Since 1979, what has been fundamental to RuneQuest and to the world of Greg Stafford’s Glorantha, has been the integration and prominence of its myths, pantheons, and their worship into the setting and as part of everyday life for the Player Characters. Although the original RuneQuest—more recently published as RuneQuest Classic—mentioned the importance of cults, it only detailed three of them, offering limited choices for the player and his character. That changed with the publication of Cults of Prax, which presented fifteen cults and their myths and magics dedicated to fifteen very different deities. Fifteen very different cults and deities which held very different world views and very different means of approaching problems and overcoming them. Fifteen cults which provided their worshippers with a link to their gods and in turn their gods with a link from god time to the real world. Fifteen cults which provided their worshippers with great magics granted by their gods and with paths to become Rune Lords and Rune Priests and so bring the power of their gods into the world. Cults of Prax provided the RuneQuest devotee or Gloranthaphile with a framework via which his character could enter the world of Glorantha, giving form and function to faith and above all, making it something that you could play and something that you wanted to play. For at its most mechanical, a player and his character’s choice of cult works almost like a character Class of Dungeons & Dragons, giving the character benefits and powers in terms of what he can do and how he does it. However, to reduce the cults of Glorantha to such mechanical simplicity is to ignore the ‘why’ of what the character can do, and it is this ‘why’ where the world of Glorantha and its gods, myths, and cults comes alive. Cults of Prax did not ignore this ‘why’, but introduced it, and that is arguably why it is the most important supplement ever for both Glorantha and RuneQuest. However, in 2023, some forty-four years after its publication, Cults of Prax has a successor—or rather, a series of successors.
Cults of RuneQuest is a ten-volume series of supplements each of which is dedicated to the different pantheons of Glorantha. Each entry in the series details the gods—both major and minor—within their pantheon, along with their myths and cults, magics, favoured skills, requirements and restrictions for membership, outlook and relationships with the other gods, and more. Each book is standalone, but because each of the gods and pantheons has connections and often entwining myths with other gods and pantheons, the series will together provide a wider overview of all the gods of Glorantha as well as differing approaches to them. This is further supported by the two companion volumes to the series—Cults of RuneQuest: The Prosopaedia and Cults of RuneQuest: Mythology. The standalone nature of the series means that the Game Master or the player—and it should be made clear that each of the ten volumes in the Cults of RuneQuest is intended to be used by both—can pick or chose their favourite pantheon and use the gods and cults from that book. However, some volumes are quite tightly bound to each other and some are, if not bound geographically, have strong ties to certain regions of Glorantha. So, for example, the first two entries in the series, Cults of RuneQuest: The Lightbringers and Cults of RuneQuest: The Earth Goddesses are tightly bound to each other as the myths of their gods often combine and cross paths, not least of which is the fact that the heads of the pantheons in both books are married to each other. Thus, with these two volumes, the first two in the series, it is difficult to argue that one should not be bought without the other. Geographically, Cults of RuneQuest: The Lightbringers and Cults of RuneQuest: The EarthGoddesses provide support for the region of Dragon Pass, including Sartar, Esrolia, Prax, and Tarsh, whilst Cults of RuneQuest: The Lunar Way provides geographical support for the Lunar Empire and its client states. This is not to say that the presence of the cults in these volumes will not be found elsewhere, but rather that these are the regions where their worship is most prevalent and if a Game Master is running campaigns in these locations, then the relevant geographical volume will be very useful. Lastly, of course, the Gloranthaphile will want all of these volumes because he is a Gloranthaphile.
Each of the entries in the Cults of RuneQuest series is well-organised. The introduction explains the purpose and subject matter for the book, highlights how the book is useful for player and Game Master alike, and examines some of the book’s themes and both their nature as myth and mature treatment of subject matters including death, sex, gender, survival, vengeance, and unconscious fears given form. It also notes that the artwork throughout the book is divided between depictions ‘in-Glorantha’, seen within the world itself, and those seen from without in reading the book. All of this is tailored slightly to the pantheon presented in the particular entry in the series. This is followed by a group depiction of all of the gods of the pantheon—which the book notably returns to a few pages later with a labelled version—and a hymn to them all, and then an overview of the pantheon, answering questions such as, “Where does the world come from?”, “Where do I come from?”, “Why am I here?”, “How do I do magic?”, and more. Lastly, there is a discussion of the relationship that the pantheon has with other pantheons and a listing of all of the gods in the pantheon or associated with it.

The bulk of each book though is dedicated to individual entries in the pantheon. Each of these follows the same format. They begin with the Mythos and History of the god, the Nature of the Cult and its Organisation, its membership at various levels—lay member, initiate, God-Talker, Rune-Lord, Rune-Priest, and Chief Priest, and continue with subservient cults, associated cults, and subcults, and more. This will vary from god to god and from cult to cult. This follows the format seen in RuneQuest: Roleplaying in Glorantha, but in every case greatly expands what is included in the core rulebook, whether in terms of individual entries or additional entries. The number of pages dedicated to each god and thus each cult will also vary. A god whose worship is widespread—and also a popular choice for players to select for their characters to worship—is explored over the course of multiple pages whereas a less popular and less worshipped god many only receive two or three pages. All gods though, receive a full colour depiction at the start of their entry that includes their runes too, in addition to their being depicted elsewhere.
Cults of RuneQuest: The Lightbringers is the first examination of a pantheon and its title is both a misnomer and not a misnomer. It is not a misnomer because it does detail the gods and other mythical figures—Orlanth, Issaries, Lhankor Mhy, Chalana Arroy, Flesh Man, Ginna Jar, and Eurmal—who performed the Lightbringers Quest, redeeming Orlanth’s slaying of Yelm with Death which brought about the Great Darkness, by descending into the Underworld and having Orlanth test himself before the dead emperor that would lead to agreement between the two that would see the restoration and repairing of the world. However, it is a misnomer because it details with more than just those figures, encompassing some nineteen gods, the majority of whom did not participate in the Lightbringers Quest, and their cults. It is thus more accurate to say that Cults of RuneQuest: The Lightbringers is the book of the gods of the air or the storm, but given the significance of the Lightbringers Quest and its participants, still appropriate to call it Cults of RuneQuest: The Lightbringers and both the Lightbringers Quest and its participants are examined in detail throughout the book.
Cults of RuneQuest: The Lightbringers begins with Orlanth, who has over a tenth of the book and over twenty pages devoted to him. His is the lengthiest mythology, exploring his life and role before and after history began in some detail before presenting the details of his cult. This encompasses subcults, Orlanth Adventurous, Orlanth Thunderous, Orlanth Rex, and Orlanth Lightbringer, and including new Rune spells such as Command Priests, Command Worshippers, and Detect Honour for Orlanth Rex. Barntar is included here as well as having his own entry elsewhere in the book, because of his close association with his father, and Sartar is detailed as a subcult too, along with his Rune spell, City Harmony, which can be cast in any city or any road with Sartar. There are also details of the spells provided to the Orlanthi subcults by Engizi, the river god, and Kero Fin, the Mountain Goddess, as well as descriptions of Vinga—Orlanth’s daughter and/or female incarnation—his numerous associated cults (many detailed elsewhere in the book) and the depiction of Orlanth and his cult in lands beyond Dragon Pass. It is a huge amount of information, but presented in very accessible format that provides numerous options for paths through the cult that an Orlanthi can take, from impulsive warrior-adventurer and Orlanth Adventurous to the wisdom and responsibility of Orlanth Rex. Throughout there are pieces of flavour text that can add colour and detail to an Orlanthi and the cult, such as the section of poetry that sets down the price to be paid when calling for assistance in combat. Alongside all of this is a section of boxed text that present the starting skills, cult spirit magic and favoured passions of the main cult and the subcult, similar to that in the cults chapter in RuneQuest: Roleplaying in Glorantha. In the case of Orlanth, this repeats some information, but for many of the other gods and cults it will be new.

