in the scale of creation, one might indefinitely prolong life. At times I held the belief so strongly that I actually tried to take human life. The doctor here will bear me out that on one occasion I tried to kill him for the purpose of strengthening my vital powers by the assimilation with my own body of his life through the medium of his blood—relying, of course, upon the Scriptural phrase, ‘For the blood is the life.’ Though, indeed, the vendor of a certain nostrum has vulgarised the truism to the very point of contempt. Isn’t that true, doctor?” I nodded assent, for I was so amazed that I hardly knew what to either think or say; it was hard to imagine that I had seen him eat up his spiders and flies not five minutes before. Looking at my watch, I saw that I should go to the station to meet Van Helsing, so I told Mrs. Harker that it was time to leave. She came at once, after saying pleasantly to Mr. Renfield: “Good-bye, and I hope I may see you often, under auspices pleasanter to yourself,” to which, to my astonishment, he replied:—

“Good-bye, my dear. I pray God I may never see your sweet face again. May He bless and keep you!”

When I went to the station to meet Van Helsing I left the boys behind me. Poor Art seemed more cheerful than he has been since Lucy first took ill, and Quincey is more like his own bright self than he has been for many a long day.

Van Helsing stepped from the carriage with the eager nimbleness of a boy. He saw me at once, and rushed up to me, saying:—

“Ah, friend John, how goes all? Well? So! I have been busy, for I come here to stay if need be. All affairs are settled with me, and I have much to tell. Madam Mina is with you? Yes. And her so fine husband? And Arthur and my friend Quincey, they are with you, too? Good!”

As I drove to the house I told him of what had passed, and of how my own diary had come to be of some use through Mrs. Harker’s suggestion; at which the Professor interrupted me:—

“Ah, that wonderful Madam Mina! She has man’s brain—a brain that a man should have were he much gifted—and a woman’s heart. The good God fashioned her for a purpose, believe me, when He made that so good combination. Friend John, up to now fortune has made that woman of help to us; after to-night she must not have to do with this so terrible affair. It is not good that she run a risk so great. We men are determined—nay, are we not pledged?—to destroy this monster; but it is no part for a woman. Even if she be not harmed, her heart may fail her in so much and so many horrors; and hereafter she may suffer—both in waking, from her nerves, and in sleep, from her dreams. And, besides, she is young woman and not so long married; there may be other things to think of some time, if not now. You tell me she has wrote all, then she must consult with us; but to-morrow she say good-bye to this work, and we go alone.” I agreed heartily with him, and then I told him what we had found in his absence: that the house which Dracula had bought was the very next one to my own. He was amazed, and a great concern seemed to come on him. “Oh that we had known it before!” he said, “for then we might have reached him in time to save poor Lucy. However, ‘the milk that is spilt cries not out afterwards,’ as you say. We shall not think of that, but go on our way to the end.” Then he fell into a silence that lasted till we entered my own gateway. Before we went to prepare for dinner he said to Mrs. Harker:—

“I am told, Madam Mina, by my friend John that you and your husband have put up in exact order all things that have been, up to this moment.”

“Not up to this moment, Professor,” she said impulsively, “but up to this morning.”

“But why not up to now? We have seen hitherto how good light all the little things have made. We have told our secrets, and yet no one who has told is the worse for it.”

Mrs. Harker began to blush, and taking a paper from her pockets, she said:—

“Dr. Van Helsing, will you read this, and tell me if it must go in. It is my record of to-day. I too have seen the need of putting down at present everything, however trivial; but there is little in this except what is personal. Must it go in?” The Professor read it over gravely, and handed it back, saying:—

“It need not go in if you do not wish it; but I pray that it may. It can but make your husband love you the more, and all us, your friends, more honour you—as well as more esteem and love.” She took it back with another blush and a bright smile.

And so now, up to this very hour, all the records we have are complete and in order. The Professor took away one copy to study after dinner, and before our meeting, which is fixed for nine o’clock. The rest of us have already read everything; so when we meet in the study we shall all be informed as to facts, and can arrange our plan of battle with this terrible and mysterious enemy.

Mina Harker’s Journal.

