Much like the Miskatonic Repository for Call of Cthulhu, Seventh Edition, the Jonstown Compendium is a curated platform for user-made content, but for material set in Greg Stafford’s mythic universe of Glorantha. It enables creators to sell their own original content for RuneQuest: Roleplaying in Glorantha, 13th Age Glorantha, and HeroQuest Glorantha (Questworlds). This can include original scenarios, background material, cults, mythology, details of NPCs and monsters, and so on, but none of this content should be considered to be ‘canon’, but rather fall under ‘Your Glorantha Will Vary’. This means that there is still scope for the authors to create interesting and useful content that others can bring to their Glorantha-set campaigns.

—oOo—

What is it?
Tradition: Sandheart Volume Three is both the third part of the campaign set in Sun County in Prax following on Tales of the Sun County Militia: Sandheart Volume 1 and The Corn Dolls: Sandheart Volume 2, and a campaign framework for all three parts, for use with RuneQuest: Roleplaying in Glorantha.

It is an eighty-nine-page, full colour, 29.15 MB PDF.

It is an eighty-nine page, full colour hardback.
Tradition: Sandheart Volume Three is well presented and decently written, with artwork that is full of character—the image of a VW Camper Rhino disgorging sixties-style hippies on the India hippie trail is worth the price of admission alone.

Where is it set?
As with Tales of the Sun County Militia: Sandheart Volume 1 and The Corn Dolls: Sandheart Volume 2 before it, Tradition: Sandheart Volume Three takes place in Sun County, the small, isolated province of Yelmalio-worshipping farmers and soldiers located in the fertile River of Cradles valley of Eastern Prax, south of the city of Pavis, where it is beset by hostile nomads and surrounded by dry desert. Where Tales of the Sun County Militia: Sandheart Volume 1 is specifically it is set in and around the remote hamlet of Sandheart, where the inhabitants are used to dealing and even trading with the nomads who come to worship at the ruins inside Sandheart’s walls and The Corn Dolls: Sandheart Volume 2 is set in and around Cliffheath, on the eastern edge of the county, Tradition: Sandheart Volume Three is set in and around a cave known as Dark Watch on the far western edge of the county.

Who do you play?
The player characters are members of the Sun County militia based in Sandheart. Used to dealing with nomads and outsiders and oddities and agitators, the local militia serves as the dumping ground for any militia member who proves too difficult to deal with by the often xenophobic, misogynistic, repressive, and strict culture of both Sun County and the Sun County militia. It also accepts nomads and outsiders, foreigners and non-Yemalions, not necessarily as regular militia-men, but as ‘specials’, better capable of dealing with said foreigners and non-Yemalions.

What do you need?
Tradition: Sandheart Volume Three requires RuneQuest: Roleplaying in Glorantha. RuneQuest – Glorantha Bestiary might be useful. 

What do you get?
Tradition: Sandheart Volume Three is not really a scenario, but more a campaign framework around which the earlier scenarios, Tales of the Sun County Militia: Sandheart Volume 1 and The Corn Dolls: Sandheart Volume 2 can take place, as well as other scenarios of the Game Master’s choice or devising. This is because it concerns events at one location, a location that by tradition—and if the Yelmalions do anything, it is by tradition—the militia must visit year after year, and perform the same ceremony each time. And each time, the ceremony is completed as instructed by the cult, and nothing happens. In fact, nobody in the militia knows why the task is carried out one year after the next, because nothing ever happens and why it was done the first place has been long forgotten. Only this time—no, only next time, and the time after that, it will be different, and perhaps the members of militia assigned the duty just might find out why the cult has been performing this ceremony for hundreds of years… 
What this means is that if the scenario is played as is, it will not have the impact that playing it episodically will do. Essentially, being asked to return again and again to perform the ceremony at the Dark Watch Cave—without the benefit of a break in the narrative, signals to the Player Characters that their being at the cave is significant rather than the ordinary task it is initially intended to be. So, Tradition: Sandheart Volume Three is best played before, between, and after the events depicted in Tales of the Sun County Militia: Sandheart Volume 1 and The Corn Dolls: Sandheart Volume 2. The downside of this is that if you have already run either of those, then Tradition: Sandheart Volume Three takes more effort to implement. Another issue is one of what else to run between the parts of Tradition: Sandheart Volume Three. The setting and tone of the ‘Sandheart’ series is quite particular—and it is not one that is easily supported by the other scenarios available on the Jonstown Compendium. Advice to that purpose would have been useful. (Potential scenarios which would work include Jorthan’s Rescue Redux,* Rock’s Fall, and Blue Moon, White Moon.)
* Please note that for the purposes of transparency, I co-authored Jorthan’s Rescue Redux.
The Player Characters’ initial forays into the Dark Watch Cave will somewhat mundane, a simple task of lighting several braziers within its walls and then maintaining a vigil overnight. Here is a chance for them to explore the fullest extent of the cave and so educate themselves about its layout for when they return the next and subsequent years. However, the Dark Watch Cave has a deep, dark secret. It is home to a demon of darkness and deceit, one which is trying to escape its prison. Over the course of four tests—as the first four parts of Tradition: Sandheart Volume Three are known, the vigilance of the Player Characters will be tested again and again, as attempts to enter the cave and break their watch grow in their intensity and obviousness. In the early tests, they are actually quite amusing—and there is opportunity for some light-hearted roleplaying, but as the Player Characters return, they become vicious and ultimately spread to the wider area. In these later stages, the tests emphasises action and combat rather than roleplaying, but that reflects the threat which grows and grows over the course of Tradition: Sandheart Volume Three.
Ultimately, the likelihood is the Player Characters will fail and in order to defeat the darkness, the Player Characters will need to undertake a Hero Quest. Compared to the first part of the campaign framework, this is a radical change in pace, structure, and play style. It is very rigidly structured and both players and their characters—as well as the Game Master—need to be quite regimented in how they play through this. It presents some fantastic scenes, especially for Yelmalions as they fight against Darkness, and should they prevail, brings Tradition: Sandheart Volume Three—and if used in conjunction with Tales of the Sun County Militia: Sandheart Volume 1 and The Corn Dolls: Sandheart Volume 2—the ‘Sandheart’ campaign to a rousing climax.
In addition to a full description of Dark Watch Cave, Tradition: Sandheart Volume Three comes with three handouts, full stats for the NPCs and monsters, and multiple maps of the Dark Watch Cave. Some of the handouts are slightly lengthy and as the campaign framework progresses, it does grow in complexity and the need for increased preparation upon the part of the Game Master.

Is it worth your time?
Yes—Tradition: Sandheart Volume Three is an excellent campaign framework around which to structure the ‘Sandheart’ campaign and bring it to a rousing climax.No—Tradition: Sandheart Volume Three is not worth your time if you are running a campaign or scenarios set elsewhere, especially in Sartar.
Maybe—Tradition: Sandheart Volume Three might be useful for a campaign involving Yelmalions and the worship of Yelm from places other than Sun County, but its framework structure may be more challenging to use if the Game Master has already run Tales of the Sun County Militia: Sandheart Volume 1 or The Corn Dolls: Sandheart Volume 2—if not both.

Now in its thirteenth year, Free RPG Day in 2020, after a little delay due to the global COVID-19 pandemic, took place on Saturday, 25th July. As per usual, it came with an array of new and interesting little releases, which traditionally would have been tasters for forthcoming games to be released at GenCon the following August, but others are support for existing RPGs or pieces of gaming ephemera or a quick-start. Again, global events meant that Gen Con itself was not only delayed, but run as a virtual event, and likewise, global events meant that Reviews from R’lyeh could not gain access to the titles released on the day as no friendly local gaming shop was participating nearby. Fortunately, Reviews from R’lyeh has been able to gain copies of many of the titles released on the day, and so can review them as is the usual practice. To that end, Reviews from R’lyeh wants to thank both Keith Mageau and David Salisbury of Fan Boy 3 in sourcing and providing copies of the Free RPG Day 2020 titles.

Like the support for Free RPG Day in 2017, 2018, and 2019, Goodman Games has released the Dungeon Crawl Classics Roleplaying Game Quick Start Rules & Intro Adventure, which provides an introduction to the publisher’s Dungeon Crawl Classics Roleplaying Game. It takes its cue from the Dungeon Crawl Classics Roleplaying Game Adventure Starter published in 2011, but has been expanded enough for the rules to cover characters from Zero Level to Second Level, provide two adventures, and introduce the key concepts of the roleplaying game. In the process, it has grown from sixteen to forty-eight pages. As with the previous versions from 2017, 2018, and 2019, the Dungeon Crawl Classics Roleplaying Game Quick Start Rules & Intro Adventure can be divided into three parts. The longest are rules, followed by a short introductory adventure and then by flipping the booklet over, a longer adventure.
Derived from the d20 System, the Dungeon Crawl Classics Roleplaying Game sits somewhere between Basic Dungeons & Dragons and Advanced Dungeons & Dragons in terms of its complexity. The most radical step in the Dungeon Crawl Classics Roleplaying Game is the starting point. Players begin by playing not one, but several Zero Level characters, each a serf or peasant looking beyond a life tied to the fields and the seasons or the forge and the hammer to prove themselves and perhaps progress enough to become a skilled adventurer and eventually make a name for themselves. In other words, to advance from Zero Level to First Level. Unfortunately, delving into tombs and the lairs of both men and beasts is a risky venture and death is all but a certainty for the lone delver… In numbers, there is the chance that one or more will survive long enough to go onto greater things! This is what the Dungeon Crawl Classics Roleplaying Game terms a ‘Character Creation Funnel’.

Dungeon Crawl Classics Roleplaying Game Quick Start Rules & Intro Adventure provides rules for the creation process, a player rolling for six Abilities—Strength, Agility, Stamina, Personality, Intelligence, and Luck—in strict order on three six-sided dice, plus Hit Points on a four-sided die and an occupation. The latter will determine the character’s Race—Race is a Class in the Dungeon Crawl Classics Roleplaying Game just as it was in Basic Dungeons & Dragons, a weapon, and a possession related to his occupation.

Farmer Galton
Zero Level Human Mendicant
STR 9 (+0) AGL 9 (+0) STM 12 (+0)
PER 8 (-1) INT 10 (+0) LCK 11 (+0)
Hit Points: 4
Saving Throws
Fortitude +0 Reflex +0 Willpower +0
Alignment: Lawful
Birth Augur: Harsh Winter
Luck Benefit: All Attack Rolls
Weapon: Pitchfork (1d6)
Equipment: Hen (Daisy)
34cp

Of the stats, only Luck requires any explanation. It can be used for various skill checks and rolls, but its primary use is for each character’s single Luck Benefit—which unfortunately, Farmer Galton lacks. It is burned when used in this fashion and can only be regained by a player roleplaying his character to his Alignment. The Luck bonus also applies to critical hit, fumble, and corruption rolls as well as various Class-based rolls. For example, the Elf receives it as a bonus to rolls for one single spell and a Warrior to rolls for a single weapon such as a longsword or a war hammer. Further, both the Thief and the Halfling Classes are exceptionally lucky. Not only is the Halfling’s Luck bonus doubled and the Thief’s determined by a random roll when they burn Luck, they actually regain Luck each day equal to their Level. In addition, if a party has a Halfling amongst its numbers that Halfling can pass his expended Luck to other members of the party!

