No open house this weekend due to the ongoing move, but the Lunar New Year open house on February 5 should make up for that. In the meantime, February 4 should have been the 82nd birthday of George A. Romero, … Continue reading →

For newcomers, this is a semi-regular newsletter from the Texas Triffid Ranch, Dallas’s pretty much only carnivorous plant gallery. Feel free to forward early and often, and to subscribe if you haven’t already. Installment #29:The Obligatory New Year Campaign, Complete With Chorus … Continue reading →

 Ok. The day job is really busy this week so this is going to be a complete drive by.  But here are three new Kickstarters I am excited about.

Tome of Beasts 3: Full Throttle 5th Edition Monster Mayhem

https://www.kickstarter.com/projects/deepmagic/tome-of-beasts-3-full-throttle-5th-edition-monster-mayhem?ref=theotherside

I make no secret of my love of monsters!  Kobold Press' Tome of Beasts are among my favorite 5e books and monster books.   This one should also be great!

SURVIVE THIS!! Dark Places & Demogorgons Class Compendium

https://www.kickstarter.com/projects/ericfrombloatgames/survive-this-dark-places-and-demogorgons-class-compendium?ref=theotherside

I mentioned this one a couple of weeks ago, but it bares repeating.  The Class Compendium is a great collection for DP&D game.  I highly recommend it.

And finally one from my good friend Jim Balent and Broadsword Studio.

Jim Balent's Raven Hex Saga

https://www.kickstarter.com/projects/jimbalent/jim-balents-raven-hex-saga?ref=theotherside

Raven Hex is the older sister of Tarot.  She is evil...sorta.  She really just wants a world where witches are not feared or mistreated.  The first Raven Hex book I picked up was a fun romp with Raven sick and feverish from a virus while Tarot read her bed time stories.  The comic was her fever dreams.  It was a lot of fun and very tongue and cheek and a lot of insight to two (Jim and Holly) super fans of Disney. 

There you have it!  Enjoy your weekend!

Pacts and Blades: Moorcockian Fantasy – A Minimalist Sword and Witchcraft RPG for Short Campaigns and Quick Sessions is a Swords & Sorcery roleplaying game—of a sort—inspired by the tales by Michael Moorcock in which the Eternal Champion enters into bargains and agreements with great demons, elementals, and gods and in return receives great power, whether that is the power of the blade or the power of the spell. Written and published by Lucas Rolim, Pacts and Blades: Moorcockian Fantasy effectively takes the interesting ideas of Stormbringer: A Fantasy Role-Playing in the Young Kingdoms, slims them down to their basics and presents them as a set of mechanics which just about work on their own, but really demand a setting of their own, and if necessary, a setting of their own whose combat and magic system Pacts and Blades: Moorcockian Fantasy can easily replace with its own. It is a set of mechanics in which swordsmen follows the Path of the Blade and studies treatises and with weapon masters to increase their skill with a weapon and sorcerers the Path of the Pact, studying tomes and making pacts with spirits, demons, and the like, and so gain access to magics.

From the outset, Pacts and Blades: Moorcockian Fantasy is clear that it eschews the standard elements of the roleplaying game—initiative, movement, time, equipment prices, and the like. All of that is down to the Judge—as the Game Master is known in Pacts and Blades: Moorcockian Fantasy—to determine. Instead, its emphasis is upon its simple resolution mechanic and the two Paths, the Path of the Blade and the Path of the Pact. As a consequence, there is a huge narrative element to the roleplaying, not only with the Judge deciding upon how initiative, movement, time, equipment prices, and the like all play out, but also with the players deciding what Path Advancements their characters are going to learn and what their effects are. Which of course, is in addition to the roleplaying possibilities.

A Player Character is simply defined. He has a number of Health Points divided into three types of Wounds—Light Wounds, Moderate Wounds, and Heavy Wounds, and his Path Advancements. A Player Character starts play with a randomly determined number of wounds and one Path Advancement, either in the Path of the Blade or the Path of the Pact.

Esshian of Toorcaas
Path Advancements:
Path of the Pact: The Draft of Durasthakaraṇaya
Light Wounds 1 Moderate Wounds 1 Heavy Wounds 1

Mechanically, Pacts and Blades: Moorcockian Fantasy has a player roll two six-sided dice and attempt to equal or exceed a Reference Value when he wants his character to succeed at a Task. Tasks are divided into four Difficulty tiers each of which has a default Reference Value which is three times the number of the Difficulty tier. The Difficulty tiers and their Reference Values are Easy (six), Average (nine), Hard (twelve), and Impossible (fifteen). The Reference Value can be modified by a Player Character’s Path Advancements and Narrative Advantages—the latter determined by the environment and situation, typically reducing the Reference Value by one for each. This will give the player and his character a new Reference Value to roll against on the given table. The result can either be a Total Success, Partial Success, or Failure, essentially the equivalent of ‘Yes’, ‘Yes, but…’, and ‘No’. For example, in combat, a Partial Success results in the Player Character striking his opponent, but leaves him open to a counter attack, whereas a Total Success would mean pulling a randomly selected Feat in addition to the damage inflicted.

Feats come into play when a player rolls a Total Success using a Path Advancement. For example, in combat using the Path of the Blade, a Feat might grant the Player Character a second action due to his speed or so weaken his opponent that the damage he would inflict on his next attack is reduced. Similarly, when a Player Character adheres to the Path of the Pact and invokes his patron spirit or demon, a Feat might be that the spiritual connection is perfect and the spell is cast with maximum effect or so deep that the Player Character is rendered ethereal! Actual damage in combat is determined by the result on the highest die and be a Light Wound, Moderate Wound, or Severe Wound. When a Player Character or NPC runs out of Severe Wounds, they are dead, but armour adds to the number of wounds that either of them can suffer. As a Player Character gains more Path Advancements and thus more Path Advancements, he will also gain more wounds of all three types.