30 September.—When we met in Dr. Seward’s study two hours after dinner, which had been at six o’clock, we unconsciously formed a sort of board or committee. Professor Van Helsing took the head of the table, to which Dr. Seward motioned him as he came into the room. He made me sit next to him on his right, and asked me to act as secretary; Jonathan sat next to me. Opposite us were Lord Godalming, Dr. Seward, and Mr. Morris—Lord Godalming being next the Professor, and Dr. Seward in the centre. The Professor said:—

“I may, I suppose, take it that we are all acquainted with the facts that are in these papers.” We all expressed assent, and he went on:—

“Then it were, I think good that I tell you something of the kind of enemy with which we have to deal. I shall then make known to you something of the history of this man, which has been ascertained for me. So we then can discuss how we shall act, and can take our measure according.

“There are such beings as vampires; some of us have evidence that they exist. Even had we not the proof of our own unhappy experience, the teachings and the records of the past give proof enough for sane peoples. I admit that at the first I was sceptic. Were it not that through long years I have train myself to keep an open mind, I could not have believe until such time as that fact thunder on my ear. ‘See! see! I prove; I prove.’ Alas! Had I known at the first what now I know—nay, had I even guess at him—one so precious life had been spared to many of us who did love her. But that is gone; and we must so work, that other poor souls perish not, whilst we can save. The nosferatu do not die like the bee when he sting once. He is only stronger; and being stronger, have yet more power to work evil. This vampire which is amongst us is of himself so strong in person as twenty men; he is of cunning more than mortal, for his cunning be the growth of ages; he have still the aids of necromancy, which is, as his etymology imply, the divination by the dead, and all the dead that he can come nigh to are for him at command; he is brute, and more than brute; he is devil in callous, and the heart of him is not; he can, within limitations, appear at will when, and where, and in any of the forms that are to him; he can, within his range, direct the elements; the storm, the fog, the thunder; he can command all the meaner things: the rat, and the owl, and the bat—the moth, and the fox, and the wolf; he can grow and become small; and he can at times vanish and come unknown. How then are we to begin our strike to destroy him? How shall we find his where; and having found it, how can we destroy? My friends, this is much; it is a terrible task that we undertake, and there may be consequence to make the brave shudder. For if we fail in this our fight he must surely win; and then where end we? Life is nothings; I heed him not. But to fail here, is not mere life or death. It is that we become as him; that we henceforward become foul things of the night like him—without heart or conscience, preying on the bodies and the souls of those we love best. To us for ever are the gates of heaven shut; for who shall open them to us again? We go on for all time abhorred by all; a blot on the face of God’s sunshine; an arrow in the side of Him who died for man. But we are face to face with duty; and in such case must we shrink? For me, I say, no; but then I am old, and life, with his sunshine, his fair places, his song of birds, his music and his love, lie far behind. You others are young. Some have seen sorrow; but there are fair days yet in store. What say you?”

Whilst he was speaking, Jonathan had taken my hand. I feared, oh so much, that the appalling nature of our danger was overcoming him when I saw his hand stretch out; but it was life to me to feel its touch—so strong, so self-reliant, so resolute. A brave man’s hand can speak for itself; it does not even need a woman’s love to hear its music.

When the Professor had done speaking my husband looked in my eyes, and I in his; there was no need for speaking between us.

“I answer for Mina and myself,” he said.

“Count me in, Professor,” said Mr. Quincey Morris, laconically as usual.

“I am with you,” said Lord Godalming, “for Lucy’s sake, if for no other reason.”

Dr. Seward simply nodded. The Professor stood up and, after laying his golden crucifix on the table, held out his hand on either side. I took his right hand, and Lord Godalming his left; Jonathan held my right with his left and stretched across to Mr. Morris. So as we all took hands our solemn compact was made. I felt my heart icy cold, but it did not even occur to me to draw back. We resumed our places, and Dr. Van Helsing went on with a sort of cheerfulness which showed that the serious work had begun. It was to be taken as gravely, and in as businesslike a way, as any other transaction of life:—

“Well, you know what we have to contend against; but we, too, are not without strength. We have on our side power of combination—a power denied to the vampire kind; we have sources of science; we are free to act and think; and the hours of the day and the night are ours equally. In fact, so far as our powers extend, they are unfettered, and we are free to use them. We have self-devotion in a cause, and an end to achieve which is not a selfish one. These things are much.

“Now let us see how far the general powers arrayed against us are restrict, and how the individual cannot. In fine, let us consider the limitations of the vampire in general, and of this one in particular.

