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The Legend of Vox Machina

The Other Side -

My family finished watching the Amazon Prime series "The Legend of Vox Machina" from Critical Role and honestly it was a lot of fun.

The Legend of Vox Machina

It was funny, exciting, and really just a lot of great gamer humor without feeling like gamer humor.

A big problem I have with most gamer-related fiction is you can often, as I say, "hear the dice rolling in the background."  Not so with this.  Yes there are the expected name drops, the occasional mention of a power (Grog wanting to "rage") or a spell (Keyleth saying she can only do that one once a day) but that all took a backseat to what makes any bit of fiction good; good story and characters you can care about.

I have not listened to any of the Critical Role episodes, but my oldest LOVES them.  So we backed the Kickstarter and honestly, we have been very pleased.  He let me know later how the animated series differs from the actual play episodes.  So now I do want to go back to those older Campaign One episodes and listen to them all.

Also not since the Dungeons & Dragons cartoon has D&D seen this much success in a televised medium.  Amazon already renewed it for a second season before season one even premiered.

It has met with critical success, including a 100% Fresh rating on Rotten Tomatoes, and a 94% audience score. 

Whether you are a fan or not one thing is certain, Critical Role is one of D&D greatest achievements in terms of getting more people interested in our little game.  Born out of an odd combination of Pathfinder and D&D 5 the World of Tal'dorei has also seen quite a bit of success in the D&D 5 printed world with three (soon to be four) books.

Critical Role books

In addition to the series, the actual play episodes, and the gaming material there are comic books, action figures, clothes, and gear.  There is even a 1/6th scale statue of the characters Vex and Vax from Vox Machina coming out.  You know for a fact if there were statues of Keyleth and Jester coming out they would never be able to keep them in stock. Yes even at the nearly $200 price tag.

When was the last time one of your campaigns did all of that?  Ok. I do have 1/6th scale versions of two of my own iconic witches. No, I am not going to share how much I spent on them.

So the show was a lot of fun, maybe a touch adult for some, a lot of swearing some nudity, lots of gore. But seriously, does no one remember gaming when they were 14? 

I wish them the best of luck and hope for their continued success. 

What *IS* Blackmoor in my World?

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I have been reading more of the late Jason Zavoda's posts about his "Blackmoor Land of a Thousand Witches" and I have wanted to do something with that.  This got me thinking about some ideas I had had for 4e Blackmoor.  Which then got me thinking about my world in a larger sense and how Blackmoor really is the keystone of my Mystorerth world.  

Even before I adopted James Mischler's name for it I was playing in a combined Msytara/Oerth world (and I kinda regret not calling Oestara now).   My world was Mystara/The Know World, my DM's was Oerth Greyhawk.  The central common feature was Blackmoor.

Blackmoor, Dave's version

But what even *IS* Blackmoor in my world now?

It has always been some sort of Shangri-La like place of High Magic and High Tech in the Mystara books and place of post-apocalyptic destruction in Greyhawk. 

So I am going back to the sources, the original Blackmoor.

I read on good ole Wikipedia (the unofficial Splat Book for every RPG) that the original Blackmoor campaign setting "include(ed) ideas from The Lord of the Rings and Dark Shadows and applied the Fantasy Supplement rules from the Chainmail game." That sounds like my games!

Blackmoor CY576

I also went the best Blackmoor sources on the net, Havard's Blackmoor Blog and the Blackmoor Archives.

To be blunt there is an absolute ton of material in both of those sites to keep me busy for weeks.  But there are a few key points there AND I have Harvard and fellow Mystoerth enthusiast Mathew Fenn to thank.

So I don't need to connect Mystara Blackmoor to Greyhawk Blackmoor physically because they are the same place separated by time.   Harvard tells us that MBlackmoor is set "4000 years in Mystara's past."  For me that means there are two Blackmoors indeed.  Same location, but somehow when their magic-tech devices exploded it trapped a bubble of Blackmoor in time (-3426 CY to be exact) so the PCs can still get to it if they know how.    In this respect Blackmoor become my Atlantis, or at least the Atlantis like the one depicted in the Third Doctor (Jon Pertwee) story The Time Monster.

I have always wanted an Atlantis.  A mythical land/realm destroyed by a cataclysm, maybe one wrought by hubris, BUT there also be enough survivors so we know what the tale is/was.  My version of Mystara's "Known World" has so many different sorts of people living in it because they are the descendants of refugees of the Blackmoor explosion. 

I'd also like to learn more about what sort of "Gothic Horror" and "Dark Shadows" elements were part of the original Blackmoor.  I am not sure that Dark Shadows fits in well with "magic-tech superpower" but it would with the post-apoc Greyhawk-era Blackmoor.  

Blackmoor in the World of Greyhawk

Blackmoor today is more like what the Greyhawk Gazeteers say it is.  But I also want to add bits of Hyperborea to my version of Blackmoor for that full post-apocalyptic feel and justify high powered magic tech still existing.  Hyperborea's Atlanteans might be what I need to complete this picture.

In any case I do have a lot of reading to do and figuring out what it all means for my world.

Matthew "Matteus" Fenn's map
So. What DO I know? Well in no particular order.

  • Blackmoor is north.  For the Flanaess it is about as far north as you can go before reaching the Black Ice.  
  • The Black Ice is black because Blackmoor blew up. 
  • Prior to the explosion Blackmoor was a cosmopolitan utopia. All the races lived and visited here in seeming harmony (there was still tensions here so not all wine and roses) and art, science, and magic were celebrated.  I want it's past to be "far too good to be true" but in fact true.  That is the tragedy of Blackmoor. 
  • The differences between the Mystara map of Blackmoor and the Greyhawk version is due to this explosion.
  • I am reversing the names of the sea near Blackmoor.  In the past is was known as the "Icy Sea" now it is called the "Black Sea" and it actually black and full of weird mutated sea creatures.
  • If there was ever an "Innsmouth" for my world it is here.
  • There WILL be ways to travel back in time (or outside of time) to Old Blackmoor.  This will be my chance to pull out some time travel ideas and break my "no time travel in D&D" rule.  In fact it should be the focus of an adventure at some point. 
  • Blackmoor of today is considered to be a haunted and desolate land.  The tales of Blackmoor's rise and then destruction are akin to our tales of Atlantis.
  • "Not since Blackmoor" is a saying meaning a very, very long time ago. 
  • The land is filled with random magic effects and other strangeness.  The barrier between realms is the weakest here.  So this is also where eldritch horrors are most likely to appear. 
  • I might try to use the "Temple of the Frog" in some manner, obviously I am going to use this as a cult center of Tsathoggua.  I would change many elements of the adventure, but certainly go with the maps and some of the science fantasy elements.
  • I still have to reckon my "Monks come from Blackmoor" notion.  Like I said then these might be psychic ascetics cut from the 70's occult revival cloth.  That would fit with the idea that monks were introduced in the Blackmoor supplement and the Mystics from the D&D Basic/BECMI/RC line. I need a good psychic mystic class to cover them. I have written a bit on Mystics[1][2][3] in the past, so I am sure there is something more I can do with that. 

Obviously I have a lot to consider here. And a lot more to read about before I could come up with any sort of good idea.  My ultimate goal here was to myself to a point where I could talk about Jason Zavoda's "Blackmoor Land of a Thousand Witches" but I am not even close to that yet.  But I can at least see the road map from here.

Links

Want a Book? Ask!

The Other Side -

I posted this elsewhere, but I am super busy at work today.  So here it is here.

I get it. Books and Game PDFs are expensive and everyone is on a much tighter budget these days. SO to that end, if you want one of my PDFs and can't afford it just ASK ME. I'll likely send it along with a couple more to spare.

Maybe at least say somewhere that you thought it was cool/fun/informative or made you sick to your stomach, whatever. But at least ask, the worst thing that can happen is I'll say no (which leaves you where you were) or I say yes and you have a new PDF.

books



Monstrous Mondays: The AD&D 2nd Ed Monstrous Compendiums, Part 2

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It's a Presidents' Day Monstrous Monday.  I am continuing my dive into the AD&D 2nd Edition Monstrous Compendiums.  Today I want to talk about the next three that were important to me in terms of what I call the "core" of the AD&D 2nd Ed monsters.   

The AD&D 2nd Ed Monstrous Compendiums, Part 2

It is a commonly held belief that during the AD&D 2nd Ed era that settings were at their height.  The remaining Monstrous Compendiums focused on these settings.  For me it was a perfect systems really.  I could keep monsters in with my core rules, like I did with Greyhawk, Dragonlance and Mystara. Or keep them with my boxed sets of campaigns, like I did with all my Ravenloft stuff.  So let's go with the ones I integrated (to the best I could) into my core set.

MC4 Monstrous Compendium Dragonlance AppendixMC4 Monstrous Compendium Dragonlance Appendix

Ok, this one bugged me at first. I bought it and it said Draonlance Appendix on the front even though it was the second two-ring binder.  I didn't play Dragonlance, I was doing Greyhawk and would soon be eyeballs deep in Ravenloft.   My irritations were put to rest when I opened and the cover, while having the same art, just said Monstrous Compendium Vol. 2.   For a while I used both alphabetically, vol 1 with A through M and vol 2 holding N to Z and the tables and blank forms.  Today I use vol 1 for my core monsters and vol 2 for everything else.

Dragonlance falls into "everything else" for me.  The monsters are good, and many that have made their way back into my core monsters.

The PDF from DriveThruRPG is 96 pages, 82 monsters and at a price of $4.99. The monsters range from "Anemone, Giant" to "Yeti-kin, Saqualaminoi."  It covers all the various races of Krynn including the various types of dwarves, all the different kinds of elves, the kender and Dragonlance's lizard men and minotaurs. It was the first to include the Death Knight and Skeleton Warriors, though I always felt they belonged in Greyhawk. Certainly worth it for the Draconians and tips on Dragonlance's dragons which help redefine dragons in D&D in the first place. 

MC4 Monstrous Compendium Dragonlance Appendix

The cover of the PDF is a little dark, but the pages inside are sharp and clear.

