Original Roleplaying Concepts
The Sight: A True & Faithful Relation of Acts of Supernatural Foresight, Uncanny Vision, divers Readings of Occult Tokens: shewing the Particulars of SOME SPIRITS is a supplement of magic for The Dee Sanction: Adventures in Covert Enochian Intelligence. Or rather The Sight is a supplement of alternative and deeper magic for The Dee Sanction. For in The Dee Sanction, all Agents of Dee have magic. For under the terms of the Act Against Conjurations, Enchantments and Witchcrafts, it permitted those with heretical knowledge to work off their sentence in service to, and in protection of, Her Majesty, Queen Elisabeth. This includes the one Favour, the very low key magical, Angelic means of influence that the Agent can bear upon the world, learnt through study of a corrupting tome or tutelage at the hands of a secret society. Theirs is a minor magic, but amongst their number, since after all, the authorities are on the constant lookout for any capable of even minor magics, there will be those capable of more—much more.The Sight is a short supplement which introduces to four new talents—Aura Reading, Prophecy, Scrying, and Token Reading—to The Dee Sanction. It also provides guidance on visions, communing with spirits, possession, hypnosis, and the miraculous intervention of the Divine Chorus. Potentially, it increases the magical potency of the Player Characters or Agents, as well as adding a degree of uncertainty when using their magic. To determine if an Agent or indeed, an NPC, has the Sight, the supplement uses an expanded table over that given in The Dee Sanction. When a player uses the table, he either rolls larger dice types or draws from a full deck of playing cards to account for the increased number of entries. Standard rolls or number playing cards indicate that the Agent has a Favour, as in the core rules for The Dee Sanction, but here every entry has a list of three options, which the player can choose from or take all three, depending how much magic the Game Master wants her player to know.
Rolls of elven or twelve, or draws of either a Jack, Queen, or King, if using cards, determines whether has the Sight. Aura Reading enables an Agent to view and interpret someone’s supernatural aspects, Prophecy to see the future, Scrying to see things that are unseen, and Token reading to examine the lore and history bound up in objects. They are further divided into three, the die result or card determining which particular one an Agent has. For example, Prophecy includes Danger Sense, Things to Come, and Fortune Telling, whilst Scrying includes Visions, Divinations, and Summoned Advisor. There is some overlap to these, but there is every effort to make them different and feel different in play. Divination, for example, allows an Agent to experience the environment around a specific person, place, or event once a significant connection is established with them, which would require the blood or hair of the person, or an object from the location. Whereas Things to Come gives brief visions or warnings of threat, perhaps upon meeting someone, and is always involuntary.
Use of the Sight requires a player to succeed at a Supernatural Challenge. However, unlike the angelic nature of Favours, the Sight is supernatural in nature and therefore fickle. Which means that even in a player facing roleplaying such as The Dee Sanction, the Game Master gets to roll as well as the player. This elevates what would be a Supernatural Challenge in an Uncertain Challenge. The results of the use of the Sight range from Untruthful to Truthful depending upon whether the player and the Game Master both falter, one succeeds and one falters, and both succeed. The result, especially if the Agent is attempting to see the future, is only a possible future and it need not be easy to understand. In fact, it should be cryptic, and further, it should only told to the player of the Agent with the Sight, and done so in private. Further, the player should not write it down. This accentuates the uncertainty of the Sight. Inspiration for such foretellings is provided in a pair of tables.
The Sight also covers communing with spirits and talking with angels, the former answering a few questions, the latter even performing a miracle. There are rules here as well for possession and exorcism, and for both major and minor miracles. Both lend themselves to story possibilities, and of course, Enochian is the language of the angels, so it seems obvious to have talking with angels included here.
Physically, The Sight is cleanly and tidily laid out. It is lightly illustrated and consequently less obtrusive in comparison to the core rulebook.
The Sight is an excellent expansion to The Dee Sanction: Adventures in Covert Enochian Intelligence. Its rules are all entirely optional, and even if the Game Master decides not to add them to her campaign of The Dee Sanction or does not necessarily want her players’ Agents to possess them, they can remain the province of the NPCs or simply a source of ideas. However it is used, The Sight: A True & Faithful Relation of Acts of Supernatural Foresight, Uncanny Vision, divers Readings of Occult Tokens: shewing the Particulars of SOME SPIRITS still open up further story avenues and ideas as well as making the use of magic uncertain.
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Some games have a table presence as soon as you have them unboxed and everything is out on the table. Others have table presence as soon as you look at them, and that presence follows through from the moment you hold them in your hand to point where you are actually playing them. Colt Express, the 2015 Spiel des Jahres Winner from Ludonaute is an example of the former, taking place aboard a card board train which you set up and attempt to rob. Burgle Bros 2: The Casino Capers is an example of the latter. It comes in a block-shaped box which when you stand it up, looks a cartoonish rendering of a Las Vegas casino. Open—or rather unfold—the box and everything inside comes stored in plastic trays and once these have been removed, a leg is inserted into the receivers in each of the four corners of the box and the box itself is then flipped over to stand on those legs. A playmat, showing a four-by-four playing grid, is placed both on top of the box and under the box. Together these two playmats, when laid out with the rooms and locations of the casino, form the playing surface for Burgle Bros 2: The Casino Capers and the target of the players and their characters and their heists. Add wall sections and playing pieces or meeples illustrated with yet more themed artwork and what you have in Burgle Bros 2: The Casino Capers is a board game with table presence. And yet… Burgle Bros 2: The Casino Capers looks a little rickety. The top of the box is not quite flat. Plus playing under the box is a little fiddly. Which is all a bit of a shame, because Burgle Bros 2: The Casino Capers really does look like a great game, with great artwork that supports its theme. However, Burgle Bros 2: The Casino Capers does not have to be played using this three-dimensional set-up, as clever as it is. It can be played using just the playmats, and it works just as well.
Published by Fowers Games, Burgle Bros 2: The Casino Capers is a sequel to Burgle Bros. and both are co-operative games. In Burgle Bros., between one and four players perform a heist on an office or bank, attempting to locate a safe whilst dodging patrolling guards, all done in the style of a sixties heist. In Burgle Bros 2: The Casino Capers, between one and four players attempt to break into a Las Vegas casino, locate and open a safe, and get away with the loot. However, Burgle Bros 2: The Casino Capers is much more of a challenge than Burgle Bros. This is no night-time burglary—it must be performed during the day. Security is tighter and the safes are tougher, plus there are Bouncers who will follow patrol routes, but who are always on the lookout for any Commotion which they will want to break up. And since this takes place during the day, the casino is thronging with guests. Some are customers, some are not. Some are helpful, most are not. A player might be forced to make a detour to avoid a drunk or get caught up with a saleswoman who never stops talking, be spotted by an undercover member of the casino’s staff or hide from a Bouncer in a crowd. On the plus side, the players are skilled and have gear too, but both only have a limited use. And when the crew manage to get to the safe and crack it open, they have to take the loot and get it out of the casino in an exciting finale!At the start of the game, the game’s tiles are randomly placed on both floors of the casino, face down. Each floor must have an ‘Escalator’ and a ‘Monorail’ tile. The ‘Safe’ tile is placed on the second floor, whilst the ‘Owner’s Office’ tile is on the first floor. The Patrol Cards for each floor are shuffled and one drawn for each floor to determine where the Bouncer on each floor starts from and where the guests are placed. Guests are represented by poker chips, and these are also placed face down. A second Patrol Card is drawn to indicate where the Bouncer is going to move to, at least initially. Each time a Bouncer reaches his destination, a new Patrol Card is drawn to determine the new destination location, and so on and so on, until the Patrol Card deck is empty. In which case, the Bouncer will start hunting for the nearest player. Eight walls are placed randomly on each floor. These block movement and sight between locations. Then the first—or the next, if Burgle Bros 2: The Casino Capers is being played a campaign—Finale card is drawn out of its envelope, and its text read out. This adds flavour and detail to the heist. The rules on the back will only be revealed and come into play after the players have emptied the safe.
A player receives a character and the character’s three pieces of Gear, either by choice or at random. There are a total of nine in the game. With a maximum number of four players, this adds variety and replay value to the game. For example, Rook is an Elvis impersonator who has an ‘Earpiece’ which enables him to move any player to an adjacent tile, but not through a wall; a set of ‘Facemasks’ which enable two players to swop places; and can ‘Impersonate’ another player to use one of their already prepared items of gear. All great takes an action to prepare, but no actions to use. All have a limited number of uses before they are flipped over granting a last one-shot bonus action before being discarded, and for the most part, an item of Gear affects another player rather than the one using it.
The aim of Burgle Bros 2: The Casino Capers is for the players to enter the casino, locate both the Owner’s Office and the escalator on the first floor and then go up to the second floor. They must find the safe and open it. Not only do the players get the loot, but they also get to turn over the Finale Card and bring its rules into play. The Finale Card also details the players’ means of exit. There nine heists in Burgle Bros 2: The Casino Capers and thus nine different Finale Cards. Initially, Burgle Bros 2: The Casino Capers is designed to played in order, but once they have been played through once, the Finale Cards can still be played again, but in a random order.