Similar treatments are accorded to each of the other entries in the book. This continues with Chalana Arroy, which has notes on her healers as adventurers and expanded healing rules that include the use of plants and spirits. The disorderly nature of Eurmal feels suitably upside down and roundabout with determined lack of cult or organisation and fascinatingly odd subcults like Dismembered, Fool, Glutton, Imp, Lightbringer, Mask, and Murderer! The entry on Issaries also discusses trade across Glorantha and Issaries caravans as well as the legendary Desert Trackers that trek into Genert’s Wastelands, daring to lead where only Praxians might. Lhankor Mhy perhaps feels the most political of all entries, though that is only within the cult itself and Barntar, the most ordinary, but his association with Orlanth means he is still interesting (perhaps even as a cover for Orlanthi-related activities under the watch of Lunar eyes). Other entries include Daka Fal, the Judge of the Dead, which is suitable for Shaman Player Characters; Heler; Humakt, which includes details on Humakti duels, honour, and sword; Odayla, the Sky Bear and god of the wilderness favoured by hunters; Storm Bull, the foe of Chaos; Waha, the God of the Animal Nomads of Prax and the Wasteland; and lastly, the God of Cats, Yinkin.
Whilst there are many entries in Cults of RuneQuest: The Lightbringers which will surprise no-one, there are some that will. Some of these include Gagarth, the Wild Hunters, whose worshippers are mostly violent outlaws and outcastes, and Lanbril, the God of Thieves, a covert cult that hides all. Other gods are included who have almost no worshippers, like Mastakos, the God of Movement or Valind, the God of Winter, or Ygg, the Roaring God, who is little worshipped beyond the Wolf Pirates and the peoples of Ygg’s Isles. Their inclusion will probably be of interest to the Game Master in creating interesting NPCs rather than to the players.
Physically, Cults of RuneQuest: The Lightbringers is very well written and presented. What stands out is the quality of the artwork, which begins with its cover and its majestically imposing depiction of Orlanth, that perhaps is only matched by the depiction of Vinga wearing the same regalia as her father and/or male counterpoint inside the book. The illustrations throughout are uniformly excellent, with some of the in-world depictions having a fascinating sense of otherness in capturing the key myths around the gods, such as those for Yinkin and his relationship with his half-brother, Orlanth. It is a pity that there are not more of these are as they are exceptionally good.
Cults of RuneQuest: The Lightbringers presents options for the players and their characters in terms of who and what they want to play and what gods they want their characters to embody, providing them with the background and the details to do so and the Game Master to also make interesting NPCs. In doing so, it both expands upon the information in the core rulebook and complements its sister volume, Cults of RuneQuest: The Earth Goddesses, in a very accessible, readable, and literally fantastically illustrated fashion. Cults of RuneQuest: The Lightbringers is an essential book for RuneQuest: Roleplaying in Glorantha, opening up the mythologies and gods of the air and making them playable by player and Game Master alike.
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An unboxing video of Cults of RuneQuest: The Lightbringers is available to watch on Unboxing in the Nook.

 Not sure if this means "This Year" or "Ever." Let's go with Ever.

The Oldest game I have played is Original Dungeons and Dragons.

I spent a summer after my freshman year at college playing in an OD&D campaign. It was an eye-opening experience to say the least!

Now in its sixteenth year, Free RPG Day for 2023 took place on Saturday, June 24th. As per usual, Free RPG Day consisted of an array of new and interesting little releases, which are traditionally tasters for forthcoming games to be released at GenCon the following August, but others are support for existing RPGs or pieces of gaming ephemera or a quick-start. Thanks to the generosity of David Salisbury of Fan Boy 3, Fil Baldowski at All Rolled Up, and others, Reviews from R’lyeh was able to get hold of many of the titles released for Free RPG Day, both in the USA and elsewhere.

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One of the perennial contributors to Free RPG Day is Paizo, Inc., a publisher whose titles for both the Pathfinder Roleplaying Game and the Starfinder Roleplaying Game have proved popular and often in demand long after the event. The emphasis in these releases have invariably been upon small species. Thus, in past years, the titles released for the Pathfinder Roleplaying Game have typically involved adventures with diminutive Player Characters, first Kobolds, then Goblins, and then with the release of A Fistful of Flowers for Free RPG Day 2022, Leshys, humanoid sapient plants of various species and Classes, typically crafted by a druid as a minion or companion. For Free RPG Day 2023, the same Leshys from A Fistful of Flowers return in A Few Flowers More, a second scenario which continues the ‘Spaghetti Forest’ theme of the first. As before, four pre-generated Player Characters are included, each of Third Level, each independent of their creator, and the scenario requires the Game Master have access to the Pathfinder Roleplaying Game, Second Edition, Pathfinder Bestiary, Pathfinder Advanced Player’s Guide, and the Pathfinder Lost Omens Ancestry Guide. The scenario can be played through in a single session and unlike in past years, is more combat focused, than the previous scenarios.

A Few Flowers More, like A Fistful of Flowers before it, begins in Verduran Forest, a large woodland in Avistan. There is a Wildwood Treaty in place between the forest and the nearby settled lands, affording the forest certain legal protections which limit what the nearby humans can harvest from under the eaves. In A Fistful of Flowers, the Player Characters traced a number of missing Leshys to a nearby village where they discovered an alchemist transforming the kidnap victims into showpieces to display at the tea parties of the snooty, venal aristocrat, Lady Constance Meliosa. Having prevailed and rescued the missing Leshys, the Player Characters have taken the chance to rest and recuperate and enjoy life in the forest. Unfortunately, the events of A Few Flowers More means that their respite is cut short and their bravery will be called upon once again.