Path Advancements are gained when it is narratively appropriate and Pacts and Blades: Moorcockian Fantasy suggests that it occur two or three times per session. A Path Advancement for the Path of the Blade is by weapon type, for example dagger, broad sword, or darts, reducing the Reference Value by one up to a maximum of three times per weapon type. Like the source material, a Path Advancement for the Path of the Pact is comparatively more complex, and is done per Patron Spirit, again reducing the Reference Value by one up to a maximum of three times per Patron Spirit. Each Patron Spirit has a Domain, for example, Air, Earth, Fire, Water, Protection, Mind, Teleportation, and so on. A Player Character invoking a Spirit Patron effectively casts a spell related to its Domain, but that ‘spell’ or its effects, can only be used once per day. Depending on the Spirit Patron, this might be to inflict or heal damage, grant an enhancement which reduces the Reference Value of another Task, inflict a Curse, and so on. Of the two Paths, there is far more scope for roleplaying with the Path of the Pact.

Pacts and Blades: Moorcockian Fantasy rounds itself off with a selection of monsters and it is here its problems begin. There are just the six monsters, including Goblin, Orc, Spider, and Dragon, all drawn from traditional fantasy and thus uninspiring in comparison to any Moorcockian influenced creations. Only the one, the Orc Shaman, possesses a Pact, that of the Domain of Death with Mortus the Decrepit, and there is no advice on handling that or NPCs in relationship to the Player Characters. Similarly, there is no world building or advice for creating worlds with a Moorcockian fantasy influence, or even discussion of what Moorcockian Fantasy is or what the differences are between it and traditional fantasy. Unless the Judge and her players know that difference because they know the source material, the context of Pacts and Blades: Moorcockian Fantasy is very much going to be a mystery to them.

Another issue is the terminology of having a Difficulty tier and a Reference Value derived from that which is what the player is rolling against. Now the point of the narrative and Pact advantages is to reduce the Reference Value the player is rolling against, but arguably is there any need to have both terms? Would it not be simpler and less confusing to have a Difficulty Value and adjust that with narrative and Pact advantages, rather than what in effect is two differing terms for the same thing?

Physically, Pacts and Blades: Moorcockian Fantasy is beautifully laid out in full colour with a well-chosen selection of public domain artwork which give an unsettling and intense baroque feel. Barring the omissions, it is well written.

Although its terminology does complicate what is a straightforward and simple system, the mechanics of Pacts and Blades: Moorcockian Fantasy very much lend themselves to roleplaying in the style of the Eternal Champion. After all, the Player Characters are studying with their weapons and they are entering into pacts with otherworldly creatures for great power, and there are great roleplaying opportunities in that, but beyond that system though, Pacts and Blades: Moorcockian Fantasy is far from inspiring in terms of its genre and its influences. It is simply, a set of mechanics awaiting a world or multiverse of worlds and the input of the Judge to really bring it alive, but leaves the Judge very much on her own when it comes to the nature of that multiverse and the inspiration behind Pacts and Blades: Moorcockian Fantasy – A Minimalist Sword and Witchcraft RPG for Short Campaigns and Quick Sessions.

A preamble on the enclosure backstories: Our immediate galactic cluster produces a surprising number of so-called “deathworlds”: planets whose biota accept any kind of intrusion only after the application of overwhelming force. A few are hive minds who use their … Continue reading →

Symphony in Hell, No. 2, 1940's 

Symphony in Hell, No.3, 1940's 

Saint Anthony, 1948 

Peace be with You, 1949-55 

Dream Allegory 

The Apocalypse, 1946 

Wild Hunter, 1948 

A Unique Menagerie 

Once upon a time...! "The European Balance" 

 Super-Vitamin, 1950-53 

 The Parade , 1937 

Artist found thanks to The Cabinet of the Solar Plexus.

Grabbed the new Dungeons & Dragons Rules Expansion Gift Sets at my FLGS today. 

I have to admit I am a sucker for a boxed set.

Comparisons of the new books to the older ones.

The new book, Mordenkainen Presents: Monsters of the Multiverse, is the big star of course.  Lots of monsters from other books, but new ones as well.  I am not sure how many are new but I am happy to have them all in one place.  Kinda like a Monster Manual II for 5e.

I'll have to review the books in detail, but so far I like what I have here.

Well. As if December wasn’t exciting enough, January kept up the tradition and beat out all of 2021. At the rate things are going, either the Triffid Ranch is going to start franchises or it’ll be the last refuge of … Continue reading →

Nik Nak by Jacob Blackmon

I was waiting on today's Character Creation Challenge until I got my copy of Mordenkainen Presents: Monsters of the Multiverse today.  While this collects a bunch of material for other books into one volume, I did want to wait to see what the options for new character races/species were.  And I can say I am not disappointed at all!

Personally I like having all these different options in my games.  Especially with the way I have been playing D&D 5 of late.  It makes me want to make my part of the world something akin to Elis Island of the Multiverse.  A place where everyone comes too on their way to new lands.

One of those places in my town of West Haven.  Once I settled on that then the choice of today's character was an easy one.

Nik Nak is a goblin fey-pact Warlock in service to the Goblin King.  I featured him a while back for my Swords & Wizardry Warlock book; which introduced both the warlock class and the goblin playable species.   Here he is in his D&D 5th Edition version.

He is a sneaky little goblin, but not completely evil really. He lives in the Goblin Wood where he is the local Boglebo (akin to a warlock/shaman for goblins) and alchemist.  He sometimes sells potions in the market.  He has learned that ripping off a customer is a good deal in the short term, but to sell what he has at a fair price brings in more money in the long term.  He is fond of urban life and would bring more money home if he didn't have such a taste for human alcohol. 

He is often found with his toad familiar, "Lady Patricia Blackwell."  A gift to him from his patron the Goblin King.

--

Want to see more of the #CharacterCreationChallenge? Stop by Tardis Captain's Blog and the #CharacterCreationChallenge on Twitter for more! 

It's a month since Christmas, so I can buy things for myself again.  And this is what the mail has given me this week.

Vis Imperium Victoriana is a Victorian RPG using the same rules as Pendragon Chivalry and Sorcery Essence (thanks for the corrections!).  So you know I am excited for that!

Enoch's Wake is from Richard Ruane. Game designer, co worker at my day job, and all around great guy.  Can't wait to get into that as well.  I am totally planning on stealing ideas from this for my BlackStar game.

I got a League of Malevolence figures which include my favorites Skylla and Kelek.

They look pretty good and compare well to my HeroForge ones I had made a while back.

I also treated myself to a signed photo from Ginny Di as Tasha.