Mechanically, for a character to do anything, whether Sneak Silently, cast a spell, or make an attack, a player rolls a twenty-sided die and after adding any bonuses hopes to beat a Difficulty Class or an Armor Class. Rolls of one are a fumble and rolls of a twenty are a critical. The Dungeon Crawl Classics Roleplaying Game Quick Start Rules & Intro Adventure includes a Fumble Table as well Critical Hit Tables for each of the Classes. Famously, the Dungeon Crawl Classics Roleplaying Game also uses a multitude of dice, including three, five, seven, fourteen, sixteen, twenty-four, and thirty-sided dice as well as the standard polyhedral dice. Although penalties and bonuses can be applied to dice rolls, the dice themselves can get better or worse, stepping up or stepping down a size depending upon the situation. For example, a Warrior can attack twice in a Round instead of attacking and moving, but makes the first attack using a twenty-sided die and the second attack using a sixteen-sided die. Fortunately, neither of the scenarios in the Dungeon Crawl Classics Roleplaying Game Quick Start Rules & Intro Adventure make much use of this full polyhedral panoply, but if necessary, dice rolling apps can be found which will handle such dice rolls.

Magic works differently to the Vancian arrangement typically seen in Dungeons & Dragons. Magic is mercurial. What this means is that from one casting of a spell to the next, a spell can have different results. For example, the classic standby of First Level Wizards everywhere, Magic Missile, might manifest as a meteor, a screaming, clawing eagle, a ray of frost, a force axe, or so on. When cast, a Wizard might throw a single Magic Missile that only does a single point of damage; one that might do normal damage; unleash multiple missiles or a single powerful one; and so on. Alternatively, the Wizard’s casting might result in a Misfire, which for Magic Missile might cause the caster’s allies or himself to be hit by multiple Magic Missiles, or to blow a hole under the caster’s feet! Worse, the casting of the spell might have a Corrupting influence upon the caster, which for Magic Missile might cause the skin of the caster’s hands and forearms to change colour to acid green or become translucent or to become invisible every time he casts Magic Missile! This is in addition to the chances of the Wizard suffering from Major or even Greater Corruption… Some ten spells are detailed Dungeon Crawl Classics Roleplaying Game Quick Start Rules & Intro Adventure, taking up roughly, a quarter of the booklet.

One of the major differences between the 2018 version of the Dungeon Crawl Classics Roleplaying Game Quick Start Rules & Intro Adventure and the editions before it was the range of spells it included for the Cleric and Wizard Classes. Notably, it Magic Missile with Choking Cloud and Colour Spray for the Wizard. The 2019 version was tweaked again, and similarly, the 2020 version has also been tweaked. So instead of Magic Missile, the Wizard has Flaming Hands. 

Once past the funnel, the characters can move up to First Level and acquire a proper Class—either Cleric, Thief, Warrior, or Wizard, or one of the Races, Dwarf, Elf, or Halfling. Further information is provided so that a character can progress to Second Level. The adventures in Dungeon Crawl Classics Roleplaying Game Quick Start Rules & Intro Adventure should be enough for a character to reach First Level. Getting to Second Level and the second adventure is another issue, at least with this version of the Dungeon Crawl Classics Roleplaying Game Quick Start Rules & Intro Adventure.

Dungeon Crawl Classics Roleplaying Game Quick Start Rules & Intro Adventure includes two adventures. The first, which immediately follows the rules is ‘The Portal Under The Stairs’, which appeared in the original Dungeon Crawl Classics Roleplaying Game Adventure Starter back in 2011. This has the would-be adventurers venturing into an ancient war-wizard’s tomb after its entryway becomes open when the stars come right. Designed for Zero Level and First Level characters this is a short, just ten location dungeon primarily consisting of traps and puzzles with some deadly combat encounters thrown in. Its three pages are short enough that a group could roll up their characters and funnel them through the adventure to see who survives in a single session. The second scenario, located on the opposite side of Dungeon Crawl Classics Roleplaying Game Quick Start Rules & Intro Adventure is a Level 1 adventure, ‘The Legend of the Silver Skull’.

The other adventures in the Dungeon Crawl Classics Roleplaying Game Quick Start Rules & Intro Adventure have been different each time. ‘Gnole House’, the adventure from the Dungeon Crawl Classics Roleplaying Game Quick Start Rules & Intro Adventure from 2017 was inspired by the writings of Lord Dunsany and presented a bucolic, genteel demesne, a lonely house full of detail and hidden horrors. Where ‘Gnole House’ provided a good mix of exploration and examination with some combat and a little roleplaying, the scenario for the Dungeon Crawl Classics Roleplaying Game Quick Start Rules & Intro Adventure from 2018, ‘Man-Bait for the Soul Stealer’ was again different. It was a classic dungeon, as was ‘Geas of the Star-chons’, the second adventure in the Dungeon Crawl Classics Roleplaying Game Quick Start Rules & Intro Adventure from 2019—and the Dungeon Crawl Classics Roleplaying Game Quick Start Rules & Intro Adventure continues this trend for 2020.

In ‘The Legend of the Silver Skull’, the Player Characters are lured to a mysterious island with a skull atop its single barren hill, with promises of treasure. Inside the skull they find stairs going down to a damp, water-surrounded complex of rooms where fishmen and other salty creatures lurk… Both dungeon and adventure are quite straightforward, the former consisting of just eight rooms and it being highly possible for the Player Characters to discover and confront the antagonist behind the plot very shortly. What nicely drives the Player Characters into the confrontation is a series of visions one of them will suffer throughout the adventure, and if they defeat the antagonist and survive, then the adventure comes with a decent handful of plot hooks and a really nice artefact—if any Lawful Cleric will the Player Characters use it. However, The Legend of the Silver Skull’ is not an enticing adventure or a bad adventure or a good adventure. It is simply okay for s single session’s worth of dungeoneering. To be honest, the only thing to be said against it, is the fact that it is not set entirely within a giant skull. That, as they say, would have been cool…

Physically, the 2020 version of Dungeon Crawl Classics Roleplaying Game Quick Start Rules & Intro Adventure is, like the previous versions, well presented, the writing is clear, and artwork is in general excellent throughout, echoing the style and ethos of the three core rulebooks for Advanced Dungeons & Dragons. Notable for this edition is cover—which depicts the demon skull, iconic to the Dungeon Crawl Classics Roleplaying Game, in gold on a black background. It really stands out.

As in past years, the Dungeon Crawl Classics Roleplaying Game Quick Start Rules & Intro Adventure is a good package. The rules are nicely explained, the style of game is nicely explained, the artwork is good, the two adventures are good, if disconnected. Any player or Game Master with any experience of Dungeons & Dragons will pick this up with ease and be able to bring it to the table with relatively little experience—and once the first adventure is complete, quickly graduate onto running the second. Overall, ‘The Portal Under The Stairs’ might be getting somewhat long in the tooth, but ‘The Legend of the Silver Skull’ is a fun one session adventure of visionary and potentially fishy weirdness, together serving to make The Dungeon Crawl Classics Roleplaying Game Quick Start Rules & Intro Adventure simply a good introduction to the game and a bit more.

Now in its thirteenth year, Free RPG Day in 2020, after a little delay due to the global COVID-19 pandemic, took place on Saturday, 25th July. As per usual, it came with an array of new and interesting little releases, which traditionally would have been tasters for forthcoming games to be released at GenCon the following August, but others are support for existing RPGs or pieces of gaming ephemera or a quick-start. Again, global events meant that Gen Con itself was not only delayed, but run as a virtual event, and likewise, global events meant that Reviews from R’lyeh could not gain access to the titles released on the day as no friendly local gaming shop was participating nearby. Fortunately, Reviews from R’lyeh has been able to gain copies of many of the titles released on the day, and so can review them as is the usual practice. To that end, Reviews from R’lyeh wants to thank both Keith Mageau and David Salisbury of Fan Boy 3 in sourcing and providing copies of the Free RPG Day 2020 titles.

Rain of Mercy is an introduction to the grim darkness of the 41st Millennium and Warhammer 40,000 Roleplay: Wrath & Glory, published by Cubicle Seven Entertainment. Fairly short, in just sixteen pages it provides an introduction to the setting of the 41st Millennium, an overview of the specific setting for Warhammer 40,000 Roleplay: Wrath & Glory, and a short scenario designed to be played by four players and the Game Master and if not the full mechanics of the roleplaying game. It does not however, provide a full introduction to the mechanics of Warhammer 40,000 Roleplay: Wrath & Glory, but the given explanation is sufficient to play through the included scenario, ‘Rain of Mercy’.

The setting for Warhammer 40,000 Roleplay: Wrath & Glory is of course, the Imperium of Man, over which the Emperor, his body a rotting carcass sustained only by power from the Dark Age of Technology, has maintained a watch from the Golden Throne of Holy Terra. His mind is the very beacon by which the great ships of the Imperium the Warp and travel between the stars. They ferry not just goods and people, but also the Adeptus Astartes, the Space Marines, bio-engineered super-warriors, and members of the Imperial Guard, the ever-vigilant Inquisition, and the Tech-Priests of the Adeptus Mechanicus, from world to world, to investigate and scourge untold xenos, heretics, mutants, and more—including Chaos! Of course, this setting is better known as the background for Games Workshop’s Warhammer 40,000 miniatures wargame, in Warhammer 40,000 Roleplay: Wrath & Glory the focus will be on induvial rather than military regiments and units.

The specific setting Warhammer 40,000 Roleplay: Wrath & Glory is the forsaken Gilead System, which lies beyond the Great Rift, left behind by the Cicatrix Maledictum, the Warp Storm which rent the Imperium in two. The Gilead System is home to several different worlds, such as Avachrus, the Forge World, where the system’s technology is built and maintained; Ostia, the Agri World whose farmer are driven to point of starvation by having to feed the Gilead System; Gilead Primus, a Hive World home to billions; and Enoch, the Shrine World dedicated to the worship of the Emperor. Three years after the Great Rift, a flotilla of ships under the command of Rogue Trader Jakel Varonius, arrived in the system, having managed to find a stable route across the rift, bringing order and relief to the Gilead System which was on the point of collapse, suffering under the weight of too many refugees, most of them pilgrims to the Shrine World of Enoch, stranded by the opening of the Great Rift.

The Player Characters are assembled by Jakel Varonious to undertake a mission for the Ecclesiarchy. A troubling situation has arisen on Enoch, the Shrine World of thin desert land masses amidst extensive oceans, these land masses consisting of shrines around which cluster tent cities inhabited by refugees. A new cult has arisen amongst the slums—the Water Bringers, which might be loyal to the Emperor, but might also be a gang extorting money for the water it appears to have a ready supply of, and there is also talk of new saint on Enoch as well. The characters are charged with infiltrating the Water Bringers and determine the veracity of the supposed saint—be they unsanctioned Psyker, heretic, or one of the Emperor’s blessed. The scenario is short, but involves a reasonable mix of interaction, investigation, and combat, and ultimately leaves the outcome very much in the hands of the players and their characters.

The four characters consist of a Space Marine Scout who dreams of becoming a fully fledged Space Marine; a zealous and uncompromising member of the Adepta Soroitas, a Sister of Battle; a Skitarius and Tech-Priest, who monitors for the use of heretical tech; and a silver-tongued Rogue Trader. All four consist of a description, a nice illustration, some combat stats, and a single ability. For example, the Space Marine Scout always goes first in combat and once per game can attack twice per combat round, whilst the Sister of Battle can pray to the Emperor and once per game, cause an attack to miss any target.