A player’s turn consists of two phases—the player phase and the Bouncer phase. On the player phase, a player can take up to four actions from a choice of four. These are ‘Move’, ‘Peek’, ‘Use While Here’, and ‘Prep’. ‘Move’ is to an adjacent tile, revealing any face down poker chip and resolving it, and then resolve any ‘When You Enter’ effect if the tile has one. ‘Peek means to look at an adjacent tile, whilst ‘Use While Here’ is an optional action on a tile, again if it has one. Lastly, ‘Prep’ means to ready a piece of Gear for use.
In the Bouncer phase, the Bouncer on the same floor as the player moves three spaces towards the destination on the current Patrol Card. If the Bouncer moves through any tile occupied by a player, that player gains two Heat. If a player gains six Heat, either from encountering a Bouncer or from particular locations, not only does that player lose, but every player loses! If a Bouncer is hunting after running out of Patrol Cards and their routes to follow, he moves directly towards the nearest player. So it is very much in the best interests of the players to avoid the Bouncers on both floors. Out of the Bouncer phase, a Bouncer will also move towards a Commotion when it is created in a particular tile. When a Bouncer is hunting the players, a Commotion can actually be used as a distraction, which is both helpful and thematically brilliant.
Each of the tile types has particular effects. For example, in the ‘Buffet’ a cube is added to the tile each time a player enters it. When there are three cubes, a Commotion is caused, the cubes are removed, and the Bouncer moves three rather than the standard one space towards it. If a Bouncer enters the ‘Crow’s Nest’, he surveys the adjacent tiles and if there are players on them, they each gain one Heat. At the ‘Table Games’, a player rolls two dice and if he rolls either seven or eleven, he loses one Heat, but causes a Commotion on any other roll. Both the ‘Lounge’ and ‘Pool’ tiles have their own decks of cards for even more random events.
Locating and opening the safe is a multi-stage action. First, the players need to locate both the ‘Owner’s Office’ tile on the first floor and the ‘Safe’ tile on the second floor. They also need to reveal all of the tiles in the same row and column as the ‘Safe’ tile. Second, they need to locate the ‘Moles’ they already planted in the casino ahead of time. There are four of them in the casino and when a player finds one, he can be exchanged for a single die at a cost of two actions. This die is stored on the ‘Owner’s Office’ tile. Third, when a player is on the ‘Owner’s Office’ tile, he can transfer it to the ‘Safe’ tile. A player on ‘Safe’ tile can expend an action to roll the dice. If any of the numbers match those tiles in the same row and column as the ‘Safe’ tile, they are covered up, including multiple numbers. One die is returned to the ‘Owner’s Office’ tile, but a player can continue expending actions to roll the dice as long as one remains on the ‘Safe’ tile. Completely covering all six numbers in the same row and column as the ‘Safe’ tile means that the players have cracked the safe’s combination and triggered the effects of the Finale Card. If the players fulfil the victory conditions on the Finale Card, they have won the game.
At the end of the game, it can all be put away, or alternatively, the players can fill out the Heist Log if Burgle Bros 2: The Casino Capers is being played as a campaign. Successfully pulling off a heist increases their Suspicion value, ranging between one and ten, but failing decreases it. If they were successful they get a sticker to add to the Trophy Case in the bottom of the game’s box, and whether or not they win or lose, they do get an alternative piece of Gear which can be used in future heists. The rulebook also include a variant rules for ‘Dead Drops’, representing randomly distributed pieces of ‘Gear’ that the players must find rather than being assigned everything at game’s start. This makes the game more challenging, whilst the separate ‘Casing the Joint’ makes it less so by reducing the element of randomness in terms both set-up and game play.
Physically, Burgle Bros 2: The Casino Capers is very well produced and it is a great looking game. The rulebook is simple and straightforward to understand, though a lot of the game’s nuances are expected to come out in play rather than be explained in the rules. Some of the Gear cards could have done with clearer explanations though.
Burgle Bros 2: The Casino Capers is a fantastic combination of both theme and random events. The theme is instantly recognisable and playable, the casino heist a la the film Ocean’s 11, only the sixties version rather than the noughties update. It is very much get into the casino, case the joint, avoid the bouncers, dodge the guests, luck out on the Craps table, and slip into the safe room to crack the combination, but it is also another theme present too. One which Burgle Bros 2: The Casino Capers constantly threatens to tip over into—farce! The possibility of running into the wrong guest or Bouncer one too many times or entering the wrong room, and more, all threaten to endanger the heist attempt, and perhaps tip the attempt over into farce and then failure. Burgle Bros 2: The Casino Capers is an easy game to teach and play, but difficult to beat because of random events, and whilst that can be both great and frustrating—it can be a little too random in places, where the game really scores is theme and story. Theme because everyone loves a heist and story because all that randomness can set up great stories as the players run into that drunk one too many times or find a spot to pause whilst the Bouncer moves past or an item of Gear gets a player a out of a tight spot. Plus the Finale Cards simply add more theme, not just with the narrative at the start of the game, but also with the extra rules for the getaway at the end of a heist.
Ultimately, you do need to be lucky to pull of a heist in Burgle Bros 2: The Casino Capers. However, the theme is sheer brilliance, the game is fun to play, and together, everything in the game helps build a great stories.
We are now in another new decade. In fact a new century and a new millennium in fact. And of course another new edition of Traveller. Interestingly enough we are now 25 years out from the Little Black Books. But we are now nearing the end height of the d20 boom.Traveler, for the first time in its history, is now using the same system as Dungeons & Dragons.
Traveller for d20, also called Traveller 20 or even T20 used the d20 system under the OGL and d20 STL.
Since this is the 20th day of SciFi month, let's do Traveller for d20!
There are two versions of this game, one out in 2002, which I remember was a single hardcover book. The other, available from DriveThruRPG is the 2007 edition and made up of three books (and a handbook). I had the 2002 version briefly but ended selling it off in an auction. Why? I can't recall. I had a baby and another one on the way, I bet I needed money.
Both versions have similar cover art.
For the purposes of this review, I am going to consider the 2006-7 version from DriveThruRPG and from Far Future Enterprises where I got my copy from.
Traveller20 Core Rules Set (2006-7)
PDF. Four files. Color cover art, black & white interior art.
The Traveller's GuidebookPDF. 234 Pages, Color cover, black & white interior art with blue accents.
This is the "Book 0" OR the Book 4 of the 2006-7 Traveller d20 line. This book covers all the basics for the Traveller Player.
We get out Introduction which tells us what we are in for here. It is written for the point of view of anyone new to RPGs or new to Traveller (any version).
We get brief overviews of the d20 mechanic. How to set your Difficulty Levels (DCs) and even a little on success levels.
Character Creation is next. What follows is pretty standard for all d20 games. Roll abilities, choose races, select classes, set skills, add feats, roll up hitpoints. This is Traveller so there is a bit more added on.
D&D/d20 has six Character Abilities. Traveller has six. T20 has nine. These are Strength, Dexterity, Constitution, Intelligence, Education, Wisdom, Charisma, Social Standing, and Psionic Strength. Ok a mix of both systems. Not exactly what I would have done, but hey. Ability scores are d20 standard, modifiers are as well.
Hitpoints are split between Stamina and Lifeblood. Or what other games might call wound points and health points. One slows you down the other represents how much you have till you die. Loosing either is not good.
Races are discussed and the standard humans are given with variations. You can also choose Vargr, Aslan, Ursa, and Virushi.
Since this is Traveller you have your homeworld to consider. There are plenty of random tables to help you figure this all out. Tech Levels from previous editions remain here. It's a nice touch of course. Also you have your prior history, or what you did before you decided to live the glamorous life of a Traveller. Turns of service enter here with various paths and what that all means in terms of your character (background, credit earned, and skills). I am not sure but it seems like there are a lot of careers here. More than other editions.
Once that is figured out you can choose a class. XP values are the same as D&D 3.x so that is easy enough. There are 12 core classes: Academic, Athlete, Barbarian, Belter, Entertainer, Martial Artist, Mercenary, Merchant, Noble, Professional, Rogue, and Traveller. Nine "Service" Classes: Army, Convict, Corsair, Flyer, Law Enforcement, Marine, Navy, Sailor, and Scout. And eight Prestige Classes: Diplomat, Engineer, Medic, Ace Pilot, Ancients Hunter, Big Game Hunter, Psionicist, and TAS Field Reporter.
Skills are covered and as expected there are a lot of them. A lot. Nearly 30 pages worth. Same goes for Feats (this is d20 after all). Now I prefer a smaller list of skills myself, but I see why the authors did what they did.
Equipment and Starting Funds cover the next 40 pages or so. Imperial Credits are still good here!
Combat is the d20 system with a few twists, but nothing the average D&D 3.x+ player couldn't figure out. The covers personal, vehicle and ship combat.