MC5 Monstrous Compendium Greyhawk Adventures AppendixMC5 Monstrous Compendium Greyhawk Adventures Appendix

Personally I always felt that Greyhawk should have had a Monstrous Compendium long before the others, but I can see why it came out when it did, given all that history.  The Greyhawk Adventures book for 1st Edition had a "preview" of monsters in 2nd Edition format. I remember being quite excited about this and really liking the new stat block even though it was much larger than before.

More so than the other MC Appendices, I tried to integrate these monsters as much as I could into my "core" Monstrous Compendium.  To me Greyhawk was the "home world" of D&D.

The PDF from DriveThruRPG is 64 pages, runs $4.99, and includes 63 monsters; Beastman to Zygom.

Many of these monsters have their origins in the AD&D 1st ed modules and Fiend Folio, but there are few others here from the Monster Manaual II.  The only creatures here that really saw "Greyhawk" to me are the Grell, Greyhawk Dragon, the Sword Wraiths and the Drowned Zombies.  There are some here that are more generic like the hobgoblin (how did that one only make it in in MC5?? Corrected. Hobs are in the core set. Hobgoblin, Norkers are in this set!)

MC5 Monstrous Compendium Greyhawk Adventures Appendix


Monstrous Compendium - Mystara AppendixMonstrous Compendium - Mystara Appendix

First Edition was all about Greyhawk. Second edition was synomous with Ravenloft for me.  But Mystara, or before that name, the Known World was where my gaming began.  So the Mystara Appendix for the Monstrous Compendium was one of my "core" core sets.  

The Mystara appendix take a few diversions from the other core world sets.  For starters this one is 128 pages and $9.99 on DriveThruRPG now.  It is also full color, a indication of the change of publishing style at TSR.   This book was also published as a standalone softcover, perfect bound, book.  It seems that by 1994 the loose-leaf era was indeed over.

The PDF though does allow you to go back to that era and print the monsters out as you like.

This set has 174 monsters from Actaeon to Zombie, Lightning.  Many of the old favorites from the B/X and BECMI days are here too.  Living Statues, Kopru, Decapus and the Thoul are all here in their 2nd Edition glory as well as many of the Gem Stone Dragons.

If you were/are a fan of the D&D Creature Catalogs then this really is a must buy. I find it interesting that this Compendium came out just a year after the DMR2 Creature Catalog.  I'd have to go through them page by page to see if there are any differences in the monsters presented, but they feel very much alike. 

The DriveThruRPG scanned PDF is very bright and clear. I would love to see this as a print-on-demand some day. 

Miskatonic Monday #98: The Curse of Black Teeth Keetes

Reviews from R'lyeh -

Between October 2003 and October 2013, Chaosium, Inc. published a series of books for Call of Cthulhu under the Miskatonic University Library Association brand. Whether a sourcebook, scenario, anthology, or campaign, each was a showcase for their authors—amateur rather than professional, but fans of Call of Cthulhu nonetheless—to put forward their ideas and share with others. The programme was notable for having launched the writing careers of several authors, but for every Cthulhu InvictusThe PastoresPrimal StateRipples from Carcosa, and Halloween Horror, there was a Five Go Mad in EgyptReturn of the RipperRise of the DeadRise of the Dead II: The Raid, and more...


The Miskatonic University Library Association brand is no more, alas, but what we have in its stead is the Miskatonic Repository, based on the same format as the DM’s Guild for Dungeons & Dragons. It is thus, “...a new way for creators to publish and distribute their own original Call of Cthulhu content including scenarios, settings, spells and more…” To support the endeavours of their creators, Chaosium has provided templates and art packs, both free to use, so that the resulting releases can look and feel as professional as possible. To support the efforts of these contributors, Miskatonic Monday is an occasional series of reviews which will in turn examine an item drawn from the depths of the Miskatonic Repository.

—oOo—
Name: The Curse of Black Teeth KeetesPublisher: Chaosium, Inc.
Author: Perry Grosshans

Setting: An island off Kingsport, New England (Lovecraft Country) for Pulp Cthulhu: Two-fisted Action and Adventure Against the Mythos in the Desperate Decade of the nineteen thirties.
Product: Scenario
What You Get: Twenty-Eight page, 2.27 MB Full Colour PDF
Elevator Pitch: Pirates of the Caribbean meets The Goonies off Lovecraft Country.Plot Hook: A friend has gone missing on a mysterious island off the New England coast.Plot Support: Detailed plot, staging advice for the Keeper, seven handouts, three maps, two NPCs, one Mythos entity, Zombie Pirates, and thirty Dimensional Shamblers.Production Values: Decent.
Pros# Pirates and/or zombies on a ghost island!# Can be run with Call of Cthulhu, Seventh Edition, but better suited to Pulp Cthulhu: Two-fisted Action and Adventure Against the Mythos# Easy to adjust Cthulhu by Gaslight or the here and now# Easy to set off other coasts# Solid, straightforward plot# Very useful staging advice# Excellent illustrations# Good one-shot or convention scenario
Cons# Needs an edit in places# Potential for too much combat# Finale needs careful stanging# Minor Mythos details may not always match
Conclusion# Detailed Pulp one-shot with potential Zombie Squad Action
# Pirates Zombies on a ghost island! (Is that not enough for you?)

Jonstown Jottings #55: Creatures of Glorantha

Reviews from R'lyeh -

Much like the Miskatonic Repository for Call of Cthulhu, Seventh Edition, the Jonstown Compendium is a curated platform for user-made content, but for material set in Greg Stafford’s mythic universe of Glorantha. It enables creators to sell their own original content for RuneQuest: Roleplaying in Glorantha13th Age Glorantha, and HeroQuest Glorantha (Questworlds). This can include original scenarios, background material, cults, mythology, details of NPCs and monsters, and so on, but none of this content should be considered to be ‘canon’, but rather fall under ‘Your Glorantha Will Vary’. This means that there is still scope for the authors to create interesting and useful content that others can bring to their Glorantha-set campaigns.

—oOo—
What is it?
Creatures of Glorantha is a bestiary for use with RuneQuest: Roleplaying in Glorantha.

It is an eight page, full colour, 1.45 MB PDF.

The layout is clean and tidy, but could have been better organised and it needs an edit. The artwork is decent.
Where is it set?

Creatures of Glorantha does not involve a specific setting, but most of its entries can be found anywhere.
Who do you play?
Player Characters of all types can encounter the entries detailed in this supplement. Storm Bull worshippers will want to destroy most of them and Orlanth and Yinkin worshippers will hate one of the entries in particular.
What do you need?
Creatures of Glorantha requires RuneQuest: Roleplaying in Glorantha and the RuneQuest: Glorantha Bestiary.
What do you get?Creatures of Glorantha describes seven new creatures of a vile nature, all complete with stat blocks and illustrations. They include the undead, Chaos creatures, and simple monsters, some more useful others, some which lurk around settlements and some which do not. The seven are the Pale Masks, Limbscutters, Corrupted Shadows, Tuskapes, Lamias, Goat Suckers, and Chimeric Hydras.

The septet opens with the Pale Mask, an arachnoid Chaos thing, the result of several creatures, mutilated by the God of Entropy, Kajabor, fusing together. These things stalk Chaos tainted lands in search of victims to share its pain with and instill fear in before impaling them with its bladed pedipalps. This is not an interesting start to the selection, more a beast to be killed by Chaos hunters than anything else, but fortunately the second entry, the Limbcutter, is better, if only slightly. This though is the insatiable hunger of the Uz given form in the deepest recesses of their caves, driven to eat again and again, everything it consumes being lost in the void that is its stomach. Sometimes though, it escapes to the surface where it lurks around settlements hit by famine or the slave labour camps of the Lunar Empire.
Potentially more interesting is the Corrupted Shadow. This is a Shadow Cat, captured by Lunar forces and subjected to Chaotic magic and dark Nysalorean rituals, and thus transformed into a twisted version of their former self. With a bite attack more dangerous to anyone with a high Air Rune, the Corrupted Shadow and its creation process will be seen as abominable by Orlanth and Yinkin worshippers, and so lend itself to stories involving the capture of Alynxs by Lunar forces, their rescue, taking of revenge upon the Lunar priests carrying out the vile ritual. However, it is followed by the Tuskape, the result of fusing black gorillas and trolls via a thunderous intercourse between Kyger Litor and Daka Fal, which is rarely seen and prefers solitude in its deserted lairs, and so does not readily lend itself to story potential.
The Lamia is a Gloranthan version of the child-eating monster of Greek myth. Again, this feels more developed and useable than other entries in the supplement, a negative manifestation of the parenting instinct which kidnaps, scares, and hurts children. It raises them in cruel fashion to create further Lamia. The Goat Sucker is the result of Broo breaking their taboo against eating other Chaos creatures and consequently transforming into a quadruped with a thirst for the blood of other Broo. It is still a Chaos beast and Broo related, so it is difficult to separate the two, at least in terms of storytelling. Lastly, the Chimeric Hydra is a Lesser Hydra which has been transformed by exposure to extreme Chaos, and again, it is just a monster to be killed rather than anything else.
The monsters in Creatures of Glorantha do vary in terms of their story potential and how interesting they are. All of the artwork is in the Public Domain and it is hard not to wonder which came first, the pictures or the ideas, and how inspired by the pictures the author was. Despite the varying quality of the monsters, this is arguably the best thing that the author has written for the Jonstown Compendium, but equally it is debatable as to whether RuneQuest: Roleplaying in Glorantha needs more monsters.
Is it worth your time?YesCreatures of Glorantha contains some interesting monsters with story potential.NoCreatures of Glorantha only contains a few monsters which are interesting and possess story potential, and given how many there are in the RuneQuest: Glorantha Bestiary, does the Game Master really need more?MaybeCreatures of Glorantha contains some potentially interesting monsters, but again, it is a case of ‘Your Glorantha May Vary’ and there may already be too many monsters in the RuneQuest: Glorantha Bestiary.