That one is either going to be part of my D&D5 DM's Screen or be part of my Tasha/Iggwilv/Zybilna character folder.  Either way I am happy to have it!

Happy...uh...January to me!!

I have to admit I rather enjoyed the old Hardy Boys / Nancy Drew Mysteries.  I was more partial to Nancy Drew; having a crush on Pamela Sue Martin and later Janet Julian.  I  was quite excited on hearing there was going to be new Nancy Drew series staring Kennedy McMann.   So imagine my delight when the show went hard-core supernatural.  

The show is full of ghosts, possessions, family curses, witches fighting other witches, and yes lots of mystery.  In its 3rd season, it is one of my new guilty pleasures. 

Plus Nancy would be fantastic for any number of supernatural RPGs.  In the spirit of crossovers how about Nancy for the Buffy the Vampire Slayer RPG.  After all, Buffy would not have been here had it not been for Nancy Drew.  And the Nancy Drew show would not have been on the CW had Buffy not been on the WB before it.

So here is Nancy for the Buffy the Vampire Slayer RPG.

Nancy Drew
Experienced Hero

"Everyone loves a mystery"

Life Points: 33
Drama Points: 10

Strength 2
Dexterity 3
Constitution 3
Intelligence 4
Perception 5
Willpower 4

Qualities
Attractiveness (2)Contacts (3)
Fast Reaction Time
Hard to Kill 1Nerves of SteelPhotographic Memory Situational Awareness
Drawbacks
Adversary (1)Honorable (1)Love (Ex, Nick)

Useful Information
Initiative 5
Observation 10

Height: 5'8"
Hair: Red
Eyes: Blue

Skills
Acrobatics 3
Art 4
Computers 2
Crime 5
Doctor 2
Driving 2
Gun-Fu 0
Getting Medieval 2
Influence 3
Knowledge 4
Kung Fu 2
Languages 2
Mr. Fix-it 2
Notice 5
Occultism 3
Science 3
Sports 1

Combat
Maneuver Bonus  Damage  Notes Dodge / Parry     +5 - Defense Action                            Grapple +6 - Defense Action
GearNotebookFlashlightScarfKnit hatSunbeam Alpine Series III, light blue

--

You wont see Nancy getting into too many fights and she has never, in my memory, used a weapon.  Maybe a she has picked up a stick or used a supernatural weapon, but never a gun or even a knife really.  Her main weapon is her mind; her keen intelligence and her photographic memory.

She would really fit in well.  I mean Horseshoe Bay might as well be a Hellmouth with all the supernatural shenanigans going on. This Nancy Drew really is the spiritual daughter of Buffy, as much as Buffy is the spiritual granddaughter of Nancy Drew from the books.

Want to see more of the #CharacterCreationChallenge? Stop by Tardis Captain's Blog and the #CharacterCreationChallenge on Twitter for more! 

Ever have one of those times when things seem to line up a certain way?  Yesterday I posted stats for Sherlock and Watson for the Doctor Who RPG, Adventures in Time and Space.  In particular the one for the 11th Doctor.  It's not a completely original idea, there is an entire sub-culture of fans for "Who-lock" out there. 

Also this week DriveThruComics is having their big Crossover sale now and I do love a good cross-over.  I picked up Army of Darkness/Xena Warrior Princess Volume 1, Sherlock Holmes & Kolchak: The Night Stalker, Red Sonja & Vampirella Meet Betty & Veronica (just because), and the Pathfinder: Worldscape  Vol 1 and Vol 2.    The Pathfinder ones are nice since they have Pathfinder 1st Ed stats for John Carter, Tarzan, Red Sonja, and more.  

I was thinking that some crossovers would be fun for the last week of this challenge. I have done a few in the past that were really fun. I have Xena and Gabrielle for Army of Darkness. Lots for Red Sonja.  Charmed and Buffy for both Dark Places & Demogorns and the Buffy RPG. And Willow and Tara for Doctor Who. 

One of my goals for NIGHT SHIFT was to be able to play any character I wanted from any modern supernatural horror franchise.  So I have been trying out a Buffy/Supernatural crossover with the Wayward Sisters and Willow and Tara. It has worked well. 

So I have been trying to come with ideas for other crossovers, and in particular ones I could do with NIGHT SHIFT.  The problem I am having is I have already done all the ones I was most excited about.  So I started looking for more.  I thought maybe an Expanse / Black Star crossover would be fun. The series ended and I was looking for more Expanse goodness.  I even looked into making a scenario where the MCRN Barkeith exits the Ring Gate and is not "gone" but ends up in the Black Star Universe. Given Admiral Sauveterre's attitude, he would likely fire on the first Erath ship he sees, which so happens to be USS Protector.  It will be a short fight.  The MCRN Barkeith is a Donnager class Martian Warship (in the books).  The Protector is a Mystic class experimental science vessel.  Though the Project can out fly, out maneuver, and out gun the Barkeith by several orders of magnitude.  I am not even sure the Barkeith's PDNs can even get through the Protector's navigation shields. 

But those are ships. Not characters. I was still at a loss of a character to do today.  That is until I saw an image from the 2022 Buffy the Vampire Slayer Calendar.

There is the 11th Doctor.  Not sure why, but I know a gift when I see it.

The photo behind Buffy's/SMG's head is one of the Dæmons from Doctor Who.  Which would also give a good reason for a crossover.  A Dæmon from the Doctor Who universe escapes to the Buffy universe where it is suspected of being a demon. 

So here is the 11th Doctor for the Buffy the Vampire Slayer RPG.

The Doctor (11th Doctor)
Very Experienced Hero

"Hello, I'm the Doctor.  Basically. Run."