Adventuring covers quite a lot from what the characters do, living expenses, environments and their dangers, weather dangers, movement, vision, and on to Psionics (which really should be it's own chapter).
We now get into what could be reasonably called the Traveller Black Books of d20.
Book 1: Characters and CombatPDF. 209 Pages, Color cover, black & white, and color interior art.
I will admit I am confused. This book looks older than the "Book 0" above. No problem. Ok. So I get the idea these textbooks are actually separate from the first one. Not sure what the logic here is, but works for me. I'll take these three books as a group, like the Little Black Books of old.
We start out with some game fiction. Move right on to an introduction from Marc W. Miller, but I think that is all he did for this particular version. This moves on to the Introduction to RPGs section and about Traveller in particular. So while it is similar to the book above it also goes into far more detail.
Characters cover character creation.
There is an overview with page references to where they are detailed later in this book. Most interestingly there are now eight (8) Abilities. The standard d20 ones plus Education (EDU) and Social Standing (SOC).
You generate your abilities first, examples are given of how EDU and SOC work in the game. Determine your race/species included here are humans (with sub-types), Vargr, Aslan, Luriani, Sydites, Ursa, and Virushi. Mentioned ar the Droyne, Hivers, and K'Kree.
As always your homeworld stats are determined and character adjusted as needed. This also helps with skills and what classes are available to you.
Classes are next and there are a lot of them. This time they are better explained. We have the core classes: Academic, Barbarian, Belter, Mercenary, Merchant, Noble, Professional, Rogue, and Traveller. The Service Classes: Army, Marine, Navy, and Scout. And Prestige Classes: Ace Pilot, Big Game Hunter, and TAS Field Reporter. Classes work like the d20 standard.
I do admit I have a desire to run a game with TAS field reporters. If nothing else this is giving me a load of ideas for my Star Trek: Mercy campaign.
Skills are up and we also get a note that this section is Open Game Content. Nice touch. There are quite a lot of skills here, more than the d20 standard of the time. A lot of these are also limited to particular classes or backgrounds. Unlike standard d20 and more like some other games, some skills can be used with more than one ability. Pilot for example can be INT or DEX. I think my favorite addition though is the "Dealing with Bureaucrats" DC table. As expected this section is rather large.
Feats (this is d20 after all) is also a long section. There are also some Final Details to figure out like age, height, and weight.
Oddly, but maybe it makes sense, Prior History is after all of this. Reading through is does actually since it modifies what the character is like. In truth it is like a rather robust "Backgrounds" from D&D 5th Edition, just 10+ years before that.
Combat is up. The book says that combat is pretty much the same as d20 standard except in a few cases. Mostly Traveller universe specific examples. Where things are different it is noted.
After combat, the Prestige Classes are covered. And at the end as always (more or less) is Psionics.
The Appendices follow. Their page numbers start as if all three books are combined. Nice really. So Appendix I starts on page 426. The last page is the OGL and Product Identity information.
Book 2: Equipment and DesignPDF. 164 Pages, Color cover, black & white interior art.
I just want to say right now that I am loving this Classic Traveller presentation of the Traveller 20 rules. I wish I had a POD of this.
This book continues, page numbers and all, from Book 1.
This book covers all the Technology and Equipment (about two dozen pages), the design of vehicles and starships, and some standard designs. All of it is largely what you would expect it to be.
Technology and Equipment. This discusses various TLs (Technology Levels) and the character "shopping list" so lots of weapons. We do have sections of drugs, medical care, food and living expenses, as well as cybertechnology (somewhat that started in Traveller just a decade ago) and cloning. Interestingly enough I did not see a lot on robots save that they can be built like vehicles. I do appreciate the conservation of rule space here, but more might have been nice.
Computers are more advanced, but you are all sick of me harping on that.
The Appendices repeat here as well as the OGL information.
Book 3: Worlds and AdventuresPDF. 107 Pages, Color cover, black & white interior art.
Ok, I have to admit I am enjoying this system.
This is the smallest of the three.
This book covers Travelling (Chapter 14), Starship Encounters (Chapter 15), Universe and World development (Chapter 16), Campaigns (17), and Traveller Adventures (Chapter 18).
The design here is one of characters living in a giant Galactic Imperium that is full of adventure and lite on the details of the Imperium itself. Oh there is information here on it anyone with any knowledge of Traveller can easily fill in the blanks. The focus of this game though is more like Classic Traveller, on the characters and what they do. There is more here than Classic Traveller, but not as much as say MegaTraveller.
I can gather from reading that this takes place sometime prior to the timeline of the LBBs, before 1000. But not much more.
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Ok so this bundle has two separate versions of the T20 game. For my money, I would rather the Three Books and add in details from The Traveller's Guidebook where needed.
The Three Books cover the same material as The Traveller's Guidebook save for where the TGB goes into additions (more classes, more abilities). I am not 100% convinced that the additions to TGB are better.
I am not going to lie. I like the 3.x d20 system, warts and all. I like the idea of a huge Galactic Empire. So if I am going to play a non-Trek game then some flavor of d20 is likely going to be my choice.
Call me crazy, but I like this one.
Part of me wants to find a copy of the Traveller d20 dead tree book online to buy another part of me wants to print out what I have to put into a binder with other d20-based SciFi games. I know there is d20 Starfleet Battles / Prime Directive and more.
We are now up to 1996. Games Designer's Workshop, unfortunately, had folded at the end of February 1996. At this time the rights to Traveller reverted back to Mark Miller. So Mark started Imperium Games to produce a new game called "Marc Miller's Traveller" but most called T4 online.It has, as far as I can tell, the least amount of supplements for its game line but that is not a huge surprise.
T4 Marc Miller's Traveller (1996)
PDF. 194 pages, color covers and color inserts, black & white art.
For the purposes of this review I am only considering the PDF from DriveThruRPR. There is a softcover POD that includes the color plates, but I do not have that.
There are a lot of familiar names here including Larry Elmore doing some of the interior art.
This game is set at the dawn of the Third Imperium, so in the opposite direction timewise the latest versions were going. It makes it pretty clear that setting wise at least is that this is not a sequel or continuation of MegaTraveller or Traveller: The New Era.
I will note I am not coming into this one blind. Even back then I had heard how this particular edition was riddled with errors and it there is a page (or two dozen pages) of errata out there. I am not going to consider that, nor do I even know if they are included in this file. I am going with no, but I'll check them out later.
Chapter 1: Roleplaying in the Traveller Universe
This is the typical "what is a role-playing game" and "what is Traveller" sections. It is all very similar to the Traveller Book.
Chapter 2: Character Generation
This feels an awful lot like Classic Traveller. In particular, again, the Traveller book. There are more careers here and you get more skills. It also doesn't look like you can die in character creation anymore, but you can be injured and discharged. You still go through background, homeworlds and advanced education, and more. Very familiar I am sure to the seasoned Traveller player. Speaking of familiar, our good friend Alexander Jamison is back. An error, on page 24 Ranks are mentioned (ok, cool same as CT), but in the tables on 29-32 have ranks of E1 to E9 and O1 to O10, Enlisted and Officer.
Chapter 3: Skills
For the first time, the skill list seems a bit smaller than in the last two editions. The chapter not huge and the skills are explained well.
Chapter 4: Task
This is a short and sweet chapter. Only 2 chapters. BUT a couple of things. First, we are now using a "Roll under" system which I am not a fan of. And there are all these "x.5" die rolls. I had forgotten about all the weird-ass die mechanics the late 90s flirted with. This is not the worse, but it is certainly no fun. I mean the task resolution is not terrible, but there are better ones. Much better ones.
Chapter 5: Ground Combat
This is a bit larger than tasks but still smaller than other versions. While there are changes due to the task resolution system it still reads a lot like Classic Traveller. In fact the range bands are now back!
Chapter 6: Equipment
The shopping chapter! One thing I notice is that computers (I know I harp on this, sorry it's my thing) seem to have really advanced. Though I have to point out the "advanced" computers of the Dawn of the Third Imperium are on par with the one I use now to write this. Minus the holographic display. But all in all a big improvement.
I am getting the feeling that somewhere between CT and T4 there is a great Traveller game.
What I am not getting yet is how the tech of this time differs from Classic Traveller's implied tech. This is supposed to be 1100 years before the LBBs.
Chapter 7: Surface Vehicle
This covers vehicles that are not starships. I do want to take a moment and comment on the improved art of this edition. Traveller never really had what I would call inspiring art. It had functional art and it had good descriptive art, but never anything like "wow that looks awesome." Some of the art here is of the awesome category.
Chapter 8: Spacecraft
One of my favorite chapters of past editions. Again starship computers are better handled. Creating a ship is a little like creating a character. There are even some nice photo-like pictures of starships. This section reads a bit differently than the others. Also the tables are organized by layout space rather than how they need to be consulted.
Chapter 9: Space Travel
Guess what is back? Yes! The equations! This whole section is very reminscent of the Classic Traveller books. Though I will admit I do not recall the grisly "Low Lottery" from previous editions. This isn't Star Trek folks.