Mechanically, Warhammer 40,000 Roleplay: Wrath & Glory employs a six-sided dice pool system. Results of four and five generate single Icons, whilst rolls of six generate two. If the total roll generates more Icons than the Difficulty Number, then the Player Character or NPC succeeds at the task. Good roleplaying can earn a player Wrath points which can be spent to reroll results of one, two, or three. And that really is the extent of the explanation of the mechanics for Warhammer 40,000 Roleplay: Wrath & Glory in Rain of Mercy, bar rolling for damage in combat. Indeed, there is not even a skill system or anything in the way of attributes for characters presented in Rain of Mercy. Instead, the Difficulty Numbers are given for possible actions by the pregenerated Player Characters—Cunning or Persuasion Tests, Intimidation or Leadership Tests, and so on—in individual scenes. This gives rise to a couple of issues with Rain of Mercy as an introduction to Warhammer 40,000 Roleplay: Wrath & Glory.

Mechanically, what it ignores is the possibility of rolls of six generate extra effects and the use of the Wrath die, which can either trigger a gloriously gory critical hit in combat or a narrative Complication. Narratively, the lack of a skills system or any attributes placed in front of the players reduces their agency because they do not know what their characters can do or what they are good at. Now there is some indication in the Player Character descriptions, but that is not quite as easily digestible as a skills list. On the plus side, this means that the rules are fast, and the rules are furious, and the rules are easy, and the rules are simplistic, but on the downside, it means that whilst Rain of Mercy is playable as is, it does not properly prepare either the Game Master or the players to play the full version of Warhammer 40,000 Roleplay: Wrath & Glory.

Physically, Rain of Mercy is well written and well presented. It is not extensively illustrated, but the full colour illustrations are excellent.

There is a great deal to like about Rain of Mercy. The booklet is well presented, the explanation of the background is good, the scenario is decent, and it is all nicely playable in a session or so. However, as an introduction to Warhammer 40,000 Roleplay: Wrath & Glory, the fact is that Rain of Mercy is severely underwritten in terms of the mechanics. It simply fails to give enough of an impression as to what those rules are and how they work in play, the result being that Rain of Mercy only succeeds as an introduction to the setting of Warhammer 40,000 Roleplay: Wrath & Glory; as an introduction to the mechanics of Warhammer 40,000 Roleplay: Wrath & Glory it is a complete and utter failure.

My NIGHT SHIFT co-author Jason Vey has a bit to say on the design and innovation of our Modern Supernatural RPG. 

You can read it about it all here: https://wastedlandsfantasy.blogspot.com/2020/09/whats-so-innovative-about-night-shift.html

Jason makes a lot of fantastic points. So many in fact that I do not feel the need to reiterate them here and now.  Save where I want to talk about why I wanted to make this game.  And even here I am going restate something Jason already said.

NIGHT SHIFT: Veterans of the Supernatural Wars was designed to be familiar. 

For me though not just in terms of game design, in terms of the types of games I have been playing over the last 20 some odd years.

In 1999 I was facing something of a crisis of my RPG playing. I had been playing D&D for 20 years solid by that point, with minor breaks due to college, grad school, and getting married.  I had bought a house and had a kid on the way. Plus in 1999 D&D was feeling tired and old.  I had played some other games, namely World of Darkness and other horror games. I had recently picked back up Chill, but none of these had lit the spark the way D&D had.

That is until I found CJ Carella's WitchCraft RPG.  Now here was a game I loved and it relit the long dormant fires of RPG creativity.  From here I picked up Kult, found more and more games. Soon I was freelancing at Eden. Then Jason and I were working together on Buffy, Angel, Army of Darkness, and more. But D&D was still that first love.   At the same time the d20 boon was happening and there were a lot of new great games coming out based on the d20 OGL and more still based on the principles of the OGL.  I went from a "dark time" to a new Golden Age in just a couple of years.

NIGHT SHIFT hooks into that familiarity. 

The rules are a streamlined version of the d20/OGC with an "old-school" bend. 
The situations are modern supernatural, so there feels like there is a "world continuity" with games I was playing using Chill, Kult, CoC, Mage, WitchCraft, and Buffy.

I want a game that can take me to the next 20 years of gaming and I truly think this one is it.

You can get hardcovers of NIGHT SHIFT from my publisher's webpage or PDFs via DriveThruRPG.

I am gearing up for Halloween (what you might call "October"), getting all my DVDs, Blu-Rays and yes, maybe even a VHS or two, ready for my nights. I am also getting a bunch of reviews lined up for my days.  But I have not forgotten that I am still only in September and there are things going on right now.

Today is September 8 and that is Star Trek day.  It was on this day that Star Trek premiered in 1966.


So to combine my love of horror and Trek here are some lists of dark and scary Trek episodes.






And a reminder from Dr. Leonard "Bones" McCoy that you really don't need to create a lot of horror for space. It's pretty damn scary as is.


Happy Star Trek Day!

My thoughts are still on Halloween.  So time to bring back another monster from my younger days.

Galley Beggar
Medium Undead (Incorporeal)
Frequency: Very Rare
Number Appearing: 1 (0)
Alignment: Chaotic (Chaotic Neutral, Chaotic Evil)
Movement: 120' (40') [12"] (Limited to 100' from bones)
Armor Class: NA [NA]
Hit Dice: 1d8 (1 hp)
Attacks: 1 scream
Damage: NA (see below)
Special: Can't be hit by physical weapons (Mundane or Magical); immune to charm, hold, and sleep spells.
Size: Medium
Save: Monster 1
Morale: 12
Treasure Hoard Class: See Below
XP: 5 (50 if bones destroyed)

The Galley Beggar, also known as a Bull Beggar, is a type of ghost found in crypts, dungeons, and even old cellars.  They appear as a thin, skeletal looking ghoul in the poor light of dungeons, but are semi-transparent.  They are incorporeal (ghost-like) and are immune to physical attacks of any sort and any mind-affecting magics.

The Galley Beggar has only one attack, a scream that causes fear (as per the spell) in all who hear it.  Everyone with 100 feet of the screaming monster must make a Save vs. Spells or come under the effects of the fear.  Creatures greater than 6 HD are immune.  A favorite trick of the Galley Beggar is to pull it's own head off of its body and then scream.

The only ways to defeat a Galley Beggar are with Clerical Turning, they will turn as Skeletons (1 HD) or via any magic like Bless, Remove Curse, Dispell Magic, or similar enchantments.  If the bones of the Galley Beggar are found and destroyed (with fire or given a proper burial) then the creature is also destroyed. 

It is believed that the Galley Beggar is formed when a novice spell caster is killed on an adventure and their bodies are not returned for burial.  The Galley Begger will not form until the body has decayed to bones.

Much like the Miskatonic Repository for Call of Cthulhu, Seventh Edition, the Jonstown Compendium is a curated platform for user-made content, but for material set in Greg Stafford’s mythic universe of Glorantha. It enables creators to sell their own original content for RuneQuest: Roleplaying in Glorantha, 13th Age Glorantha, and HeroQuest Glorantha (Questworlds). This can include original scenarios, background material, cults, mythology, details of NPCs and monsters, and so on, but none of this content should be considered to be ‘canon’, but rather fall under ‘Your Glorantha Will Vary’. This means that there is still scope for the authors to create interesting and useful content that others can bring to their Glorantha-set campaigns.

—oOo—


What is it?
Monster of the Month #8: Storm Rams presents a noble spirit venerated by the Air pantheon which brings the seasonal rains to Glorantha for use with RuneQuest: Roleplaying in Glorantha.

It is a nineteen-page, full colour, 1.52 MB PDF.

Monster of the Month #8: Storm Rams is well presented and decently written.

Where is it set?
Storm Rams, the subject of Monster of the Month #8: Storm Rams, can be encountered anywhere in Dragon Pass, most notably in Startar, Tarsh, Esrolia, and Prax, but especially in the lands of the Balmyr Tribe in the high valleys of the Quivin Mountains, where they are known to come down out of the sky and graze.

Who do you play?
Anyone can encounter a Storm Ram, but Orlanth and Heler initiates may be able to summon them as can members of some weather-worshiping spirit societies of Prax. Herders and Weavers of Balmyr Tribe will seek out the fur left behind when the Cloud Rams come to earth.

What do you need?
Monster of the Month #8: Storm Rams requires RuneQuest: Roleplaying in Glorantha, but RuneQuest – Glorantha Bestiary might be useful. 

What do you get?
Monster of the Month #8: Storm Rams describes Storm Rams, the most well-known ‘weather-sheep’ or Urothing spirits of the air, who drive their herds through the air, bringing fertile rains and destructive storms alike. They are defenders of the rain, migrating across Glorantha in regular patterns throughout the year, typically driven back to the Spirit World by the heat of the Fire Tribe. They are known to descend to the earth and graze. In the lands of the Balmyr Tribe, the fur they leave behind is collected and woven into Mistwool, a textile constantly cool in the highest of temperature.

Full stats and descriptions are provided not just for the Storm Ram, but for other ‘weather-sheep’ too. These include the Greater Storm Ram, the Lightning Ram, and the Cloud Sheep, with suggestions how to individualise them and for them to become allied spirits. All three are given their own Summoning Rune spells for the Orlanth Thunderous and Heler cults, but the caster should at least be Rune Masters of either cult, and the caster needs to persuade the Storm Ram to come as well as casting the spell. In addition, Monster of the Month #8: Storm Rams gives a description of where Mistwool comes from, what it is woven into, and its importance to the Balmyr Tribe.

Monster of the Month #8: Storm Rams could have simply presented the ‘weather-sheep’ as a set of spirits tied to the Air pantheon and Orlanth worshippers, but it widens the scope of the supplement by having Storm Rams honoured by Heler and certain Praxian Spirit Societies, including detailing a Storm Ram Spirit Cult. In all three cases, it explains the reasons why through differing, often contradictory, mythologies. These are decent little pieces which will help underpin their appearance in game. Lastly, the supplement gives sample stats for all four types of ‘weather-sheep’, including the Greater Storm Ram, Urothtrai the Lover, who passes through the Red Cow clan’s lands in Sea Season every year, where Orlanth Adventurous worshipers compete to help him woo his beloved ewe, Helurtha, and so gain the blessings of bountiful rain in Fire Season.

However, beyond becoming a possible allied spirit or a source of Mistwool, where Monster of the Month #8: Storm Rams is underwritten is in terms of application. Of course, a Game Master will be able to dig into the supplement’s contents to develop ideas for her own campaign, but a scenario seed or three would have been useful additions to help her bring the Urothing into play.

Is it worth your time?
Yes—Monster of the Month #8: Storm Rams presents an interesting embodiment of the storms and the rain, pleasingly from differing points of view, which the Game Master can work into her campaign.
No—Monster of the Month #8: Storm Rams is yet more spirits, and as much as it falls under ‘Your Glorantha Will Vary’, one word might make you wonder how varied it will be when you add ‘weather-sheep’. 
Maybe—Monster of the Month #8: Storm Rams is an interesting supplement and it does a nice job of bringing a type of sprint into play through differing points for view, but the lack of immediate use or scenario suggestions may not make it as useful as it could be.