Life Points: 57
Drama Points: 10

Strength 3
Dexterity 5
Constitution 5
Intelligence 9
Perception 4
Willpower 4

Qualities
Age (11) (1100 years)
Attractiveness (1)Contacts (3)
Fast Reaction Time (Time Lord)
Hard to Kill 5 (Time Lord)NerdNerves of SteelPhotographic Memory Reduced Damage 3 (Time Lord)
Regeneration (6 Life Points per hour) (Time Lord)Situational Awareness (Time Lord)Time Lord

Drawbacks
Adversary (lots)Honorable (3)
Love, Tragic (River)
Useful Information
Initiative +10
Observation 9

Height: 6'0"
Hair: Brown (and still not Ginger)
Eyes: Brown

Skills
Acrobatics 3
Art 2
Computers 9
Crime 2
Doctor 5
Driving 4
Gun-Fu 0
Getting Medieval 3
Influence 4
Knowledge 6
Kung Fu 3
Languages * (Everything)
Mr. Fix-it 5
Notice 5
Occultism 1
Science 8
Sports 4
Wild Card (Time Travel) 10

Combat
Maneuver Bonus  Damage  Notes Dodge / Parry     +8 - Defense Action                            Grapple +9 - Defense Action
GearSonic ScrewdriverBow tieFez

--

Oh, this would be a lot of fun. The 11th Doctor is more in tune with the whole vibe of Buffy.  I'd have to work out the details on what the Time Lord quality is, but in truth The Doctor Who RPG does it so well.  

A fact, most of the playtesters for Doctor Who were also the playtesters for Buffy.   

Want to see more of the #CharacterCreationChallenge? Stop by Tardis Captain's Blog and the #CharacterCreationChallenge on Twitter for more! 

Much like the Miskatonic Repository for Call of Cthulhu, Seventh Edition, the Jonstown Compendium is a curated platform for user-made content, but for material set in Greg Stafford’s mythic universe of Glorantha. It enables creators to sell their own original content for RuneQuest: Roleplaying in Glorantha, 13th Age Glorantha, and HeroQuest Glorantha (Questworlds). This can include original scenarios, background material, cults, mythology, details of NPCs and monsters, and so on, but none of this content should be considered to be ‘canon’, but rather fall under ‘Your Glorantha Will Vary’. This means that there is still scope for the authors to create interesting and useful content that others can bring to their Glorantha-set campaigns.

—oOo—
What is it?
GLORANTHA: Underwater Quest is a scenario for use with RuneQuest: Roleplaying in Glorantha.

It is a four page, full colour, 1.45 MB PDF.

The layout is clean and tidy. It is art free, but the cartography is excellent.

Where is it set?
GLORANTHA: Underwater Quest is set in the swampy area area in southern Dragon Pass, near the sea, between the city of Nochet and the ruins of Lylket. Unless the scenario begins en media res, the events which lead into the scenario take place in Sartar. Ideally this should be near the Delecti Marsh.
Who do you play?Player Characters of all types could play this scenario, but a worshipper or priest of Heler or other Water god might be useful.
What do you need?
GLORANTHA: Underwater Quest requires RuneQuest: Roleplaying in Glorantha and The Gateway Bestiary.
What do you get?GLORANTHA: Underwater Quest details a partially flooded complex consisting of several rooms, five of which are detailed. Here hidden behind a quadruple-locked door can be found Daliath’s Well of Wisdom, a source of his sacred water. The complex is inhabited by several randomly selected water-themed monsters, including Deep Ones, Kelpies, Shark-Men, and Water-Leapers. Notably, the Deep Ones are at odds with the Shark-Men, but that is the only real dynamic element in the complex.
The reason why the Player Characters are searching for the Well of Daliath is because several undead spies have unmasked at the various tribal courts of Sartar, each magically disguised in a way never seen before. Although they were defeated, they had done untold underhand and disruptive deeds. It is suspected that Delecti, the Necromancer at the heart of the Upland Marsh, is behind these attempts, and the tribes fear his spies may even have gone as far as impersonating kings and chieftains. If someone can find the Well of Daliath and drink its waters, they will gain the wisdom sufficient to be able to identify these spies.
As with other titles from this author, GLORANTHA: Underwater Quest is all about the destination. The background is flexible in terms of timeframe, but is underdeveloped with little explanation as to what the Well of Deliath is, what its waters do, and what Orlanth did within the Well. The complex itself is anything other than interesting and does not offer anything beyond combat challenges. This is not to say that there not an interesting story or scenario in the all too few pages of GLORANTHA: Underwater Quest, but they consist of the backstory and the legend, which of course the author effectively ignores. The nearest the author gets to this is suggesting that GLORANTHA: Underwater Quest be used as a sequel to GLORANTHA: A Trek in the Marsh. 
GLORANTHA: Underwater Quest is not badly written for what it is, but very much like the earlier GLORANTHA: The search for the Throne of Colymar, GLORANTHA: A Trek in the Marsh, and GLORANTHA: The Avengers of Earth Temple, it is underwritten and leaves plenty of development work for the Game Master to do before she brings GLORANTHA: Underwater Quest to the gaming table. Probably more than it warrants, since if the Game Master is going to have to do that development work, she might as well grab the map and start from scratch.
Is it worth your time?Yes—GLORANTHA: Underwater Quest contains the germ of an interesting scenario if the Game Master is willing to completely develop the set-up, add the flavour, and the detail, which of course the author failed to do. Then of course, the Game Master can do something about making the dungeon interesting.No—GLORANTHA: Underwater Quest is a self-contained dungeon bash which the author kindly leaves all of the interesting detail, stats, and flavour to be found in the back story for the Game Master to develop herself. Cheap, cheerless, characterless, and charmless.Maybe—GLORANTHA: Underwater Quest is yet a perfect showcase of how to take an interesting idea, all but ignore it, or at least leave it up to the Game Master to do anything with, and instead write an uninteresting dungeon bash for RuneQuest: Roleplaying in Glorantha, so if the Game Master wanted to know how not to do it, she should start here. 