Chapter 10: Space Combat
This chapter covers combat and it is a bit different. I'd like to say it looks faster, but I have not tried it out at all. Again I'll need to stat out a few ships and give them a trial run. Maybe I could run that Freetrader Beowulf rescue mission I have wanted to try.
Chapter 11: Psionics
Each edition Psionics gets a boost. The material here is again largely similar to Classic Traveller, but now there is a Psiconist service. That's new. I wonder if Babylon 5 was any influence here.
Chapter 12: World Generation
This is also a copy (more or less) from Classic Traveller. No world forms here though.
Chapter 13: Encounters
This is a combination of both the Encounters and Animal Encounters sections. This makes sense really. This is also all word for word from The Traveller Book. The more I red the more déjà vu I am getting.
I mean, can you tell which book these two sections are from. There is a small hint.
Now I am not complaining here. In 1996 when this came out the original Classic Traveller was 20 year old. The books were long out of print and GDW was gone. For someone who say played Traveller in High School, skipped all the other editions due to college and now was, oh I don't know, sitting on the train commuting from home to Chicago and back to home every day, this had to be a very welcome sight.
Chapter 14: Referee's Introduction
Our Game Master section. Not word for word from the Traveller book, but close enough. OR at least the feeling is the same. This does include some details on improving skills.
Chapter 15: Running Adventures and Campaigns
This is similar enough to the Traveller Book's "Referee's Guide to Adventuring." I am not sure is the authors (and there is plenty of evidence that there is more than one voice here) wanted to ignore everything after MegaTraveller OR were not allowed to use anything. I don't mean text I mean ideas. I think I wanted to see more here.
Chapter 16: Trade and Commerce
Again similar to other editions of Classic Traveller. Did text search and found it is largely the same text as Book 7, Merchant Prince. And again not a complaint here.
Chapter 17: Exit Visa (Adventure)
This is the same adventure from the Traveller Book.
Chapter 18: Rubicon Cross (Adventure)
This one is completely new as far a I can tell. In fact my online search for it pulled up references to T4 and the errata sheets. Guess I'll grab that.
Library Data and Index
The Library Data is pulled from Classic Traveller. Is it a copy? Yes. And sadly it preserved the focus on the current year being 1105 and Year 0. So the entries on "Dating Systems" and "Holiday Year" only make sense from a later perspective. Ok, I suppose it was possible that Cleon I proclaimed the current year as the Holiday year when he assumed power.
The Index is pretty good.
What do we know?
Well. Let's extend my D&D analogy here to the breaking point.
Original LBB Traveller is OD&D's LBB. I called the Traveller Book the "Holmes Basic" of Traveller, but in retrospect I think Moldvay Basic & Cook/Marsh Expert is a better fit. That makes Traveller Starter Edition the Mentzer BECMI D&D. Traveller 2300 is SPI's DragonQuest, Mega Traveller is AD&D 2nd Edition, and Traveller the New Era is 4th edition.
So what then in Marc Miller's Traveller? Since it is closest to the Classic Traveller line it is the 1991 Black Box or The Classic Dungeons & Dragons Game produced in 1994 and edited by Doug Stewart.
So who is Marc Miller's Traveller for?
In 1996 that answer was easy. It was for anyone that wanted to play Traveller that did not have access to the older Classic Traveller books and did not care for the New Era.
In 2022? Well. That is a harder one to answer. Today Classic Traveller is easily available in a variety of formats and editions. And I have not even started with Moongoose Traveller or the Cepheus Engine materials. IF there had been more material on the start of the 3rd Imperium here then that would give it a solid reason for setting alone. If the rules had been updated more with that 20 years of Traveller experience then that would have been a solid reason. Sadly neither of those are true enough. That added to the errors, the typos and some weird design choices make this a Traveller for the die hard fans only. That is NOT a bad thing. Just for my money I still prefer my Traveller Book.
Now what I might do, since I have the PDF and this is easy. Is go through it all and just print the updated sections I like and slot them into my Traveller 3-ring binder. I have a tab for "4" I could use AND I put in, or pencil in, all the errata I want or need.
I do want to point out again that the art in this book is phenomenal. There are some seriously good pieces that look like they come right off the cover of some great sci-fi novel. I like to think that was the intent. I am sure it makes for a gorgeous PoD book.
"Don't stop thinking about tomorrowFleetwood Mac's 1977 hit "Don't Stop" came out the same year as Classic Traveller. It was also, more or less, the theme that covered the intro the 1990s. Newly elected Bill Clinton had used it as his campaign theme song and even Fleetwood Mac got back together long enough to play it at his inaugural ball in 1993. Think about the start of the 90s for a second. Everything seemed possible then. I was in Grad School, working part-time (only 60 hours a week) for the Navy writing code. I was taking classes, and teaching. I had broken up with my long-time girlfriend and soon started dating someone who would in just a few more years be my wife! So yeah the future was full of endless possibilities in 1993.
Traveller: The New Era feels like the most "1993" game ever. Tomorrow was here and Yesterday (Classic Traveller if you will) was gone.
For this review, I am only considering the PDF I just downloaded from DriveThruRPG. My original one was corrupted and I was wondering if I was even going to get to do this one today. I saw the PDF in DT was updated back 2014, so I grabbed a new one. Glad I did. I remember my first one was very hard to read and the text was blurry. This new one is much clearer. I also recall that some of the pages had a green background, this one does not.
PDF. 386 pages, color covers, black & white interior art. Oddly there are no PDF bookmarks in this file. The book is also available as a softcover PoD. I have no idea which printing this is. I understand the first printing had a few errors.
This book is a beast. I think (not 100% sure) that this was a boxed set of different books.
One of the first things I noticed about this edition is that Frank Chadwick and Dave Nilsen are listed for Game Design and Marc Millar is only listed for Design of the previous version of Traveller. I remember some of this back in the day, but for now, I am going to focus on just what is in the book.
The book is divided up into various large sections. The table of contents seems to deny my guess that this pdf was separate books at one point. Ok, no problem.
Introduction (and History)
This is our introduction to the Traveller Universe. The History section is the most important for this edition since it sets up how this is different than the previous editions. For starters, the Imperium has completely collapsed. Classic Traveller was taking place roughly around 1110 of the Imperial Calendar. MegaTraveller dealt with the aftermath of the Emperor's assassination in 1116. This Traveller jumps ahead by 85 or so years to the 1201 "The New Era." Honestly from a design/edition perspective, this makes a lot of sense.
It is a neat background and welcome (in a manner of speaking) to older players but new players likely won't care about this. The "world" of TNE is very different than that of MegaTraveller of Classic Traveller. Even at just a few pages it is still more background than we got in the LBB of Classic.
Characters
Character creation in TNE feels similar and different at the same time. You are still rolling 2d6, though now it is a 2d6-1. This changed the average from 7 to 6. There are still six attributes that are roughly the same. TNE has Strength, Agility, Constitution, Intelligence, Education, and Charisma. Classic Traveller had Strength, Dexterity, Endurance, Intelligence, Education, and Social. So similar. TNE also offers a point spread of 36 to distribute if you prefer. We are still using the UPP, only now a 666666 denotes an average character instead of 777777. Abilities are determined, then the background generation begins. Like previous versions of Traveller, you decide on a homeworld (which can affect some abilities) and work out your starting careers.
This version seems to have more careers than previous versions, but keep in mind I am only looking at core books for now. Character generation covers about 43 pages total. So quite a lot really. NPCs cover about 8 pages, with a nice playing card system to determine motivations.
The character creation rules now make no assumption of species or gender, so that is left to the player. Thre are 5 pages of alien templates to add to characters at the end of this section. There are Hivers, Vargr, Aslan, Zhodani, and Droyne.
The New Era
This covers what is, well, new for this version of Traveller's universe. These are the AI Virus, the Star Vikings, and The Wilds. I don't need to know much about Traveller or TNE to know these elements were not well received. The Virus reads like how we looked at computer viruses in the 90s. The flowchart looks like something you would find on a Mac Quadra 900 (btw I consider that a Feature, not a Bug).
I can see a smart AI virus attacking all sorts of computers, but even today we have good anti-virus software and still a couple of dozen operating systems (I count 7 or 8 different ones in my house alone) that do not transmit viruses to each other even when networked.
The Star Vikings seem like an inevitable addition to the game. The Wilds, likewise.
All of this seems like an attempt to provide a little more chaos around the "edges" of the star systems. That is, give the PCs more to do and ways to make it through or hinder them in some ways.
Referees
A little more than a quarter of the way through we hit the Referee's section. The system seems closer to that of Traveller 2300 than it does of Classic Traveller or MegaTraveller. There are now d20 rolls added to the rules. Reading through in detail now there are a lot of d20 rolls. More details are given on how to make the rolls than I recall in MT or CT.
Skills are discussed in terms of what they can do. And the Referee gets some adventure ideas. This section is only about 70 pages. I was expecting a bit more.