“All we have to go upon are traditions and superstitions. These do not at the first appear much, when the matter is one of life and death—nay of more than either life or death. Yet must we be satisfied; in the first place because we have to be—no other means is at our control—and secondly, because, after all, these things—tradition and superstition—are everything. Does not the belief in vampires rest for others—though not, alas! for us—on them? A year ago which of us would have received such a possibility, in the midst of our scientific, sceptical, matter-of-fact nineteenth century? We even scouted a belief that we saw justified under our very eyes. Take it, then, that the vampire, and the belief in his limitations and his cure, rest for the moment on the same base. For, let me tell you, he is known everywhere that men have been. In old Greece, in old Rome; he flourish in Germany all over, in France, in India, even in the Chernosese; and in China, so far from us in all ways, there even is he, and the peoples fear him at this day. He have follow the wake of the berserker Icelander, the devil-begotten Hun, the Slav, the Saxon, the Magyar. So far, then, we have all we may act upon; and let me tell you that very much of the beliefs are justified by what we have seen in our own so unhappy experience. The vampire live on, and cannot die by mere passing of the time; he can flourish when that he can fatten on the blood of the living. Even more, we have seen amongst us that he can even grow younger; that his vital faculties grow strenuous, and seem as though they refresh themselves when his special pabulum is plenty. But he cannot flourish without this diet; he eat not as others. Even friend Jonathan, who lived with him for weeks, did never see him to eat, never! He throws no shadow; he make in the mirror no reflect, as again Jonathan observe. He has the strength of many of his hand—witness again Jonathan when he shut the door against the wolfs, and when he help him from the diligence too. He can transform himself to wolf, as we gather from the ship arrival in Whitby, when he tear open the dog; he can be as bat, as Madam Mina saw him on the window at Whitby, and as friend John saw him fly from this so near house, and as my friend Quincey saw him at the window of Miss Lucy. He can come in mist which he create—that noble ship’s captain proved him of this; but, from what we know, the distance he can make this mist is limited, and it can only be round himself. He come on moonlight rays as elemental dust—as again Jonathan saw those sisters in the castle of Dracula. He become so small—we ourselves saw Miss Lucy, ere she was at peace, slip through a hairbreadth space at the tomb door. He can, when once he find his way, come out from anything or into anything, no matter how close it be bound or even fused up with fire—solder you call it. He can see in the dark—no small power this, in a world which is one half shut from the light. Ah, but hear me through. He can do all these things, yet he is not free. Nay; he is even more prisoner than the slave of the galley, than the madman in his cell. He cannot go where he lists; he who is not of nature has yet to obey some of nature’s laws—why we know not. He may not enter anywhere at the first, unless there be some one of the household who bid him to come; though afterwards he can come as he please. His power ceases, as does that of all evil things, at the coming of the day. Only at certain times can he have limited freedom. If he be not at the place whither he is bound, he can only change himself at noon or at exact sunrise or sunset. These things are we told, and in this record of ours we have proof by inference. Thus, whereas he can do as he will within his limit, when he have his earth-home, his coffin-home, his hell-home, the place unhallowed, as we saw when he went to the grave of the suicide at Whitby; still at other time he can only change when the time come. It is said, too, that he can only pass running water at the slack or the flood of the tide. Then there are things which so afflict him that he has no power, as the garlic that we know of; and as for things sacred, as this symbol, my crucifix, that was amongst us even now when we resolve, to them he is nothing, but in their presence he take his place far off and silent with respect. There are others, too, which I shall tell you of, lest in our seeking we may need them. The branch of wild rose on his coffin keep him that he move not from it; a sacred bullet fired into the coffin kill him so that he be true dead; and as for the stake through him, we know already of its peace; or the cut-off head that giveth rest. We have seen it with our eyes.

“Thus when we find the habitation of this man-that-was, we can confine him to his coffin and destroy him, if we obey what we know. But he is clever. I have asked my friend Arminius, of Buda-Pesth University, to make his record; and, from all the means that are, he tell me of what he has been. He must, indeed, have been that Voivode Dracula who won his name against the Turk, over the great river on the very frontier of Turkey-land. If it be so, then was he no common man; for in that time, and for centuries after, he was spoken of as the cleverest and the most cunning, as well as the bravest of the sons of the ‘land beyond the forest.’ That mighty brain and that iron resolution went with him to his grave, and are even now arrayed against us. The Draculas were, says Arminius, a great and noble race, though now and again were scions who were held by their coevals to have had dealings with the Evil One. They learned his secrets in the Scholomance, amongst the mountains over Lake Hermanstadt, where the devil claims the tenth scholar as his due. In the records are such words as ‘stregoica’—witch, ‘ordog,’ and ‘pokol’—Satan and hell; and in one manuscript this very Dracula is spoken of as ‘wampyr,’ which we all understand too well. There have been from the loins of this very one great men and good women, and their graves make sacred the earth where alone this foulness can dwell. For it is not the least of its terrors that this evil thing is rooted deep in all good; in soil barren of holy memories it cannot rest.”