The scenario begins with Stella, a tiny, bat-featured spirit known as a Nyktera, and also a pillar of the community, summoning the Player Characters to her home. Here, she explains that part of the forest has seen the rapid growth and spread of strange plants and this has attracted the attention of Humans harvesting them and thus annoyed the local fey. With the treaty between the humans and the forest under threat, the Player Characters are instructed to investigate. When they do, they discover that the harvesters’ is already in disarray and there are signs that somebody has already attacked the intrusive Humans. By now, the Player Characters may already be suspicious that the plants are neither native to the Verduran Forest or indeed, the prime material plane. Investigation will quickly confirm this, pointing to the First World, the primeval home of the fey, as the source of the new plant life. The question is, has there been breach between the Verduran Forest and the First World, and if so, who caused it?

A Few Flowers More is a short adventure, taking up less than half—including the maps for the scenario—of the sixteen page booklet. It effectively consists of three scenes: a roleplaying scene which introduces the scenario, followed by two combat scenes. The better and more inventive of the two combat scenes is essentially a big game of peekaboo as the Player Characters try to get into the cabin belonging to the harvesters, but since occupied by Fey who have hacked holes in the walls. The combat in the third scene is nowhere near as interesting, or even actually interesting. That said, the scenario does finish with the Player Characters needing to decide what do with the cause of the breach with the First World.

If less than half of A Few Flowers More consists of the scenario, what comprises the bulk of the booklet? Simply, the Player Characters. These consist of a Gourd Leshy Druid, Leaf Leshy Bard, a Vine Leshy Barbarian, and a Fungus Leshy Rogue. Each is neatly arranged on their own two-page spread and complete with background and clear, easy to read stats. Of course, the players do not have to use these, but could instead substitute their own characters, created using the rules in the Pathfinder Lost Omens Ancestry Guide. Otherwise though, these are a decently diverse range of characters. The Player Characters are all Third Level and highly detailed. In fact, too highly detailed. Arguably, all four Player Characters are accorded too much information given that they are designed to be played in a scenario intended to be played in a single session and in effect, the two-page spread for each Player Character becomes filler.

Physically, A Few Flowers More is as well presented as you would expect for a release from Paizo Inc. Everything is in full colour, the illustrations are excellent, and the maps attractive.
Unfortunately, unlike A Fistful of Flowers before it, A Few Flowers More is not an entertaining and likeable scenario—or a sufficiently entertaining and likeable scenario. What is there is, is detailed and decently written, but A Fistful of Flowers is simply too short and focuses too much on combat instead of investigation and interaction. Consequently, A Few Flowers More fails to provide Pathfinder, Second Edition with the showcase it should for Free RPG Day. Paizo, Inc. has a proven track record of providing great content and support for the Pathfinder roleplaying game over the fourteen years that it has supported Free RPG Day. That track record is broken with A Few Flower Flowers more.

 Passageway 4 ends in a locked door. The lock can be picked or forced open with a combined strength of 24.

Inside this small oval shape room, the party finds a collection of treasure.

The lamps (six total) glow with an arcane light (via a continual light spell).

There are all sorts of small chests here (10+1d6) each containing gems (5d8 x 100 gp worth), a decanter of endless water, a spell book with random spells (1d10 1st level, 1d8 2nd level, 1d6 3rd level, 1d4 4th level, and 1 5th level). Despite it's obvious age it appears to be magically preserved.*

*If a player reads a spell from this spell book as if it were a scroll, it will destroy the whole book.

There is a dagger +2, +3 to lycanthropes.

A shield +2, +3 vs. missile fire. 

A scroll of teleportation (with detailed descriptions of the 1st level). 

As well as 1d4+3 random other magic items. 

Three of the small chests act as large bags of holding. A person could carry one each.

There is a jeweled crown (cursed, after possessing it for one year the wearer thinks they are a king and demand to be treated as such). 

And a gilded, jeweled dagger. It is sharp but not magical. It is worth 1,000 gp.

Otherwise the room is a dead end.

--

Game Masters should reward XP value equal to 1/2 of the GP value of treasure found. 

Now in its sixteenth year, Free RPG Day for 2023 took place on Saturday, June 24th. As per usual, Free RPG Day consisted of an array of new and interesting little releases, which are traditionally tasters for forthcoming games to be released at GenCon the following August, but others are support for existing RPGs or pieces of gaming ephemera or a quick-start. Thanks to the generosity of David Salisbury of Fan Boy 3, Fil Baldowski at All Rolled Up, and others, Reviews from R’lyeh was able to get hold of many of the titles released for Free RPG Day, both in the USA and elsewhere.

—oOo—

It is more common for roleplaying games to get turned into board games, for example, Exalted: Legacy of the Unconquered Sun for the Exalted roleplaying game from White Wolf Entertainment and Grand Tribunal, the board game set in the world of Atlas Games’ Ars Magica, but that trend is on the turn. Root: The Tabletop Roleplaying Game from Magpie Games is based on Leder Games’ Root: A Game of Woodland Might and Right, whilst the popular Zombicide board game from CMON Global Limited now has its own stand-alone roleplaying game in the form of Zombicide: Chronicles – The Roleplaying Game. For Free RPG Day 2021, CoolMiniOrNot and Guillotine Games released the Zombicide: Chronicles Free RPG Day Mission Booklet. This contained a trio of short scenarios which can either set up or continue a post-apocalyptic campaign in which the dead rise, walk, shamble, or even run, and want to munch on your brains. However, it did not contain any rules from Zombicide: Chronicles—for that the Zombie Master needed to download the Zombicide: Chronicles Quick-Start, which has everything necessary to play through the three scenarios in the Zombicide: Chronicles Free RPG Day Mission Booklet. This is also the case for the Zombicide: Chronicles Free RPG Day 2 Mission Booklet.

The Zombicide: Chronicles Free RPG Day 2 Mission Booklet contains two scenarios rather than the three of Zombicide: Chronicles Free RPG Day Mission Booklet from Free RPG Day 2021. They will work with either the Zombicide: Chronicles Quick-Start or the full rules from Zombicide: Chronicles – The Roleplaying Game. The first of the two missions in the booklet, ‘Car Crush’, is the longer and the more detailed—and is the better for it. The scenario begins with the Survivors encountering Reginald, a chauffeur—who happens to be an English chauffeur for a well-known rapper in the pre-Zombicide Chronicles world—in a spot of difficulty. His limousine’s battery is flat and needs replacing, but he is surrounded by zombies. If he can get a replacement battery, he can get to a source of food and supplies that has yet to be scavenged. Can the Survivors help? Thankfully, the chauffeur has stopped right outside the perfect place to find a replacement battery: Monster Joe’s Used Auto Parts. The rest of the mission is a sandbox adventure set entirely within the confines of a junkyard. Which just happens to be full of zombies because the Mob used ‘Billy Boy’, Monster Joe’s enormous car crusher, to dispose of bodies. Unfortunately, the Mob has been using it for years and whilst that was not before the apocalypse, after an apocalypse when the undead have arisen to walk the earth and feed on the living, it definitely is! This results in a great set-up with members of the corpse cortege ready to leap out of partially crushed wrecks and the junkyard’s car graveyard. It being a junkyard, it has towering piles of well, junk, and scrap, some of them noteworthy and interesting some not, and it has dogs to discourage would be thieves and intruders, and some of these are, of course, zombie dogs.