Strange New Worlds: Mission Compendium Vol. 2 is an anthology of eight ready-to-play adventures for use with Modiphius Entertainment’s Star Trek Adventures: The Roleplaying Game. Like the core rules and the These Are the Voyages: Mission Compendium Vol. 1 anthology before it, this nonet provides adventures set during the periods of Star Trek: Enterprise, Star Trek: The Original Series, and Star Trek: The Next Generation, all of which the Game Master can easily adapt to the period she is setting her campaign in. Notes are included exactly for this purpose at the beginning of each scenario, so that with a little bit of effort upon her part, the Game Master can run all of these scenarios without the need to switch time periods.

In terms of setting, these scenarios all take place on different planets across the Federation—and beyond, typically beyond explored space. Not just on planets, but also odd structures, such as orbital rings and super dense discs, and whilst they will often involve meeting new races and alien species, none of them are built around encounters with the Klingons, Romulans, and the like. Instead, there are a lot of mysteries to be investigated and diplomatic difficulties to be solved, mostly with skill and creative thinking rather than brawn and phasers. However, this does not mean that combat does not feature—either on the ground or aboard a starship.

The great thing about Strange New Worlds: Mission Compendium Vol. 2 is that all nine scenarios are Star Trek adventures and they feel like it. They feel like they would work as episodes for the era of the television series they are set within and each would be quite difficult to adapt to other Science Fiction settings. They are also all relatively short—each offering just a session or two’s worth of play—and would be easy to slot into an ongoing campaign or run as one-shots. However, the nine are not perfect. First there is only the one scenario for Star Trek: Enterprise compared to the four each for Star Trek: The Original Series and Star Trek: The Next Generation, forcing the Game Master to work to adapt these eight to the earlier period if she wants to run more of the scenarios in Strange New Worlds: Mission Compendium Vol. 2 for a Star Trek: Enterprise-set campaign. Second, whilst the graphics of the nine scenarios are differentiated between the three time periods—so LCARS (Library Computer Access/Retrieval System) is only used for the four Star Trek: The Next Generation-era scenarios—the use of graphics is generally disappointing throughout. In all too many cases, locations go unmapped and ships and alien races unillustrated. This particularly shows in the maps, the only locations given maps being combat encounters—rather than the whole of the locations and bases where the adventures take place. Now whilst there are reasonable descriptions, the lack of the maps and illustrations leaves the Game Master with more work to do in describing them.

Strange New Worlds: Mission Compendium Vol. 2 opens with Fred Love’s ‘A Cure Worse Than the Disease’, its single scenario for Star Trek: Enterprise. The crew receive a distress signal from the previously isolationist planetary government of Fosstarian II requesting help with a virulent plague. Not only is Fosstarian II suffering from a pandemic, but someone has built a planetary ring around the world specifically designed to bath it in radiation! This presents an interesting medical mystery, but there is much more going on, involving a conspiracy and a deep, dark secret, which still leaves plenty of things for the other characters to do. The conspiracy is not too convoluted though, as the scenario like the others in the collection, is not all that long. Overall this is a solid start to the anthology.

‘Plato’s Cave’ by Marco Rafalá is the first of four scenarios which take place during the Star Trek: The Original Series period. The crew is sent to resupply a remote Federation archaeological outpost on the ice-age world of Tanghal IV, only to discover the lead archaeologist dead and the rest of the team missing. Searching the facility leads to a doomsday seed vault and missile silo converted into a survival bunker prior to radical climate change millennia before. The facility is full of strange technology and indications that the away team is not alone. With its mix of ancient aliens and ancient technology, this is the first of a number of eerie, almost creepy scenarios in Strange New Worlds: Mission Compendium Vol. 2, dealing with survival, making contact, and morality.

Ancient technology also plays a role in ‘Drawing Deeply from the Well, No Good Deed’ by Aaron M. Pollyea. The crew is ordered to an alien megastructure nicknamed ‘The Big Dipper’ which has suffered a number of incidents, possibly attacks, since it recently became operational. ‘The Big Dipper’ is a skyhook which uses massive ramjet-driven scoops to mine the atmosphere of Purgatory, the gas giant below for common heavy metals and dilithium. This has a nice sense of scale, something which Star Trek: The Original Series was not always able to effectively depict onscreen, both in terms of the megastructure and the planet below. The adventure itself is good, and begins a theme of first contact and misunderstandings which runs throughout the anthology.

Joe Rixman’s ‘No Good Deed’ has an interesting call back to Star Trek: Enterprise as the crew track a call for help to a space station above a volcanic world devoid of life. The crew members discover the corpses of two species aboard the station—one avian, one arthropod, and upon further investigation, a pattern of war between them on the planet below. This led to a virus being engineered and released by the arthropods, which resulted in the rapid extermination of the avian species. Ultimately, they also find that the last survivors might have established a capsule of frozen embryos from both species. This is another good medical mystery, combined with a historical mystery and sets a dilemma or two for the crew as what they do with the embryos.

The last scenario set in the Star Trek: The Original Series-era is Christopher L.
Bennett’s ‘The Whole of Law’. It takes place on an exotic object, a large, flat disk of hyperdense matter with its own gravitational field on each side. Called Thelema, it is occupied and run as a resort world, the Light Face for relatively wholesome activities, the Dark Face for more extreme entertainment which puts visitors’ lives at risk. Visitors make the choice as to which side they want to visit voluntarily. Both the scenario’s title and the exotic object’s name are obvious nods to the writings and philosophies of occultist Aleister Crowley—as is actually pointed out in the scenario. The scenario is also connected to the classic Star Trek: The Original Series episode, ‘Shore Leave’,  and is also the most difficult of the nine scenarios to run in Strange New Worlds: Mission Compendium Vol. 2. The issue is that the Player Characters are intentionally divided and then kept apart for most of its events, which will require careful timing upon the part of the Game Master throughout. The separation also feels forced and is difficult not to telegraph.

The first scenario set in the Star Trek: The Next Generation-era is Andrew Peregrine’s ‘Footfall’. This is also a difficult scenario, but for different reasons. It is also a fascinating scenario for its themes. It explores the role of religion in the Star Trek: The Next Generation-era and how many of members of the Federation approach civilisation, particularly as it pertains to the Player Characters. The crew is directed to a world known as Footfall, a reputed religious sanctuary for numerous faiths, but not actually particular to any one faith. Recently, the world, governed by a Federation outpost, has been beset by the violent activities of a militant group. As the religious members of the crew undergo increased spirituality, they must contact the militants and attempt to calm them down. Attacks by ‘demons’ only exacerbate the situation until the Player Characters are effectively pointed to one location, a mountain top holy to everyone on the planet. Here, in a nod to Star Trek V: The Final Frontier, they get to confront the ‘Creator’ or ‘God’, though in a more benign fashion than in the film. The difficulty is really what the Player Characters do with what they learn from this confrontation, since it undermines the faith of everyone visiting the planet. The author offers several solutions, including lying—and whilst that might cause the least upset, is it really ethical? This is perhaps the most difficult dilemma in the anthology, not just in how the Player Characters deal with it, but whether a player group wants to deal with it too.

The source of an extremely powerful subspace message which almost disables its ship, leads the crew to a strange planet with a crystalline ocean in ‘A Cry from the Void’ by Ian Lemke and Spring Netto. Surprisingly, the Player Characters are welcomed with open arms by a renegade Ferengi female who is running her own mining operation on the planet. She wants their help in locating several missing miners. The question is, are the two incidents connected? The scenario adds a nice little twist to the backstory of its duplicity and a strange new environment, but this otherwise a straightforward affair.

Things get really strange and dark in Sam Webb’s ‘Darkness’, the penultimate scenario in the anthology. The crew comes to the aid of a Vulcan Expeditionary Group studying Trax Episilon 1, a Class-H which has suddenly transformed into a black, light absorbing world. There is a decent opportunity for some moments of horror in the darkness of this scenario which again, apart from the weird environment, is another straightforward affair.

The last scenario in Strange New Worlds: Mission Compendium Vol. 2 is ‘The Angstrom Operation’ by Jason Bulmahn and it is a bit of a romp. The crew is ordered to answer a distress call from a small research facility on a tidally locked world in the Dran’Ankos system near the Cardassian Demilitarized Zone. They find that the system’s star is losing its mass and the base damaged and in disarray after its staff have seemingly gone mad and attacked each other. The away team will need to restore the base, determine what its staff was doing and the cause of the madness, all the while fending off crazed crewman, a strange parasitical lifeform, and ultimately, a belligerent Cardassian patrol, if it is to save the day. A busy scenario, a nice nod to the classic Star Trek: The Original Series episode, ‘Operation Annihilation’, with a pleasing sense of growing peril, and should be good fun to play.

Physically, bar the issues with the inconsistent use of illustrations and the maps, Strange New Worlds: Mission Compendium Vol. 2 is nicely laid out and looks. The artwork is good, but just not always helpful. The book does need another edit in places. All nine scenarios are neatly organised into three acts, with notes on how to adapt each to the other two eras, and a discussion of possible outcomes and potential follow-ups.

Strange New Worlds: Mission Compendium Vol. 2 does contain a number of common themes and elements. Notably, a high number of the scenarios involve encounters with planetary-wide or sized intelligences which are mistaken for something else, their attempts at communication being potentially damaging, which will be a problem if these scenarios are played too close to each other, since the players (and their characters) are likely to have learned from earlier encounters. There also seems a concerted effort across several of the latter eight scenarios—the one scenario for the Star Trek: Enterprise era does not count—to prevent the Player Characters from using their ship’s Transporters. Of course, on screen the use of the Transporters was an easy way of avoiding having to use shuttlecraft, but in Strange New Worlds: Mission Compendium Vol. 2, the crew will find itself using one or more again and again. Which to an extent, does not feel very much like Star Trek.

In general, what issues there are with Strange New Worlds: Mission Compendium Vol. 2 are minor. In fact, the biggest issue is that there is only one scenario for Star Trek: Enterprise compared to the four each for Star Trek: The Original Series and Star Trek: The Next Generation and that seems so unbalanced. The nine though, lend themselves to a very episodic style of play and are better worked into a campaign over the long term. Overall, Strange New Worlds: Mission Compendium Vol. 2 is a solid anthology of Star Trek adventures for Star Trek Adventures, each one nicely suited to its era of play.

Now in its thirteenth year, Free RPG Day in 2020, after a little delay due to the global COVID-19 pandemic, took place on Saturday, 25th July. As per usual, it came with an array of new and interesting little releases, which traditionally would have been tasters for forthcoming games to be released at GenCon the following August, but others are support for existing RPGs or pieces of gaming ephemera or a quick-start. Again, global events meant that Gen Con itself was not only delayed, but run as a virtual event, and likewise, global events meant that Reviews from R’lyeh could not gain access to the titles released on the day as no friendly local gaming shop was participating nearby. Fortunately, Reviews from R’lyeh has been able to gain copies of many of the titles released on the day, and so can review them as is the usual practice. To that end, Reviews from R’lyeh wants to thank both Keith Mageau and David Salisbury of Fan Boy 3 in sourcing and providing copies of the Free RPG Day 2020 titles.