It's Doom O'Clock!

Reviews from R'lyeh -

Shiver – Role-playing Tales in the Strange & the Unknown is a fast-playing, dramatic, and generic horror roleplaying game. Want to play a scenario of teenagers camping out at Lake Blood being stalked by a masked slasher? Inhabitants of a small town caught up in a zombie outbreak? A race through Transylvania being harried by vampires? Villagers oppressed by a demonic cult operating out of the nearby castle in medieval Italy? A rescue team dropping onto a colony in the far future and discovering it to be infested by strange aliens? Townsfolk stalked by werewolves and a witchfinder in seventeenth century England? Investigators making enquiries in a New England seaside resort rumoured to be home to a fish cult? Published by Parable GamesShiver can do all of these and more. The roleplaying game combines simple, thematic mechanics built around archetypal characters and a simple propriety dice mechanic, combined with a Doom Clock which escalates the tension and a wide selection of classic, nasty monsters that really know how to hit back.

A Player Character in Shiver is defined by an Archetype, six Core Skills, one or more Abilities, and a Fear. There are seven Archetypes—the Warrior, the Maverick, the Scholar, the Socialite, the Fool, the Weird, and the Survivor—and each emphasises one of the six Core Skills and provides three Paths, each of which provides ten Tiers of Abilities as the character gains experience and goes up a Character Level. For example, the Maverick’s Paths are the Thief, the Assassin, and the Ranger. The Tier One Ability for all Mavericks is Dodge, but the Tier Two Ability for the Thief is Sneaky, for the Assassin, Sneak Attack, and for the Ranger, Covering Fire. An option is given that when a Player Character reaches Tier Five, he can either carry on in his own Archetype or switch to another one altogether and become a Hybrid, though this also means that he has a Fatal Flaw as a troubled character.

The six Core Skills—effectively both skills and attributes—are Grit, Wit, Smarts, Heart, Luck, and Strange. Grit represents a character’s physical capabilities; Wit covers physical dexterity; Smarts is his intellect and capability with investigation and technology; Heart is his charisma and charm; Luck is his good fortune and the random of the universe; and Strange is his capacity for using magic, psychic powers, and so on. Of the Archetypes, the Fool relies upon Luck rather than a specific Core Skill; the Weird is the strange individual who might follow the Eldritch, Spiritualist, Psionic, or Body Horror Path; and Survivor is a generalist who might follow the Chosen/Leader, Survivalist, or Cockroach Path, the desperate, cowardly type. In addition, a Player Character has a Luck Bank for storing Luck—one for all Archetypes, except for the Fool, who has space for three; a current Fear status—either Stable, Afraid, or Terrified; and a Lifeline—Weakened, Limping, Trauma, and Dead—which is the same for all Archetypes.

To create a character in Shiver, a player selects an Archetype, a Background which adds a unique Ability and a Flaw. He also adjusts one Core Skill in which his character is deficient. It really is as fast as that. The longest step is noting it all down. Of course, playing a character at a higher Tier will take a longer because the player needs to choose more Abilities, but not by much.

Henry Brinded
Archetype: Scholar
Path: Academic (Tier One)
Abilities: Medic!
Background: The Nerd
Ability: Run Away! Flaw: Weak
Fear: Ligyrophobia

Grit: 2 Wit: 3 Smarts: 5 (Talent: 1) Heart: 3 Luck: 3 Strange: 3

Mechanically, Shiver uses a dice pool system of six-sided dice, their faces marked with the symbols for the roleplaying game’s six Core Skills—Grit, Wit, Smarts, Heart, Luck, and Strange. To these are added Talent dice, eight-sided dice marked with Luck and Strange symbols. (The rules include a conversion guide for using standard six-sided and eight-sided dice, but if the group still wants to use the dice system, there is an online dice roller.) When he wants his Player Character to undertake an action, he assembles a dice pool based on the action and its associated Core Skill plus Talent dice if the Player Character has in that Core Skill. Further dice can be added or deducted depending on whether the Player Character has Advantage or Disadvantage, an Ability which applies, or the player wants to spend his character’s Luck, and on the character’s Fear status.

The aim is to roll a number of symbols or successes in the appropriate Core Skill, the Challenge Rating ranging from one and Easy to five and Near Impossible. If the player rolls enough, then his character succeed; if he rolls two Successes more than the Challenge Rating, it is a Critical Hit; and if a player rolls three or more dice and every symbol is a success, this is Full House. In combat, a Critical Hit doubles damage and a Full House triples it, but out of combat the Director—as the Game Master is known in Shiver—will need to suggest other outcomes for both. If Luck symbols are rolled, one can be saved in the Player Character’s Luck Bank for later use, but if two are rolled, they can be exchanged for a single success on the current skill roll, or they can be used to turn the Doom Clock back by one minute. A failed roll does not necessarily mean that the Player Character fails as he can use other means to succeed at the task if his rolls enough successes in another Core Skill for that task, though this requires some narrative explanation. However, a failed roll has consequences beyond simply not succeeding—each Strange symbol rolled pushes the Doom Clock up by a minute…
For example, the scholar Henry Brinded has found a tome written in Latin containing a spell which he thinks will dispel the monster stalking the halls of the college where he teaches. He can hear the thing getting closer and desperately intones the spell direct from the book. Henry’s player will roll the five dice for his Smarts plus its Talent die and the Director will sets Challenge rating at two. However, Henry is at a Disadvantage because he is intoning from the tome in a hurry and because he has not had the time to study either the tome or the spell. This would reduce the number of Smarts dice his player would roll to four, but Henry has one Luck in his Luck Bank and uses that to counter the Disadvantage. He rolls one Grit, one Smarts, and three Luck on the Core Skill dice and two Luck on the Talent die. This gives him one Smarts and would be a failure except for the five Luck. Henry’s player changes two of the Luck into a Smarts, guaranteeing his successful casting of the spell, adds a third Luck to Henry’s Luck Bank, and the last two he uses to move the Doom Clock back one minute…Combat uses the same mechanic with monsters and enemies—and the Player Characters when they are attacked—using the same Challenge Rating as skill tests. It is Turn-based, with the Director deciding whether each Player Character is acting First, in the Middle, or Last, depending upon their situation and what they want to do. Players are encouraged to be organised and know what their characters are capable of, the surroundings for the battle, and so on, in order to get the best out of their characters. With every Player Character possessing the same Lifeline (the equivalent of sixteen Health Points), combat can be simply nasty or nasty and deadly, depending upon the mode. In Survivor Mode, a Player Character who loses all of his Health Points is at Death’s Door and his player rolls his Luck Pool to survive until he dies or help arrives. In Nightmare Mode, every four Health Points has a negative effective upon the Player Character, such a as reduction in his Core Skills at Weakened, his movement at Limping, and so on, all the way down to no Health Points and dead—no being at Death’s Door. Depending on the scenario, death though need not be end though. A Player Character could become a ghost and continue to provide help from the afterlife or even become an antagonist!

Fear in Shiver uses the same Challenge Rating system and mechanics. A Fear Check is made with a Player Character’s Strange Dice, and if the player fails the check, the character becomes Afraid, and if Afraid, becomes Terrified. If Afraid, a Player Character loses one die from all Core Skills, and two if Terrified. This temporary, and a Player Character can get rid of the effects of Fear be escaping or vanquishing the threat, steadying himself (this requires another Fear Check), or another Player Character uses an Ability to help him.

Narratively, Shiver is played out against a Doom Clock. This at eleven o’clock at night and counts up minute by minute to Midnight and the Player Characters’ inevitable Doooommm! However, at ‘Quarter Past’, ‘Half Past’, ‘Quarter To’, and ‘Midnight’ certain events will happen, these being defined in the scenario or written in by the Director. So if camping at Lake Blood, a storm might break out at ‘Quarter Past’, then the strange old man who actually knows more than he is letting on might be abducted at ‘Half Past’, a tree fall on the Player Characters’ van at ‘Quarter To’, and then ‘Midnight’, the Serial Killer switch to chasing the Player Characters rather than stalking them. In general the Doom Clock will tick up due to the actions of the Player Characters, whether that is because of a failed skill check with Strange symbols, a failed Fear Check, abilities for the Weird Archetype, Background Flaws, or simply interacting with the wrong things in game. What this means is that dice rolls become even more uncertain, their outcome having more of negative effect potentially than just failures, but this is all in keeping with the genre. However, just as the Doom Clock can tick up to ‘Midnight’ through the Player Characters’ actions. It can also be turned back due to their actions. Rolling two Luck on skill checks, reaching Story Milestones, finding clues and important items, and certain Abilities can all turn the Doom Clock back.
Just as the Doom Clock racks up the tension and triggers bad events, it can also trigger positive events. Some Archetypes have Abilities which can only be used ‘Once Per Doom Quarter’ (others can only be used ‘Once Per Doom Cycle’), whilst the Weird Archetype in particular has Abilities which require the Doom Clock to tick up and trigger. This does make the Weird Archetype a little more complex than the other Archetypes to play and the Abilities are not always going to be helpful to the other Player Characters.

For the Director, there is good advice on her role, setting up a game and setting its tone, building and structuring a story, getting the Player Characters involved, adjudicating the rules, handling the Doom Clock and designing events around it, handling Player Character deaths, and rewarding the Player Characters. The latter ranges from handing out Advantage dice and turning the Doom Clock back to their finding weapons and equipment and being given Levels Up. The latter is based on narrative events and each gives an Archetype access to new Abilities and/or Core Skill increases. In a campaign, it might be as often as at the end of a chapter, but in a one-shot it might be as fast as once a Quarter on the Doom Clock! In addition, the Director is given a huge list of equipment from baseball bats and books of banishment to stake rifles and zweihanders, from acid flasks and bear traps to the Helsing crossbow and Excalibur, and from berserker’s bear and bomb disposal suit to jet packs and symbiotic entities, there is just everything she needs to equip her Player Characters, NPCs, and seed a scenario across an array of genres and time periods.