Worlds & Travel
Now, this is a meaty section of about 100 pages. The world generation system feels similar-ish to other Traveller games, no point reinventing everything I guess. Though there is a lot more detail here. It does look like it can create worlds much the same way as MegaTraveller.
This section also includes the Encounters and Animals sections from previous versions with some modifications. Same with space travel.
Interestingly enough the Psionics section, usually stuck into the back of the book, is now here. I still think it should be with Character creation, but ok. It is also expanded. In the realm of purely new-to-a-core-rules material, there is a sections robots. Even if it tells us there are nearly no production facilities for robots still operational outside of the Spinward Marches in the New Era.
Combat
The next nearly 100 pages deal with all forms of combat. From personal to space combat. The rules are updated and seem to cover most situations. Hard to tell without doing it. I am still thinking I need to run simulated combat for each version to see how they are. Do something silly like a Borg Cube vs the Death Star or a Colonial Viper vs an X-Wing vs. a Buck Rogers Thunderfighter.
Combat is different than other versions of Traveller.
There is some advice here too on using minis in a game. Their recommendation is to paint them all white to make them easier to see. "Step 5 Admire your Work" is something I do naturally!
Equipment & Technology
The section covers roughly 40 pages. I can't help but notice the effect that Star Trek: The Next Generation has seem to have had here. Med bays and medical scanners look like they were taken from a Federation garage sale. Ok...it's not that bad. Excuse a little levity on my part here. We still have a section on drugs.
We are keeping the same assumptions (and rules) about Technology Levels which is still hanging out at TL 16.
Computers have fared a little better in this edition. At least the batteries of the future are closer to what we have right now. I hate to harp on this, but my phone today can do nearly everything on pages 340 to 343. I am being unduly harsh here I know.
The section of Starships though once again fills my heart with longing for the stars. Many of these I am familiar with. You may not have been on the internet talking about Star Trek or starships, but I certainly was.
Flashback to when I called the ending to S2 of Picard nearly 30 years ago.The last few pages are worksheets for Characters, Combat charts, and the Index.
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So. My feeling on Traveller TNE is that it was an attempt to keep Traveller moving forward.
I have gone through the TNE book more and compared them to my "Gold Standard" the Traveller Book and I am now seeing a lot more differences in terms of rules than I did on my first couple of read-throughs. This is the issue with reading a gamebook vs. playing the game. Further research outside of this book lets me know that other GDW games of the time were using the same rules. This is expected really. Game companies began to discover that using one system in-house was much cheaper in the long run. Not only did it mean you could hire fewer people to write, but you could also lift large sections of text from one game to fill in for another. This does create an issue though. There are two different writing "tones" here. I have no evidence but I am going to say the older-ish material was Frank Chadwick and the newer stuff was Dave Nilsen.
Rereading the rules prior to this post it dawned on my why I felt so much of it was familiar. It was Traveller-speak, but the rules were an old favorite of mine Dark Conspiracy. I rather liked that game back in the later 90s when I first encountered it and was looking for a new horror game to be my "home game" (spoiler, it was CJ Carrella's WitchCraft that won that battle!)
This an interesting idea though. Dark Conspiracy + Traveller The New Era would make for an interesting BlackStar-like game. I am sure I am not the only one who did that. Given the post-apoc feel of TNE I am not sure that hoards of undead would not feel so out of place, to be honest.
So we have a system that the older players don't like and newer players can't get into in a setting that the older players hate and the newer players have no investment in. Sound about right?
Still. There are some ideas here that I might mine. I am glad I have the PDF but I am not picking up the PoD anytime soon.
It is 1987. The year I graduated from High School and my first year in University. I knew about MegaTraveller, anyone that read Dragon Magazine even as infrequently as I was then knew about it. But again it is not a game I played. I do recall seeing it* played at a local con (SIU had a bunch of them) but (and this is the asterix) I could not really tell if it was Classic Traveller or MegaTraveller at the time. They had a lot of cool spaceships on a black hex map.I would not actually read MegaTraveller until the late 1990s. I was working on my Ph.D. and commuting all over Chicago. I found a local library that would honor my U of I Chicago library card and they had a copy of the MegaTraveller Player's Manual. I can't recall my impressions of the time all that much, just a memory of being on the commuter train and reading it.
Rereading it now I find the rules are largely similar to Classic Traveller. I know some clarifications and changes have been made but I am not qualified enough to pick them out.
The thing that is most obvious is the setting. The Emporer has been killed along with all his heirs and his assassin is claiming the throne. And so are about half a dozen or more people. So the empire has fallen and this is called the "Time of Rebellion." Does Traveller have...Star Wars envy?? I am sure that is not 100% true.
I have NO data to back this up, but my perception is that MegaTraveller was a hit. I think it appealed to people that wanted to play but not have to get into 10 years worth of back product. In many cases my D&D analogy extends here with MegaTraveller as AD&D 2nd Edition. The Jim Holloway art certainly helps that along.
My understanding is that MegaTraveller came as a boxed set. With Players's and Referee's books. Today you can get them as PDF via DriveThruRPG or from Far Future Enterprises. I will be considering the PDFs from DriveThruRPG for these reviews. It is nice to have these now after so many years.
In general, the scans are ok to good. Some attempt has been made to clean them up, but they are obviously scanned from printed products and not the original files. They are OCR'ed and have bookmarks. The scans look fine on my PC and on my iPad, but I don't think they would work well for Print on Demand yet.
PDF. 108 pages. Color covers, black & white interior art.
This book covers everything the player needs to create a character, including Basic and Enhanced options, learn about the core mechanic (and the Universal Task Profile), skills, combat, and psionics.
Reading through this I do get the feeling that this is a cleaned-up and updated version of Traveller. While I can see the larger changes, the subtle ones are less clear to me. My impression is that a MegaTraveller character could operate in a Classic Traveller game.
Layout and rule-wise there are a lot of clarifications. For example, Page 9 details Task Resolution and the Universal Task Profile. This would be called setting a difficulty level in other games. There are the levels of difficulty and what you need to roll over (3, 7, 11, and 15) which is different (slightly) than the "just 8 or better" of Classic Traveller. Rolls can also be altered by skills, risk, time, and other factors. This page gives a great overview and the first place I see a real improvement. Now my understanding is that many of the rules here came about in various publications, both books and supplements from GDW (Merchant Prince and Mercenary seem to be prime sources here) as well as periodicals. IT IS POSSIBLE that by 1986 people were playing with rules that resembled this. This the codification of all of those rules.
Character creation, both basic and Advanced/Enhanced are covered. This is largely similar to what I saw in Classic Traveller (CT) except I did not see anywhere where you can die before mustering out. The tables have been expanded to include military and non-military careers including Scouts and Merchant Princes. Even the example is a Doctor now.
Skills are detailed and this list seems to get larger with each new edition. What I like about MegaTraveller is that skill advancement is right after this section and much clearer.
Character creation and skills take up half the book.
SIDE NOTE: A lot of the tables and other character creation details (like character flowcharts) are set to one page or two pages. So printing out material from your PDF is easy. I can take a page with me to know what my character needs to do to advance for example or keep a list of all the skills with me. Page 9, the UTP is a prime example of this layout feature.
Combat comes up next. Again not a surprise since combat is an important part of Traveller. I don't think I expressed this before, but maybe MegaTraveller makes it more obvious, but combat looks like it is a deadly affair. Again, no practical experience here, but going through the numbers I am surprised I did not notice it before. There are charts of weapons and damage, but not the catalog of guns we found in Traveller 2300.
The last dozen or so pages cover special rules, like mapping and special types of combat.
At the end, where it always is it seems, is the section on Psionics.
Throughout the book, there are little boxed texts that give some more background on the fallen Imperium. Little bits of history and background to add flavor. This new time period is the big deal with this edition.
The inside cover maps of the Spinward Marches and the Third Imperium look like they were taken from a previous version of Traveller. The Imperium map is dated 1115 and this game takes place in 1116 and beyond.
MegaTraveller Referee's ManualPDF. 108 pages. Color covers, black & white interior art.
The Referee's Manual opens with the various factions vying for control in the Imperium. Just a page, but it really set the tone for me. I can see how this would be a great game to play with the various factions working with and against each other for ultimate control while the PCs work whatever angles they can to either get more power or just stay alive. I was skeptical of change when I first read it, but now re-reading it many years later I am very excited about it.
This book covers similar territory as the Players' book, save from the game master's perspective. Again I am drawn in by the parallels of the format and layout of this game as AD&D 2nd Ed. which will hit the stands in another 2 years. I am not suggesting TSR copied GDW but instead that this was something that was a logical extension of many 2nd Edition games released around this time.
There is a longer breakdown of Tasks and resolutions here that makes me happy to see. I never ran a Traveller game, but with this book I think I could.
Star System and World Creation is next including a discussion on world profiles. It is detailed, without being overly so, and will get any Ref going on world creation. It doesn't have the same feel to me as the Classic Traveller section doing the same thing, but I think that is fine. Lots of tables here and no equations to solve. Kinda miss that.