The Ages of Man have long since passed and the Old Ones are no more. They bequeathed the world and their relics to the ones that they worshipped, rather than the ones that served them. Thus to the Cats rather than the Dogs. Where the Dogs have the one kingdom, that of Pugmire, the cats have six fractious Monarchies, scheming and plotting to outdo each other. The Cats of these Monarchies sent explorers hither and thither, often looking for the Relics left behind by Man, even over the mountains to the north—though none go there today, and once the means to sail the Acid Sea was discovered, over the horizon. Trade would flourish initially between the Monarchies via House Korat and the Kingdom of Pugmire, but differences led to the relationship breaking down and war being declared. The War of Dogs and Cats could not be fought effectively, thus Trillani Persian von Mau convinced the six Monarchies to come together, sign a Treaty of Unification, and become six dynasties governed by a Ruling Council with Trillani elected as Monarch. Thus the Monarchies of Mau was formed. The Kingdom of Pugmire is its greatest rival, but despite the many differences between the two kingdoms and Cats and Dogs, there is peace. The war ended in stalemate, with Waterdog Port, the source of the initial dispute ending up a neutral city. The Monarchies of Mau still faces enemies from without and from within. Badgers raid and plunder, and monsters of all sorts are constant danger, the worst being the demons and the Unseen that threaten the existence of Cats—even impersonating them, whilst the individual Monarchies still attempt to learn each other’s secrets, and the Cult of Labo Tor, consisting of fanatical Rats and Mice—who otherwise live peacefully in the gaps between Cat society—steal the artefacts of Man to study and so discover the path through the Maze of Ignorance and so become like Man. In response to these dangers, to learn more about the world, and to foster co-operation and learning between the six Monarchies, Trillani’s Trailblazers was formed. Teams made up of Cats from all six Monarchies as well as from the unaffiliated Cats of the Shadow Bloc serve in Trillani’s Trailblazers.

The Cats of the six Monarchies of Mau are all different. House Angora is one of scholars and intellectuals, House Cymric of diplomats and negotiators, House Korat of soldiers and tacticians, House Mau of leaders and judges, House Rex of explorers and outsiders, and House Siberian of traditionalists and medics. All of these Houses have held a monarchy before Unification, but there are still many minor Houses, organisations, rebels, and outsiders who have a voice in the kingdom, and they are represented by the Shadow Bloc. However, all Cats of the Monarchies of Mau are the same. They value privacy and secrecy, they commonly believe in reincarnation and are by nature spiritual, and they fear and have a common enemy in the evil that is the Unseen. They also adhere to the Precepts of Mau—Always trust our instincts, always reward loyalty, always respect an honest duel, and always pounce upon minions of the Unseen. Without these tenets, the Cats of the Monarchies of Mau are no longer worthy of the adoration of Man.

This is the setting for Monarchies of Mau, the feline sequel and companion roleplaying game to Pugmire. Published by Onyx Path Publishing following a successful Kickstarter campaign, Monarchies of Mau, like Pugmire before it, employs the Open Game Licence for Dungeons & Dragons, Fifth Edition. This makes Monarchies of Mau easy to pick up and play, which should be no surprise given the delightful accessibility of Dungeons & Dragons, Fifth Edition. Like Pugmire, it presents a streamlined version of the rules, takes Player Characters from First to Tenth Level, and it can also be played in tandem with Pugmire, so that group could play an all-Cat game, all-Dog game, or a game of Cats and Dogs.

Cats in Monarchies of Mau have a Calling, a House, and a Background. A Calling is what a Cat does and is the equivalent of a Class. Six are given—the charismatic Champions (Fighters), intelligent Footpads (Rogues), wise and intelligent Mancers (Wizards), charismatic and enduring Ministers (Clerics), wise and enduring Trackers (Rangers) who hunt the Unseen, and strong and dextrous Wanderers (Monks). Now these Classes are not the exact equivalent of those in Dungeons & Dragons, Fifth Edition, for example, Mancers do cast necromantic spells and Ministers are almost bardic in their means of spellcasting. Unlike the Dogs of Pugmire, the Cats of do not have a Breed as such, but rather the vocations of the six Houses. This neatly avoids Monarchies of Mau having to detail each and every contemporary breed and also establishes the various noble families within the kingdom. A Background is what a Cat did before becoming a hero and answering his Calling. Just eight are given, ranging from Common Folk and Criminal to Scholar and Soldier. Lastly, a Cat will have an Ideal, a Mystery, and a Flaw.

A Cat’s Calling will provide him with a view on the other Callings, on the Precepts of Mau—each Calling favours a different part of the Precepts, his Stamina Points, skills, and rucksack (equipment), plus his first Secrets. The latter are of course, a Cat’s special abilities and powers and are akin to the proficiencies or feats of Dungeons & Dragons. Another Secret and an ability bonus will come from a Cat’s House, and then more rucksack contents and skills from his Background. Six examples of each Calling are given as well as six possible Unusual Circumstances by which a Cat gained a particular item in his rucksack.

Creating a Cat involves selecting a Calling, a House, and a Background, plus skills and Secrets. Mancers and Ministers also have spells. Unlike in other roleplaying games, the core abilities are not rolled for, but assigned from a given set of values. The creation process is generally straightforward and a player is nicely guided through the process, step-by-step. One noticeable absence is that of Alignment, instead replaced by how each Calling favours a different Precept, but without laying too heavy a paw on the player’s shoulder.

Our sample character is Philomena von Angora, a Mancer who after completing her training continued conducting research in her House’s extensive libraries. Recently she was assigned to shepherd a visiting researcher from the Shadow Bloc, a Minister named Winifred von Forest. Together they conducted extensive examination of the ancient papers and they became friends, and then Philomena found herself falling in love with her. Before she could express her feelings, Winifred disappeared and nobody seemed to recall that she had been at the library. All was that left was the bone focus which Winifred von Forest said belonged to her father. With her friend missing, Philomena has left the library and joined Trillani’s Trailblazers.

Philomena von AngoraLevel 1
Calling: Mancer
House: Angora
Background: Scholar
Proficiency Bonus: +2
Stamina dice: d6
Stamina Points: 6
Defence: 12
Initiative: +1
Speed: 30
Abilities: Strength -1 (08), Dexterity +1 (12), Intelligence +3 (17), Wisdom +2 (14), Constitution +0 (10), Charisma +1 (13)
Skills: Know Arcana, Know History, Know Spirituality, Search, Sense Motive
Secrets: House Secrets (Angora), Light Armour Aptitude, Mancy, Simple Weapons Aptitude, Voracious Learner
Spells: Chill, Eldritch Blast, Feather Fall, Prestidigitation, Unnatural Rebuke
Rucksack: Spear (1d8), padded light armour, Bone Focus (Borrowed from a friend who disappeared), common clothes, bottle of ink, ink pen, parchment, small collection of books, belt pouch with plastic coins

Ideal: …Studying the Unseen
Bond: …My love for a Cat of another House.
Flaw: …Return the item I know not be in my possession.