Whilst they were talking Mr. Morris was looking steadily at the window, and he now got up quietly, and went out of the room. There was a little pause, and then the Professor went on:—

“And now we must settle what we do. We have here much data, and we must proceed to lay out our campaign. We know from the inquiry of Jonathan that from the castle to Whitby came fifty boxes of earth, all of which were delivered at Carfax; we also know that at least some of these boxes have been removed. It seems to me, that our first step should be to ascertain whether all the rest remain in the house beyond that wall where we look to-day; or whether any more have been removed. If the latter, we must trace——”

Here we were interrupted in a very startling way. Outside the house came the sound of a pistol-shot; the glass of the window was shattered with a bullet, which, ricochetting from the top of the embrasure, struck the far wall of the room. I am afraid I am at heart a coward, for I shrieked out. The men all jumped to their feet; Lord Godalming flew over to the window and threw up the sash. As he did so we heard Mr. Morris’s voice without:—

“Sorry! I fear I have alarmed you. I shall come in and tell you about it.” A minute later he came in and said:—

“It was an idiotic thing of me to do, and I ask your pardon, Mrs. Harker, most sincerely; I fear I must have frightened you terribly. But the fact is that whilst the Professor was talking there came a big bat and sat on the window-sill. I have got such a horror of the damned brutes from recent events that I cannot stand them, and I went out to have a shot, as I have been doing of late of evenings, whenever I have seen one. You used to laugh at me for it then, Art.”

“Did you hit it?” asked Dr. Van Helsing.

“I don’t know; I fancy not, for it flew away into the wood.” Without saying any more he took his seat, and the Professor began to resume his statement:—

“We must trace each of these boxes; and when we are ready, we must either capture or kill this monster in his lair; or we must, so to speak, sterilise the earth, so that no more he can seek safety in it. Thus in the end we may find him in his form of man between the hours of noon and sunset, and so engage with him when he is at his most weak.

“And now for you, Madam Mina, this night is the end until all be well. You are too precious to us to have such risk. When we part to-night, you no more must question. We shall tell you all in good time. We are men and are able to bear; but you must be our star and our hope, and we shall act all the more free that you are not in the danger, such as we are.”

All the men, even Jonathan, seemed relieved; but it did not seem to me good that they should brave danger and, perhaps, lessen their safety—strength being the best safety—through care of me; but their minds were made up, and, though it was a bitter pill for me to swallow, I could say nothing, save to accept their chivalrous care of me.

Mr. Morris resumed the discussion:—

“As there is no time to lose, I vote we have a look at his house right now. Time is everything with him; and swift action on our part may save another victim.”

I own that my heart began to fail me when the time for action came so close, but I did not say anything, for I had a greater fear that if I appeared as a drag or a hindrance to their work, they might even leave me out of their counsels altogether. They have now gone off to Carfax, with means to get into the house.

Manlike, they had told me to go to bed and sleep; as if a woman can sleep when those she loves are in danger! I shall lie down and pretend to sleep, lest Jonathan have added anxiety about me when he returns.

Notes: Moon Phase: Waxing Gibbous

Another very busy day for our hunters. Seward makes the connection between Renfield and the Count. 

Harker starts to use his connections to track down all the Count's earth boxes, and he even uses a telephone! In 1892, the telephone was in use, having been invented in 1876 and seeing more use by the 1890s.

In a simple one-line, Harker tells us Mina worked all day on the various transcripts.

Mina details her day and shows why she is the real hero of the tale by getting everyone one to open up to her and share their information. 

At this point, some analyses of the novel, namely Leonard Wolf's, suggest that this is when Dracula begins to take an interest in Mina.

Seward arranges a visit between Mina and Renfield. If Dracula's attentions were not on her already this would certainly put her I his radar. 

Van Helsing says here that the Vampire's power ceases in daylight, but more exactly, he is weakened as we have seen Dracula moving about during the daylight hours. 

Quincey shots at a bat, presumably the Count in bat form, but it has no effect. It does mean that Dracula is aware of the plot against him.