Similarly, the Director has a big list of monsters and enemies to choose from. They categorised under Slashers, Shapeshifters, Dark Magic, Demonic, Cosmic Horrors, Eldritch Entities, Spirits, Aliens, Vampyrs, and Zombies. All are fully detailed and reflect a wide range of threats and stories that they lend themselves to, and further support the different subgenres of horror that Shiver is designed to cover. In addition to their own Abilities, these monsters and enemies can use Reaction Tables which the Director rolls on whenever a Player Character strikes them in combat. This requires a roll of a single Skill die, and might see a Bruiser type retaliating a slashing attack that does one Blunt damage if the Grit symbol is rolled or Dracula turning into a Cloud of Bats and flitting away on the roll of a Wit symbol. Apart from the Reaction table for Dracula, the Reaction tables are all generic and include a no effect result for rolling the Luck symbol—except for Dracula in which case, he gets hit ‘Right in the Kisser’ and prevents him from making an infect attacks on the next round due to the blow on his fangs! There is advice too for creating Reaction tables for other monsters. Lastly, there is a scenario, ‘Corporate Risers’, which casts the Player Characters as lowly employees at a corporate research centre when there is an outbreak of the zombies. It is a decent scenario which gives a chance for the Director and her players to experience Shiver in a one-shot. It includes notes on character types to create for it, or the player could use those from the SHIVER RPG Quick-start Guide.

Physically, Shiver – Role-playing Tales in the Strange & the Unknown is a good-looking book. The artwork is excellent, done in a style similar to that of Mike Mignola and his Hellboy comic, and very much showcases the type of horror stories that Shiver was designed to handle. The writing is clear, but in places, the roleplaying game could have been slightly better organised to make things easier to find.
If there is an issue with Shiver, it lies its generic nature and sometimes in the limited choices offered by the Archetypes. The generic nature means it has to work harder at some subgenres than others and not all of the Abilities offered by the Paths for the Archetypes necessarily fit. This is all due to Shiver having to cover a wide variety of horror types and elements and so some nuances may be lost. However, there are nuances to be found in the mechanics, especially in the Archetype and Ability design as they interact with the Doom Clock. Another issue is that as written, it does feel primarily written for one-shots, so it would be interesting to see what a campaign for Shiver looks like.

Shiver – Role-playing Tales in the Strange & the Unknown is great for one-shots and convention games too. Its simple, fast-paced mechanics hide some nice little nuances—especially in the design of Archetypes and the way that they and the dice rolls interact with the Doom Clock, which means that the players are not just going to be kept on their toes by the monsters, but also by their own dice rolls, as the tension racks up and the clock ticks down... If a group is looking for a generic horror roleplaying game that veers a little towards the Pulp and which can do a range of horror subgenres, especially film-inspired ones, then Shiver – Role-playing Tales in the Strange & the Unknown is a perfect choice.

Future War is Hell

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Rogue Trooper is a standalone supplement for Judge Dredd and the Worlds of 2000 AD. Published by En Publishing it is based on the 2000 AD comic strip of the same name, set in the far future. Two great empires, the Greater Nordland Republic and the Southern Cross Confederacy constantly clash, in particular on Nu Earth. In the past fifty years, this has become a world war, the planet divided between the two factions, known as the Norts and the Southers, and turned in a nuclear, biological, and chemical ravaged wasteland. In order to break the stalemate, Milli-Com of the Southern Cross Confederacy develops elite clones known as G.I.s or Genetic Infantry. When they are deployed in the year ’86, most of the G.I.s are killed in the Quartz Zone Massacre. There would be only one survivor, Rogue, who accompanied by his former squad mates, Bagman, Gunnar, and Helm, downloaded onto biochips and slotted into his gear, would ultimately unmask the traitor responsible for the massacre. With obvious parallels between with the American Civil War, but also drawing on other modern conflicts, especially the First World War the Vietnam War, Rogue Trooper has been running as an ongoing if irregular series since 1981 and been developed into a board game from Games Workshop and a computer game. Like many series that appear in the pages of 2000 AD, there is an element of satire to many of the stories, though not as strong as that found within the Judge Dredd stories, and the humour in the stories veers towards the gallows. Rogue Trooper from En Publishing is the first roleplaying treatment of it and enables the players to take the roles of Genetic Infantry or ordinary conscripts and get shipped down to Nu Earth as part of the war effort. The blue-skinned G.I.s are designed to survive in the toxic landscape of Nu Earth. Anyone else will need to wear a chemsuit…

After an overview and introduction, the Rogue Trooper supplement begins with ‘Prior Service and Future Careers’, a guide to character types for the setting. Several options are given, most obviously G.I. Clones and Humans. The first of the others includes the Strigoi, the result of genetic manipulation by the Nordland Republic to create enhanced super soldiers, the strain for which escaped into broader Nort society, enhancing some, whilst others tend towards cruelty and murderous madness. Most carry a minor cosmetic mutation, but those suffering from severe mutations are hunted down by the Office of Genetic Purity. ‘Doll’ G.I. Clones are different to G.I. Clones and have to contend with Milli-Com’s sexist attitude and have only recently been assigned military missions. Blue Mooners are an early Souther genetic experiment, a hardy, short species typically used as cheap labour in mining operations, whilst some have joined travelling bands of entertainers. Semi-Mooners are the offspring of both Humans and Blue Mooners, whilst Sims are the result of another Nort genetic programme, this time creating a simian species typically used as trackers or expendable troops. Robots are also an option and are fully detailed in the Judge Dredd and the Worlds of 2000 AD core rules, though The Robot Wars may also be of use. Each of these species comes with their own Exploits and skill choices as per the core rules.

Character creation in Judge Dredd and the Worlds of 2000 AD involves a player selecting five Careers for his characters and Rogue Trooper includes new Origins, such as Military Brat, Orphan, Survivor, and War Droid, and a variety of Careers to choose from after the Origins. Most of these Careers are Military in nature, so Boot Camp, Fifth-Columnist, Officer, Snow Trooper, Space Marine, and more, but there is the odd Civilian and Criminal Careers too, like the Bounty Hunter and the Marauder. The Explosives Expert, Guerrilla, Medic, Priest, Prisoner, and others fall under the ‘varied’ category and can be civilian or military Careers. There are suggestions too on the Careers from Judge Dredd and the Worlds of 2000 AD which can be used in Rogue Trooper. G.I. characters have their own Careers, starting with G.I. Cadet or G.I. ‘Doll’ Cadet and going on Milli-Com Advanced G.I. Programs such as Basic Mechanics, Combat Range, G.I. Officer Training, Martial Arts, and Trauma First Aid. Notably, the included ‘Rest And Recuperation’ Career enforces the sexist attitude of Milli-Com towards ‘Doll’ G.I. Clones and a gaming group may want to discuss whether it wants to include this aspect of their setting in their campaign.

As a military Science Fiction setting, Rogue Trooper comes with a lengthy equipment chapter which details the huge range of equipment seen in the comic series and fielded by the Norts and the Southers, and the others. The most notable of these are the G.I. rifle, G.I. helmet, and G.I. backpack used by Rogue himself as well as the Biochips—and related technologies—whose personality matrices can be used to store the personality of a biochipped individual. Little all of the equipment, weapons, and vehicles are illustrated, and whilst this is disappointing, obviously, both Game Master and players will need to refer to the comics to get an idea of what they look like—and that is no bad thing in itself. Plus, illustrating all of that would have greatly increased the size of the book.

Where Rogue Trooper begins to feel a little underwritten is in its description of Nu Earth. From the Ab-Yss crevasses caused by subterranean atomic-biological weaponry, Acid Pools, and Chem-Jungles to Pueblo Pyramids, Prisoner of War Camps, and Refugee Camps, the supplement has to cover a lot, but does not always do so in detail. The degree of detail here depends upon the level of detail in the source material, and some entries are accompanied by suggestions as to how the Game Master might use them in play, sometimes more than the actual description. The same applies to specific locations, whether on Nu Earth or beyond, thus Cinnabar ‘The City of Dreams’ is described in some detail, whilst Fort Ant, a Southern outpost which suffered an outbreak of a plague is accorded a single sentence (but actually accompanied by a whole paragraph on how to use it in play). In general, the specific locations are given more attention then the generic, and the same applies to the locations beyond Nu Earth too. There is a timeline here as well, and it is surprising just how short this. Again, that is down to the source material rather than the authors.

In terms of campaign, Rogue Trooper understandably focuses on military campaigns and possible variants. Primarily this is as G.I. Clones, and this has several advantages. One is that such Player Characters can fight unencumbered by armour—unlike other forces on Nu Earth, and the capacity to download a Player Character’s to a Biochip provides a form of immortality. A scenario or even a small campaign could be run with several Player Characters actually surviving as Biochips, though this does have it limitations in terms of character agency. This is supported by Exploits such as ‘All Chip Together’ which enables a G.I. and his Chipped buddies to share LUC pools, and particular features of the backpack, helmet, and rifle which come into play when a Biochip with a personality is slotted into it. Also discussed is how to involve Nort characters in a campaign as Player Characters and the possibility of taking a campaign of Nu Earth or even into other dimensions, such as a crossover with Strontium Dog. All of this is supported by tables for generating military missions, encounters on and off Nu Earth, and rules for asphyxiation—the atmosphere of Nu Earth being toxic—and Nu Earth madness, the long-term reaction to serving on the hellhole that is Nu Earth.