Amongst some gaming groups, there is much anguish and wailing that there is no roleplaying dedicated to the Harry Potter franchise. This is not to say that there have been no pretenders to the throne, no attempts to something in a Harry Potter-style setting, but with the serial numbers well and truly filed off. For example, the Redhurst Academy of Magic Student Handbook was a d20 System supplement published by Humanhead Studios in 2003. In 2020, Renegade Game Studios supported Free RPG Day with an ‘ashcan’ version of Kids on Brooms. This is a collaborative role-playing game—using the Kids on Bikes model and mechanics—about life at a magical school, where as a teenage witch or wizard you will study various types of magic, cast spells using your wands, and participate in sports astride brooms you ride through the air! You will have adventures, face dangers and mysteries, and uncover the fantastic secrets of the school and magic!

The Kids on Brooms Free RPG Day Edition presents a cut down version of the full Kids on Brooms rules. It starts by discussing the setting of boundaries, the Game Master and her players being expected to agree on what they want and do not want in their game—what they want to see, what they are okay with, what they want to gloss over, and what they want to avoid. The point is all about be being respectful to each other, especially in light of the fact the players are going to be roleplaying children. The Kids on Brooms Free RPG Day Edition omits though, both rules for setting creation and character creation. In the full rules for Kids on Brooms the players and Game Master gets to create their school of magic and the players roleplay pupils from all years. In the Kids on Brooms Free RPG Day Edition, the setting is the Rainheart Academy of Magic just outside of Tacoma, Washington, an old Victorian manor house perpetually hidden from the normal world by fog, its surrounding trees and buildings covered with a fungus whose study is one of the more dangerous classes on the curriculum, and its primary sport being Branderball, a combination of rugby and bowling, only played, of course, on brooms. Also, the only characters available to roleplay are Underclass Students—essentially, First Years.

Instead of character generation, Kids on Brooms Free RPG Day Edition includes six Tropes—or basic character types—and the means to modify them with the scope if their all being Underclass Students. These Tropes are Teacher’s Pet, Bullheaded Muscle, Firstborn Caster, Haughty Descendant, Offbeat Eccentric, and Reliable Bestie. As per Kids on Bikes, each student is six stats—Brains, Brawn, Charm, Fight, light, and Grit—which are attached to a die type, from a twenty-sided die for the character’s best stat down to a four-sided die for his worst stat. The ten-sided die represents an above average stat, whereas an eight-sided die represents a below average stat. So, a Bullhead has a Brawn d20, Fight d12, Grit d10, Flight d8, Brains d6, and Charm d4, whereas an Offbeat Eccentric has Flight d20, Grit d12, Brains d10, Charm d8, Brawn d6, and Fight d4.

Each Trope also has its own Strengths—or advantages, for example Loyal & Prepared for the Teacher’s Pet and Spell Slinger & Wealthy for the Haughty Descendant, each of which grants an advantage during play. So Loyal for the Reliable Bestie grants each Adversity Token spent to help a friend a +2 bonus rather than +1 and the Intuitive of the Firstborn Caster enables his player to spend Adversity Tokens to ask questions of the Game Master, who must answer truthfully. A Trop also has a Wand, which consists of the Wood and the Core, both of which grant bonuses to casting particular types of magic. So Cherry Wood grants a bonus for Charm magic and Pine Wood a bonus for Brawn magic, whereas dragon’s heartstring, wolf’s tooth, and elk antler grant a bonus to Fight magic and parchment, phoenix’s feather, and owl’s feather to Brains magic. Every student also has his own broom, such as The Blocker’s Broom which grants the rider the Guardian Strength, a familiar such as an owl or a frog, and an expansive schoolbag (of holding).

Having selected a Trope and made all of these choices, each player answers a random question about the relationship between his Trope and the Trope of the player to his left. Then each player notes down his Trope’s motivation, fear, and what might be found in his schoolbag. Given that this only the Kids on Brooms Free RPG Day Edition and the Trope or character options are fairly limited, there is a fair amount of advice given on the process.

Mechanically, Kids on Brooms Free RPG Day Edition uses the same mechanics as Kids on Bikes and Teens in Space, with each of a Trope’s stats being represented by a single die type. For a Trope to do something, player rolls the appropriate die for his Trope’s stat and attempts to roll over a difficulty number set by the Game Master, for example, between ten and twelve for an impressive task that a skilled person should be able to do. When a die is rolled and its maximum number is rolled, the die explodes, the Trope gets a Lucky Break, and a player gets to re-roll and add to the total. A player only has to keep rolling exploding results until his Trope succeeds. The Game Master also decides whether an action is a Planned Action or a Snap Decision, although a player can attempt to persuade her either way. Primarily, a Planned Action allows a player to take the average of a Trope’s stat and so forego the need to roll, whereas with a Snap Decision, this is not possible.

In addition, Adversity Tokens can be spent to modify a roll on a one-for-one basis. If a Trope succeeds at a stat check, his player gets to narrate the result, whereas, if he fails, then the Game Master narrates the outcome. Failures tend to be worse for Planned Actions rather than Snap Decisions, but whatever the failure, the Trope earns an Adversity Token.

So far, so like Kids on Bikes, but Kids on Brooms, magic complicates things—or at least adds aspect to the game. In fact, magic and the casting of spells is surprisingly simple, yet flexible. Each Stat is associated with a particular type of magic—Brains for astral projection, finding hidden things, and so on; Brains for levitation, magically locking doors, and binding opponents; Fight for attacking, disarming, and exploding magic; Flight for deflecting magic, moving magically, and blending into the surrounds; Charm for disguising yourself, magically persuading others, and projecting illusions; and Grit for keeping yourself and others safe, dispelling magic, and healing. Of all these spells, there are ethical limitations on the use of Charm and Fight spells—especially against others.

Mechanically, spellcasting in Kids on Brooms uses the same dice rolls as stat checks, with the Game Master setting the difficulty of the task based on what the player wants his Trope to do with the spell. This is modified by the magnitude, area, and duration of the effect, as well as the caster’s experience with the spell, so the more unnatural the effect, the greater area it affects, the longer it lasts, and the less experience his Trope has with the spell, the greater target difficulty the player has to beat. In addition to the stat die, a player also has a Magic Die or a four-sided die, which he rolls and adds to the total. The Magic Die is not rolled if the target of the magic is a living being, but it does explode, and since it is a smaller die type, there is a greater chance of it exploding and so of a Trope successfully casting the spell. As with standard stat checks, there is a table for interpreting the results for the Game Master to use.

And… this is where Kids on Brooms Free RPG Day Edition effectively ends. There are no NPCs given and there is no scenario. So in effect, Kids on Brooms Free RPG Day Edition gives a group everything it needs to play, but nothing roleplay or act against, and worse, nothing to do. In effect, it handicaps any group wanting to find out what Kids on Brooms is like to play. What is worse is the fact that almost two thirds of a page is left empty, which could have used for  scenario seed or three and perhaps the stats of monster or two—just something to make the Kids on Brooms Free RPG Day Edition more immediately playable.

Physically, the Kids on Brooms Free RPG Day Edition is where well presented. The artwork is reasonable and the booklet is decently written. 

The Kids on Brooms Free RPG Day Edition is a good introduction to Kids on Brooms. It is easy to pick up and understand, the setting is instantly accessible, and the rules are light, providing for a good narrative-based storytelling game. However, as a full introduction to Kids on Brooms, the Kids on Brooms Free RPG Day Edition is frustratingly, unnecessarily incomplete.

Delta Green: PX Poker Night is a scenario for use with Arc Dream Publishing’s Delta Green: The Role-Playing Game which can be played using the roleplaying game’s full rules or those from Delta Green: Need to Know. It is significant in that it was originally published in the late nineteen-nineties, and so is actually set before the events which saw Delta Green accepted back into the fold and before Delta Green became a roleplaying game of its own. It also served as the demonstration scenario for the setting, being basically a one-shot set in an isolated location on one singular night of terror.

Some twenty or so years on, Delta Green: PX Poker Night has been updated and refurbished as a scenario for Delta Green: The Role-Playing Game. It can still be run as a one-shot, but if any of the pregenerated Player Characters survive the strange encounter and the madness, they may go on to become Delta Green friendlies, even Delta Green agents if the conspiracy can improve the situation with their careers, and so have the potential to be roleplayed through the events of the millennium and beyond… Alternatively, Delta Green: PX Poker Night could be used as a flashback, as the re-examination of a cold ‘Night at the Opera’, or even as an origins scenario for a Delta Green Agent a la Control Group.

Delta Green: PX Poker Night takes place at Platte Air Force Base, a cemetery for both Air Force aeroplanes—the base is a boneyard for decommissioned aeroplanes, and air force careers. Here in the middle of nowhere, misfits, malcontents, and ne’er-do-wells serve out the remainder of their careers, all but avoiding the possibility of a dishonourable discharge. They have little to do bar maintain the base and perform guard duty, and little to look forward to except the weekly poker game—held at the base’s PX, a holdover from when Platte AFB was an army base—and the opportunity to take money off the base’s officers. All that will change on the night of Saturday, August 22nd, 1998.

On that evening an unmarked van is driven onto the base and parked at its far end. It sits there silently for hours, guarded by men armed with rifles and wearing strange metal helmets. The base commander says that they have permission to be there and their orders are correct. Then as the poker night begins, the van seems to hum, and the mood turns strange. The air force personnel grow disgruntled, then agitated, and worse, petty rivalries and miseries escalating into out and out violence as they suffer weird hallucinations. Then events really take a turn for the weird…

Delta Green: PX Poker Night is designed to be played by between three and six characters, the scenario including six pregenerated Air Force personnel. They include a diverse mix of men and women, some them of actual misfits and malcontents, most but not all of them at Platte AFB due to their own actions. However, there is a problem with the two women in the group. Not that they are African American, but rather that both are victims of misogyny within the Air Force. In story-telling terms, their backgrounds feel too similar and although they are different in terms of personality, perhaps another reason for one of being assigned to Platte AFB could have been given to make her less of a victim and more responsible for her own actions as the majority of the pre-generated male characters are.
Given that the scenario is designed as a one-shot and comes with pregenerated characters, it would also have been useful to have a briefing for each character, detailing in particular how each feels about the other five. This may not be necessary with every group playing PX Poker Night, but will definitely be useful for a convention game. That said, in addition to the character sheets for each of the six pregenerated characters, the scenario supports their insanity spiral with a set of effect cards which are designed to be handed out as the effects whatever the van brought onto the base degrades their mental stability.

Delta Green: PX Poker Night is primarily character and player driven. For the most part, they will be reacting to the events around them, a combination of weird hallucinations and the increasing unstable, then aggressive or panicked actions of their fellow servicemen, and there is plenty of roleplaying potential involved in that, though some players may find it to be too much of a grind. The scenario also presents the opportunity for the player to roleplay characters in the Delta Green setting who are not stalwart investigators, but both victims and malcontents. Ultimately, the scenario will drive them to investigate lest they be driven insane. However, whilst the scenario’s weird events escalate and its denouement is interesting, that denouement is not necessarily a satisfying one—especially if the scenario is run as a one shot. As a flashback or introduction to the setting of Delta Green, there may be more opportunity to explore the repercussions of Delta Green: PX Poker Night.
Physically, Delta Green: PX Poker Night is decently presented as you would expect for Delta Green: The Role-Playing Game. It includes good maps and a useful set of tables to help the Handler gauge the reactions of the NPCs.