‘Car Crush’ details nine locations, each one a set-piece of its own. In addition to this, there are a trio of events which add flavour and a little pathos to the whole affair. The scenario also serves as a prequel to Road to Haven, which is the first campaign for Zombicide Chronicles. To play that, Reginald should survive the mission and drive the Survivors to the Shopmarket, which marks the start of the campaign proper, where they will be able to resupply with food and perhaps even run into Reginald’s boss, Adam W. Clever. Even if the Zombie Master decides not to run the scenario as part of the Road to Haven campaign, this is a really fun scenario which plays up to the classic tropes of American junkyard, right up to including links with the Mob.

Where ‘Car Crush’ was more open and had more of a freeform feel to it, the second mission, ‘Oliver Twisted’ is more constrained and tactical, and as the title suggests, it involves children. It is also the shorter of the two. It also assumes that the Survivors have access to a Shelter and have made contact with other Shelters such that the Survivors possess a radio and a codebook which enables the various occupants of the Shelters to communicate with each other in secrecy. Unfortunately, the Survivors have had their copy of the codebook stolen—and stolen by children, no less! So to enable the Survivors to remain in contact with the other Shelters, they need to retrieve the codebook. Which means finding the children, who all turn out to be orphans with a strong distrust of adults. Plus, the one orphan who stole the codebook has been kidnapped by the ‘Devils’, a band of soldiers who have holed up in the upper levels of a city block. Worse, they have surrounded it with zombies! This sets up a tactical situation in which the Survivors—none of them trained soldiers—have to assault or break into hideout occupied by trained soldiers. Whilst there is some roleplaying to be had between the orphans and the Survivors, ‘Oliver Twisted’ primarily consists of combat and stealth, and it lacks the inventiveness of ‘Car Crush’. Not every scenario has to be quite as inventive, but ‘Oliver Twisted’ is just merely okay.

Physically, Zombicide: Chronicles Free RPG Day 2 Mission Booklet is well presented, the artwork, all cartoonish zombies and Survivors, is decent, and the one map in the booklet does the job very nicely.

If the Zombie Master wants two more Missions for Zombicide: Chronicles – The Roleplaying Game, then Zombicide: Chronicles Free RPG Day 2 Mission Booklet will give her that. If the Zombie Master is planning to run Road to Haven, the first campaign for Zombicide: Chronicles – The Roleplaying Game, then the Zombicide: Chronicles Free RPG Day 2 Mission Booklet is exactly what she needs. Either way, the Zombicide: Chronicles Free RPG Day 2 Mission Booklet includes two Missions which are decent, but one of which is a lot more fun and inventive than the other.

 I wasn't going to promote any Kickstarters for a bit after a month of doing nothing but Wasted Lands, but this one came up and I couldn't say no.

The Beast & Snow #1 - NSFW Queer Fairytale Romance

https://www.kickstarter.com/projects/comicuno/beastsnow1?ref=theotherside

Revision fairy tales? Vampires? Strong female leads? Kat Calamia and Phil Falco? Dorilys Giacchetto cover? Liana Kangas cover? Stjepan Sejic cover?!

Sign me up! No need, I did that myself.

Ok so this looks like a lot of fun and I am getting a strong "Carmilla" and "Vampyres" vibe from this. 

The art looks great and the story should be great from what little bit I can gather here.  They are just missing a witch from being perfect! (I am nothing if not consistent.)

And if you think I am NOT doing versions of these characters for my home game using my Monster Mash rules then you don't know me or this blog very well. 

They have met their funding and unlocked their first stretch goal. Looks like they might need more stretch goals at this rate!

But seriously, this looks like a lot of fun and I hope there are a lot of issues in this series. 

 Not counting collections (I'll detail that later) the most recent game I have bought was bought FOR me and not BY me.  That would be my Spanish Language D&D 5e books.

I got these as Birthday presents back in June because I am learning Spanish now. They are actually a lot of fun and have been a great challenge.  I am looking for other RPGs in Spanish too.

Now in its sixteenth year, Free RPG Day for 2023 took place on Saturday, June 24th. As per usual, Free RPG Day consisted of an array of new and interesting little releases, which are traditionally tasters for forthcoming games to be released at GenCon the following August, but others are support for existing RPGs or pieces of gaming ephemera or a quick-start. Thanks to the generosity of David Salisbury of Fan Boy 3, Fil Baldowski at All Rolled Up, and others, Reviews from R’lyeh was able to get hold of many of the titles released for Free RPG Day, both in the USA and elsewhere.

—oOo—
The award for the slimmest release for Free RPG Day 2023 goes to Dragon Shield for its Mini-Adventure, ‘The Knights of Botan’. It amounts—more or less—to a single sheet of card, in US Letter-size, upon which is detailed an encounter which a Dungeon Master can easily add to her Dungeons & Dragons, Fifth Edition game. If that sounds underwhelming, well, that is because it is and also it is not. For in actuality, the release from Dragon Shield—better known for its range of accessories for the collectable card market rather than the roleplaying hobby—consists of three things. One is the aforementioned one-sheet adventure for Dungeons & Dragons, Fifth Edition, the second is a monster card for the major NPC in the adventure, and the third is The Pocket RPG Guide, a miniature booklet of tips for both player and Game Master.

The first is the adventure, ‘The Knights of Botan’. This is presented on a single sheet of light card. There is no set Level for the Player Characters, but it is assumed that they are heroic and have completed several adventures. The scenario begins when they awake in a dream. This enables the scenario to be run either between adventures or even during an adventure as a side quest. The scenario thus takes place on the astral plane where they are faced with four doors, each connected to a dragon. Beyond each door lies a similarly structured, but thematically different challenge. All require certain bones to be identified and rifled through to locate a certain object, a terrain and environment to be overcome, and so on, with monsters impeding their progress if the Player Characters falter. All four challenges adhere to the same format, with only their various elements differing. The Dungeon Master will need to prepare some monster stats here and probably break down the procedure to best understand it. If they succeed, the Player Characters will be rewarded with the trust of the Botan, the dragon of dreams. The idea here is that Botan will return to call upon the Player Characters for aid as Knights of Botan.
The structure and set-up for ‘The Knights of Botan’ is presented on the one side of the card, whilst on the other is the set of four tables for the scenario’s four challenges, along with an illustration of an unnamed dragon. In terms of presentation and design, ‘The Knights of Botan’ is succinct. It needs close attention and a little development upon the part of the Dungeon Master to make it easier to use and in the long term, some ideas of the Dungeon Master’s own if she wants to bring Botan and the Player Characters new positions as Knights of Botan into her campaign.