Rogue Trooper comes with not only a short campaign, but two scenarios and a set of mission dossiers. ‘All Hell On The Dix-I Front’ is a detailed campaign outline based on the Rogue Trooper story of the same name and can be played with or without Rogue’s involvement. Over the course of its twelve episodes, the Player Characters attempt to prevent and then survive a surprise attack on the city of Nu-Atlanta by Nort forces. As with other supplements for Judge Dredd and the Worlds of 2000 AD, such as The Robot Wars or Lunar-1, each episode includes a synopsis of the actual story for the comic and then several suggestions as to how to run for the Player Characters. The mission dossiers several detailed outlines, as well as a full scenario, ‘The Perils of Bucky Aurora’ suitable for beginning Player Characters, who are tasked with rescuing an actor who is currently starring in a new and reimagined series based on a beloved space opera video series and who has been kidnapped. Options are included for running it with different groups and set-ups, such as bounty hunters, and the Game Master should definitely let the Player Characters wonder if the actor, Rab Custer, has actually been kidnapped or this is just a new episode being staged for his benefit… The two mission dossiers set off Nu Earth are also fairly detailed. ‘Spy In The Citadel’ is actually based on The 86ers comic strip, which though set in the same universe, is not about Rogue, and involves the Norts rather than the Southers. The mission involves extracting a spy from a Souther space station and requires fewer combat skills than other missions. The set-up, especially using Nort Player Characters, makes this scenario more difficult to use than others, but the Game Master could adapt it if need be. The other scenario, ‘Hunted By Nu-Oktober’, similarly involves fewer combat and more technical skills as the Player Characters are the crew or passengers aboard a Souther scoutship which is targeted by a Nort warship. This has the tension and claustrophobia of a submarine film and should make for a welcome change of pace. Lastly, Rogue Trooper comes with write-ups of the main characters from the comic series. Not just Rogue and his Biochip buddies, but also Brass and Bland, the battlefield scavengers, Major Magnam, the G.I. Officer who hunts Rogue, the Traitor General, and more, whilst an appendix has a glossary of the various terms from the comic.
Physically, Rogue Trooper is decently presented. It uses a lot of artwork from the comic and is in general, an easy book to read. In places it feels underwritten, but that is due to the lack of source material more than anything else. It does feel as if more of the background should have been upfront rather than necessarily leaping straight in with characters and careers, and so on, just to give a little more context for the reader.

Rogue Trooper provides everything that a gaming group would want to play a campaign set in the milieu of the 2000 AD comic strip. From Careers and Exploits to Allies and Enemies via details of both equipment and Nu Earth plus scenarios, Rogue Trooper is a comprehensive guide to taking your players and their characters to war on Nu Earth.

Solitaire: Apothecaria

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The two previous titles from Blackwell Games have been full of bombast and action and flame and more, all set underground. Both DELVE: A Solo Map Drawing Game and RISE: A Game of Spreading Evil are map drawing games played solo, the counter parts of each other, in which the player draws and builds, populates and defends, and explores and exploits a network of caves, tunnels, and chambers. In DELVE, this is as a Dwarven Overseer digging down to expand their hold, whilst in RISE, it is as Dungeon Keeper, digging and expanding upwards to reach the surface. Apothecaria: Solo Potion Making RPG is different. First, Apothecaria is a Journaling roleplaying game in which the player will write-up and develop the events as they occur during their play through of the game. Second, there is no map involved in Apothecaria. Third, Apothecaria is definitely set above ground (mostly). Fourth, the theme to Apothecaria is pleasingly rustic.

In the Apothecaria: Solo Potion Making RPG, the player takes the role of a Witch who has recently inherited the position in the village of High Rannoc, after the previous incumbent disappeared. The primary role of the witch in High Rannoc is to find cures for ailments and lift curses suffered by its often sickly, accident prone, or simply unlucky villagers. One might have a Magnetic Thumb due to an abundance of iron in their blood, be Frogified and have wartylips from kissing too many frogs in case one of them turned into a prince or princess, suffering from Druidic Madness after spending too much time in stone circles and become obsessed with them and want to build them everywhere to everyone’s annoyance, or be infected with Phodothropy and turn into a monstrous hamster at the full moon, constantly walls and fences. No matter the affliction, there is a cure and the Witch can find it and concoct it with some effort. Fortunately, the Old Witch left some rather rambling notes, which the new Witch is really going to need as they are new to the profession.

Apothecaria: Solo Potion Making RPG is thus a game about helping people. It is also a game about becoming a better Witch—mostly by have better equipment, facilities, and helpers; a game about exploration for many of the Reagents needed to mix up a potion, a poultice, or a salve, have to be found; and ultimately, a game about a mystery—what happened to the Old Witch and where are they now? All a player will need to become the new Witch of High Rannoc is a journal, a good pen, some scrap paper, and an ordinary deck of playing cards. Over the course of four seasons, each thirteen weeks in length, the Witch will be visited again and again by the inhabitants of High Rannoc (hopefully not the same inhabitant, because that would be, well, weird…) afflicted by a random ailment or injury, and the Witch will use Reagents to create a cure. Depending upon the season, the Reagents will come from particular regions and the Witch will need to forage for them. Travelling between regions and foraging takes time, which can be a problem as some ailments have a time limit. If the Witch cannot successfully forage for Reagents and mix up a potion in time, there will be consequences—and even if an ailment has no time limit and thus no consequences, if a Witch takes too long, their reputation suffers. The Witch should also check to see if the Reagents add Sweetness or Poison to the potion. They counter each other, but Sweetness increases the price a Witch can charge, whilst Poison reduces it.

To determine an Ailment, the Witch draws a card. Each Ailment has a name, Tags which refer to the type of Reagent required to make up the potion cure and a number of Stars which must be matched by the Reagents found in order to counter the symptoms. If the Ailment has a Timer value, representing the number of turns the Witch has to find the Reagents and mix up the potion, it will also have a consequence. The Witch then identifies Reagents which match the Tags for the Ailment and where they will be found. Once known, the Witch travels to the region and begins to forage. Each forging attempt reduces the Timer for Ailment by one and the Consequence will be triggered if it is reduced to zero. To forage, the Witch draws another card. This has a dual use. First, it refers to an event which happens before the forage attempt is made, and second, the value of the card is compared to the value of the Reagent being foraged for. If it is, the Witch is successful and can either look for the second Reagent (or another Reagent if the Ailment has no timer), travel to another region to forage, or return home to High Rannoc to mix up the potion.
For example, Herschel the Hound Master comes to the Witch with bad breath—very bad breath. In fact, Herbert’s mouth reeks like a tavern’s privy. The Witch diagnoses Cludgie Mouth, a curse laid upon him by a Bog Goblin! It is listed as a Curse and an Infection, and has a Timer of Six. The Witch consults the few books left behind by their predecessor and determines that the potion requires a Star Shard for the Curse from Moonbreaker Mountain and Slime Shell for Infection from Meltwater Loch.

The Witch travels to Moonbreaker Mountain. There she draws her first card—a five. Checking the event list for Moonbreaker Mountain, they discover that a hot air balloon lands beside them and the balloonist offers the Witch a lift to anywhere they want. This increases the Timer value by one to seven. The Witch then searches for the Star Shard. The value of the Star Shard that the card needs to equal or beat is five, and the card does that. The Witch is successful in her first foraging attempt and reduces the Timer back down to six. Next, the Witch takes the balloonist up on their offer and together they travel to Meltwater Loch. This reduces the Time to five.

On the shores of Meltwater Loch, the Witch draws another card. This time it is an Ace and the Witch has discovered a set of strange footprints along the beach. This distracts them and so the Witch does not find any Slime Shell. One is added to their Forage value in this turn. If the Forage Value rises to the value of the Reagent needed, the Witch will automatically find it. However, the Witch does not have the time for that to happen as the Timer is reduced to four. They draw another card for their next Foraging attempt. This time it is a Queen. That is definitely high enough for the Witch to find the Slime Shell, but they also find a bottle containing a strange message, complete with instructions on how to reply. With the Timer reduced to three, the Witch returns to High Rannoc, where they use the mortar and pestle to crush the Star Shard and add the Shell Slime raw to the potion. The Witch hands the concoction, newly named the Potion of Orifical Serenity. Herschel the Hound Master burps once and with that the stench of the privy is gone. He readily pays the Witch the twenty silver pieces and vows never to get into an argument with a Bog Goblin again.In addition to attempting to cure an Ailment, a Witch also has a period of Downtime each week. This also has a Timer of six, so if the Witch spends too much time doing other things rather than curing the villagers, the Witch’s reputation also suffers! These downtime activities might include going to dinner with a friend, going on an adventure in a dungeon, or just going out foraging in readiness for the next week’s patient and their Ailment, whomever and whatever that is. The Witch can also visit High Rannoc, perhaps to hire an adventurer at the Copper Fox Tavern who will negate an event, visit the Lunar Tower to attune their equipment and make the next foraging attempt easier, or even purchase Reagents at the local store, Bits & Bobs. In the future, when they have earned enough silver, the Witch can upgrade their cottage and its facilities, such as installing a Hive for the honey to add sweetness to potions, building a Treatment Room which increase the price of any potion and the Timer for any Ailment, or install a Travel Stone so that the Witch can travel back and forth between two locations with reducing the Timer. The Witch can buy better equipment, such as a Wand necessary to forage for certain Reagents, or a coracle needed to travel to the Blastfire Bog. This opens up new areas to Forage and thus experience events in. Similarly, the Witch could also summon a Familiar who will help them.

A festival, such as the Flower Festival at the end of spring or the Frostfall Festival at the end of the year. These are worth participating in, as they can gain the Witch benefits which will last long after the event. For example, if crowned the King/Queen of Flowers, the Witch receives the Flower Crown and will find it easier to find Plant Reagents. In addition, if a Joker is drawn at any time, or not drawn at all during a season, the Witch learns a clue about the whereabouts of their predecessor. There are four tables of clue’s relating to the predecessor’s disappearance and the Witch will draw from all of these over the course of the game and its year.

Throughout this, the player not only takes notes, but develops a narrative based on the cards they have drawn, the efforts of their Witch, and events and all of their outcomes. It is not just a matter of how and where the Witch found a particular Reagent, but also what happened as the result of each region’s events. So for example, the player whose Witch encountered and travelled with the balloonist would describe the balloon journey and what happened on it, whilst when the Witch found the message in the bottle, they could have simply thrown it back into the lot, but also replied to the message. In which case, the player can write down the nature of the message and also what the Witch wrote in reply. The player is also free to ignore this or any aspect of the rules if it impedes the telling of the Witch’s story.