As good as it is to see Delta Green: PX Poker Night back in print, it is of limited use to an ongoing Delta Green campaign. Its time frame also means that it is difficult to add to a campaign set in the current period, so it best works as a flashback or a campaign starter set earlier in the setting’s history. As a nasty, Sanity shaving one-shot Delta Green: PX Poker Night is an interesting introduction to Delta Green.

Now in its thirteenth year, Free RPG Day in 2020, after a little delay due to the global COVID-19 pandemic, took place on Saturday, 25th July. As per usual, it came with an array of new and interesting little releases, which traditionally would have been tasters for forthcoming games to be released at GenCon the following August, but others are support for existing RPGs or pieces of gaming ephemera or a quick-start. Again, global events meant that Gen Con itself was not only delayed, but run as a virtual event, and likewise, global events meant that Reviews from R’lyeh could not gain access to the titles released on the day as no friendly local gaming shop was participating nearby. Fortunately, Reviews from R’lyeh has been able to gain copies of many of the titles released on the day, and so can review them as is the usual practice. To that end, Reviews from R’lyeh wants to thank both Keith Mageau and David Salisbury of Fan Boy3 in sourcing and providing copies of the Free RPG Day 2020 titles.

One of the perennial contributors is Paizo, Inc., a publisher whose titles for both the Pathfinder Roleplaying Game and the Starfinder Roleplaying Game have proved popular and often in demand long after Free RPG Day. For 2020, the title released for the Pathfinder Roleplaying Game is Little Trouble in Big Absalom, a scenario for Level 1 characters. The Game Master will require not only the Pathfinder Roleplaying Game, but also the Pathfinder Bestiary. The scenario is actually a preview of the upcoming Pathfinder Advanced Player’s Guide in that it uses Heritages and Feats to be found in that forthcoming supplement. Now in times past, those Feats and Heritages would have been for Goblins, the signature Humanoids who have appeared in numerous Free RPG Day scenarios, but for Little Trouble in Big Absalom they are Kobolds! Five pregenerated Kobolds are provided, ready to play through the scenario.

In Little Trouble in Big Absalom, the five kobolds are members of the Hookclaw clan, which makes its living by digging through and scavenging from the buried ruins underneath the city of Absalom. Although the tribe has never been wealthy or really comfortable, now their miners have struck it rich. They have opened up an undisturbed vault full of treasure and so the tribe needs a stalwart team of scavengers to get in, find out what is there, and bring back the best for the tribe. This is where the fun and games begin, because what lies beyond the freshly dug tunnel is not a vault, but the cellar of a house on the surface. This house happens to be home to kindly old lady, so the cellar is full of wonders and gewgaws and bric-à-brac and whatnot. There are dangers too, of course, all scaled to Kobold size.

Little Trouble in Big Absalom is a madcap style of dungeon or adventure, which does the classic ‘little as big’, ‘ordinary is strange’, and ‘ordinary is dangerous’ tropes. So what might be ordinary to average adventurers is rendered strange by the fact that the Player Characters are Kobolds. One criticism of the scenario is that it does not play upon that as much as it could have done and the Game Master might want to create a table of objects and ‘treasures’ which the Kobolds can find and take back to the clan as this is a great opportunity for roleplaying by the players. Now, Little Trouble in Big Absalom does not do this once, but twice. It is actually divided into two parts. In the first part, the Kobolds investigate the cellar, find some treasures, and deal with some ‘threats’ forgotten about the homeowner. In the second part, the brave Kobolds actually explore beyond the cellar and not only meet the homeowner—the kindly old lady—but get given cookies and asked to do a task. Unbelievably,  this task is to retrieve a hedge trimmer from a neighbour who has failed to return it! Could this scenario be anymore suburban?

In fact, it turns out that the little old lady is incredibly near-sighted and thinks that the Kobolds are children. It also turns out that the garden of the hedge trimmer hoarder is full of dangers too. In fact, it is infested with Lawn Crawfish! Sneak into the garden, beat up any occupying garden crustaceans, steal the hedge trimmer, and the Kobolds can probably get home in time for tea—or at least more cookies. Little Trouble in Big Absalom can either be run as a whole scenario combining both parts or just using one of the parts. It depends on how much time the playing group has. Each part should take a couple of hours or so, which means altogether, Little Trouble in Big Absalom would work as a convention scenario.

The pregenerated Kobolds include a Dragon Mage or Sorcerer, a mushroom farmer Druid with Siamese cat companion, a Rogue who likes to thumb his snout at authority, an ocarina-playing Bard with a penchant for heroics, and a reluctant Fighter who is regarded as hero for driving away an actual adventurer! All find Kobold adventurers come fully statted out with detailed backgrounds and delightful illustrations. They also appear on their own pages so are easy to copy and hand to the players.

Physically, well this is a book from Paizo, Inc. for the Pathfinder Roleplaying Game, so the production values are as good as you would expect. The illustrations of the Kobolds are delightful, and the artwork is good throughout. The writing is also decent. Little Trouble in Big Absalom may only be sixteen pages long, but as much attention has been paid to this release as any other from Piazo, Inc.

As an adventure, Little Trouble in Big Absalom is a cliché—the little folk (in this case Kobolds rather than Goblins) exploring the big world, the little old lady with poor eyesight who takes them for children, and so on. However, just because the scenario is a cliché, it does not mean that it cannot be fun to play or that it is not well designed or put together. There is a good session of gaming, particularly in terms of roleplaying ‘small characters in a big world’, to be got from playing through the adventure and that is very much down to the quality and production values of the scenario. So, yes, Little Trouble in Big Absalom is a cliché, but that does not mean that the cliché cannot be fun to play!

Got a nice little mail call last week.

Going to have to see how this one plays!

Well, this one looks like it will be fun!

Abracadabra: A Guide to Becoming a Magical Games Master

https://www.kickstarter.com/projects/thegrinningfrog/abracadabra-rpg?ref=theotherside

Described as "an art book that educates. Something to flick through for inspiration, guidance and assistance."  This book combines the author's areas of expertise of RPGs, training coach and graphic designer into one whole.

The art is very attractive and this looks like a "coffee-table" or what we like to call a "luxury book" though it has more value than just looking good.

I was pleased that the author mentioned Michael Shea's "The Lazy Dungeon Master" as the go-to guide for learning how to run your games better.  This book looks like it is not competing with that and would either supplement or complement Shea's books.

The art in this looks fantastic and there are hardcover and PDF options for the book.

At the current rates, £22 is about $29.20 US (PDF).  £32 is $42.22 US (Hardcover) and the combined bundle is £42, or $55.42, not factoring in any shipping.

Considering what you are getting those prices sound good.

‘Roll & Write’ games—the mechanic of rolling dice and writing down the results—go all the back to Yahtzee, but that design is over sixty years old and game design has come a long way since 1956. These days, ‘Roll & Write’ games involve ‘write-on, wipe off’ surfaces, so a game can be played, the playing surface written upon, then wiped clean, and played again. Railroad Ink is typical of this. Published by Horrible Guild, Railroad Ink is a family game which combines competition and puzzles for between one and six players, aged eight and above, that can be played in thirty minutes. Over the course of the game, players roll dice and draw the symbols on the dice on their maps to build networks. After seven rounds, they score points for the number of Exits they connect, their longest rail and road networks, and lose points for dead ends created. The player with the most points is the winner. Then, everyone cleans their board, ready to play again. The result is a game with simple mechanics, but thoughtful gameplay as each player tries to connect up the symbols on the dice, all using the same symbols as everyone else, but in a different mechanic.

Railroad Ink comes in different colours—Railroad Ink: Deep Blue and Railroad Ink: Blazing Red are the most commonly available. They differ primarily in their colour and in the expansions available in each. Railroad Ink: Deep Blue adds the Rivers and Lakes expansions, each River symbol making connecting route that much more difficult, whilst Lakes can connect your networks by ferry. Railroad Ink: Blazing Red includes the Lava and Meteor expansions. The Lava comes pouring out of an erupting volcano and can expand to destroy routes, as can meteor strikes, but the craters can be for precious ore (or points). Apart from these expansions (and those in the other editions), the game play is the same between Railroad Ink: Deep Blue, Railroad Ink: Blazing Red, and other editions. Both Railroad Ink: Deep Blue and  Railroad Ink: Blazing Red can be combined to enable as many as twelve players to player—something that few games can do! Of the two, it is Railroad Ink: Blazing Red which is being reviewed here.

Railroad Ink: Blazing Red comes in a little box containing six player boards, six markers, four Route dice, two Lava dice, two Meteor dice, and the rulebook. Each player board consists of a grid, seven squares by seven squares, with three exits on each side. The nine central squares are of a different colour and if routes are built across them, a player will score more points. The back of the player board folds up and serves not as a shield to hide a player’s layout from his rivals, but includes a scoring track, a means to track the dice symbols used each turn, and presents six special symbols which can be used during play. These consist of crossroads of various types, a player being allowed to use one per turn, but can only use each symbol once and cannot use more than three special symbols per game.

The basic dice—all of which are white—consist of two types. One has type has sections of curved, straight, and tee-junction highways and railways. There are three of these. The other type, of which there is only one, shows an overpass and stations at which highways and railways can connect. These connections can be straight or curved. The full colour rulebook runs to sixteen pages and does a decent job of explaining how the game is played. It is not a large rulebook, so it does need a careful read-through to spot everything.

Game set-up is simple. Each player receives a player board and a pen. Game play is also simple. At the beginning of each turn, the four dice are rolled. The players then draw those route symbols onto their player boards, ensuring that the routes connect to either an exit or an existing network. It really is as simple as that. A player can also draw in a special symbol from those listed on the inside of his player board, up to a maximum of three per game. In total seven rounds are played before the game ends. Then a player will score points for the number of exits his networks connect, the longest highway, the longest railway, and the number of central squares he has drawn routes through. Points are deducted for dead ends.

However, the puzzle element of Railroad Ink: Blazing Red means that a player will be constantly working to make the efficient connections and wondering how he can best use the routes marked on the dice that turn. It means that there is a luck element to the game, but a player can work to try and mitigate the effects of what might be a bad roll for him, whilst that roll might be better for another player. In effect, a player is building a puzzle from turn to turn, but does not know what pieces of the puzzle he and his fellow players will receive each turn until the dice are rolled. The game is mechanically simple, but there really is a neat little challenge to it from start to finish, and it really feels satisfying when the dice are rolled and the right symbols come up to make connections and draw an efficient network.

The Meteor and Lava Expansions are optional and add complexity to the game. Both shorten game length to six rather than seven rounds. The Meteor dice are rolled along side the standard dice and indicate the direction and how many squares away a meteor will hit on a player’s board on the next turn. If this means it lands on a route—highway or railway, it is destroyed. A special route can be sacrificed to ignore the effects of a Meteor strike and Meteor craters can be built over. However, dead ends which connect to an existing crater will score a player points as he mines the crater. 

The Lava Expansion adds a volcano at the centre of each player’s board as well as the two Lave dice to the basic dice rolled at the start of each turn. The Lava dice depict the sides of a lava lake, some adjacent to a railway or highway, most not. When they are rolled with the basic dice, a player must use one of the Lava symbols shown to expand the Lava lake. If he cannot do that, he can either start another volcano else where on his board or the lava lake is forced to expand and erase a highway or a railway. Open Lava Lake sides will lose a player points at the end of the game, but a player will score points for each fully enclosed Lava Lake and for his largest Lava Lake.