Achtung! Cthulhu is the roleplaying game of fast-paced pulp action and Mythos magic published by Modiphius Entertainment. It is pitches the Allied Agents of the Britain’s Section M, the United States’ Majestic, and the brave Resistance into a Secret War against those Nazi Agents and organisations which would command and entreat with the occult and forces beyond the understanding of mankind. They are willing to risk their lives and their sanity against malicious Nazi villains and the unfathomable gods and monsters of the Mythos themselves, each striving for supremacy in mankind’s darkest yet finest hour! Yet even the darkest of drives to take advantage of the Mythos is riven by differing ideologies and approaches pandering to Hitler’s whims. The Black Sun consists of Nazi warrior-sorcerers supreme who use foul magic and summoned creatures from nameless dimensions to dominate the battlefields of men, whilst Nachtwölfe, the Night Wolves, utilise technology, biological enhancements, and wunderwaffen (wonder weapons) to win the war for Germany. Ultimately, both utilise and fall under the malign influence of the Mythos, the forces of which have their own unknowable designs…

Achtung! Cthulhu 2d20: Under the Gun takes place on the Home Front with the Player Characters, or Agents, suddenly rushed to the Kent coast where a frightening discovery has been made. With the Battle of France over and the Nazi war machine readying itself for Operation Sea Lion, Britain is frantically preparing defences against imminent invasion. This includes the fortification of the Kent coast, specifically in and around Dover and its famous, chalk cliffs which stand at the closet point between England and France. There are news reports that excavations have unearthed an ancient British fort, but this only a cover story. What an archaeologist and several British army engineers have discovered is a strange stone pillar which seems to make everyone feel at least queasy, if not leave them suffering nightmares, seeing things out of the corners of their eye, and if that is not odd enough, suffering bouts of ichthyophobia! Those that have been suffering the worst have been hospitalised. As agents of Section M, the Player Characters are ordered to investigate the site at St. Andrew’s Cliff.

With a little care, the Agents have the opportunity to learn what happened to the men digging at St. Andrew’s Cliff and perhaps conduct a little research locally. Very quickly, the Agents are rushed to the site, now a combination of fortification in the making and archaeological dig site, both semi-abandoned. The Agents have the afternoon to investigate the site before events take a sudden and highly confrontational turn. The site, including the Agents and the few members of the British Army left to guard the site are attacked—not once, but twice! First by locals from the nearby village and then by Nazis. The Agents may already have discovered the legends about the nearby village of St. Andrews, but what they find out in the confrontation is that the legends are true, that, “Them St. Andrew’s folk aren’t right — flat-faced, goggle-eyed devils!” In other words, Deep One Hybrids. The Nazis are members of Black Sun, though only a small team that has landed by glider on the cliffs nearby. This is a big fight—though small in the scheme of things—over who has access to the strange stone pillar in the case of the Black Sun unit and who should be punished for defiling the strange stone pillar in the case of the villagers.

Achtung! Cthulhu 2d20: Under The Gun is a short, sharp scenario which can be completed in a single session. It does leave the question of what to do with a village of Deep One Hybrids on the English coast up to the Game Master. Either raid the village and intern everyone as per the U.S. Navy and U.S. Marine Corps raid on Innsmouth in 1928 or actually recruit them as allies in the Secret War against the Nazi occult? Both options are valid and both would make for interesting developments, especially the latter. More so if the Game Master is planning to run Achtung! Cthulhu 2d20: Operation Vanguard. The events of Achtung! Cthulhu 2d20: Under The Gun take place in June, 1940, whereas the events of Achtung! Cthulhu 2d20: Operation Vanguard take place in August, 1940. Both involve Deep Ones, so they are thematically linked and thus Achtung! Cthulhu 2d20: Operation Vanguard can be run as a possible sequel to Achtung! Cthulhu 2d20: Under The Gun. Since it involves the Black Sun, it can be run after the events of ‘A Quick Trip to France’ found in the Achtung! Cthulhu Quickstart: A Quick Trip to France.

Although Achtung! Cthulhu 2d20: Under The Gun is not a complex scenario, its climax does involve a big battle with multiple opponents and factions, so it does feel a little like a mini-wargame rather than the climax of a roleplaying scenario. Certainly, the Game Master might want to have the factions involved in this fog-bound confrontation divided between herself and the Player Characters to make it easier to run and give her fewer dice to roll and NPCs to keep track of.

Physically, Achtung! Cthulhu 2d20: Under The Gun is cleanly and tidily laid out. It is not illustrated, but the maps of the various locations are decently done.

Achtung! Cthulhu 2d20: Under The Gun is a short, sharp encounter with the multiple forces of the Mythos that also manages to pack in a little investigation as well. It can be played in a single session and this makes it easy to drop into a campaign, especially taking early in the war.