Sections on Animals and Encounters are similar to their Classic Traveller counterparts. Detailed enough to keep you going for a while
Trade and Commerce cover the next 10 pages. Again, brief but enough to start. I imagine that entire books can (and maybe have) been written on this topic. I also imagine that this is an area where the Imperium's fall would also be a prime place for adventures. Smuggling cargo, protecting shipping lanes, getting something like medical supplies to another part of the system but other factions want to stop you or steal what you have? Yeah, lots of ideas.
Craft Design and Evaluation cover the next 34 or so pages. More craft seem to be available to the MegaTraveller character/group than the Classic Traveller ones. If this review is late in posting it was because I was making starships again. With CT I like system building more, here I like starship building more.
This is logically followed by Starship Combat.
We end with a couple of stellar maps.
Reading through these now I kind of lament not getting in on this fun back then. Classic Traveller with all its supplements, and add-ons, and alien modules, and board games seemed like a steep hill to climb. I erroneously felt MegaTraveller was the same way. Just looking through was DriveThruRPG and FFE have on their sites it doesn't seem to be that much to me know. It is still far more than want to buy right now and far more than I'll ever play, but it is nice to know it is all there.
More Notes
It appears that MegaTraveller, in addition to being a pencil and paper RPG was also a couple of video games, as if my Traveller Envy wasn't enough already. MegaTraveller 1: The Zhodani Conspiracy and MegaTraveller 2: Quest for the Ancients were released in 1991 for the Atari ST and MS-DOS systems and in 1992 for the MS-DOS and Amiga systems respectively. These might be fun to try and find for the retro-gaming computer I built over the winter.
GURPS Traveller
GURPS Traveller was released in 1998 for GURPS 3rd Edition. It covers the same time span as MegaTraveller, but there was no rebellion. I guess the idea was to preserve the feel of Classic Traveller.
I like GURPS well enough, but I have stated before that GURPS has no soul to it; at least not to me. IT's too bad really since I do enjoy a good Universal game. Their supplements have always been top-notch though. I have never been so happy to spend money on game I know I won't play.
Between October 2003 and October 2013, Chaosium, Inc. published a series of books for Call of Cthulhu under the Miskatonic University Library Association brand. Whether a sourcebook, scenario, anthology, or campaign, each was a showcase for their authors—amateur rather than professional, but fans of Call of Cthulhu nonetheless—to put forward their ideas and share with others. The programme was notable for having launched the writing careers of several authors, but for every Cthulhu Invictus, The Pastores, Primal State, Ripples from Carcosa, and Halloween Horror, there was Five Go Mad in Egypt, Return of the Ripper, Rise of the Dead, Rise of the Dead II: The Raid, and more...
The Miskatonic University Library Association brand is no more, alas, but what we have in its stead is the Miskatonic Repository, based on the same format as the DM’s Guild for Dungeons & Dragons. It is thus, “...a new way for creators to publish and distribute their own original Call of Cthulhu content including scenarios, settings, spells and more…” To support the endeavours of their creators, Chaosium has provided templates and art packs, both free to use, so that the resulting releases can look and feel as professional as possible. To support the efforts of these contributors, Miskatonic Monday is an occasional series of reviews which will in turn examine an item drawn from the depths of the Miskatonic Repository.
Name: Into the UnknownPublisher: Chaosium, Inc.
A new week and a new set of rules to read over. This week I am going for a span of 20 years. Traveller, in its first 10 years, stayed pretty consistent and took me about two weeks to work through. The next 20 years are going to be much faster.I am going to start off with one today I only know very little about. Traveller: 2300 also known as 2300 AD.
Before getting into any books or research here is what I do know. This was supposed to be the start of a new line for GDW. It dealt with the earliest time in the Traveller Universe, specifically 2300 AD on Earth. There was a tie-in with their Twilight 2000 game line. In 1986 I was very deep into AD&D to exclusion of all else save for college prep.
So this one is 100% new for me.
Ok. Let's do this one right from the start. This is not really a Traveller game. While I am sure many people worked it out so it could be the past of Traveller, my very, very limited understanding of the history of Traveller's Imperium suggests that likely isn't. But I am sure people with better knowledge than me can say for sure. Since I have a sci-fi game set more or less in the 2300s I figure why not pick this up to see what it is like.
For this review, I am only considering the PDF available from DriveThruRPG. I *thought* I had bought it from FFE years ago, but I can't find my copy.
PDF. 131 pages. Color cover, black & white interior art. The scan is OCRed and bookmarked. The scan of the cover is rough, but the interior looks better.
The Introduction reads like many RPG books. "This is an RPG", "here are some expectations." And so on.
Player's Manual
History covers the history of this setting with the horrible nuclear war in 2000. I must have been sleeping. I am kidding of course, RPGs are great fun but they have not been great at predicting the future really. Now I have no way of telling, but I think this is basically the same history as GDW's other game Twilight 2000. It certainly feels the same. I never played the game myself. This history section covers the fall and rise of humankind as they venture out into space by the year 2300. Wars and geo-political rivalries are also covered and how they still affect the day-to-day lives of humans on Earth and in Space. This flows into the next section.
Political Geography talks about Earth and beyond of 2300. America is split up (ok that one is not so far-fetched) with Texas as its own republic (which seems to be a reoccurring theme in a lot of things I am reading right now) and other "American" nations. Mexico is split up. Europe ie, well Europe. I think the authors overestimate the older rivalries a little. Germany reunited long before 2000 in a largely peaceful integration and the European Union has been going pretty strong if you ignore Brexit.
In space we colonies at L-4 and L-5 (LaGrange Points), Mercury (not likely, but I'll go with it), Mars, the Asteroids (much more likely), the moons of Jupiter, and just beyond Saturn. No mention of Lunar colonies at all here.
The chapter on Technology is interesting. By 1986 we had seen nearly 10 years of Moore's Law in effect for computers, so the authors of this game give computers a bit more power. I would argue it is not really enough still, but getting there. There is a bit about AIs and psychosis that feels like something I just read in Robert A. Heinlein's Friday. There is some detail on transportation and medical sciences as well.
Colonies cover the fifty-five colonies on twenty-nine inhabitable worlds. Since these colonies are largely extensions of Earth-based interests they are classified by which "Arm" they are in (American, Chinese, French) or which "Finger" of the Arm (Canadian and Latin for America or the French Frontiers). This is followed by Foundations that provide services for citizens after the collapse of the governments in 2000.
Twenty pages in we finally get to Character Generation. If you didn't know this was "not Traveller" before then you learn it here. There are four physical attributes: Size, Strength, Dexterity, Endurance, and four psychological ones: Determination, Intelligence, Eloquence, and Education. You roll a 4d6-4 (generating a score between 0 and 20) and you can re-roll one physical and one psychological attribute. Strength and Dexterity are altered by homeworld and gravity type.
Like Classic Traveller you have skills that can be determined by Background and Career. But no hint of dying in Character Gen (is this even Traveller then???).
This all takes us right to Skills and Careers.
The "Shopping sections" Equipment, Weapons, Vehicles, and Armor follow. Weapons cover all sorts of guns (as expected) and a few laser-based ones. Vehicles does not cover starships. The currency of choice is the French Livres (Lv).
We get some star charts and tables of the nations of the systems.
Referee's Manual
While this is all one file, it was obviously once a boxed set with separate books. Pages 54 to 105 cover what was the separate Referee's Manual. I will also point out that the Bookmarks in my PDF stop working well at this point. There are bookmarks, but they don't always go where they should and are indented oddly.
What would have been the back cover of the Referee's Manual has some really great insight. It credits Marc W. Miller (Traveller) and Frank Chadwick (Twilight: 2000) as two of the "big name" designers of 2300. The implication here is that 2300 was something of an in-house game combining elements of Traveller and Twilight:2k. As a designer myself, I find that fascinating. Maybe, just maybe, more fascinating than the actual game! Internally they called it The Game. And it sounds like that played it out from 2000 to 2300 in turns of 5 or 10 years to get us where we were then.
Life on the Frontier covers the implied setting of the Traveller 2300 game.
Tasks and Combat are largely the same sorts of sections, with combat a special case of task resolution. Clue #2 that this is not your father's Traveller: 1d10 for task resolution and not a 2d6. Here you need to roll higher than a 7 with every 4 points above or below that as a target number difficulty. You add your plusses from skills to your roll and if needed an attribute divided by 4 (+0 to +5) range.
Both Tasks and Combat have charts of successes and failures and what you do with each.
Star Travel finally gets off of the Earth and out into the colonies. The stutterwarp is travel mode of choice to get to distant stars. There are limitations. The drives of these ships can travel great distances but have to jettison their spent radioactive fuel in the gravity well of a system. This process takes some time. So there is a limiting factor on how far a ship can practically travel. There is some detail on tinkering with your starship, but not at the level I have come to associate with Traveller. Space Combat follows right after this. What is nice about this one is there are some photos of ships on a space hex-grid.
Ship Listing is the "shopping list" of Starships. It lacks the "used cars" feel of Classic Traveller.
World Generation is next. It covers quite a lot of detail to be honest. More than I expected.