Given its Dungeons & Dragons-derived mechanics, it should be no surprise that Monarchies of Mau is a Class and Level system. Unlike Dungeons & Dragons, the Levels only go up to Tenth Level, at which point a Cat is considered to have Grey Fur and cannot advance any further, although he can still go adventuring. Unlike Dungeons & Dragons, a Cat who goes adventuring in Monarchies of Mau does not earn Experience Points, but is awarded a new Level after a few good stories and when the Guide—as the Game Master is known in Monarchies of Mau—decides is appropriate. When he does go up a Level, a Cat gains both Stamina and Stamina dice, spellcasters—Mancers and Ministers gain more spells and spell slots, and at every other Level, a Cat’s Proficiency Bonus increases. Every Level, a Cat gains an Improvement, which can be to improve an Ability score, select a new Aptitude or House Secret, or to refine a Secret the Cat already possesses. For example, a Champion can refine his Honour Challenge Secret, which enables him to force an opponent to engage in an honour duel, by using both Charisma and Strength rather than just Charisma to force the associated Saving Throw or allowing an opponent to decline and take a penalty to his Saving Throws. These tweaks and refinements give Monarchies of Mau a sense of the cinematic and heroic action as well as providing some variability in terms of Cat design.

Mechanically, Monarchies of Mau looks much like Dungeons & Dragons, Fifth Edition, but on a closer look, there are tweaks and refinements to the rules too. The most feline of tweaks is the Pouncing rule. When a Cat takes the Ready action and studies a situation, his player rolls the resulting action with Advantage! Perhaps the most notable addition is that of Fortune and the Fortune Bowl. A session begins with the Cats in an adventuring party having two Fortune in the Fortune Bowl. A player can earn more Fortune for the Bowl by roleplaying to his Cat’s personality traits in a way that makes the game interesting, by being an entertaining player, coming up with a good plan, and by playing to his Cat’s instincts. Much of this is up to the discretion of the Guide, but a player can force the Guide to add Fortune to the Bowl by having his Cat intentionally fail. However, where in Pugmire any Fortune Points acquired by a Dog are automatically added to the shared Fortune Bowl, in Monarchies of Mau, a Cat can favour himself rather than the group and keep it in his own Fortune Pile. Fortune in the Bowl can be spent—and this is a permanent spend—to gain a reroll on any dice roll and keep the higher result, to allow a spellcaster to cast a spell if he has run out of spell slots, and to interrupt the initiative order and take their turn now. Further, some Secrets require Fortune to be activated.

Again, magic in Monarchies of Mau looks like Dungeons & Dragons, but with a tweak or two. In terms of flavour, the magic of Monarchies of Mau has a darker edge, involving the unusual and the unnatural, for example, the Mancer employing necromancy. Mechanically, magic in Monarchies of Mau can go wrong. If a player rolls a botch—a critical failure—on a spellcasting roll for his Cat, intentionally fails a spell to gain Fortune, or an opponent rolls a Triumph—a critical success—on a Saving Throw, then a spell backfires. It is up to the Guide to determines the outcome and effect when this happens. Lastly, besides the Mancer and the Minister, Cats of other Callings can take the Magic Aptitude Secret and thus become a Dabbler, knowing just a handful of spells.

Another major difference between Monarchies of Mau and Pugmire is the way in which Cats and Dogs treat Masterworks, the Relics left behind by Man. They are still divided into ‘Relics’, such as the Boots of Climbing or Chameleon Cloak; ‘Fixes’ like Explosive Eggs or Potions of Haste; and ‘Wonders’, such as the Flame Twig or Picture of Health. Now, just as with Pugmire, the world of Monarchies of Mau is being a post-apocalyptic world, the conceit is that what these items really are, is items of Old-World technology. However, they cannot so easily be mapped back onto our own technology, but then the conceit is not necessarily that important in play. The big difference between Pugmire and the Monarchies of Mau is that Dogs share and even revere Masterworks, whereas Cats study them, attune to them, and they break them in just the right way so that they can absorb the powers they contain. For example, the Charged Collar provides a temporary defence against bludgeoning attacks, but when broken down in the right way and absorbed, the Cat is Resistant to such attacks. Further, when refined, the effects of the absorbed Charged Collar can make a Cat immune to bludgeoning attacks and can even manifest a lightning barrier! This has a number of effects. It both makes Masterworks more powerful and more personal to a Cat, and mechanically it partially offsets the fewer number of Secrets a Cat has versus the number of Tricks a Dog has in Pugmire. The combination of this is drive a player and his Cat to explore the ruins of the Monarchies of Mau and beyond in search of the Masterworks, providing a base motivation in addition to those born of a Cat’s Ideal, Motivation, and Flaw. However, the Masterworks section is quite small and is very likely going to be exhausted relatively quickly.

The setting for Monarchies of Mau is explored in some detail, explaining Cats and their Houses, culture, technology, and more in some detail, as well as their enemies and rivals. It also looks at the Ruling Council as well as Trillani’s Trailblazers, the organisation which by default the Player Characters are expected to join and thus adventure. Notably, it takes the reader inside the Lounges where Cats of all stripes gather over mugs of catnip tea and saucers of milk close by the fire, whilst Rats and Mice stick to the shadows of the corners. Whilst various locations in both the lands of the six Dynasties and beyond the Monarchies of Mau are described as well, there is plenty of room for the Guide to add her own setting material. Some of the secrets of the setting are explained here and also in the chapter for the Guide, which is well written and includes suggestions for running Monarchies of Mau and Pugmire together—and even for adapting the setting to other rules systems!

In addition to the advice and further examination of the setting, the Guide is provided with a decently sized Bestiary, covering Animals, Bandits, Cats, Dogs, Badgers, Rodents, and more. That more includes monsters and the Demons of the Unseen, and some of these are nasty indeed. For example, the Breathtaker steals into camps at night and steals the breath of Cats, Bone Burrs are insect-infested skulls which attack Cats, and Witch Demons possess Cats and has the power to reflect or even absorb the spells of Mancers and Ministers! Lastly, Monarchies of Mau includes an introductory adventure, ‘All Hail the Rat King!’, in which the Player Characters are sent to investigate a sudden wave of Rat immigration in the town of Strudniksburg. Designed for First Level Player Characters, it can be played using the players’ own or the six pre-generated characters given as examples at the beginning of the book.