The second of the items is the Monster Card. This is of Abigan, the small Fey Dragon who is part of the events of ‘The Knights of Botan’. This is the creature’s full stats and abilities, or rather ability. This is ‘Fey Dragon Charm’, which enables Abigan to charm a single humanoid and convince him that he is the Fey Dragon’s truest, most trusted friend. On the front is an illustration of Abigan. Unfortunately, there are no personality or roleplaying notes for the creature.
The third of the items is The Pocket RPG Guide. This is a seven-page, full colour booklet which contains tips for player and Game Master alike. For the player, there is ‘Breathing Life Into A Character’, a quick and dirty step-by-step guide to creating interesting Player Characters. It starts off a bit silly with a Player Character called Milly Cyrus, a bard who wants to go to the magical land of Las Vegas. However, the advice is not without merit, highlighting the difficulty of creating interesting characters and suggesting a way round this by starting with a cliché and combining that with a motivation, and using it to drive the Player Character’s actions, whilst also throwing in a contradiction to add complexity and generate interest in the Player Character and his actions. The advice is obvious, but that does not mean that it is bad advice. In fact, for the player new to roleplaying games, it is good advice as a starting point, and for the experienced player, it is advice worth revisiting because it still works, especially if the player is short of ideas or inspiration. Similarly, the advice for the Game Master is obvious, but not necessarily bad. ‘5 Tips To Becoming A Great GM’ talks about how to get the right players involved that want to be involved, the importance of running a ‘Session Zero’ and being consistent to it, and so on. Much like the advice for the player, there is nothing new or innovative in the advice given, but it is good advice and it is helpful advice. Rounding out The Pocket RPG Guide is two sets of tables, one for generating locations and one for NPCs. Each is given four tables, for example, ‘Personality’, ‘Quirk’, ‘Archetype’, and ‘Desire’ for the NPC Generator, with six entries per table. The mix of options is limited, but as a starting set, is reasonably serviceable.

What is noticeable about The Pocket RPG Guide is that it is heavily illustrated with photographs, especially for a booklet as short as this is. The photographs all show two items that Dragon Shield makes as aids for both the player and the Game Master. These are the Game Master Companion and the Player Companion which are shown throughout The Pocket RPG Guide in actual use.

The literally slim offering from Dragon Shield means that as a scenario, ‘The Knights of Botan’, is not as easy to use in play as other releases for Free RPG Day 2023. It is underdeveloped and it underwhelms, but it has scope to be further developed and made easier to use by the Dungeon Master. Similarly, the Monster Card feels the same way, whereas there is that little bit more to The Pocket RPG Guide that makes it more obviously useful. Overall, succinct, but potentially serviceable is the best description of the Monsters Cards, Mini Adventure, and The Pocket RPG Guide from Dragon Shield for Free RPG Day 2023.

 Continuing on in this passageway the party encounters a long corridor. 

This corridor is lit with an eerie eldritch light. The floor is made up of tiles.

The corridor is 50ft long, and every five feet there is a pressure plate on the floor that fires a magic missile at the party. 1d6 hp of damage, it will always hit one character at random.

A thief can find the traps (the pressure plate), but the trap itself is magical and needs a dispel magic to stop. The dispel magic only works for 1 of the 10 traps in this area.

Doing so will result in 50 xp.

 I had to think about this one, but my first RPG purchase of 2023 had to be my Deluxe Edition of The Dark Eye.

There is a lot about this game I really love and want to do more with. I still might get around to doing some more too.

• Review: The Dark Eye
• Review: The Dark Eye - Witch's Dance
• Character Creation Challenge: The Dark Eye

The first four tunnels are on the left, and they are all lined up next to each other.  The fifth tunnel is on the right and at an angle away from the others.

The farthest tunnel opening on the left leads to a short but wide tunnel. The walls are smooth, as is the floor, but it is obviously carved out of the rock.  Within this tunnel, the party encounters a group of four small demons.

DRETCH

These creatures are fat, with long, spindly arms and legs.  They have rudimentary human heads, with slobbering jaws and folds of fat.  Dretch demons have some weak demonic powers.  

Armor Class: 2 [17]
Hit Dice: 4 (18 hp)
Attacks:  2 claws (1d4), 1 bite (1d6)
THAC0: 16 [+3]
Movement: 120’ (40’)
Saving Throws: D10 W11 P12 B13 S14 (4)
Morale: 6
Alignment: Chaotic
XP: 225
Number Appearing: 1d4+1 
Treasure Type: J, K, L, M

• Low intelligence: Dretch demons are not intelligent and act accordingly.
• Demonic Powers: Dretch demons have some minor demonic powers. Each usable once per day.

• stinking cloud once per day
• teleport
• cause darkness (10ft diameter)
• summon 1d4 giant rats

 Yeah...I am obsessed. Mail call today, and it was full of some great witch books.

Up first, another witch-centric RPG I backed on Kickstarter, Last Sabbath.

Last Sabbath RPG Art, bookmark and pin

The game looks phenomenal, and I want to try it out really soon.

And one I have been waiting 20+ years for.

Ashley Poston has a novel out about 17-year-old Tara, one of my all-time favorite witches. 

This is her pre-Sunnydale days, and I can't wait to jump into this.  And because I had a credit lying around, I picked it up on Audible as well.

While I am sure the narrator will be great, it would have been nice to get Amber Benson to do it.

--

So yeah I *know* I am obsessed, and I know I catch some grief for it online, but you know what? 

I don't actually care.

This is my little corner of the Internet, and I get to do what I love here. And if that gets me 10 fans or 10,000*, then fantastic! Plenty of other sites out there that leave me scratching my head asking "who would even find that fun??" but hey, their sites, their rules. 

To quote Steve Martin, "The most amazing thing to me is, I get paid for doing this!"

(*It is less than 10,000, but a lot more than 10!)

 Another one that has been on my mine a bit lately.

My first Gamemaster was myself really. We all kind of taught ourselves how to play back then and I didn't have older brothers or friends that played.  But that changed when I got to Jr. High.

My first real DM was Jon Cook and we played this hybrid version of Basic (B/X) D&D and 1st Edition Advanced D&D. 

In a lot of ways I guess I am still chasing that high.

 Beyond the doors is a large cave system. The cave is huge and while fires can be seen down many of the tunnels (larger tunnels than the ones on the level above), this level is cooler.

There are five tunnels leading out of this chamber. 

 This one is easy because we played it New Year's Eve and Year's Day. My first game for 2023 was D&D 5e Dragonlance: Shadows of the Dragon Queen.

I was a player in it, not the DM, which was a nice change of pace.

My oldest was running it, and he combined it with bits and pieces of Rise of Tiamat and Horde of the Dragon Queen from the start of D&D 5.