Apothecaria: Solo Potion Making RPG is a solo, procedural roleplaying with a lovely theme, that you can just sit down and play at your leisure. However, it is not that easy. Not necessarily because of the mechanics, but more due to the layout of Apothecaria: Solo Potion Making RPG. It is partly written in the character of the Witch’s predecessor and partly not, and it gives the game a slightly disjointed feel. Plus, it does not always explain fully how the game is played or indeed in the right place in the book. Perhaps clearer or fuller examples of play might have alleviated this. What it means is that the player will need to work back and forth through the pages of Apothecaria: Solo Potion Making RPG to really grasp quite what they should be doing.

Physically, Apothecaria: Solo Potion Making RPG is nicely presented. It is lightly, but decently illustrated, and barring the issues raised above, an enjoyable read.

Inspired by films such as Howl’s Moving Castle and Spirited AwayApothecaria: Solo Potion Making RPG possesses a warmth and cosiness which the designer’s other roleplaying games lack. With its feminine charm and relaxing play style, Apothecaria: Solo Potion Making RPG is a genuinely lovely little roleplaying game. Perfect with a fountain pen, a nice hot cup of tea, and a long afternoon in front of any prospective Witch.

Friday Filler: ALIEN: Fate of the Nostromo

Reviews from R'lyeh -

ALIEN: Fate of the Nostromo is the meeting of two trends. One is the development of games based on the Alien Universe, best typified by the Aliens: Another Glorious Day in the Corps and Alien: The Roleplaying Game. The other is the revisitation of older intellectual properties using modern game design and in the process create a playing experience that is true to the source material and far superior to anything which could have been done when those intellectual properties first appeared. Further, in the case of ALIEN: Fate of the Nostromo has been designed to be played by both a general board gaming audience and a fan audience. This is also the same with board games such as Jaws: A Boardgame of Strategy and Suspense and Horrified, and together the three also share a publisher, Ravensburger, and a play style in that they are co-operative board games.

Another interesting aspect of ALIEN: Fate of the Nostromo is that it is based upon Alien, the first film in the franchise, rather than on Aliens, which is the second. Aliens has been the property of choice to base a game, whether roleplaying game or board game or computer game. This is because Aliens combines action and horror, so that whilst the Xenomorphs are bent either grabbing their victims ready for implantation of eggs by the Facehuggers or simply ripping them apart, the protagonists and thus the players are armed and can fight back. As scary as Aliens is, it is not a subtle film in comparison to Alien where the atmosphere is one of isolation and of being hunted by something unknown, something alien, and something unstoppable. This is what ALIEN: Fate of the Nostromo has to capture in its play style.

ALIEN: Fate of the Nostromo is a co-operative game designed for one to five players, aged fourteen and up. They take the role of the crew of the USCSS Nostromo—Captain Dallas, Warrant Officer Ripley, Chief Engineer Parker, Engineering Technician Brett, and Navigation Officer Lambert—who must survive the invasion of their ship by a hostile alien long enough to perform a number of Objectives before performing one final Objective and successfully abandoning her. At all times, as they move around the Nostromo, they are stalked down its corridors and through its various areas by the creature, constantly thwarting the crewmembers’ efforts and effectively demoralising them. If the crew can complete both its assigned Objectives and the final Objective, the players will win the game, but if the morale of the crew is reduced to zero, the Alien wins and the players lose…

Open up the box for ALIEN: Fate of the Nostromo and the very first thing you see is a painting of Jones the Cat, frightened and hissing at something behind you. This is on the back of the board and so adds nothing to game play, but it is a great touch and adds to the atmosphere of the game if not its game play. Open up the board itself and it depicts the decks and rooms of the Nostromo connected by corridors and ladders. One of these, at the bottom of the spaceship, is the Nest where the Alien begins play, but look closely and there are some nice touches, such as the streaks of blood leading away from the table where the Chestburster burst out of Kane in the Galley and the holes in the floor burned by the Facehugger’s blood in both the Med Bay and the Lower Deck. The playing pieces of the crew—Dallas, Ripley, Brett, Parker, and Lambert, as well as the Alien—are decent depictions of the characters, such that Brett is actually smoking and you can imagine him saying, “Right, right…” and agreeing with Parker.

The other components consist of the eight-page rule book, five Crew Boards—one for each of the crew, five Player Reference Cards, a Morale Marker, thirty-six cards (twenty-one Encounter Cards, ten Objective Cards, and five Final Mission Cards), a Self-Destruct Track, fifty-five tokens (twenty Scrap Tokens, twelve Item Tokens, six Coolant Canister Tokens, six Concealed Tokens, a Self-Destruct Token, and four Countdown Tokens), and markers for both Morale and Ash, the Nostromo’s android Science Officer. All of these are of a good quality with fully painted artwork which really captures the feel of the film, the Nostromo, the Crew, and the Alien. Those of the crew on their Crew Boards are particularly good.

ALIEN: Fate of the Nostromo is quick and easy to set-up—and the rulebook takes the player through this step by step. The Alien begins in the Nest, the Crew in the Galley, Scrap, Coolant Canister, and Concealed Tokens are distributed throughout the ship, several random Objective Cards are revealed—equal to the number of players plus one, and a Final Mission Card is drawn and placed face down. It is only revealed when all of the Objectives have been completed. To complete an Objective, the Crew must bring particular Items to locations around the Nostromo. For example, ‘Where is it?’ directs the Crew to bring a Flashlight to the Med Bay and ‘Crew Meeting’ directs all of the Crew to assemble in the Galley with at least one piece of Scrap each. Scrap is a vital resource throughout the game because it is used to Craft Items such as a Motion Detector, Flashlight, Grapple Gun, the Cat Carrier, and so on. Many of the items have limited use and so may need to be manufactured more than once! The Final Mission Cards typically have several objectives, for example, ‘Escape on the Narcissus’ requires the Crew to take Coolant Canisters to the Docking Bay, have the Cat Carrier and Incinerator in their inventories, and then all assemble in the Docking Bay.

Each player’s turn consists of a Crew Action Phase and an Encounter Phase. In the Crew Action Phase, the Crewmember expends Action Points to move, pick up or drop Items or Scrap, Craft or Use Items, and Trade Items and Scrap with fellow Crewmembers. The Crew possess between three and five Action Points as well as a Special Ability. Ripley has four Action Points and can spend one to move another Crewmember one space; Dallas simply has five Action Points; Brett has three and reduces the Scrap coast when crafting Items; Parker has four and can spend one to add one Scrap to his Inventory from the pile beside the board rather than from the board; and Lambert has four and can spend one to examine the top card of the Encounter Deck and place it at the bottom of the deck.

The danger of movement is that the Crewmember will come across a Concealed Token. When revealed, this might be nothing and the Crewmember will be safe, it might be Jones the Cat who hisses at them and decreases Morale, or it might be the Alien in a Surprise Attack, who immediately moves to that location. The Crewmember then flees from that location and the player’s turn ends and there is no Encounter Phase.

If a Crewmember survives long enough to end the Crew Action Phase, the Encounter Phase takes place. An Encounter Card is drawn. Each indicates how many spaces the Alien must move towards the nearest Crewmember, how much Morale damage is inflicted if it encounters a Crewmember, and where new Scrap and Concealed Tokens should be placed, if any. As with a Surprise Attack Concealed Token, when the Alien encounters the Crewmember must flee three spaces, and whether fleeing from the Alien as the result of an encounter in the Encounter Phase or a Surprise attack, if the Crewmember runs across another Concealed Token, that too must be revealed. If that is another Surprise Attack, the Alien catches up with the Crewmember, who is forced to flee again, and so on and so on as the Alien stalks them through the bowels of the ship!

Throughout the game, the Items become really important as they provide the Crewmembers with an advantage, if only temporarily. The Motion Detector is used to reveal nearby Concealed Tokens, the Incinerator to drive the Alien back to its Nest, the Flashlight to reduce Morale loss, the Grapple Gun to drive off the Alien, and the Cat Carrier to contain Jones the Cat and stop him jumping out and scaring the Crewmembers when Concealed Tokens are revealed.

In addition to the standard game ALIEN: Fate of the Nostromo can be played solo and the challenge that the Crewmembers and their players face be made more difficult. Solo play is little different to the standard game except that some of the Final Missions are excluded, whilst the game is made more difficult with the ‘I can’t lie about your chances’ option, which adds the Science Officer and android Ash to the game. Ideally, solo play should be done with more than one Crewmember as this gives the player more options in terms of their Special Abilities, whilst when Ash is in play, he constantly confronts the Crewmembers, forcing them to drop Scrap or reduce Morale. He also picks up Scrap as he moves around the Nostromo. The lack of Scrap will make Crafting Items all the more difficult and thus Objectives harder to fulfil.

There is no denying the strength of the theme in ALIEN: Fate of the Nostromo and how it affects play. The tension never lets up, there is the constant chance of the Alien turning up, or Jones the Cat leaping out and frightening the Crewmembers, and yet… ALIEN: Fate of the Nostromo is perfectly playable and an enjoyable game to play, but it has a couple of issues. One is that it never fully follows through on its theme, which is that of something stalking the Crew Members throughout the Nostromo and killing them off a la Ten Little Indians. Nobody though, in ALIEN: Fate of the Nostromo the Alien does not kill anyone, instead its victims just flee and become further demoralised. Thus the ardent fan could complain that ALIEN: Fate of the Nostromo is not a true reflection of Alien at all, but would a true reflection actually be fun to play? Probably not, because Crewmember elimination would mean player elimination and not only make the game’s winning conditions harder to achieve, but also not fun for the players whose Crew Members have been eliminated. Then there is the audience to take into account because ALIEN: Fate of the Nostromo is designed for a family audience and a teenage audience, and a bloody horror game is not necessarily suitable for either.
This does not mean that the game ignores fans of the film. What it does mean is that the family can play this game without getting too horrified by the absentee blood or the missing gore, whilst the fans of the film can enjoy the still strong theme of game—especially in its look—as well as have chance to roleplay and table talk their Crew Members as much as they want and throw in as many of the quotes from Alien that fit.