Physically, Monarchies of Mau is, like Pugmire, a lovely book. Again, it is full colour and illustrated with some fantastic artwork. In keeping with the darker tone of the setting, the artwork also has a darker feel to it. The book is also well written and like Pugmire, commentary is given by a pair of in-game characters. One to provide guidance for those new to Monarchies of Mau, the other to explain how it differs from other roleplaying games.

Pugmire was a roleplaying game about being a ‘Good Dog’ and gaming with a pack, but Monarchies of Mau pulls away from that. There is greater sense of individuality to the Cats in Monarchies of Mau, in terms of roleplaying, the mechanics, and the setting. The Cats are caught between this individuality and the collective need for co-operation. At a personal level, this can be seen in the choice between choosing to add Fortune to his Personal Pile or the group’s Fortune Bowl, but at a national level it can be seen in the necessity of the six Monarchies of Mau to co-operate despite their scheming against each other. This scaling means that Monarchies of Mau can do dungeoneering and exploratory adventures as much as it can inter-House rivalries and politics. There is a darker tone to the roleplaying game too in the monsters the Cats face, and also in the magics, especially the necromantic magics of the Mancer, they employ. There is thus much more of the horror genre to Monarchies of Mau, and that in combination with the darker tone, makes less suitable for a younger audience. These are of course, elements which the Guide can choose to adjust up or down as is her wont.

The darker tone and horror elements of Monarchies of Mau mean that it is not quite suited to being a beginning roleplaying game, despite its Cats being cute, and the individual versus group dynamic may divide a group as much as it sets up some interesting roleplaying choices and dynamics. Monarchies of Mau is not quite as accessible as Pugmire, or necessarily as easy to play, but it does present an entirely different, but still exciting and fun point of view from which to roleplay and explore their shared world.

ETA: My post did not go as scheduled Saturday morning, so I am re-editing it with Sunday's post.
I am a HUGE Sherlock Holmes fan.  Last week's post on Sherlock Holmes and Dr. Watson reminded me of that.  It also reminded me of this post.  I had been picking at it for a bit, though this weekend would be a good time to wrap it all up. 

I have read all the stories, seen most of the movies and nearly all of the classic BBC series with Jeremy Brett (whom I still feel is the definitive Holmes), and few-score other adaptations including non-canon books, movies, and plays. I also really enjoyed the Sherlock series from the BBC starring Benedict Cumberbatch and Martin Freeman.

The show was created by Mark Gatiss and Steven Moffat. The same duo that worked on the Russel T. Davies re-start of Doctor Who and who helmed the 11th and 12th Doctor years. 
I know I am not the only one who would love to see a Sherlock/Doctor Who crossover.



But considering I don't have the time or the skills to edit together a clip like that, I'll settle for the worlds I can manipulate.

Here is the modern Sherlock Holmes for Doctor Who: Adventures in Time and Space (Eleventh Doctor Edition).
Sherlock Holmes
Story Points: 12

Attributes
Awareness 6
Coordination 4
Ingenuity 6
Presence 3
Resolve 4
Strength 3

Skills
Athletics 4
Convince 1
Craft 3
Fighting 2
Knowledge 6
Marksman 1
Medicine 2
Science 6
Subterfuge 4
Survival 1
Technology 3
Transport 0

Traits
Attractive, Boffin, Eccentric, Insatiable Curiosity, Photographic Memory, Selfish, Technically Adept, Voice of Authority

Equipment
Smart Phone
Home Tech Level: 5


John Watson, MD
Story Points: 12

Attributes
Awareness 3
Coordination 2
Ingenuity 3
Presence 2
Resolve 4
Strength 3

Skills
Athletics 1
Convince 0
Craft 1
Fighting 2
Knowledge 3
Marksman 4
Medicine 5
Science 3
Subterfuge 1
Survival 2
Technology 2
Transport 1

Traits
Brave, Code of Conduct, Face in the Crowd

Equipment
Cellphone, Revolver

Home Tech Level: 5

--

With many characters in different systems I strive to make mechanical or even closely mathematical equivalents.  With Sherlock here vs. Sherlock Holmes, I am more interested in staying true to the character and to the system.

Want to see more of the #CharacterCreationChallenge? Stop by Tardis Captain's Blog and the #CharacterCreationChallenge on Twitter for more! 

Check out the recently shared "Magical Calendar" book illustrated by Orazi here.

The Dragon and the Beasts Cast into Hell 

The Beast Wages War against the Saints 

Saint Michael Defeating the Beasts 

 The Opening of the Fourth Seal, Pestilence 

The Army of Horsemen 

The Locusts Wage War 

Satan Released from Prision 

An Image of the Beast of the Sea Fashioned 

The Beast of the Earth 

The Unclean Spirits 

The Beast of the Sea 

The Dragon Wages War 

The Woman Escapes 

The Dragon and the Woman 

The Beast of the Sea and the Dragon Worshiped 

The Worshipers of the Beast Receive His Mark

 The Fifth Trumpet Sounded, The First Woe

 A Storm; The Woman and the Dragon 

The Opening of the Book 

 

"The Apocalypse, or Book of Revelation, was, according to European medieval tradition, written by John the Evangelist during his exile on the Greek island of Patmos. The opening chapters recount God’s instructions to the bishops of the seven churches in Asia Minor. The following chapters describe John’s extraordinary account of events to come at the end of time. The colorful illustrations of this manuscript bring these dream-like prophecies to life." 

Art and quotation taken from The Metropolitan Museum of Art.

Astrological & lunar chart / Sorciere 

 Intro / Witch Within Magic Circle

 Solar system / January 1896 - Sabbat

 Sun compass / February 

 Imprecation / March 

 Horoscope / April 

Love potion / May 

Once upon a time, I was promised a beautiful / June 

 Transmutation, the Alchemist / July

 Black Mass / August 

The Harvest of Herbs / September?

 The Sorcerer / October; Evocation 

 Bewitchment / November 

 Judgment of Sorcerers / December; End of Wizards

 All things good or bad for each day

 O You who leafed through these pages / MDCCCXC 

"An occultist calendar illustrated by Manuel Orazi and printed in an symbolic edition of 777 copies to commemorate magic for the coming year of 1896. Each double page emulates the Christian calendar (name days, iconography). The document presents itself as a type of pagan-style almanac to chart the year of magic. The illustrations by Manuel Orazi combine nouveau art imagery with references to occult ceremonies, horoscopes, and tarot. The accompanying text is by Austin de Croze, a French food writer, who was also fascinated by esotericism." - quote source 

Artworks found at the Cornell University Library.