Honestly, he did not care for the adventure as it was written and wanted to tweak it a bit for us.  We did not play many more sessions of this. My "falling out" with D&D 5 had a lot to do with that and his promotion as a pastry chef meant he had less time.  But we did have a great time. I was cleaning up our game room the other day and all of our minis are still in the "current campaign" box.

 These stairs go down into this tomb for quite a long way. Also, any dwarves (or other similar characters) will also note the stairs are moving towards the north.  

The stairs end in a large and somewhat cooler chamber.  There is a set of large iron doors.

These doors are large and heavy.  To open these doors requires a combined strength of 40 points or magic. Unless staked open they will slam shut.

--

This level has been largely protected from the volcanic activity of the level above.  

Wandering monsters are found here using the table for 8th level (and sometimes 7th level).  Again, magic sensitive characters can detect low levels of necromantic magic here.

 What is Monster Mash II: A Midsummer Night's Dream?

Much like my first Monster Mash, this one has classes that people typically think of as "monsters" for the D&D game, but uses the special "race-as-class" feature of older, Basic-era, versions of D&D like Moldvay Basic/Cook & Marsh Expert and BECMI.

This book features 12 faerie and sylvan-based classes. Bugbears, Centaurs, Hamadryads, Leprechauns, Nymphs, Pixies, Púcas, Satyrs, Werebears, Werefoxes, and Woodwoses.

Each can be played as a Basic-era "Race-as-Class," with each gaining special abilities as they level up, or as an Advanced "Race" with recommendations for classes. 

Also included is the Faerie Witch, because, well, it is one of my books. 

There are also new spells for Clerics, Druids, Illusionists, Magic-users, and Witches. 

And new occult powers and ritual spells for Faerie Witches. 

This book can be combined with my first Monster Mash for even more combinations.

Grab yours now!

Monster Mash

Monster Mash II: A Midsummer Night's Dream

Gaming conventions are scary and terrible. Going to a gaming convention means meeting all of those other attendees, who are people—and as we know, people are terrible. Gamers are worse. Who knows who we might end up with sat around a table playing a game, trapped with them for four hours? How are you going to cope with queues to get in—to everything—let alone the crowds in the trade hall and the dealers pushing things at you, trying to sell their latest and greatest games? And if the number of other attendees is an assault on the senses, so are the smells of the other attendees and the range of food on sale. Invariably bland and greasy, and whilst you might be hungry, are really you hungry enough to bolt that burger down and gulp that bottle of fizzy pop in the few minutes you have between the last event and the next? And there is, of course, the ‘con crud’ factor… Just how bad are you going to feel on Monday morning after the convention and your weekend away? What minor illness did you back with you which is going to leave you under the weather for days? Above all, are you really going to have fun, or end up exhausted and hungry with little to show for it except the ‘Con Crud’? Not all gaming conventions are really that bad, but the one you are about to attend in Stuck at a Gaming Convention very probably is.

Stuck at a Gaming Convention: A silly, thematic role playing game is a storytelling game published by Beyond Cataclysm Books. It can be played with a Game Master or without and is designed to take a group of players through the convention experience from the safety of their own home without necessarily having attended a gaming convention—though the experience of play will definitely be heightened if they have. Of course, Stuck at a Gaming Convention could actually be played at a gaming convention and even be influenced by that gaming convention as much as any other! Stuck at a Gaming Convention is a game about surviving the travails and traumas of being at a convention—encountering Coplayer Monsters, Leafleter Monsters, Crowd Monsters, Stallholder Monsters, running to the Food Court and the Nap Station, and all that before even managing to get to the games and actually play something!

Stuck at a Gaming Convention is played using a ten-sided die and a six-sided die. A Conventioneer has three stats—Fun, Fatigue, and Famine. All three are rated between zero and ten and Fatigue and Famine are negative stats, whereas Fun is not. A Conventioneer also has a Name, a non-gaming hobby, a reason why he came to the convention, and a favourite game, the latter selected from the six games detailed in the back of the book. The occupation, non-gaming hobby, and the reason for attending the convention each allow a single reroll during play if appropriate to the situation. The favourite game allows a single reroll in that game if it is played. If any Conventioneer’s Fun reaches a score of ten, then everyone will have had a good time at the gaming convention, everyone can go home happy, and the gaming convention has been a success and Stuck at a Gaming Convention is won. Conversely, if the Fatigue or Famine of any Conventioneer reaches ten, then that Conventioneer is reduced to misery as the gaming convention has beaten him, he and his friends have had a terrible time and decided to go home, and Stuck at a Gaming Convention is lost.

The roleplaying game is played into two phases—the Action Phase and the Gaming Phase. These alternate until the game is lost or won. In the Action Phase, the Conventioneers face the monsters of the ’Fan-dom Encounters’, including the Cosplay, Leafleter, Crowd, and Stallholder monsters. Face-offs against each monster are dice-offs, the player rolling the ten-sided die, trying to roll higher than the monster, who uses the six-sided die. Defeating a monster grants a reward that increases a Conventioneer’s Fun. Visiting the Food Court or the Nap Station will reduce a Conventioneer’s Fatigue and Famine respectively, but at the cost of Fun.

In the Gaming Phase, the Conventioneers play one of six games which include Settlers of Takan, Storm the Castle, and Escape the Dungeon. These are mini-games, typically dice games which are parodies of well-known board games, though Dream It is a drawing game. These are thankfully short affairs, not necessarily that interesting in themselves. They really offer only the one type of game as opposed to the range of games typically offered at a gaming convention, so no roleplaying, no LARPS, and so on. What this means is Stuck at a Gaming Convention may actually be asking the players to have their characters engage in gaming activities which they themselves do not find fun. Some random events might have been useful too, to give more chances of having Fun or suffering Fatigue, and they perhaps, could also have made the games themselves that little more interesting.

Physically, Stuck at a Gaming Convention is a busy, fuzzy affair in pale pink and purple that lives up to its name. Stuck at a Gaming Convention: A silly, thematic role playing game is silly and it is thematic, a one-shot game about surviving the game as much as the imaginary convention. It is also a game with a dichotomy. The part of the game where you are actually not meant to be having fun in-game is actually more fun out-of-game, whereas the part of the game where you are actually meant to be having fun in-game is actually less fun out-of-game. Stuck at a Gaming Convention: A silly, thematic role playing game is a game where the more fun that the players put into it, the more fun they are going to get out of it, and ultimately it is a game that people are not really going to want to that do that more than once or twice.