Both expansions give more for a player to work with and draw, but also make the game play more involving and longer. The Meteor Expansion is the more complex one as there is slightly more to keep track of, but both make the game more challenging. So are probably better suited to older players.

Another way in which Railroad Ink: Blazing Red can be played and that is solo. This is playing the standard game without any competition to see how high a score you can get. However, it is not as much fun as competing with other players, and in some ways, it just highlights the fact that even with other players, Railroad Ink: Blazing Red still feels like a solo game since there is no interaction between them. This does not mean that Railroad Ink: Blazing Red is a bad game, but it is still quite light in terms of its puzzle and challenge factors, so ideally, it should be mixed in with other games or played as filler (as a ‘Friday Filler’ or otherwise). For a family audience this should be less of an issue, but for veteran players or fans of train games, it might be too light (in which case Railway Rivals is a good alternative).

Overall, Railroad Ink: Blazing Red is a very nicely done mix of puzzle and challenge which looks and feels good in play. A charming little filler worth bringing to the table amongst a mix of other fillers. 

I am not going to lie. I am really excited about the new Tasha’s Cauldron of Everything.  One of the things about this book that really grabbed my attention was the cover art of the special edition version of the book.

Dragon+ has a featured article on her now, so please check that out to learn more.

I love her artistic style.  Kind of dream-like.

I'd love to see her do Elric of Melniboné some day.

She is also currently auctioning off the underdrawing for Tasha's Cauldron.
https://www.facebook.com/wylie.beckert/posts/10108311523986137

Please check out her links and especially her Patreon and website.

Links

• Website, https://www.wyliebeckert.com/
• Patreon, https://www.patreon.com/wyliebeckert
• Twitter, https://twitter.com/wyliebeckert
• Instagram, https://www.instagram.com/wyliebeckert/

Over the Summer Erin D. Smale released his BX Options: Class Builder book as a guide to how to build custom classes for the B/X, Basic-era, style games.  Of course, I had to grab it. I love making new classes and anything that involves a little number crunching is great in my opinion.  

Though I will admit I was at the same time worried that this would just be a rehash of the formulas used in Dragon Magazine #109.  Well, I am happy to report it is not, and there is more to this book than just that.  In fact, the author even points out in the book the original system.   My back-of-the-napkin calculations tell me that for levels 1-14 they both should give you the same numbers.  But more on that in a bit.

I am going to break this up into a normal review and then follow with a Class Struggles.

Review BX Options: Class Builder

The BX Options: Class Builder was released originally has a special edition print version via The Welsh Piper's website over the early part of Summer 2020.  The book later came to DriveThruRPG in a 2nd Editon mid Summer 2020. I will be covering the DriveThruRPG version only today.

The PDF is 82 pages, full-color art covers, with black, white, and blue color inside.  The interior art is all b/w from various stock art publishers from DriveThruRPG.  The advantage of this is the style of the book is very likely to fit into all the other books you might have in your collection.

The book is broken down into two larger sections. First is the class builder itself and the calculations for it. Second is a collection of Classes and Sub-classes for B/X D&D and clones, with the math worked out.  There are also a few Appendicies.

The layout of the book is very, very clean, and easy to read.  The PDF is bookmarked and the table of contents is hyperlinked.

After the Introduction, we get right into the builder itself.  There is a single page of explanatory notes (that is all that is needed) and then a worksheet (a plus for the PDFs!).  

After this, there are descriptions of basic abilities (armor, weapons, prime requisites), special abilities (thief abilities, spells, powers), restrictions and "Locked" abilities.  All with associated XP costs.

These numbers are then added up.  The Base XP is then plugged into one of the four base classes (Cleric, Fighter, Magic-user, Theif) for experience levels 1 to 14 (B/X standard).

Simple really.  And that is only the first dozen pages.

The rest of the book is dedicated to "rebuilding" each of the four base human classes and the three demi-human classes.  All seven also include various sub-classes.    For example, the Cleric is built first and the numbers match those found in most clones and the original sources.  Class variants cover new variant classes that add, change and/or remove abilities from the Base class.  In the case of the cleric different types of Gods they can worship are covered.  These are designed not to differ too wildly from the base class.  

After the Base class and Variant classes the Sub-classes, with calculations and full XP tables, are covered.  Again in the case of the cleric there is a Crusader (more combat, less spells) and a Shaman.

This is repeated for the Dwarf (Elder), Elf (Archon), Fighter (Barbarian, Beast-talker, Beserker) , Halfling (Warden), Magic-User (Necromancer, Sorcerer), and Thief (Assassin, Bard, Scout) classes. 

This covers the bulk of the book (some 50 or more pages) and really is a value-add in my opinion.  Some of those classes we have seen in other sources, but others are new or have new ideas.  The Necromancer for example can create golems.  Great if you think that the golems have the spirits of the dead in them or created Frankenstein-style.

Since this system is aimed at B/X level play, the obvious clone to support it is Old-School Essentials.  It is not an "Old-School Essentials Compatible" product as in with a logo, but acknowledgments to OSE are made.  So it would be fair really to compare the overlap of classes between this and OSE-Advanced.

The overlap is where you expect it to be, what I call the common Advanced classes (minus a couple); the Assassin, the Barbarian, and the Bard. There are some "near" overlaps as well. 

The OSE Assassin compares well to the BXO-CB Assassin.  Their XP values do differ, but not significantly so. BXO-CB Assassins have more HP. Both classes have the same skills. 
The Barbarians compare well enough with the BXO-CB Barbarian having more HP again.
Bards have the most differences.  BXO-CB Bards have more XP per level, less HP, and fewer overall spells.   I don't consider any of this to be "game-breaking" or even "game-stretching", just different flavors of the class.  Rename one "Bard" a "Skald" and there you go. 

Shamans are a little bit like Druids and Crusaders are bit like Paladins, but different enough to provide some nice flavor to the game.

The Appendicies cover a number of topics like adding various thief abilities, a break down of the core seven B/X classes, skills, equipment, spell failure, home terrain, animal special abilities and abilities for higher-level characters.

The book is very high quality and has a lot of utility for all sorts of B/X uses.  Working through the numbers it works great for levels 1-14.  If you extend it to level 20 this would affect the numbers for spell casters.  For example, Magic-users in BX/OSE gain spells to level 6, for a 2,400 XP addition.  If you take this to level 20 Magic-users gain up to 9th level spells, this would be 3,600 XP added to the base.  GRANTED this book does not claim to support above level 14, or more to the point, spell levels beyond level 6.

Class Struggles

How does this work in the real world? Or more to the point can it work with classes I have worked on.

Printing out the sheet, which is great thanks to the PDF, I worked out what my own Witch Classes would end up.  Now please keep in mind I am going to do some things beyond the scope of this book so any issues I might encounter are not due to the Class Builder but more likely my use of it.
I already mentioned there are differences in the Bard class. The author even points out that these differences are really expected and that is OK because it will vary on how each group decides to use a particular class.  So with that now as a given, going deeper into this and expecting some variation is fine.
I went through the math on this for my witch class.  I will not go into the details here because I created a Google Sheet you can see for yourself.  Note you will need the Class Builder book to know what these numbers actually mean.  I am going to talk about the cases that vary.


Linked here: https://docs.google.com/spreadsheets/d/10_GxHtudXBGjgnov0W242HTAvj1_6l_17LI1J55b9H0/edit?usp=sharing
Long time readers might recall I did something similar using the Dragon #109 system a while back.  In fact the spreadsheet is the same with the Dragon #109/Thoul's Paradise test on the first tab and the BXO:CB test on the second tab.
If the Thoul's Test tab is displayed, click on the next tab arrow to go to the Class Builder Test tab.

The "Thoul's Test" goes back to a couple of posts made by Thoul's Paradise that I discussed: 

• Thoul's Paradise: Customized Classes (part I) 
• Thoul's Paradise: Customized Classes (part II)
• The Other Side: Custom Classes from Thoul's Paradise

So a couple issues right away.  Witches cast arcane spells, but they are not quite the same as those a Magic-user can use, there are more divine spells really.  Especially for the Pagan Witch.   What I opted to do was make the "Witchcraft" spells worth 200xp to 300xp per level. A nice split between what the Divine (100xp) and Arcane (400xp) spellcasters have.
The witch also has Occult Powers. These are spell-like abilities. Since they can be used more often I gave them a cost of 250xp each.  Though 300xp per would have been fine too.
In the end I came up with something pretty close to the numbers I have been using forever and published for close to 20 years.   The differences are so trivial as to be considered error or even "noise."
These are also very, very close to the numbers I got using the Dragon #109 system.   I have not compared it to the system used in ACKS Player's Companion, but my memory of the system and playing with it when it first came out tells me that I should also expect similar numbers.  Especially since the ACKs system and the Class Builder System both use the same BX base and assumptions of 1-14 (or so) levels of play.
Going back to a source the author and I both have used, Breeyark: Building the Perfect Class, I realized that the author of that resource IS the author of this book. The systems are different but are built on similar premises. Also, they should grant the same or very similar results.
The BX Options Class Builder is a very fun book with some great class choices as an added bonus of some worked out classes.   There are no spells offered for the new spell casting classes, but that would have been way beyond the scope of the book anyway.

I am a sucker for anything to add to my games. Cards. Stange dice to use only special occasions (not required to use like a d7), board games, props.  I know I don't *need* any of those things, but I like them and they are fun.  I'm going to spend some time talking about some of these items and how I am using them in the next couple of months.  

Up first is something I grabbed at the recent Free RPG Day.  

Path of Horror is a Story Path Card collection From Nocturnal Media.  

They retail for $11.99. DriveThruRPG also has them as PDFs you can print or POD for $3.99 and $11.99 respectively.

These cards in particular have a horror theme. 

The Game Master keeps the "Theme" cards and then deals out 2-3 cards to each player. The play can then play their cards at appropriate times.   In the end the Game Master can play the Climax cards.

The theme cards include things like "Lost Cause" or "Hint of Madness."  Other cards are "Remembered Dream" or "Found Item" or "Lurker."  The cards are all numbered, so lower number cards are played before higher ones.   They add a bit of color to your game and a bit more roleplaying and input from the players.  They also require the Game Master to think a little more on their feet than usual since not everything can be planned out.

Currently, my son is using them in his "Curse of Strahd" D&D 5 game and I am planning on using them in my "Ordinary World" for Night Shift and "War of the Witch Queens" for Basic-era D&D. 

There is quite a lot that can be done with these cards and since they rely on player input they can also be reused a lot. 

What attracted me to them originally was the cover of course.  The art reminded me of this card deck I had as a kid.  

Certainly worth giving them a try in your games.

It's September.  The start of Meteorological Fall; the actual Autumnal Equinox is still three weeks away. But change is in the air and there is a change at the Other Side as well.

I have a new banner up. I am planning to do a lot more with Night Shift in the coming months.  

Night Shift was designed to replace many games in my library, but that doesn't mean I am ready to stop playing or talking about those games yet. 

In fact last night I was reminded about a game I really love and I really should do more with.  

Satyros Phil Brucato had posted about a book he had done and it really reminded me how much I love Mage.  Both Mage: The Ascension and Mage: The Awakening.  Though I lean more towards Mage: The Ascension.   But the post was about his book, Mage Made Easy: Advice from That Damn Mage Guy.