As much fun as encountering and fleeing from the Alien is in ALIEN: Fate of the Nostromo, the actual Objectives, all ‘pick-up and deliver’ tasks are underwhelming and feel more like the means to hold off the actions of the Crewmembers until such times as they can tackle the Final Mission. And whilst each of the Final Missions does actually feel thematic, their phrasing is not always clear in meaning. What this means is that the players do need to make more of an effort to buy into the game—not much extra effort, but some…

ALIEN: Fate of the Nostromo is a solid, decently thematic lighter co-operative game. It takes a heavy horror theme and tone and builds as much of that as it can into a game that is suitable for the family. That is quite an achievement.

Kickstart Your Weekend: Cthulhu Awakens Roleplaying Game

The Other Side -

This week Other Side Favorite Green Ronin is up with a new AGE game and a new Mythos game.  Lucky for me they are one and the same!

Cthulhu Awakens Roleplaying Game

Cthulhu Awakens Roleplaying Game

https://www.kickstarter.com/projects/greenroninpub/cthulhu-awakens-roleplaying-game?ref=theotherside

Funded in 40 minutes it is currently sitting at about 6x its funding goal. 

This game, powered by their A.G.E. system (ModernAGE, The Expanse, Blue Rose) covers "The Weird Century" from the 1920s til today.  And the mythos talked about in stories and tales are only a part of the picture.

Do we need another Cthulhu/Mythos game?  Maybe, maybe not, but I do like what I see here and I find this more exciting than some of the Mythos-related RPGs that have come out in the past. 

For my home games I can see us using this a lot. For starters there is all the new background details and I like having new life breathed into my Mythos every so often.  Sure I do my own stuff, but it is nice to get a fresh perspective.

My son plays FantasyAGE so I am sure I'll do something with that.

I have been trying out The Expanse (spoiler I love it) and I love mixing space travel with the Mythos (see BlackStar) so what if the protomolecule is related to the Old Ones?  It could be the start of my BlackStar game! Or at least give me some fun ideas. 

The design team for this looks great and I am looking forward to seeing what they can come up with.

Friday Fantasy: The Scourge of Olfindour

Reviews from R'lyeh -

The Scourge of Olfindour is an adventure for Dungeons & Dragons, Fifth Edition. Published by Critical Kit, it is designed for a party of four to five Player Characters of Fifth Level and is intended to be played in a single session, either as a one-shot or as part of an ongoing campaign. Like the earlier Lock-in at the Blind Raven it involves a strange night of gothic horror and mystery in a tavern on one dark night. The emphasis in the scenario is on interaction, roleplaying, and combat—primarily the latter. As with other titles in series from Critical Kit, this is easy to drop into an ongoing campaign.

The Scourge of Olfindour begins with the Player Characters on the road to Olfindour, a recently established hamlet on the border of the vast expanse of frozen land to the north known as Whiteweather. Deciding to stop for the night, they find the hamlet strangely deserted, a barricade roughly built across its single street, its houses boarded up, and the only signs of life to be found at its tavern, the Oakenhurst. They are quickly ushered inside and the door barred. With a beer in hand, the Player Characters are told that the hamlet has recently been subject to number of strange attacks and abductions, and that the fifty or so wary survivors have taken to holing up in the tavern for protection each night. Unfortunately, it proves not to be the refuge that the inhabitants of Olfindour had hoped it would be.

When Anders, one of the missing inhabitants comes knocking at the door of the tavern, plaintively begging to be let in, his father, Wulf, joyfully does—only for his joy to be undone as Anders transforms into a werewolf and bites his father! Amidst screams of terror and shouts of horror, the inhabitants of Olfindour panic and the whole of the tavern erupts into chaos. When the fight is over, the werewolf Anders is likely to be dead, but Wulf is gone, nowhere to be seen, although there is a trail of blood which can be easily followed. In fact, there is a trail of blood which can be easily followed whichever route the Player Characters decide to take, and the trail leads underground to a confrontation with the leader of the pack of werewolves and perhaps a solution to the threat facing Olfindour...

The Scourge of Olfindour has two potential problems. One is the letting of Wulf go to the door to let his son, Anders, into the Oakenhurst. The players may complain of a lack of agency, that their characters were unable to prevent this. Against this is the fact that without it happening, the plot to the scenario cannot progress. The other is that the finale to the scenario is underwritten and exactly what happens when the villain defeated is not presented. Ideally, the Dungeon Master should give some thought as to what happens when the villain is defeated what this looks like.

The werewolves in The Scourge of Olfindour differ from the standard take upon this type of Lyncanthrope. Primarily, they are not bound by the waxing and the waning of the Moon, but are driven by more primal urges. Otherwise, they are only affected by magical or silvered weapons, their bite transmits the curse, and so on. Full stats for these werewolves, their pack leader and their winter wolf allies are provided in the scenario. The Scourge of Olfindour is a horror scenario, but not as mild as that of Lock-in at the Blind Raven. Its horror is much more physical, much more bloody, which is reflected in the combative nature of the scenario and the threat the Player Characters will face.

Physically, The Scourge of Olfindour is decently presented, everything is easy to grasp, and the single map in the scenario is easy to use. The Scourge of Olfindour is an easy scenario to use and an easy scenario to use in any number of settings, for example Ravenloft also for Dungeons & Dragons, Fifth Edition. It could be adapted to other settings or roleplaying games with elements of horror, for example, Warhammer Fantasy Roleplay and Symbaroum would work for either.

The Scourge of Olfindour is designed to be played in a single session and would make for a decent interlude of combat and horror and mystery between longer adventures. The Dungeon Master will find it easy to adjust the nature of the horror up or down, depending upon the maturity of the Player Characters, making the encounters with the werewolves less or more bloody. If the Dungeon Master wants something brutal and bloody to run in between longer scenarios as the Player Characters make their way to colder climes, then The Scourge of Olfindour fits the bill.

I Am A Lying Liar from Liartown

The Other Side -

I was cleaning up my office on Wednesday, waiting for a meeting to start when I started going through a bunch of binders I have.  In particular a few for notes on my witch and necromancer classes (maybe I'll do a necromancer one day).  Anyway, I sorted through all my notes and I found many treasures.

3.5" Floppy disk.  What treasures await??

The fruits of that labor are:

More Monsters!

And...I dug up enough information for not just two new witch books, but three.

For the last year or more, I have been talking about "My Last Witch Book" the High Witchcraft Tradition.  The High Witchcraft book is very much tied up in organizing all my notes and sources project, so I knew I was going to find new material for it today.

I knew I had a lot for it, it was just all over the place on whatever I decided to take notes on.  I thought I had maybe enough for it and another, smaller, book.  Nope. I have enough for three different books now.

I am not really ready to reveal what these other books are/will be.  I reserve the right not to do them if push comes to it.  

So. Yeah.  I guess I do have more books in me.  Though I think I am going to keep the High Witchcraft book as the Last book.

Now I just need to dig up a 3.5" floppy drive.

AD&D Players Handbook

D&D Chronologically -

It’s exciting to be reading this. Growing up, I definitely read large sections of it and used it as a reference but I’ve never read it cover to cover.

Note that most of my comments will be about things I personally find interesting, not an extensive discussion of everything in the book. (That goes for all my reviews I guess.)

Introduction

Instantly the Introduction is of interest because, having read everything up to this point, it specifically describes some of the changes in AD&D compared to Original D&D – eg stronger Fighters and Clerics.

The overview of the Game is a great bit of visualisation. It’s not about the mechanics – it’s about the flavour, the feats, the adventure. Even after all these years of playing these games, I find this an exciting read – it makes my imagination soar.

Character Creation

So, character creation, and the obvious first odd thing is how to generate your ability scores – use a method given to you by the DM from the DM’s Guide – which at this point wasn’t published yet! Further to that – no combat tables either!

Huh, I remember there being class/race limitations but not to this extent. No Dwarven clerics or magic-users, no Elven rangers etc. And so many other limitations on min/max ability scores and max character levels attainable depending on race/class.

Another rule I’d forgotten about – the fighter and fighter sub-classes can attack once per level of their experience per round if fighting monsters of less than one hit die.

There are all sorts of small details for each class that we never made use of when we played as kids. The monk takes the cake for all its specific rules.

Hit Points, Weapons and Armour

Now here’s an interesting rule – the DM can choose to keep the hit points of the characters a complete secret and only describe roughly how they feel – eg very weak.

It’s nice how Gygax describes the rationale for the hit point system – that basically the increasing hit points gained per level reflect increasing skill at dealing with attacks and damage – eg while 8 hit points of damage may kill a 1st level character, a 10th level character with 50 hit points will have managed to use their skill to mean proportionally they’re not in such a bad way from those same 8 hit points of damage.

Another rule we overlooked – shields can only be counted against a certain number of attacks per round.

The weapon type armour class adjustment tables make sense but are a bit of a nightmare. I remember a friend of mine having the combat computer to do all the calculations.

Spells

Spells, so many spells…

You know, when you really study some of the spells, you find some that can be incredibly useful. For example, lots of people complain about how hard Tomb of Horrors is, especially things like the spoilers! … thing that completely annihilates you. And yet, there’s a simple second level cleric spell called Augury which will pretty much tell you it’s a bad idea to put anything in it.

Gygax obviously has a sense of humour – some of the material components for spells are quite funny – eg for Wall of Fog, you need some split dried peas (ie pea soup fog) and there’s even a fart joke – for Gust of Wind you need a legume seed.

Without knowing it, Gygax has also described a dance rave spell, the Hypnotic Pattern – where the illusionist uses a crystal rod fill with phosphorescent material to mesmerise creatures into dumbstruck awe by waving it around in fancy patterns.

Adventuring

Now we move on to a smattering of sections about Adventuring – time, movement, light, etc. It’s a long time since I’ve read this and even then, I’m not sure I ever read a lot of these sections – there are quite a few tips that Gygax gives for how to deal with things like traps and tricks.