Far to the north stands the island of Ormil. At the heart of the island is the Great Lake. In the centre of the Great Lake is Olla’s Island. Standing on Olla’s Island is the Sorcerer’s Enclave. This is the last high point of civilisation in the north and no man should have reason to go beyond. This is a bastion for the study of magic and it can only be reached by the Dragon Ferry. A village, warded against those who would wish the Sorcerer’s Enclave ill, stands at the foot of the sorcerous sanctuary, but it is a mere steppingstone to the enchanted enclave that looms over it. Inside the Sorcerer’s Enclave, numerous schools of magic are studied and practised, some even simply recorded lest the knowledge be lost and need to be rediscovered in later generations. Druidic magic is one such school, part religion, part sorcery, which combines magics from across numerous later schools. The Druid’s way is practised outside, like the study of natural magics—practitioners insist the schools are very different, whilst inside, all wizards and wizards have the opportunity to learn how to use their magics offensively and defensively in the Duelling Pit, where that rarest of sights is seen—a Battle Magic wizard or witch in actual armour! Deep in the bowels of the Sorcerer’s Enclave is the Golem Manufactory where raw heartstones are infused with magic and inscribed with runes to dictate the behaviour of Golems they are placed deep within. Elsewhere alchemical arts are studied in their own laboratories, portents and omens are tracked across the sky from the observatory atop the Sorcerer’s Enclave, whilst mystic signs and alignments are tracked immediately below using a giant orrery.
The wizards and witches of the Sorcerer’s Enclave are even whispered to practise demonology, for how else can they explain the behorned, sometimes bewinged sprites that serve as their servants and assistants? All of these Minions wear hooded caps with bells on the end to prevent their presence from never being heard. After all, who wants demonic minions sneaking about a wizards’ school? Winged Minions work in The Arcanum or Great Library or the Sorcerer’s Enclave guard, members of which are recognised by their height of four foot or more, their bronze masks, and their hooked polearms. The members of Sorcerer’s Enclave are also served by Familiars as is traditional in many other schools, but here the Familiar is not duty bound to bond with a master or mistress. Instead, the Familiar Whisperer—a position of honour amongst the Minions—trains Familiars to accept that bond. This is the setting for The Sorcerer’s Enclave.
The Sorcerer’s Enclave is not a roleplaying book in the traditional sense. Published by SquareHex—best known for The Black Hack—The Sorcerer’s Enclave is more artbook than sourcebook, describing and depicting the rooms and locations of a great magical redoubt, hidden away from curious eyes and from accidentally unleashing some disastrous dweomercraft upon civilisation! The Sorcerer’s Enclave begins with a map of ‘The World as it is known’, showing the islands and their relationship. This is, unfortunately, too small to pick up on any detail on the page, but The Sorcerer’s Enclave is accompanied by a small poster map that shows the geography to far better effect. Our journey literally begins aboard the Dragon Ferry, crewed by Minions—many at the oars—with its dragon wing keel and rudder, and dragon head prow. This, like the whole of the Sorcerer’s Enclave, is shown in cross section with the Minions working and resting and there being actually little room for passengers.
Once ashore on Olla’s Island, the tour of the Sorcerer’s Enclave takes us roundabout and inside the enchanted establishment. Each location or section of the Sorcerer’s Enclave is given a two-page spread which showcases the room or facility itself as well as highlighting its location within the building as a cutaway on a silhouette of the Sorcerer’s Enclave. There are lovely little details such as a snoring wizard asleep in his chair, his feet resting on a Minion who is working on some notes and of the wooden tower atop a tree alongside the towers of the Sorcerer’s Enclave which is home to study of the Natural Arts. There is also a sense of story to The Sorcerer’s Enclave, one that becomes apparent as the reader turns its pages and progresses through the book and moves from the left to the right of the Sorcerer’s Enclave and its towers. Thus, the reader goes from the Dragon Ferry and the Dragon Jetty from the Druid’s Way and its menhir through the laboratories of the Alchemical Arts, the Great Library, the storehouse of the Masters of Secrets, and perhaps out beyond via the Portal Chamber. As the guide moves rightward, danger looms and so do the darkest secrets of the Sorcerer’s Enclave. First, there is the Thing Below, a betentacled creature lurking in a cleft in Olla’s Island, altered like many other fish and beasts of the lake by magic and alchemical spills, and then the tower that is home to the enclave’s lone necromancer, whose studies concern at least two of its Grand Magi and are revealed to the reader…
The Sorcerer’s Enclave is written and drawn by Aaron Howdle whose lovingly detailed pen and ink artwork is clearly influenced by the style of artwork being used by Games Workshop and Citadel Miniatures in the nineteen eighties such as the late Russ Nicholson and Ian Miller. Even the appearance of the Sorcerer’s Enclave as a silhouette echoes the castle logo of Citadel Miniatures. This is all confirmed by the artist’s biography at the end of the book, which actually contains more text than the rest of the book. Physically, The Sorcerer’s Enclave is lovely, the artwork is a delight, worth poring over for its exquisitely detailed locations and characters.
In game terms, there is almost nothing in The Sorcerer’s Enclave that is actually game-related. There are no stats or similar details. This means that whilst it is not immediately useful for a roleplaying game setting or rules set, the Game Master is entirely free to apply the numbers and mechanics that she wants to the setting to use it in her game world. One obvious direction of development for this, like the direction of the book’s exploration of the Sorcerer’s Enclave, would be to bring the threat of the establishment’s lone Necromancer and his plans into play. Others might be to use as a location and world to visit via the Portal Chamber or from somewhere within its own world, or to use it as a place of study for a wizard or witch-focused campaign. Of course, as a magical institute, the Sorcerer’s Enclave holds numerous tomes, potions, and other secret artefacts, all of which would interest the Player Characters.
The Sorcerer’s Enclave is simply a lovely book to own, a delightful and detailed homage to British fantasy artwork of the eighties that fans of Games Workshop and Citadel Miniatures will appreciate. As a gaming resource, The Sorcerer’s Enclave, very much awaits the input and development of the Game Master, but is especially suited to the Old School Renaissance.

The Christmas Annual is a traditional thing—and all manner of things can receive a Christmas Annual. Those of our childhoods would have been tie-ins to the comic books we read, such as the Dandy or the Beano, or the television series that we enjoyed, for example, Doctor Who. Typically, here in the United Kingdom, they take the form of slim hardback books, full of extra stories and comic strips and puzzles and games, but annuals are found elsewhere too. In the USA, ongoing comic book series, like Batman or The X-Men, receive their own annuals, though these are simply longer stories or collections of stories rather than the combination of extra stories and comic strips and puzzles and games. In gaming, TSR, Inc.’s Dragon magazine received its own equivalent, the Dragon Annual, beginning in 1996, which would go from being a thick magazine to being a hardcover book of its own with the advent of Dungeons & Dragons, Fourth Edition. For the Dungeons & Dragons Annual 2023—as with the Dungeons & Dragons Annual 2021 and the Dungeons & Dragons Annual 2022—the format is very much a British one. This means puzzles and games, and all themed with the fantasy and mechanics of Dungeons & Dragons, along with content designed to get you into the world’s premier roleplaying game.