Death Ziggurat in Zero-G is a scenario for Metamorphosis Alpha: Fantastic Role-Playing Game of Science Fiction Adventures on a Lost Starship. The first Science Fiction roleplaying game and the first post-apocalypse roleplaying game, Metamorphosis Alpha is set aboard the Starship Warden, a generation spaceship which has suffered an unknown catastrophic event which killed the crew and most of the million or so colonists and left the ship irradiated and many of the survivors and the flora and fauna aboard mutated. Some three centuries later, as Humans, Mutated Humans, Mutated Animals, and Mutated Plants, the Player Characters, knowing nothing of their captive universe, would leave their village to explore strange realm around them, wielding fantastic mutant powers and discovering how to wield fantastic devices of the gods and the ancients that is technology, ultimately learn of their enclosed world. Originally published in 1976, it would go on to influence a whole genre of roleplaying games, starting with Gamma World, right down to Mutant Crawl Classics Roleplaying Game – Triumph & Technology Won by Mutants & Magic from Goodman Games. And it would be Goodman Games which brought the roleplaying game back with the stunning Metamorphosis Alpha Collector’s Edition in 2016, and support the forty-year old roleplaying game with a number of supplements, many which would be collected in the ‘Metamorphosis Alpha Treasure Chest’.

Death Ziggurat in Zero-G is designed an introductory scenario and campaign starter for players new to Metamorphosis Alpha and the Starship Warden. Ideally this is with the tribe of Mutants and Humans based at Super Shop Mart, but the scenario includes some notes on how to use it in an existing campaign. It consists of three parts. In the first, the Player Characters go about their daily lives as members of the Super Shop Mart Tribe. Sometimes standing guard duty or examining newly brought in technological artefacts of the Ancients, but at others being sent out to find food, water, or other artefacts, raid or see off a raid by another tribe, and so on. In the middle section, the Player Characters discover the remains of a cryostasis facility and a strange artefact—the detached, but preserved head of the very crotchety Professor Cardunkle. Initially, all he wants is a new body for his head—any body will do, which can result in some hilarity because of the incongruity of the head of an old man being attached to something totally ridiculous. Eventually though, he will want his own body back and knowing where it is, Professor Cardunkle both directs the Player Characters and promises great treasure. This third and last part of the scenario consists of exploring the ruins of another facility whose internal structure has more or less been turned upside, which represents a challenge in itself.

All of this, and thus, Death Ziggurat in Zero-G, takes place in a closed environment, a great dustbowl known as the Silver Waste, a desert of polished, silver dunes whipped up and scoured by daily endless sandstorms and nightly freezing temperatures, where several tribes eke out a desperate existence. There is lack of permanence to the region due to the constant sandstorms and no one knows what lies beyond the Silver Waste, though in one direction stands ‘The Great Mirror’, a gigantic, flat, reflective wall which stretches as far as the eye can see left and right, and then from the ground high into the sky. The scenario only describes the Player Characters’ Super Shop Mart base of operations and the scenario’s endpoint, the ‘Death Ziggurat’ of the title in full detail, but several other locations are also described and these, when combined with the table of missions for the Player Characters’ tribe and table of random encounters, should actually provide a playing group with several sessions’ worth of play before it moves on to the scenario’s main plot. The sandbox element of the scenario also means that the Game Master could develop and add her own plots and content if she so desired. This would add depth to the scenario as well.

The plot to the scenario is by no means new, but it is nicely dressed up and layered with its post-apocalyptic future and rough environment. It does provide the Game Master with a fun NPC to portray whilst leaving scope for to develop and portray the other NPCs in the region. There is a not a great deal of treasure or artefacts to be found in the Silver Waste, and in many cases, finding what there is involves a lot of work, but to be fair, the point of Death Ziggurat in Zero-G is not on finding goodies, but discovering its secrets and finding a way out. There is promise of powerful artefact though—no less an artefact than an entirely new colour band with the blessing of James M. Ward, designer of Metamorphosis Alpha—the incredible capabilities of which will have factions beyond the Silver Waste fighting with both each other and the Player Characters to possess!

For the Game Master, there is some staging advice on running Death Ziggurat in Zero-G, but in general, this is an easy scenario to run. Perhaps the oddest aspect of running the scenario is that to get the most out of Death Ziggurat in Zero-G, it is suggested that the Game Master be multi-lingual or even use coded speech such as Pig Latin. This is to roleplay another aspect of the scenario rather than Professor Cardunkle, and intended to confound the technologically illiterate Player Characters rather than the players. This may prove to be a challenge for the Game Master, so another option might be record some phrases, perhaps done by a computer voice, as part of her preparation. If the Game Master is multi-lingual, then she can have some further roleplaying that aspect of the scenario.

One issue with Death Ziggurat in Zero-G is that beyond the limits set by ‘The Great Mirror’ and the inclusion of the new Colour Ring, it does not necessarily feel like a scenario for Metamorphosis Alpha. This is because its inclusion of base names such as ‘Super Shop Mart’ and ‘Me Depo’ feel more grounded, better suited to a planetside apocalypse like that of Gamma World or Mutant Crawl Classics, rather then being set aboard a giant generational colony spaceship like the Starship Warden.  That said, the Player Characters of the Super Shop Mart tribe will have no idea that they are aboard a spaceship at all, so that is not necessarily an issue for them. Plus of course, the Game Master could just run Death Ziggurat in Zero-G as an Earth-bound starting scenario for Gamma World or Mutant Crawl Classics and no-one would be any the wiser.

Physically, Death Ziggurat in Zero-G is cleanly presented. The maps are nicely done as are the illustrations, and the whole layout matches that you would expect of title from Goodman Games, feeling very much as it does for Dungeon Crawl Classics or Mutant Crawl Classics.

Overall, Death Ziggurat in Zero-G is a solid starting scenario. It has plenty of scope for the Player Characters to explore a mini-apocalypse as well as its main plot, and is flexible enough place aboard the Starship Warden as intended, or else where.