Combat

And then we come to Combat. I’d forgotten that you’re supposed to roll for initiative each round. Seems a bit tedious besides being a bit odd. To tell you the truth, I am rather confused by the example combat given. Eg how surprise doesn’t give a full round of actions, just some extra segments to the surprisers. And how the illusionist at one point has initiative and goes to cast a spell but is then interrupted by the thief attacking. There’s definitely not enough information given to explain how all this works. It must have been a very frustrating wait for the DM’s Guide to clarify all this. This is a recurring pattern. Eg for saving throws – “Your Dungeon Master has tables which show the saving throw scores…”

Although come to think of it, with regards to combat, I don’t think we ever played strictly by the rules. We probably played more of a bastardised AD&D/Basic combination of rules.

I like how Gygax at numerous times points out that this is a game. When it comes to modelling hit points, how combat rounds work, how experience points are gained, he very clearly states that of course it’s not very realistic in some respects but then neither are 12 foot tall giants. To model those things in detail does not make for a fun swashbuckling adventure!

Appendices

Appendix I – Psionics

Huh, reading Appendix I, I think I’ve finally got a grasp on how psionics works. I was totally confused by the explanations in the OD&D Greyhawk supplement. This explains it much better. I still think it’s a totally unnecessary part of the game when there’s already a magic system.

Uhhhh, no. Wait. I still don’t get it. I understand the numbers and the Disciplines, but there are still things that are unclear. A Psionic Blast is the only thing that works against non-psionics, but it doesn’t actually tell you what it really does – like, are the recipients incapacitated for a round or something? I guess there’s more on this in the DMs Guide.

Appendix II – The Bard

The Bard is pretty much exactly the same as described in Strategic Review 2.1 with the exception that they now get Druid spells instead of Magic User spells.

Appendix IV

The known planes of existence finally get a very clear overview.

Overall

Commenting on the book as a whole, like the Monster Manual, the step up in quality is pronounced – the design, layout and organisation is fantastic.

In terms of what’s new, in some ways it doesn’t feel that there’s actually much that’s new conceptually. Rather, it’s a consolidation, distilling, refinement and extension of all the combined OD&D plus supplements plus extra bits from Strategic Reviews and Dragon mag. There’s also a notable culling of over-powered spells along with some other things that weren’t deemed good ideas like hit location.

Oh, and we get the new Wizard logo instead of the Lizard logo.

Oh, and I almost forgot to mention the art by DCS and Tramp – it’s all fantastic! (Except the picture of the races – that’s a bit how-ya-going.)

Date Information – June 1978

Acaeum says June, Of Dice and Men says it was available just in time for Gen Con in August.

The copyright says June, but to tell you the truth, I’m not so sure that it was actually available in June. Oddly, Dragon mag doesn’t mention the Players Handbook in its editorials or even Gygax’s Sorcerers Scroll column. The only place it gets a mention is in some ads saying it will be available at Gencon in August. And in the August issue, it says it’s available now. Oh well, I guess it was just widely available for most people at Gencon and available in small quantities in June. Also, as far as I can tell, the first printings have the G and D series modules in the catalog in the back. Which weren’t really available till July at Origins. I guess that was just forward planning. Also of note, the official copyright registered is August 15th (but it wasn’t registered until 1980). Oh and one other thing, they were already into a second printing in September! So all in all, it’s a bit tricky – it’s probably really July or August but I’m going with June anyway.

Mail Call: Night Shift, More Witch Queens and Rat Baby!

The Other Side -

Quick one today.  Yesterday's mail brought me some wonderful gifts.

Mail Call
Up first are the new books for the NIGHT SHIFT RPG.  The Night Companion and a new "Night Trip" A Faustian Dilemma.   These are both the babies of my co-author Jason Vey.  You can now get both at the Elf Lair Games store.

I do have a new "Nigth World" in Night Companion.  My "Weirdly World News" where you get to play tabloid reporters try to get that ever-elusive story that proves the supernatural is real, and hope there is a good paycheck in it. 

This book also introduces the world the everyone's favorite cryptid, Rat Baby.

Weirdly World NewsRat Baby Spotted!

 Kickstarter backers will be getting their books now. I knew I was on the end of the list for my copies.

Night Shift

I also got a new Witch Queen adventure in the mail again from Carlos A.S. Lising and casl Entertainment.

When Come the Witching Hour

As you can see, this one also features Iggwilv as the titular Witch.

The Witch Queen

I am going to give this one a review and hope it is as fun as The Witch-Queen's Lament was.  I think I am going to restructure my War of the Witch Queens adventures just a bit. 

The Witch-Queen of Yithorium

The Other Side -

I was cleaning up some links on my Witch Links page and I noticed a few I had from the Halls of the Mountian King, the blog of the recently passed Jason Zavoda. He posted a bit about Hyperborea, nee AS&SH, including the Witch Queen of Yithorium.  I also found a lot of material for his own Blackmoor Land of a Thousand Witches.

Jason was very well respected in the Greyhawk community and I thought it might be a nice tribute to expand on his ideas some, but more importantly, share his ideas all with you.  Up first, the Witch-Queen of Yithorium.

The Witch-Queen of Yithorium

There is not a lot of text on who the Witch-Queen of Yithorium is except for what she wants now.

The official Hyperborea forum has a little on her background.  She is a nod/homage to Howard's witch Salome in "A Witch Shall Be Born." She rules from a 100’ tower of alien origin that immediately reminded me of Clark Ashton Smith. She is immortal, ever young, and has ruled Yithorium for nearly 700 years.  She obviously knows what to do.  

Jason provides the most information about the Queen herself in his post.  He uses a picture of Judith from the Bible as his inspiration.  Much like Salome (the namesake of Howard's witch) Judith is known for her association with a decapitated man. John the Baptist for Salome, Holophernes for Judith.   We gather from his post (and others) she was a beautiful woman, small but voluptuous, with long raven tresses.  Naturally, I think of Sarah Douglas.  

We know she is a witch and uses a type of magic unknown to her lands. We learn it is blood magic and that no one in the City-State of Yithorium knows where she learned it.  I am going to say, given the work that Jason has done, that she learned it all in Blackmoor

There are no official stats for the Witch Queen of Yithorium in the Hyperborea books.  She doesn't even have a proper name really. 

The Witch Queen of YithoriumThe Witch Queen of Yithorium
Female Witch 12th level
Chaotic Evil

Race: Human
Secondary Skill: Torturer

Abilities
Strength: 12
Dexterity: 12
Constitution: 13
Intelligence: 18
Wisdom: 16
Charisma: 18

Casting Ability: 12
Fighting Ability: 5Saving Throw: 11

Hit Points: 36
Alignment: Chaotic Evil
AC: 9

Powers
Brew Decoction (x5), Familiar, Read Magic, Scroll Use, Scroll Writing, Sorcery, New weapons skills (3), Dance of Beguilement (5th level), Effigy (5th level), Enlist Henchment (6th level), Animate Broom (7th level), Lordship (9th level).   
Spells 
First: Alter Self, Charm Person, Detect Magic,  Shocking Grasp, Unseen Servant
Second: Darkness, Ghoul Touch, Infernal Tounges, Ray of Enfeeblement, Witch Fire
Third: Dispel Magic, Exploding Skull, Phantasm, Summon Dæmon I
Fourth: Black Tentacles, Mirror Mirror, Sorcerer Eye, Summon Dæmon II
Fifth: Anti-Magic Field, Summon Dæmon III, Summon Elemental
Sixth: Gelatinize Bones, Transfer Youthfulness


Hyperborea Witch


The Witch Queen of YithoriumThe Witch Queen of Yithorium
Female Witch, Blood Tradition 13th level
Chaotic

Abilities
Strength: 12
Dexterity: 12
Constitution: 13
Intelligence: 18
Wisdom: 16
Charisma: 18

Hit Points: 36
AC: 9

Occult Powers
Familiar: Raven
7th level: Evil’s Touch 
13th level: Detect Bloodline

Spells 
Cantrips: Black Flame, Chill, Daze, Ghost Sound, Inflict Minor Wounds, Object Reading
First: Bewitch I, Darkness, Feel my Pain, Ghostly Slashing, Glamour, Silver Tongue
Second: Alter Self, Disfiguring Touch, Ghoulish Hands, Scare, Share My Pain, Suggestion
Third: Clairaudience/Clairvoyance, Dispel Magic, Lifeblood, Summon Spirit, Witch Wail
Fourth: Divination, Phantom Lacerations, Polymorph, Spiritual Dagger
Fifth: Bewitch V, Dreadful Bloodletting
Sixth: Spiritual Dagger, Summon Nightmare SteedSeventh: Wave of Mutilation 

For this witch, I am using a combination of the Family, Maelific, and Mara Traditions. 

While I am perfectly happy to keep her nameless, or only as "The Witch Queen," I am thinking of giving her the proper name of Miriam, to keep with the Biblical theme I have established here. Of course, no one besides her would know that. 
 
The Witch Queen

Hyperborea has always been a large part of my plan for the War of Witch Queens, at least in terms of how witches are presented.  At one point it was going to be my system of choice for the campaign, but I have since settled on OSE.  Still, Hyperborea has a lot to offer me. 

I typically mix in a fair amount of Barbarians of Lemuria into my Hyperborea games. So it might be fun to have Miriam, the Witch Queen of Yithorium be the rival of Methyn Sarr, the Witch Queen of the Fire Coast.  Each thinking the other is the lesser witch while worried that the other might have access to some magic they do not.  They seem to be cast from the same mould, that of Salome of "A With Shall Be Born," but one taking to fire magic and the other blood magic.  I don't think they were/are sisters in the biological sense but maybe they are former coven sisters. Once allies or even friends and now bitter, hated rivals.  If Sarah Douglas is my model for the Witch Queen of Yithorium, then my choice for Methyn Sarr would have to be Emma Samms. Not too far of a stretch since she was the uncredited performance/body model for Princess Teegra in Ralph Bakshi's "Fire and Ice." 

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