Published by Harper Collins Publishers, the Dungeons & Dragons Annual 2023 moves on from the Dungeons & Dragons Annual 2022 in a surprising nod to recent events—it acknowledges the effects of COVID-19 and the Lockdown, and how that changed our gaming practices, many of us moving online to play Dungeons & Dragons and other RPG, for example, via Zoom. It suggests means of doing so and what those means offer in terms of play and interaction, making the point that it is still a viable option even though in-person play has returned. This is explored a little further in ‘Virtual Play Weekend’, which looks at events organised online by Wizards of the Coast.

However, where the Dungeons & Dragons Annual 2023 starts with ‘Welcome to the Multiverse’, an overview of some of the settings explored in official releases for Dungeons & Dragons from Wizards of the Coast. This itself begins with the Forgotten Realms—because it always does—but it includes some of the lesser know worlds such as Exandria of Critical Role and both Strixhaven and Ravnica from Magic: The Gathering. These are only thumbnail descriptions, so they are all too brief, leaving the reader wishing that any one them of had pages of their own in the book. Thankfully, several of them do, but not all. The three that do each receive this attention via a series of articles, sometimes paired, sometimes not. One is from the ‘Heroes & Villains’ series and the other is from ‘Mapping the Realms’. The first is Ravenloft, and its ‘Heroes & Villains’ entry is a description of Strahd, the Darklord of Barovia, one of the lands of Shadowfell. Included here too, are descriptions of his allies and enemies, such as the vampire hunter, Doctor Rudolph Van Richten, and Strahd’s rival, the Sun Elf vampire, Jander Sunstar. Van Richten receives more attention in the accompanying, paired ‘Mapping the Realms’ entry which also highlights Castle Ravenloft and its location on the map. Acerak, the villain of Tomb of Annihilation is given similar treatment, whilst the other ‘Mapping the Realms’ entries explore ‘The Feywild’ and its unpredictable, primal magic—later detailed in its own section in ‘Wild Magic’, ‘Gewhaawk’, the original campaign setting for Dungeons & Dragons, and ‘Avernus’, the first level of hell explored in Baldur’s Gate: Descent into Avernus. The heroes described in the ‘Heroes & Villains’ series are Mordenkainen and Volothamp Geddarm.

Community is not ignored in the Dungeons & Dragons Annual 2023 as it highlights the generosity of players in playing and donating to good causes. Being British means that one of these covered in the Dungeons & Dragons Annual 2023 is Comic Relief, a big event very other year in the United Kingdom. It is a sign of just how far Dungeons & Dragons has been accepted into the mainstream that it is part of such a big event. Other events highlighted are Extra Life and Playing D&D for Mermaids. The spotlight here is on the ‘Three Black Halflings’ podcast, ‘Girls Guts Glory’ streaming group, and even an interview with renowned Dungeon Master, B. Dave Walters in ‘Meet the DM’, which together showcases the appeal and diversity of the Dungeons & Dragons community.

Even if the Dungeons & Dragons Annual 2023 has no stats or adventures or anything mechanical for Dungeons & Dragons, Fifth Edition in its pages, it does talk about the basics of getting ready to run the game. ‘Planning a Dungeon Delve’ looks at all the elements of an adventure, whilst ‘A Beginner’s Guide to Homebrewing’ suggests ways in which Dungeons & Dragons can be modified, including characters and worlds. There is a guide too, to ‘Writing a Backstory’ as part of a character creation checklist, whilst ‘Session Zero’ examines how a pre-campaign session works and sets out eveyone’s expectations, and ‘One-shots’ suggests alternatives to longer multiple sessions of play and how they work. That said, describing a one-shot as a self-contained campaign is absurd. Lastly, ‘Level Up Your Table’ suggests ways to enhance play, such as using maps and miniatures and secret messages and even physical puzzles. Thus there is a mix of advice and suggestions for both player and Dungeon Master across the volume.

Beyond play, the ‘D&D Bookshelf’ suggests fiction to read, starting with the adventures of Drizzt Do’Urden, but also mentioning the Dragonlance and Ravenloft series. ‘Loot Table’ suggests gifts and collectible that a Dungeons & Dragons devotee might like beyond the core rulebooks and dice. This notable for the inclusion of ‘Crocs Jibbitiz’, official Dungeons & Dragons-themed adornments for your crocs. Thankfully, there are no official Dungeons & Dragons Crocs, but the Jibbitz are daft enough as it is.

The ‘Bestiary’ series covers otherworldly creatures. So, in ‘Fiends and Celestials’, it is Imps, Balor demons, Pegasi, and Solar Celestials. ‘Aberrations and Undead’ such as the Intellect Devourer, Aboleth, Ghoul, and Death Tyrant, and ‘Elementals and Fey’ like Mephits, Fire Elementals, Dryads, and Quicklings, are given quite detailed descriptions. Conversely, the ‘Gem Dragons’ only receive descriptions in comparison, so there is not really enough of an idea who they might be used in a scenario.

Of course, Dungeons & Dragons Annual 2023 being a British annual, it is not without its puzzles. So there are mazes, spot the difference, word searches, and more. In comparison to previous annuals, the theming is more generic Dungeons & Dragons than a specific campaign world or characters, so not as engaging as in past years.

Physically, the Dungeons & Dragons Annual 2023 is snappily presented. There is plenty of full colour artwork drawn from Dungeons & Dragons, Fifth Edition, and the writing is clear and kept short, so is an easy read for its intended audience.

In past years, entries in the Dungeons & Dragons Annual series have proven to be decent introductions to Dungeons & Dragons, but the Dungeons & Dragons Annual 2023 is beginning to push against the limits of what it can explain and showcase without actually showing what Dungeons & Dragons, Fifth Edition actually looks like. It has moved on since the earlier introductory annuals to look at more advanced aspects of character creation with character backstory and play with a discussion of Session Zero, but it constantly feels as if it is preparing the reader and potential player for something that it can never show. Which is any actual element of the doing of Dungeons & Dragons, so consequently, it is all description, all tell, and no show. Of course, the Dungeons & Dragons Annual 2023 is intended to showcase the numerous aspects of the roleplaying game and its setting, and this it does, but it constantly leaves the reader wanting to take the next step and not quite sure what that is. Taking that step is big one and perhaps a solo adventure would give the reader a better idea of what play is like?

To be fair, this is not a book or supplement that a dedicated player or Dungeon Master is going to need, or even want, to read. After all, much of this will be familiar to either. For the casual reader, the Dungeons & Dragons Annual 2023 is reasonable starting point, but the casual reader will quickly want more. For the collector, the Dungeons & Dragons Annual 2023 is an attraction addition to his bookshelves. Still as something to receive at Christmas (or not) in your Christmas stocking (or not), the Dungeons & Dragons Annual 2023 is an attractive product, informative about Dungeons & Dragons, Fifth Edition, and whilst its own limitations can only help the reader so far, a stepping stone from they can look for further starting points from which to play.