Part of the Storytellers Vault (a bit like DMSGuild, but for White Wolf/Onyx Path games) this book is about...well...Mage, made easy.

Now. Anyone who has ever played any version of Mage is likely to be incredulous about now.  I mean, Mage is many, many, many things. Sometimes too many.  But easy?  No. Easy is never a word used with Mage.  But Phil is the Mage expert.  Mage: The Ascension 20th is close to 700 pages and he wrote the bulk of that.  So if he is telling me that MME is something I can read in 60 pages, well I am going to pay attention.

And I am glad I did.  

While I am conversant in most Mage matters, I do not by any stretch consider myself an expert, or even an advanced player.  I am quite enthusiastic though.  I found Mage Made Easy to be a nice breeze guide of solid advice that did two things right away for me.  First, it made me want to play Mage: The Ascension again and secondly it gave me solid advice that is good for many modern supernatural games. 

The book is very heavily focused on Mage and Mage: The Ascension 20th Anniversary in particular.  

It shows you how to use the vast Mage meta-plot OR discard it altogether (that's me!).  It gives you some fantastic archetypes to try out and even solid advice on Mage's biggest issue, Paradox.

Plus the art, as expected, is fantastic.

While I do say there is good advice for any modern supernatural game, the advice is also very Mage specific.  This means to use this book it helps to have a basic working knowledge of the Mage RPG.  Once you have that then translating this advice to your own game, be it Mage or something else, is pretty easy.  BUT that is going beyond the scope of the book and not the fault of this book if it doesn't work out.  But advice like "start small" or "start with the characters" is ALWAYS good advice.

While the focus is on Mage: The Ascension 20th Anniversary Ed. (Mage20), I found there was good advice here to apply to my particular favorite flavor of the game in Mage The Sorcerers Crusade. 

Makes me wish I had a Mage game going, to be honest!

It might still be August, but tomorrow is September and for my family, that means trips to the apple orchards. 

Apple Tree Man

Apple Tree Man © Andy Paciorek
Large Fae
Frequency: Very Rare (Unique per orchard)
Number Appearing: 0 (1)
Alignment: Neutral (Neutral Good)
Movement: 60' (20') [6"]
Armor Class: 3 [16] (should always sum to 19)
Hit Dice: 10d8+10* (55 hp)
Attacks: 2 limbs (bash)
Damage: 1d8+1, 1d8+1
Special: Double damage from fire and cold iron, immune to charm, hold and sleep spells. Awaken trees.
Size: Large 
Save: Monster 11
Morale: 11
Treasure Hoard Class: See Below
XP: 2,400

Similar to treants, the Apple Tree Man is an ancient fae that lives in orchards. They are often the oldest apple tree in the orchard. It is not completely clear if these creatures are fae that have become tree-like or a tree that has awakened.  It could even be that the spirit of the apple tree man is present in the oldest tree in the orchard and he passes from orchard to orchard making him effectively immortal and unique.

The Apple Tree Man will not attack unless provoked or if his orchard is in peril. 

The Epimēlides (q.v), dryads of apple trees, are considered to be his daughters and granddaughters.  He can summon 2 to 8 (2d4) Epimēlides to aid him in protecting the orchards.  Additionally, he can "awaken" 1-4 (1d4) normal apple trees to fight as 6HD Treants to fight.

If a party though respects the orchard, does not harm any trees, and only eats the apples they need, the Apple Tree Man will be obliged to show them the quickest path out of the orchard.   

If they offer him hard apple cider, especially cider made for Apple Wassailing, then the Apple Tree Man will tell the party where they can find buried gold in the orchard. Usually 1d6x100 gp worth.

If a witch is present then the Apple Tree Man will hide their tracks and make the party undetectable by foes.  A witch may also be gifted a special apple wand that will cast one 1st level spell just once. The wand can be used later for other magics if desired. 

The Apple Tree Man will appear as a treant with apples growing from his hair, an old man or some combination of the two.

For devotees of TSR Inc.’s Empire of the Petal Throne: The World of Tékumel, 2020 is notable for the release of not one, two issues of The Excellent Travelling Volume, James Maliszewski’s fanzine dedicated to Professor M.A.R. Barker’s baroque creation. The Excellent Travelling Volume Issue No. 11 was published in April, 2020—available direct from the author or the Melsonian Arts Council—and continues his exploration of one of oldest of roleplaying settings heavily influenced by the campaigns he has been running, the primary being his House of Worms campaign, originally based in, around, and under Sokátis, the City of Roofs before travelling across the southern ocean to ‘Linyaró, Outpost of the Petal Throne’, a small city located on the Achgé Peninsula, as detailed in The Excellent Travelling Volume Issue No. 8.

As per usual, The Excellent Travelling Volume Issue No. 11 opens an editorial from James Maliszewski. This highlights the gap between this issue and The Excellent Travelling Volume Issue No. 10 and the reasons for it, before going onto focus on the importance of fiction when it comes to Tékumel. He notes, that like many a Petalhead, his initial exposure to the setting was to Man of Gold, M.A.R. Barker’s first novel, which really is an effective introduction to Tékumel. This is because the issue includes the first part of a short story by David A. Lemire, the first piece of fiction in the fanzine and a rare inclusion by someone other than James Maliszewski. The latter also explains why he puts out a call for submissions.

The opening gaming content in the issue is another entry in the ‘Additions and Changes’ series which examines the various non-human races on Tékumel and makes them playable. ‘Ahoggyá & Shén’ adds the four-sided and four-legged, barrel-shaped with a pair of eyes on each side Ahoggyá and the more humanoid, if slightly reptilian Shén with their mace-like tail. The former are the subject of some derision for their eight underminable sexes and stubborn refusal to acknowledge the Gods of Stability and Change—or even the concept of religion, let alone Stability and Change, but are renowned as fearless warriors. The latter only have three genders and do understand Stability and Change as ‘the one of Eggs’ and ‘the one who Rends’, and when in human society make actually adopt one of the gods of Stability and Change. In terms of Profession, both make poor magic-users and priests, but excellent warriors, such that outside of their homelands, all of the militaries of the Five Empires recruit Ahoggyá and Shén into legions of their own, but not together and their renowned antipathy means that they never serve alongside each other. This is another fine addition to the series, which with the inclusion of names, makes them both reasonably playable.

The influence of the author’s Achgé Peninsula-set campaign makes its presence known with the inclusion of ‘The Hokún: The Glass Monsters’, a centaur-like sentient species with a translucent exoskeleton and a hive mind thought to be found on the other side of the planet from the Five Empires. Their attitude to mankind varies—some may hunt and eat them, some may enslave them, and some may treat them as equals. This further highlights the weirdness of Tékumel and that there are wide swathes of the planet which remain unknown. The influence continues with a number of creatures in the ‘Bestiary (Addition)’. These include the Léksa or ‘The Glass Beast’—the riding beasts for the Hokún and actually a specially-bred mutation of the Hokún; the Nékka or ‘The Graceful Runner’, a herd beast left to run wild by the Hokún; the Qu’úni or ‘The Crustacean’, a semi-intelligent species found along the Achgé Peninsula, which is highly protective of its coastal lairs and regarded as a pest by sailors for their habit of swarming ships; and the Vriyágga or ‘The Wheeled Horror’, a terrifying combination of a central braincase suspended between two muscular wheels, the face on the braincase surrounded by four tentacles and with a maw of venomous feelers. Thankfully such creatures are rare, but they are horrifyingly weird. There is a nice inclusion of some commentary on the Vriyágga, just as there is on the Hokún, which adds a little context. With any luck, future issues will expand upon the lands of the Hokún, making them somewhere that group other than the author’s can visit them.

There are more monsters in ‘Demons of Sárku & Durritámish (Addition)’ which takes the reader to the Wastelands of the Dead, the plane ruled over by Lord Sárku to describe a trio of nasty demons. Thus sorcerers might entreaty the Blind Ones of Hreshkaggétl, minor six-limbed squid-like demons who reek of rotting flesh and revere Durritámish, cohort of Lord Sárku, for the mysteries and secrets they know of Durritámish, whilst none but the mightiest of warriors, sorcerers, or priests would want to face Srükáum, the Lord of the Legions of the Despairing Dead, the Castellan of the Citadel of Sighs, and the Warder of the Gates of Skulls, a skull-faced warrior in armour of copper and gold, who serves both Sárku and Durritámish as an ardent foe of Stability—especially if it involves combat! Lastly, Ssüssǘ, the Eater of the Dead, is a snake-like demon who oversees Lord Sárku’s hells and who is known to be able to grant great courage in others and great antipathy between two individuals.

Up until this point, The Excellent Travelling Volume Issue No. 11 feels like it is all about the demons, monsters, and creatures, so ‘Amulets (Addition)’ is a welcome change of focus. Amulets are devices of the ancients and provide all manner of ‘magical’ effects. Thus the tiny hand-shaped Amulet of Uttermost Alarm shocks the wearer when it is within thirty feet of a temple, demon, high priest, or artefact of one of the Pariah Deities, whilst the Amulet of the Blessing of the Emerald Lady, a fine necklace of malachite beads, makes the wearer feel and look ten years younger, though wear it for too long and the effects become permanent. The fourteen or so devices are pleasingly inventive, a good mix of powers and abilities that provide flashy, as well as subtle effects.

The location—or dungeon—to be explored in The Excellent Travelling Volume Issue No. 11 is The Tower of Jayúritlal, the ruined structure said to have been built by an Engsvanyáli (or possibly Bednálljan) sorcerer renowned as a traveller of the Planes Beyond. Consequently, Jayúritlal’s tower not only exists partly on Tékumel, but its location varies. Thus, it is easy to place as necessary in a Referee’s campaign, who is also free to develop the legend of Jayúritlal to suit her campaign. The tower itself is a tall narrow structure, amassing some thirty or so locations, and for the most is linear in its play. There is a pleasing feel of both age and the weird to it—whole missing walls for example with just a rope between levels, and it is very nicely mapped out by Dyson Logos. However, it does feel as if one too many rooms are blocked off by doors which require magical means to open, which may impede and even frustrate the players and their characters’ progress. Perhaps also, a discussion of possible suggestions and motivations for the Player Characters to visit the tower might have been a useful addition.

Rounding out the issue is ‘The Roads of Avanthár’, the first part of a short story by David A. Lemire. This describes the discovery of a great book and the efforts by members of the military faction to get it to the emperor in Avanthár, and their own rivalries. There is quite a lot going on in this first half and it will be interesting to find out how the events play on the second part in The Excellent Travelling Volume Issue No. 12.

Physically, The Excellent Travelling Volume Issue No. 11 adheres to the same standards as the previous issues. It sees the return of the card cover which The Excellent Travelling Volume Issue No. 10 seemed to lack, and if the cover is not in full colour, that is not as much as a loss as it might seem. Otherwise, as expected, the writing is engaging, the illustrations excellent, the cartography is good, and it feels professional.

The Excellent Travelling Volume Issue No. 11 feels like a very monster focused issue, with Ahoggyá & Shén as Player Character options, the write-ups of ‘The Hokún: The Glass Monsters’, and both Bestiary and Demons articles—much of it influenced by the author’s Achgé Peninsula-set campaign. The issue thus continues the author’s exploration away from the Five Empires, expanding what we know of Tékumel, but still adding elements a Referee can include in her more traditionally located campaign.