NPCs are next, followed by World Mapping and Animal Encounters.
There are some star maps, star charts, and some blank forms for Star Data, World Data, and Colony/Outpost Data.
Also included is a sample adventure, The Tricolor's Shadow. It has maps, adventure ideas and two scenarios to run.
Two alien species are introduced in the end, The Kafers and The Pentapods. They are presented as NPCs only, not as playable species.
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Traveller 2300 is not a bad game to be honest, it just isn't really Traveller is it? I would be better with it IF I could try to figure out a way to make it work with more up-to-date history. But by that point, I could instead use it as a guide and run a Classic Traveller game and limit it to this time period and location.
There is another issue with playing this sort of game. Traveller 2300 suffers from our collective inability to really predict the future. That is no slight on the designers, that is just human nature. Compare the tech in this game to that of The Expanse RPG. Both cover humanity's first step to the solar system and beyond. Both cover roughly similar time periods (2300 vs. 2359) and both can play the same sorts of games. In Traveller 2300 you have the stutterwarp to get to extra-solar planets and int he expanse has the ring gates. The differences lie in the subtle predictions. Computers are much more powerful in the Expanse, but FTL tech is non-existent (save for the ring gate). Traveller 2300 has FTL (in a limited fashion by design). Compare both to say Star Trek of the same period, neither has anything at all like the Ambassador Class Enterprise-C.
Still this is a good game for a grittier version of Traveller, if you don't mind the system change, or for an advanced version of Twilight 2000.
The Spy Game: A Roleplaying Game of Action & Espionage takes the mechanics of Dungeons & Dragons, Fifth Edition into the very modern world of international espionage and intrigue, of stealth and superscience, and of maladjusted masterminds and doomsday devices in which spies, hackers, assassins, femme fatales, and suave secret agents set out to save the world in the name of freedom and democracy! Published by Black Cats Gaming following a successful Kickstarter campaign, The Spy Game casts the Player Characters as Agents, members of a spy agency, whether a real-world agency like the USA’s CIA, the United Kingdom’s MI6, or India’s RAW, or a fictional one included in its pages or of the Game Master’s own creation, and undertake assassination, capture, obtain, sabotage, or surveillance missions—or a combination of any five of them. They will attend briefings, gather intelligence, and conduct fieldwork, all before attending mission debriefings. The rules in The Spy Game allows the players to create interesting characters from a diverse range of backgrounds who engage in a range of espionage activities including infiltration and hacking, equipped with a wide array of equipment, and the Game Master to create agencies, missions, enemies and threats. In bringing espionage and modern action to Dungeons & Dragons, Fifth Edition’s mechanics, The Spy Game notes that anyone who comes from that roleplaying game will find a lot of familiarity, but also that it adds Infiltration to combat to expand upon the element of surprise and detection, gadgets which replace magic items—and which have to requisitioned, and hacking which works like magic, but only on computer technology.So, my 1/144 battletech game needs a good city terrain. there are tons of great paper model options for free online, but This Akhibara diorama
is a perfect starting place...but I wanted to pump it up with textures and lots of signage like you see in Hong Kong so I've been retexturing/recoloring the model, Once that's done I'll resize it from the Z scale it's native to into N scale. Z is great for standard Battletech minis, but I like the 1/144 model kits...anyhow, here are some pages;
and here's the "base plates" for same.
Conan the Thief is a supplement for Robert E. Howard’s Conan: Adventures in an Age Undreamed Of published by Modiphius Entertainment. It is the first in the ‘Conan the…’ series of supplements which focus on and take their inspiration from Conan himself at various stages of his life and what he was doing. Over this series, the supplements will track our titular character’s growth and progress as he gains in skills and abilities and talents. Thus this second supplement, following on from Conan the Barbarian, looks at Conan as a young man and his life what he did after he left his homeland, at the beginning of his career which will take him from barbarian to king, essentially the equivalent of a Player Character having taken the first steps in his adventuring career. Yet whilst the stats for Conan himself at this stage of his life do appear in the pages of Conan the Thief, they are more a side note than a feature, for the supplement is an examination of the countries of the centre, where East meets West in the Hyperborean Age—Brythunia, Corinthia, Nemedia, and Zamora. It includes new archetypes, talents, backgrounds, and equipment to help players create more varied Thief characters and Game Masters more varied Thief NPCs; a gazetteer and guide to the waning lands where the rule of law and civilisation force the poor and the needy, the greedy and the driven to steal and trade in what is not theirs; an array of detailed NPCs and monsters, including unique nemeses; and mechanics to help bring thievery and other activities and attitudes to your game, including burglaries, heists, assassinations, and more.Conan the Thief opens by introducing new options for the Thief type character, building upon the content in the core rulebook for Robert E. Howard’s Conan: Adventures in an Age Undreamed Of. This includes the Outlaw, a new Caste, which gives numerous reasons why a Player Character turned to thievery, such as ‘Nobility in All But Name’, ‘A Victim of Justice’, and ‘An Example Must Be Made’, and presents seven new Thief Archetypes: the Assassin, the Bloody Right Hand, the Fence, the Highwayman, the Master Thief, the Relic Hunter, and the Spy. In addition, there are Thief Educations, like Burglar, Rustler, Lock Breaker, Quack Physician, and Thug, enabling a Player Character Thief to specialise or to add thiefly elements to another character type. To these are added themed War Stories, Thief Talents, and kits and weapons. The latter includes the punching dagger, the katar, the duelling sword, and the garrote, along with the typical tools of the trade such as marbles, tripwires, smoke bombs, and more. Augmenting the core rulebook, this enables a player to create an interesting character or the Game Master interesting NPCs.
After coming to comics with You Are Deadpool, the solo adventures of the ‘Merc with a Mouth’ switches to the traditional format of text paragraphs with You Are (Not) Deadpool. This is the first entry in the ‘A Marvel: Multiverse Missions Adventure Gamebook’ series published by Aconyte Books and unlike almost every other Solo Adventure book it promises not to put you at the centre of the action. As the title suggests, you do not play as Deadpool in You Are (Not) Deadpool. Instead you are an innocent bystander approached by Deadpool who identifies you as ‘Six’ and asks you to help him. In effect, whereas you are not Deadpool, the character you play could actually be YOU THE READER if you were in New York when Deadpool bounds over to you like a happy puppy. With no mention of what happened to One, Two, Three, or Four, let alone Five, you find yourself accompanying Deadpool on his mission. For the most part he follows your suggestions, where to go, what to do, acting as both sidekick and conscience, much like his best friend, Weasel, or Dopinder the taxi driver from the film. However, there are moments where you shine and Deadpool definitely handles the fights—with relish, often his own—whilst you huddle in the corner, having rolled the dice to determine the outcome.The plot in Deadpool in You Are (Not) Deadpool is this. Daredevil gives a Deadpool a mission. Alien guns—Chitauri guns—are flooding the city and Deadpool has to find the source and stop them. The investigation will take the pair of Deadpool and Six above, below, and across New York, meeting Bob the Hydra Agent along the way, up and down the USA’s eastern seaboard because the budget does not extend as far away as Hawaii, although it does take them somewhere else… As Six, you and Deadpool will also play the worst game of Jenga in the Marvel Universe, fight a Psychic Octopus, lie about having found a sledgehammer, and a lot more besides. They might even jump book to the next entry in the series—She-Hulk goes to Murderworld!
Mechanically, You Are (Not) Deadpool is more sophisticated than the average solo adventure book. Standard six-sided dice are required, no more than three. Deadpool has three stats—MERC, MOUTH, and FOCUS, which are to do with physical, social, and mental stuff respectively. Initially, they are rated two each with the reader increasing the value of one of them by on, but they do change over the course of the adventure. They come into play whenever you want Deadpool to take an action. This typically involves rolling a single six-sided die and adding a stat to beat a target equal to five or six. This varies though. Sometimes, the reader will need to roll two or three six-sided dice and beat a higher target to see if Deadpool succeeds, and even then, this may not be enough. In certain challenging situations, the reader will need to roll another round or two other rounds to succeed. In addition, Deadpool can acquire Qualities such as GUARDS, GUARDS, RESOURCEFUL, and CHAOS, but never, ever KUMQUAT. Really. Not KUMQUAT. Not once. Each enters play with a value of one, and again, can fluctuate in play. Deadpool can also carry up to five objects, some of which, occasionally, can be used to improve his stats. Along the way, there games and puzzles too, such as decoding a lock in an underground base or playing the slot at a crummy casino in Atlantic City, and both Six and Deadpool can pick a wide array of achievements.
You Are (Not) Deadpool is well written, with lots of in jokes and nods to Geek culture (especially Lovecraftian Geek culture), but beyond the cover, it does lack illustrations bar entry ending silhouette clipart. As a consequence of being all text, You Are (Not) Deadpool lacks that dual sense of wondering what situation a piece of artwork illustrates and how to get there via the numbered paragraphs, but on the other hand, it does retain much more of sense of mystery.
In the comics and the films, Deadpool is known for breaking the fourth wall (and the Marvel Universe if truth be told), but in You Are (Not) Deadpool he never does that. There is the interaction between Deadpool and Six throughout, but since you as Six are directing Deadpool’s actions, there is a gap between the two, as if you are directing or roleplaying the actions of someone who is directing or roleplaying the actions of someone else. In this case, Deadpool. It might not be breaking the fourth wall, but it is breaking the immediacy of the roleplaying if you think about it. So do not do that. It would spoil the fun.
You Are (Not) Deadpool has three hundred entries, so there is lot to explore and multiple plot threads to follow and investigate, plus some tough challenges, puzzles, and fights to overcome. Deadpool is definitely going to need more than the one run at this—unless he/you/Six are really lucky, and if all three of you fail, then at least Deadpool can come heal and comeback. As for Six? Just cross out his name wherever it appears in the quest and write Seven (or Eight or Nine or…) instead. No one will notice.
Not quite the traditional Solo Adventure Book—but than what did you expect, this is Deadpool, after all, You Are (Not) Deadpool is an entertaining often ridiculous romp alongside the infamous ‘Merc with the Mouth’.
It's Friday the 13th! Something of a holiday here at the Other Side. May is SciFi month and for the first two weeks here I have dedicated it all to Classic Traveller. I find myself at a bit of a crossroads. Do I continue with the Classic Traveller OR do I go along to the progression from Classic to Mega Traveller and beyond? Choices. Choices.
In the mean time since today is the scariest day outside of October 31st (well, than and Walpurgis Night) let go to a discussion you all know I LOVE and that is horror in Space. In particular, the Mythos flavored Cosmic Horror of Lovecraft AND the exploration of Space ala Star Trek.
Since I am going to look a few ways to do this I am going to put it under the banner of Plays Well With Others.
My "Star Trek meets Cthulhu" campaign is known as BlackStar and I have detailed the ideas I have had here.
The game started out as a combination of various OSR-style games because that is what I was playing a lot at the time. But as time has gone on I have given it more thought and explored other RPG system options. Every combination has its own features and its own problems. Let's look at all the options I have been considering.
Basic Era/OSR
The first choice was the easy one really. I went with the two main books for their maximum compatibility, Starships & Spacemen and Realms of Crawling Chaos. Both are based for the most part on Labyrinth Lord. This gives me a lot of advantages. For starters, and the obvious one, there is just so much stuff for this. If I don't like the Cthulhu monsters from Realms, I can grab them from Deities & Demigods, Hyperborea, or so many more. The Lovecraft/Cthulhu stuff is covered. The "Weakest" link here is Starships & Spacemen. Well, it's not weak, but it is not my favorite set of Trek-like RPG rules.
Given the rules, I could add in bits of Stars Without Number. That *might* fill out some of the rough spaces (for me) of S&S. There is a lot, I mean really a LOT I can do with all of this.
It would also make running The Ghost Station of Inverness Five much easier.
D20 Systems
I'll admit it. I like d20. I enjoyed d20 games. There are LOT of options if I want to go 3.x d20.
Pathfinder, Starfinder, d20 Call of Cthulhu, Sandy Petersen's Cthulhu Mythos. All of these are great and at least 90% compatible. Again, I am sick with riches when it comes to Cthulhu/Lovecraftian materials here. Starfinder is good...but it is not Star Trek. In fact my preferred Sci-Fi d20 game is the Wizards of the Coast Star Wars. I know. I am strange.
Certainly, the d20 Cthulhu books would be easily converted to OSR, but they already have analogs in the OSR world. But having all of these is certainly helpful.
Since my weakest link seems to be Trek-like rules, maybe what I need is a good set of Trek rules.
Star Trek RPGs
Currently, my two favorite flavors of the Star Trek RPG are the classic FASA Trek and the newest Mōdiphiüs' Star Trek Adventures. Both are great. Both are really fun. AND there is even a Mythos/Lovecraftian game using the same system, Achtung! Cthulhu 2d20. Now this game is set in WWII, but that is not a problem.
Here I have exactly the opposite issue. There is a LOT of great Trek material and limited on Cthulhu/Lovecraft material. I could add in material from Call of Cthulhu as needed. Also, I have the PDFs for Achtung! Cthulhu 2d20 but none of the physical books. The 2d20 system is also much newer for me and I don't know it as well as some of the others.
Traveller
I have been talking about Traveller all month long and it would remiss of me not to try something with that. Thankfully things are well covered there.
So I have not even touched ANYTHING yet regarding the Cepheus Engine or new Traveller, but to jump ahead a bit there is a game setting for Traveller Chthonian Stars. It takes place in 2159 (a date I can use!) and there is a lot to it, but the basic gist is Humankind has begun to explore the Solar System and that is about it. Then we introduce Cthulhu Mythos material to that! Sounds a bit like BlackStar: The First Generation. I'll get a proper review up later in the month, but there are a lot of great things in this setting. Reading over it it really makes me want to try this using just Traveller. They really make it work well. Plus I could still use the Classic Traveller system, more or less.
This provides me with a solid sci-fi game with great mythos support too. The publisher has since updated this game to their more inhouse version called The Void. Not sure if it uses the same system as their Cthulhu Tech RPG or not.
AGE SystemI really love Green Ronin's AGE system. I also LOVE the Expanse. So I grabbed their Expanse AGE-based RPG and am hoping to do a lot more with it. So imagine my delight when they ran a Kickstarter for Cthulhu Awakens an AGE-based Mythos game. The Solar System spanning of the Expanse is nowhere near the Galaxy spanning of Star Trek, but maybe I could run it as a "Prequel" game. Get a ship out to Pluto to discover something protomolecule-like but instead make it mythos-related. A prequel to my Whispers in the Outer Darkness. A Star Trek DY-100 class pre-warp ship would fit right in with the ships of the Expanse. I should point out that the Expanse takes place in the 2350s, the same time frame as my proposed BlackStar campaign in the Star Trek timeline. 2352 for the launch of the Protector and 2351 for the Expanse RPG.
Maybe this "First Mission" might explain why Star Fleet is building its experimental ships at Neptune Station and not Utopia Planitia. There is something they discovered on Yuggoth/Pluto that makes the Warp-13 engines work. There is my protomolecule connection!
It is possible I could retweak my "At the Planets of Maddness" for this system/setting. Though in my heart I really wanted Shoggoths and Elder Things for that adventure. Pluto and Yuggoth clearly imply the involvement of the Mi-Go.
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I have all those choices listed above and that is also not counting games like Eldritch Skies that also combine space travel with Cthulhu/Mythos.
Chthonian Stars might have an answer for me. What if this story is not being played out over a single campaign, but multiple lifetimes?
I could do something like this. Note, this is only a half-baked idea at this point.
Victorian Era: Scientists work out the means of travelling the Aether to the stars. (Ghosts of Albion*, Eldritch Skies, Space: 1899. Using Ghosts to make the Protector connections a little clearer).
1930s: Scientist found dead with brain "Scoped" out. Investigate. (Call of Cthulhu)
2150s: Travel to Yuggoth discover an advanced civilization was once there. Items from 1890s and 1930s are there. (Expanse, Chthonian Stars, Cthulhu Awakens)
2290s: Star Trek Mercy (this one is pure FASA Star Trek). Maybe this can be the one with the Klingon Skelleton ala The Creeping Flesh.
2350s: These are the Voyages of the Experimental Starship Protector. (OSR or Mōdiphiüs 2d20)
I could even do an epilogue in the far future of the Imperium.
And some other stuff to include all my BlackStar adventures.
Maybe all of these are tied to the "Black Star" an artifact that makes space travel possible and is at the core of the Asymetric Warp-13 engine? Some was found on Earth but there is a bunch of it on Pluto.
Too many ideas, too many systems. Gotta narrow it all down at some point. But one thing is for sure, the system used will depend on what sorts of adventures the characters will have. Mōdiphiüs 2d20 is best for adventures and exploring. OSR games are good for monster hunting. FASA Trek does a little of both. AGE would be suit the New Adventures in Space theme well.
Conall Yellowclaw is on an urgent quest. The son of King Erin has been kidnapped and the king laid the blame firmly on Conall’s three adult children and locked them up in the royal dungeons. King Erin has also granted one chance to prove their innocence and buy their freedom: venture beyond the kingdom’s borders and acquire the famed brown horse belonging to the mysterious King Lochlann. Now he has heard of this King Lochlann—and hopes that most, if not all of the terrible stories he has heard about him are untrue, but he has no idea where he can be found and certainly no idea that he even had a horse—brown or otherwise. Worse, Conall is just a simple tenant farmer, getting on a bit and probably past the age when he should be going off on adventures—even if it is to fulfil a quest given to him by his king. Fortunately, he is persuasive and he is pretty sure that he can talk someone, or rather more than someone, preferably a party of younger, more capable adventurers, into accompanying him and fulfilling the quest on behalf of King Erin. Since time is short, he approaches them directly and asks for the Player Characters’ help.
